Ayumi was born in Japan She graduated from the Faculty of Percussion, Tokyo College of Music.
Ayumi was born in Japan. She plays Latin percussion, Classic percussion, Marimba & Vibraphone.
At the college; she began to study percussion in earnest mainly with classic music and gained experience of ensemble in orchestras, brass bands, musicals, operas, etc.
Ayumi “Azucar” Suzuki She plays Latin percussion.
At the same time, she started to organize concerts and participate as percussionist, keyboard percussionist or drummer.
She has been also teaching eurythmics at a nursery school.
In 2015, she started her own band, “Ayumania” that features mostly her original compositions and arrangements, where she fuses Japanese atmosphere into Latin rhythm.
Inviting both Japanese and foreign guests, she has been organizing live concerts in various places in Tokyo.
In July 2017, she released her first album “Oukagekka” in Japan. It has been promoted in overseas radio programs in Colombia, Puerto Rico and New York.
The Japanese vibraphonist, timbalera, composer and arranger Ayumi Suzuki launches her Ayumania debut, a musical production recorded between Tokyo and Los Angeles that includes 7 original numbers – composed and arranged by Suzuki herself – and two covers: Maria Cervantes de Noro Morales and Mi Amore by Naoya Matzuoka. In this album, Ayumi’s speech establishes a bridge between classical and contemporary Cuban music, with different rhythmic touches and influences that have marked his background as an instrumentalist.
Sakura, a beautiful instrumental melody composed by Suzuki herself, highlights Chiho “Isabel” Saito on the violin, as well as Hiromishi “Yan” Tsugaki on the keyboards, and of course, Suzuki on the marimba and the vibraphone.
Ring Loop is a cadenciosa are montuno with outstanding participation of Takashi Nakazato in the congas; La Lluvia, vocalized by the Cuban Julian “El Pillo” Tapia, presents the solos of Mitsuru Tanaka and Ayumi on the trumpet and vibraphone, respectively.
Knock Knock Knock is a festive cut that builds bridges with Caribbean music, particularly calypso, and salsa and in which Ayumi herself punches the timpani and a mind-blowing one in the marimba.
Saredo Danzon, as the name implies, is a danzon that opens with a solo by Hiromichi Tsugaki on the piano while Umihotaru, with vocals by Julian “El Pillo” Tapia, is an afro rhythm in 6/8 with the intervention of Hiromichi Tsugaki (fender rhodes) and Ludwig Esteban Nuñez (drums).
Suzuki offers a tribute to Noro Morales in his legendary composition of Maria Cervantes. In this piece we hear the participation of Jimmy Branly in the drums and an overwhelming solo of Ayumi in his vibraphone, with that way of playing that only she has.
Branly himself performs the drums in the last two pieces;Suzuki achieves a premium opera that honors her at the rumberos school.
With sophisticaded arrangements. with the elegance and the street necessary to position it is as one of the most
outstanding salseras of the international level. It wil surely be one of the best productions of this 2017.
A modern and contemporary material, original and unusual, is the one that establishes this Japanese multi-instrumentalist Ayumi Suzuki, establishing different arrangements and touches to each theme, this Japanese vibraphonist, timbalera player, composer and arranger establishes a thin line between Cuban music and modern, going through bold and effective rhythmic domains.
A material that consists of 7 original songs, two covers and all under the baton of Ayumi.
Sakura emerges with a flow of wind sounds with minor percussions that make the environment conducive to an eclectic and harmonious journey, one of the fundamental pieces to understand the musical transculturation of this talented woman, the violin solo by Chiho “Isabel” Saito and the keyboards by Hiromishi “Yan” Tsugaki and the marimba and vibraphone by the emblematic Ayumi stand out.
A son montuno can not be missing in this material, Anillo De Lazo where a congas solo by Takashi Nakazato stands out, La Lluvia, a song that already rolls through the wide world of the networks in which the voice of Julián Tapia can be appreciated, the trumpet of Mitsuru Tanaka and the vibraphone of the great Ayumi, undoubtedly a 5 star material, a musical base and instrumentalist of first line that give the incomparable recognition to the musical talent of this great artist and in conjunction with the band.
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