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Meet The Dates Of Havana D’ Primera – Europe Tour 2022

Alexander Abreu & Havana D’ Primera will begin their concert tour in Serbia celebrating their 15-year artistic career

cinco personas cantando — Alexander Abreu with the Van Van at Tempo Latino 2022

Alexander Abreu & Havana D’ Primera will visit Europe in September with their 2022 tour to celebrate their 15-year career with love and music, starting on Saturday, September 3rd in Belgrade (Serbia), and two days later they will step on the Bulgarian salsa stage (Monday, September 5th).

Subsequently, they will sing their repertoire in Spain (Seville, Madrid, Bilbao, and Barcelona) on September 8^th, 9^th, 23^rd, and 30^th, and will continue in France with two concerts: on Sunday 11^th, they will be on stage on the Cabaret Sauvage (Paris), while the Sunday, September 25^th, they will do so in the Patio de Camargue (Árles). In the same way, their tour of Germany (Hamburg) continues on Thursday, September 15^th, and the 16^th of this month, they will be in Finland, specifically in the capital city Helsinki.

The 2022 Tour continues in Italy (Florence and Naples) on September 17^th and 21^st. The latter will be in the Sweet Life concert hall located in the Somma Vesuviana municipality of the Neapolitan city.

On Thursday the 22^nd, they will do the same at the Cuban Latin Festival in the Netherlands (Amsterdam) and will end their 2022 Tour 400 miles from Europe in Tunisia in the Yasmine Hammamet neighborhood located in the north of the African continent on Saturday, October 1^st.

16 personas en un escenario — Ticket prices vary between £30 and £100.

Alexander Abreu spent his childhood in the city of Cienfuegos (Cuba) where he began playing the trumpet at the age of ten and has currently become one of the most versatile and acclaimed Cuban musicians of Afro-Cuban music. “I have always seen Havana D’Primera with 15 people on stage and everyone said that it was impossible, that it would be too expensive, too difficult to move… This is how we started: 14 or 15 of us and a lot of positive energy, now we are stronger than ever.” Abreu commente.

Havana D’ Primera (HDP) is a Cuban timba band founded by Alexander Abreu in 2007 and made up of 17 of the best Cuban musicians. The orchestra is led by the main composer Abreu, who has stood out for his melodic voice and ability to fuse genres through Salsa such as Jazz, Funk, and other Afro-Cuban rhythms.

“Since its inception, the band has released five studio albums and one live album. The debut album release was Making History with EGREM in 2009 and their first release for the Páfata Productions record label. 2012’s Pasaporte received favorable reviews from the international press and was voted one of the best Latin alternative albums of that year.

Since then, they have followed the success of “Pasaporte” with four more albums, released through Páfata Productions and the last one in co-production with the Cuban Producciones Abdala.

HDP released “La Vuelta al Mundo” in 2015 and “Haciendo Historia LIVE” arrived in 2016. “Cantor del Pueblo” in early 2018, earning the band a Latin Grammy nomination for Best Salsa album. We cannot forget “A Romper el Coco” with the participation of Mayito Rivera released in 2019, and the single Quiero Verte Otra Vez (2020) which won the Special Prize at the 2020 Lucas Awards gala and was also cataloged by the French newspaper “Le Monde” as one of the favorite songs of Latin music.

Finally, in 2021 the album “Será Que Se Acabó” was released, as a tribute to Cuban popular music of the 80s and 90s. Discography extracted from the Biography of Havana D’ Primera.

You can read: Where to go dancing Salsa in Paris?

In Barrio Marianao in Havana, Cuba was born Armando Peraza was a Latin jazz percussionist

Peraza (May 30, 1924-April 14, 2014) was a Cuban Latin jazz percussionist.

Thanks to his collaborations with guitarist Carlos Santana, jazz pianist George Shearing and vibraphonist Cal Tjader between 1950 and 1990, he is internationally recognized as one of the most important figures in the field of Latin percussion.

Known primarily as a conguero and bongocero, Peraza is also a skilled dancer and composer. He has appeared on recordings by Pérez Prado, Machito, George Shearing, Charlie Parker, Tito Puente, Cal Tjader and Carlos Santana. Performances with Santana, Shearing and Tjader brought him international fame.

He was inducted into the Smithsonian Institute and had three “Armando Peraza Days” from the city of San Francisco.

One of the most important and respected figures in the world of percussion.

He is a legendary master on both congas and bongoes, whose unorthodox style and story are an inspiration to countless young musicians.

He began his artistic career in the early 1940s, played with singer Alberto Ruiz’s Kuvabana ensemble where he played the bongo and moved to San Francisco in 1949.

At the New York World’s Fair he played congas in an African pavilion with a Nigerian.

This African arrives and says to me: “Man, what part of Africa are you from? I told him, I am from Cuba. He said: “Don’t tell me” He later worked with the orchestras of Paulina Álvarez and Dámaso Pérez Prado, and the Bolero group.

In 1947 he moved to Mexico, where he joined with Mongo Santamaría the ensemble Clave de Oro, and in 1948 they both traveled to New York as percussionists accompanying the dance couple Pablito y Lilón.

At the end of that year, Peraza joined Slim Gaillard’s jazz combo with which he traveled throughout the United States. After arriving in New York in 1949, Armando became a sought-after musician, especially in the contemporary Bebop and Latin Jazz scenes.

Armando built a reputation for impressively fast and complex hand technique, experimental techniques and great talent for entertaining. He flourished in progressive atmospheres that combined jazz with Afro-Cuban styles and was at the center of a new expression called “Cubop”.

He has played on more than 100 albums and is the composer of more than 40 songs. Some of these works include collaborations with Mongo Santamaria, George Shearing, Cal Tjader and Carlos Santana.

Settled in San Francisco, California, in the early 1950s, Peraza began working with pianist George Shearing’s quintet, where he demonstrated his mastery as a player of the tumbadora and bongo; also in this period he recorded several albums of Cuban folk music with Mongo Santamaria.

In the 60’s he joined the quintet of vibraphonist Cal Tjader, with whom he remained for several years and with whom he popularized Chano Pozo’s Guachi guaro. In the 1970s, he joined Mongo Santamaría’s orchestra, with which he participated in the Montreaux Jazz Festival in Switzerland.

Later he worked with Carlos Santana’s rock band, in which he remained for 17 years, until his retirement from artistic life in the 90s.

He possessed a great capacity to obtain the most unusual sounds of the bongo and the tumbadora, and distinguished himself for his extraordinary solos on both instruments.

He died on April 14, 2014 in California, United States, as a result of pneumonia.

Fuente: https://kripkit.com/armando-peraza/

Casa de la Música, Playa / Miramar in Havana Cuba

The month of January 2022 in this prestigious and exclusive place in Havana the best talents, orchestras, singers of the island are being presented, every weekend a different artist with the musical quality that characterizes the Cubans.

Aila Mompie, Asi Son, Tanin Pantoja, Quinteto Maden, Lazarito Valdez y Bamboleo, Papucho y Manana Club, El Hijo de Teresa y la Llegada, Leonel Limonta y Azúcar Negra, Yvan y la Leyenda, La Octava Nota, Zule Guerra, Maykel Hores y RB Salsa, Charanga Latina, Waldo Mendoza, Yordano y el Hermano, Giraldo Piloto y Klimax, Vania, Ronny, Casabe, Max Max, Pascualito Cabrejas y Tumbao, among others.

Since it opened in the mid-nineties, this concert hall has consolidated its position as the temple of salsa and Cuban son in the capital. — a de la Música, Playa / Miramar in Havana Cuba

Since it opened in the mid-nineties, this concert hall has consolidated itself as the temple of salsa and Cuban son in the capital. The best bands have played on its stage and the programming continues to be irreproachable.

It is a beautiful place in Havana, where orchestras from different artistic catalogs of the country perform, a spectacular place to enjoy good popular dance music in its halls.

The house was built in the 40’s in one of the most aristocratic neighborhoods of the capital and was the headquarters of a lodge of the Masonic Foundation. It had two floors of masonry and tiles and included in its ample distribution a party room, stage, and auditorium, a premonition of what it would be half a century later. The Irrumpe Theater Group and the Fondo Cubano de Bienes Culturales (Cuban Fund of Cultural Goods) also passed through it, then sadness came over every corner of the House until EGREM knocked on its doors to break the silence and turn it into the House of Musicians and Cuban Music.

It began with the EGREM Award Gala in April 1995 and in October of the same year, with the concert of the great Cuban musician Chucho Valdés and the group Irakere, it passed the test of fire because this concert was recorded live in the memory of the House thanks to the latest technology equipment it has.

The House was created to exhibit and commercialize the Cuban discography in different media and to promote the recognition of the work of our artistic talents through live presentations, and as a complement to this, the gastronomic offer, always preserving the most genuine values of the national culture.

“International Salsa Magazine is SalsaGoogle.com“.

We are an organization that from the hand of its Founder, Director, and Editor Eduardo Guillarte, in force since 2007 has been working nonprofit helping to promote:

Orchestras, Singers, DJs, Clubs, Plastic Artists in North America, Europe, and Latin America and Asia and with the contribution of volunteers in various parts of the world, which at the same time invite and recommend all lovers, dancers of our Latin music to visit the Casa de la Musica, Playa / Miramar in Havana Cuba.

How to get there: Dale Click Aqui

Calle 20# 3308 cya Havana, Cuba 10400orner of 35 Miramar Pla

+53 7 2026147

Facebook: Casa de la Música de Miramar Playa

Fuente: www.ecured.cu

Aila Mompie, Asi Son, Tanin Pantoja, Quinteto Maden, Lazarito Valdez y Bamboleo, Papucho y Manana Club, El Hijo de Teresa y la Llegada, Leonel Limonta yAzúcar Negra, Yvan y la Leyenda, La Octava Nota, Zule Guerra, Maykel Hores y RB Salsa, Charanga Latina, Waldo Mendoza, Yordano y el Hermano, Giraldo Piloto y Klimax, Vania, Ronny, Casabe, Max Max, Pascualito Cabrejas y Tumbao, entre otros. — Casa de la Música, Playa / Miramar Beautiful place in Havana

Long live music and its unique and great protagonist, La Salsa y el Son Monte Adentro.

Article Interest: Quinteto D’Amore of Havana – Cuba

Asia / April 2026

Karina Bernales present

April 2026

FESTIVALS

Cebu SBKZ International Festival

Apr 10 / 12, 2026

Waterfront Cebu City
Hotel and Casino
Salinas Drive, Lahug
Cebu City, Philippines 6000

USD $ 199

LATIN NOTION THAILAND

Apr 14 / 20, 2026

Eastern Grand Palace
99/1 Moo 11 Soi Khaotalo
Pattaya, Thailand, 20150

THB 6,000

Directory of Asian nightclubs
HONG KONG
Graffiti LKF G/F, 17-18 Lan Kwai Fong Central, Hong Kong	SOLAR LKF Ho Lee Commercial Building, 38-44 D’Aguilqr St, Lang Kwai Fong Central, HKI Hong Kong	Sole Mio Upper Ground Floor, 51 Elgin Street, Soho, Central Hong Kong, Hong Kong
ISRAEL
	Havana Music Club Yigal Alon St 126 Tel Aviv-Yafo, Israel +972 3-562-3456
JAPAN
Egoland Bar Akihabara Chiyoda City, Kanda Sakumacho, 4 7－3 2F Tokyo, Japan	Bar Mirage 5F VORT Roppongi Briller, 3-14-14 Roppongi, Minato-ku Tokyo 106-0032, Japan +03-5860-6946	Fiesta Latin Spot Bar 3F, 1 Chome-14-6 Kabukicho, Shinjuku City Tokyo 160-0021, Japan +81 90-1086-2878
El Cafe Latino 3 Chome-15-24 Roppongi, Minato City Tokyo 106-0032, Japan +81 3-3402-8989	Latin Club Leon 5-17-6 B1 Shinjuku, Shinjuku-ku Tokyo 160-0022, Japan	La Tropi Azabu 3F Roppongi Azelea Bldf. 1-3-6 Nishi-Azabu, Minato-ku Tokyo1060031, Japan
THAILAND
Bafros Sugar Club Complex Sukhumvit Soi 11 Bangkok 10110, Thailand +66 63 039 8700	Havana Social 1/1 Sukhumvit Rd. Soi 11 Bangkok, Thailand +66 2 821 6111
VIETNAM
Apocalypse Now Sai Gon 2F Thi Sach Ho Chi Minh City, Vietnam 70000 +84 799 741 261	La Habanera Basement 81 xuân diệu Tay Ho Hanoi 100000, Vietnam +84 35 320 7220	La Pachanga Club Saigon 3rd Floor, 39A Co Bac Street, Cau Ong Lanh Ward, District 1 Ho Chi Minh City 700000, Vietnam +84 93 855 79 21

Profile of Raimundo Elpidio Vázquez Lauzurica: The Guardian of the Rhythm in Sonora Matancera

The heir to a musical dynasty that defined the sound of the “Dean of Latin Ensembles”

On March 15, 1934, the Jesús María neighborhood in Havana saw the birth of one of the most solid figures in Cuban syncopation: Raimundo Elpidio Vázquez Lauzurica. Known worldwide as “Elpidio Vázquez,” his destiny was written between the strings of a double bass and the mystique of Cuba’s most iconic musical group.

As the son of the legendary Pablo Vázquez Gobín (“Bubú”) and the older brother of master pianist Javier Vázquez, Elpidio did not just inherit an instrument he inherited a historical responsibility.

His formal connection with Sonora Matancera began in 1952, when he started subbing for his father. It didn’t take long for his talent to secure him the permanent spot, becoming the rhythmic backbone of the institution until the end of his career.

Legacy and Musical Contributions: Beyond the Double Bass

Elpidio Vázquez was not just a performer; he was a sonic architect. His ability to maintain a precise tumbao allowed Sonora Matancera to preserve that unmistakable harmonic signature that captivated the entire continent.

In addition to his technical prowess, Elpidio shined as a composer, contributing tracks that became essential hits:

“Le dio con la sartén”: A guaracha recorded by the “Flaco de Oro” (The Golden Thin Man), Celio González, in late 1959.
“La negrita inteligente”: A gem performed by the Queen herself, Celia Cruz, in 1961.

His versatility led him to explore other musical horizons. He participated in the vibrant Cuban descarga (jam) sessions alongside Osvaldo “Chihuahua” Martínez and collaborated on historic recordings with giants of salsa and bolero, such as Ismael Rivera, Daniel Santos, Johnny Pacheco, Justo Betancourt, and Roberto Torres.

The Double Bass: Unlike many bassists of the salsa era who quickly transitioned to the Baby Bass or the electric bass, Elpidio is remembered for his mastery of the acoustic double bass, maintaining that organic, deep sonority of traditional, evolved Cuban son.

Recognition and Saying Goodbye to the Stage

One of the most memorable chapters of his career took place in 1989, during the 65th-anniversary celebration of Sonora Matancera. Organized by Gilda Mirós, Elpidio rocked world-renowned stages like Carnegie Hall and New York’s Central Park, reaffirming the band’s timeless relevance.

Career with Sonora Matancera

The Historic Handover: In 1952, Elpidio took on the responsibility of replacing his father on the double bass for Sonora Matancera. This was no small task, as he had to maintain the characteristic tumbao that had defined the group’s sound for decades.
Sonic Signature: He is credited with imprinting a robust harmonic stamp and a rhythmic stability that allowed Sonora to back the biggest stars of the era (Celia Cruz, Nelson Pinedo, Bienvenido Granda, etc.) with flawless precision.
Exile and Continuity: Like the rest of the group, he left Cuba in 1960, continuing his career abroad and participating in Sonora’s prolific New York era and their international tours.

A historical footnote: After the death of Rogelio Martínez, it is said that Elpidio was designated as the group’s musical director by public deed. However, in a gesture of humility and after decades of dedication, he preferred to retire in New Jersey, letting his brother Javier take the helm for the orchestra’s new era.

Today, the figure of Elpidio Vázquez remains a symbol of artistic fidelity and musical excellence the bridge between the tradition of “Bubú” and the modernity of New York salsa.

Also Read: La Sonora Matancera musical congregation of long trajectory and its sound quality, is one of the most popular in the Caribbean island “Cuba”