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19va Entrega Anual de los Latin Grammy

North America / USA / Las Vegas

19th Annual Latin Grammy Awards. The most important award ceremony of the Latin American Music Industry will be held for the fourth time in Las Vegas, Nevada

The main international event in Spanish that brings together the best of Spanish-speaking music reaches its nineteenth live broadcast, from the MGM Grand Garden Arena in Las Vegas, Nevada for the fourth time, to reward and honor the achievements of professionals of music throughout the year. The ceremony of the 19th Latin Grammy Awards is here, and on November 15 you will be able to enjoy it through the Univisión signal for the United States and with the #LatinGrammy you will be able to follow it minute by minute during its three hours of transmission by all social networks.

The most important night of Latin music 19 Latin Grammy

Each year the Latin Recording Academy awards recognition to Latin music in 49 categories for work recorded in two languages: Spanish and Portuguese. This prestigious institution also endorses musical genres, identifies new talent, recognizes legendary living artists, and preserves and archives both recordings and videos in order to preserve the valuable Latin American musical culture.

The global impact that Spanish-language recordings have caused this 2017-2018 has proven once again that this year each category will be close to its maximum exponential, which shows that MUSIC made by Latinos has an enormous export capacity, and further evidence that the Latin Grammy awards continue to be one of the specials with the largest audience in the country, as it integrates the largest audience of diverse generations united to witness the annual event with the greatest presence of artistic talent gathered in the same show.

FOR THIS 19TH AWARD OF THE LATIN GRAMMYS, THE NOMINEES ARE:

BEST SALSA ALBUM

Dancer’s Corner

Pete perignon

Record Label: Pete Perignon Music

“La Esquina Del Bailador” is the second production by musical director and master percussionist, Pete Perignon. This album contains five unreleased singles and five re-interpretations of classics. “Gotita Falling in Key” was his first promotional theme. This album released in 2017 has versions of classics with modern arrangements such as: “De Mi Para Ti” (Bossa recorded by Tito Puente and Santos Colón), “El Beso Discreto” original from the Cuban songbook Trio Matamoros, among many other original songs and versioned

Village Singer

Alexander Abreu and Havana D’ Primera

Record Label: Páfata Productions

Alexander Havana D Primera - Cantor del Pueblo — Alexander Havana D Primera – Cantor del Pueblo

For My People

Charlie aponte

Record Label: CA Records Inc.

The Sound Makers

Chiquito Team Band

Record Label: Planet Records

7/25

Victor Manuelle

Record Label: Sony Music Latin

BEST TRADITIONAL TROPICAL ALBUM

To Me What – Tribute To The Cuban Classics

José Alberto El Canario & The Santiaguero Septet

Record Label: Los Canarios Music

In this category, the Septeto Santiaguero, originally from Cuba, is nominated for its fourth album “A Mí Qué- Tributo A Los Clásicos Cubanos”. This ensemble founded in 1995 recorded this production in the company of the Dominican interpreter José Alberto “El Canario” and other music stars. This record material has 13 Tracks and was released on May 25, 2018.

Medoro Madera

Rubén Blades With Roberto Delgado and Orchestra

Record Label: Ruben Blades Productions

The Party Continues

The Sonora Santanera

Record Label: Sony Music

Omara Always

Omara Portuondo

Record Label: Egrem

Reasons

Maria Rivas

Record Label: Angel Falls Artists Inc.

BEST TROPICAL SONG

I want time

Juan Carlos Luces & Víctor Manuelle, songwriters (Víctor Manuelle Featuring Juan Luis Guerra)

Cut off: 7/25

Record Label: Sony Music Latin

The prominent Puerto Rican singer-songwriter and producer, Víctor Manuelle, began his professional career in 1993, and to date has sold millions of records worldwide. He has earned 16 LATIN GRAMMY and GRAMMY nominations, thus establishing himself as one of the most admired artists of his generation. He has placed 46 singles on Billboard’s weekly Hot Latin Songs chart. Eleven of his albums have reached the place of honor in the Salsa genre for sales in the United States and Puerto Rico.

His hit “Imaginar” (2016) as a duo with urban artist Yandel, broke records, reaching #1 on the tropical charts thanks to his fusions of salsa with urban rhythms. In addition, it was named the most popular tropical song of that year, marking the third time that Víctor has obtained this important recognition, after his hits “Me Da Lo Mismo” and “ Tengo Ganas”.

In this 2018, Víctor celebrates his silver anniversary as a professional artist with his new record label “25/7” under the Sony Music Latin label. This album nominated for best Salsa album features collaborations with international artists, such as: Wisin, Bad Bunny, Juan Luis Guerra, Gilberto Santa Rosa and Glenn Monroig. The single “Quiero Tiempo” taken from this production is designated as one of the candidates to win the award in this important category.

Marry Me

Silvestre Dangond, Nicky Jam, Juan Medina, Mauricio Rengifo & Andrés Torres, songwriters (Silvestre Dangond Featuring Nicky Jam)

Record Label: Sony Music Entertainment US Latin

Fall in love dancing

Jorge Luis Piloto, songwriter (Reynier Pérez y Su Septeto Acarey Featuring Gilberto Santa Rosa)

Cut from: Fall in Love Dancing

Record Label: Independent

I fall more in love with you

Jorge Luis Piloto, Jean Rodríguez & Tony Succar, songwriters (Tony Succar Featuring Jean Rodríguez)

Record Label: Unity Entertainment

Simple Hearts

Fonseca, Mauricio Rengifo & Andrés Torres, songwriters (Fonseca)

Record Label: Sony Music Latin

BEST LATIN JAZZ/JAZZ ALBUM

Mind of a Master

Bobby Valentin & The Latin Jazzists

Record Label: Bronco Records

Tracks:
1. De Nuevo a la Carga	7.El Cumbanchero
2. Latin Gravy	8.Mellow Funk
3.Orocoa	9. Endless Love
4.Smooth Ride	10.Freedom
5.Blast Off	11. God Bless the Child
6. Coco Seco

Roberto Valentin, better known as Bobby Valentin, was born on June 9, 1941 in the town of Orocovis on the island of Puerto Rico. At a very young age, Bobby learned to play the guitar thanks to the teachings of his father. At just 11 years old, he formed his first musical trio with which he won his first prize, after participating in a local competition. In 1963 Bobby Valentin joined the Tito Rodríguez orchestra traveling to Venezuela twice.

This phenomenal bass player and arranger belonged to the Fania All Stars for 20 years and also arranged music at the same time for celebrities such as: Charlie Palmieri, Joe Quijano, Willie Rosario and Ray Barretto.

In 1975 he formed his own record label “Bronco Records” and released the album, “Va a la Cárcel” Vol. 1 and Vol. 2, among others.

Over the years, Bobby has made collaborations on recordings for great artists of international fame, such as: Larry Harlow, Ismael Miranda, Roberto Roena, Cheo Feliciano and the always remembered, Celia Cruz.

Likewise, Valentin has taken over the stages performing live in the United States during this year, and more recently launched his new production “Mind of a Master”, on April 14, 2018, with which he is nominated. for this important award.

The House Of A Jazz Pianist

Adrian Iaies Trio

Record Label: DBN

Universal Nature

Hermeto Pascoal & Big Band

Record Label: Scubidu Music

Back To The Sunset

Dafnis Prieto Big Band

Record Label: Dafnison Music

Jazz Flute Traditions

Nestor Torres

Record Label: Alfi Records

For more information visit the official website of the Latin Recording Academy:

https://www.latingrammy.com/en

Flora Purim has earned her two Grammy nominations for Best Female Jazz Performance

Flora Purim (born March 6, 1942 in Rio de Janeiro) is a Brazilian jazz singer known primarily for her work in the jazz fusion style.

Airto Moreira, Flora Purim y Carlinhos Noronha

She was featured for her part on Chick Corea’s landmark album Back to Eternity.

She has recorded and performed with many artists, including Stanley Clarke, Dizzy Gillespie, Gil Evans, Stan Getz, the Grateful Dead, Santana, Jaco Pastorius, and her husband Airto Moreira.

Flora Purim’s voice has earned her two Grammy nominations for Best Female Jazz Performance and Down Beat magazine’s Best Female Singer award four times.

Her musical partners include Gil Evans, Stan Getz, Chick Corea, Dizzy Gillespie and Airto Moreira, with whom she has collaborated on more than 30 albums since moving with him from her native Rio to New York in 1967.

In New York, she and Airto became the center of the period of musical expression and creativity that produced the first commercially successful “Electric Jazz” groups of the 1970s.

Blue Note artist Duke Pearson was the first American musician to invite Flora to sing with him on stage and on record.

She then toured with Gil Evans, about whom she says, “This guy changed my life. He gave us a lot of support to do the craziest things.

This was the beginning for me. Her reputation as an outstanding performer earned her work with Chick Corea and Stan Getz as part of the New Jazz movement that also contained the nurturing influence of saxophonist Cannonball Adderley.

Airto Moreira, Flora Purim e Paulo Rapoport Popó

Soon after, Flora began to seriously re-educate discriminating musical minds after joining with Chick Corea, Stanley Clarke and Joe Farrell to form Return To Forever in late 1971.

Two classic albums resulted – Return to Forever and Light as a Feather nodal points in the development of jazz fusion.

Flora’s first solo album in the United States, Butterfly Dreams, released in 1973, immediately placed her among the top five jazz singers in Down Beat magazine’s jazz poll.

In the mid-1980s, Flora and Airto resumed their musical collaboration to record two albums for Concord – Humble People and The Magicians – for which she received Grammy nominations.

In 1992 she went further by singing on two Grammy winning albums – Planet Drum with Grateful Dead drummer Mickey Hart (Best World Music Album) and the Dizzy Gillespie United Nations Orchestra (Best Jazz Album).

The launch of the Latin jazz band Fourth World in 1991, featuring Airto, new guitar hero Jose Neto, and keyboard and reeds leader Gary Meek, marked a new era in Flora’s career.

The band was signed to the British jazz label B&W Music, and Flora consciously set out to win over the next wave of listeners.

Flora’s 1995 album Speed of Light, with major writing and performance contributions from Chill Factor and Flora’s daughter Diana Purim Moreira, makes the connection between her experimental beginnings with Chick Corea and Gil Evans and the new “head” music being produced by jazz musicians in the London and New York hip hop scenes.

Flora Purim Open Your Eyes You Can Fly (1976)

1- Open Your Eyes, You Can Fly (Chick Corea-Neville Potter)

2-Time’s Lie (Chick Corea-Neville Potter)

3- Sometime Ago (Chick Corea-Neville Potter)

4-San Francisco River (Airto Moreira-Purim Purim)

5-Andei “I Walked” (Hermeto Pascoal)

6-Ina’s Song “Trip to Bahia” (Flora Purim)

7-Conversation (Hermeto Pascoal)

8-Medley: White Wing/Blank Wing (Hermeto Pascoal-Flora Purim).

arrangements:

Hermeto Pascoal (4.5.7.

Egberto Gismonti (4)

Flora Purim (6)

The whole group (1.2.3)

01-David Amaro – electric guitar

George Duke – electric piano

Alfonso Johnson – electric bass

Ndugu (Leon Chancler) – drums

Background vocals: Flora, David Amaro, George Duke, Hermeto Pascoal

Instrumental solo: David Amaro (electric guitar)

02-Hermeto Pascoal – flute

David Amaro – acoustic guitar

George Duke – electric piano, ARP sequence,

ensemble synthesizer

Alfonso Johnson – electric and acoustic bass – Alfonso Johnson – electric and acoustic bass

Ndugu – drums

Airto Moreira – percussion

Instrumental solo: Hermeto Pascoal (flute), Nudgu (drums)

03-Hermeto Pascoal – flute

David Amaro – electric guitar

George Duke – electric piano, ARP sequence,

ensemble synthesizer

Alfonso Johnson – electric bass

Ndugu – drums

Airto Moreira – percussion

Laudir de Oliveira – congas

Instrumental soloist: Hermeto Pascoal (flute), David Amaro

(electric guitar)

04-Hermeto Pascoal – flute, electric piano

Egberto Gismonti – acoustic guitar

David Amaro – electric guitar

George Duke – moog synthesizer

Alfonso Johnson – electric bass

Ron Carretero – acoustic bass

Robertinho Silva – drums

Instrumental duet: Hermeto Pascoal (flute) and George Duke

(synthesizer

05-Hermeto Pascoal – flute, electric piano

David Amaro – electric guitar

George Duke – moog synthesizer, clavinet

Alfonso Johnson – electric bass

Airto Moreira – percussion

Robertinho Silva – drums, berimbauduet

vocal: Flora Purim and Airto Moreira

Instrumental duet: Hermeto Pascoal (flute), George Duke (flute), George Duke

(synthesizer), David Amaro (electric guitar)

06 -Hermeto Pascoal – electric piano

David Amaro – electric guitar

George Duke – moog, ARP Odyssey and ARP Odyssey sequences, ARP synthesizer

ARP, ensemble synthesizer

Alfonso Johnson – electric and acoustic bass – Alfonso Johnson – electric bass and acoustic bass

Robertinho Silva – drums, percussion

Laudir de Oliveira -congas

Instrumental solo: Georrge Duke (ARP synthesizer)

Odyssey)

07-Hermeto Pascoal – electric piano

David Amaro – electric guitar

George Duke – ARP sequences ensemble and moog synthesizer

moog synthesizer

Alfonso Johnson – acoustic bass

Airto Moreira – percussion

08-Hermeto Pascoal – electric piano, pipe, harpsichord,

whistling, percussion (seven-up bottles)

Egberto Gismonti – acoustic guitar

Ron Carretero – acoustic bass

Alfonso Johnson – electric bass

Airto Moreira – percussion, drums, berimbau

Robertinho Silva – percussion, berimbauduet

vocal: Flora Purim and Airto Moreira

Instrumental solo: Hermeto Pascoal (harpsichord and whistle)

Information realized (March 28, 2008)

Sources:

L’Òstia Latin Jazz

Flora Purim

Also Read: Samuel Quinto Feitosa is a Brazilian virtuoso jazz and classical pianist

“The Sun of Latin Music” the first Grammy Award for Salsa Eddie Palmieri’s historic album

It has been 49 years since “The Sun of Latin Music”, Eddie Palmieri’s historic album, which marked a fundamental milestone in the history of Latin music by becoming the first production to win a Grammy Award in the category of Best Latin Recording, awarded on February 28, 1976.

"The Sun of Latin Music" the first Grammy of Salsa Eddie Palmieri's historic album — “The Sun of Latin Music” the first Grammy of Salsa Eddie Palmieri’s historic album

Recorded in New York at Electric Lady Studios, the album was released by Coco Records on Wednesday, September 18, 1974.

The album featured vocals by Lalo Rodríguez, who was only 16 years old at the time.

It includes: ‘Nada De Ti’, ‘Deseo Salvaje’, ‘Una Rosa Española’, ‘Nunca Contigo’, ‘Un Día Bonito’, ‘Mi Cumbia’.

“The Sun of Latin Music” proved to the world that Latin music, especially Salsa, was an honorable art form and opened the doors for many other Latin artists to receive solid recognition for their talent and work.

Eddie Palmieri

The sun of Latin music

MP, 1990. MP-3109 CD

Recorded in 1975

The Sun of Latin Music was a controversial album. It was too far from the easy formula of the middle salsa boom – what César Miguel Rondón calls the “mtancerization of salsa”.

“Ahead of its time” was one of the comments; “a piece like Un día bonito, had to be mutilated” with a 6-minute piano intro just to be able to play it on the radio; a danzón (Una rosa española) with lyrics by the Beatles; a cumbia that is not very Colombian, despite the name (Mi cumbia) and the chorus that says “very Colombian…”.

Nevertheless, this album represents the strength of the spirit of salsa: the encounter between the harshness of the street and the majesty of the most sophisticated musical sound.

One of the best albums of Caribbean music ever released.

Palmieri was always in search of something new. The Sun Of Latin Music is the culmination of a phase that began with an earlier album, Sentido (1974).

This time he chose the Panamanian Vitín Paz for the trumpet solo, Barry Rogers for his trombone and an unusual tuba, which formed a kind of basso continuo, and besides Barry, José Rodrigues, who for a long time was, and despite his absence still is, his most emblematic trombonist.

Cover of issue 36 of Latin New York magazine (April 1976) where Eddie Palmieri appears.

Ronnie Cuber and Mario Rivera were chosen as the first saxophonists in a Palmieri orchestra.

For many it is Palmieri’s best album, the most experimental and universal. One that borders on academic music, but without forgetting the dancer.

With spices like the violin of Alfredo de la Fe, who contributes his creativity everywhere, the tuba, the penetrating power of the brass, the overwhelming percussion.

Thus, Una rosa española is a modern danzón that later becomes a montuno that revives the joyful Palmerian game with the dignified uproar of trumpets, saxophones and trombones.

A young man of only 17 years, Lalo Rodríguez, who years later would become the standard-bearer of what was called salsa erotica, was chosen as the singer. Another novelty: the timbre of his voice, with a very high register, and the way he faced the montuno, which did not correspond to his age, caused different reactions.

But the most amazing thing about this 1974 album is the 14:20-minute track Un día bonito, arranged by Barry Rogers, which would keep even the most trained dancers busy. But Palmieri wasn’t just thinking about leg sets or dance floors.

The piece begins with a long piano interlude, the same structure he used in the track Adoración from the album Sentido, which would mark a new musical phase in his career.

It was more than experimental, it had some electro-acoustic music; no one had ever had the audacity to do that on a salsa album. Palmieri made the leap, he could do it, it sounded more like Stravinsky or Milhaud than Puente or Fania.

Suddenly, back in the piece, the orchestra bursts in, harder and heavier than ever, wishing the city of Los Angeles a beautiful day and San Francisco a “warm greeting,” and it is certain that Keruack and Borrough heard the call.

Then Eddie Palmieri was consecrated by the intellectuals and the educated and also by the Grammy.

Eddie Palmieri

The sun of Latin music

Produced by Harvey Averne

Eddie Palmieri: piano

Lalo Rodríguez: vocals

Vitín Paz: trumpet

Virgil Jones: trumpet

Barry Rogers: trombone, tenor tuba

José Rodrigues: trombone

Ronnie Cuber: Baritone Saxophone, Flute

Mario Rivera: Baritone Saxophone, Flute

Alfredo de la Fe: Violin

Eddie Guagua Rivera: Bass

Tommy Chuckie Lopez, Jr.: Bongo

Eladio Pérez: conga

Nicky Marrero: timbales, percussion

Peter Gordon: French Horn

Tony Price: Tuba

Jimmy Sabater: Chorus

Willie Torres: Chorus

Tommy López Sr.: conga

Tracks: Nada de ti; Deseo salvaje; Una rosa española; Nunca contigo; Un día bonito; Mi cumbia

Arrangements by René Hernández and Barry Rogers

One of the most valuable pieces in the exhibition “Rhythm and Power: Salsa in New York”, which will be presented until next November at the Museum of the City of the Big Apple, is the first Grammy in the history of Latin music, awarded in 1976 to Eddie Palmieri for his album “Sun of Latin Music”.

Sources:

Anapapaya

Salsero Radio

D j. Augusto Felibertt

Also Read: Salsa and its detractors “Caiga quien Caiga”

Daniel Peña Grammy Winner 2012 and his new album entitled “Traigo Melao”.

“Traigo Melao” his third and most recent production

The 2012 Grammy® winner and Dominican Percussionist based in Miami, Daniel Peña brings back a dream team for his new album titled “Traigo Melao” in a remastered and limited edition production available today on all digital platforms.

Daniel Peña “Traigo Melao” — The Grammy® winner in 2012

It is an album that contains 9 songs, it is very special for me, not only because of the musicians and singers that accompany me, but also because it includes important songs in my life such as ‘Lirio de los Lirios’ where there is a version played by my dad on acoustic accordion, remembering my childhood when he played it for me and my brothers, but there is also another version of this same song played by Bobby Cruz as a tribute to my father” expressed emotionally Daniel Peña who presents his third studio production.

This album was masterfully interpreted by artists Ismael Miranda, Meñique, Raulin Rosendo, Hector “Pichie” Perez, Odilio Gonzalez, Paquito Guzman, Bobby Cruz, José Alberto El Canario.

Among the top musicians that “Traigo Melao” includes along with its producer and percussionist Daniel Peña, Charlie “Bongo” Santiago, Charlie Sierra, Eddie Montalvo, Sammy García, Tito de Gracia, William “Kachiro” Thompson, Gamalier Reyes, José Madera, John “Dandy” Rodriguez Jr. and Juan Pablo Romero on percussion, while David Irrizary, Diego Giraldo, José Manuel Gutierrez, Johnny Silva, Gamalier Reyes, Jesús “Gumby” Navedo, León Cheva, José Arroyo, Paquito Gúzman and Cheito Quiñonez on backing vocals.

On piano were Gilberto “El Pulpo” Colón, Ricky González, Luis Marin, Óscar Hernández, Richie Ray, Andy Guzman, Carlos Infante and Antulio Mora, while on trumpets were Julián Cifuentes, Carlos De León, Dante Vargas, Ivan Alejandro Odio, Luis “Papo” Marquez and on trombones were Reynaldo Jorge, Daniel López, Alexander Zapata and José Berrios.

Also playing bass on the songs were the talented Salvador Cuevas, Maximo Rodriguez, Luis Rodriguez, Ramses Colon, Pedrito Pérez, Sergio Munera, José R. Santiago and José Velázquez.

First Class Percussionists Jimmie Morales (R.I.P), Richie Bastar and Daniel Peña — Jimmie Morales (R.I.P), Richie Bastar y Daniel Peña

The album featured mixing and mastering by Victor “Sonny” Hernandez, acoustic guitar by Rigo Irizarry, violins and string arrangement by Gerardo Aguillon, tres by Nelson Gonzalez, accordion by Maricarmen Vazquez and saxophones by Jose Heredia, Luis Disla and Ismael Vergara.

Daniel Peña is a Dominican producer and percussionist who began his musical career at an early age. During the course of his career he has had the opportunity to record with countless renowned singers and musicians such as: Ismael Miranda, Richie Ray and Bobby Cruz, Jose Alberto “El Canario”, Paquito Guzman, Tito Allen, Larry Harlow, Nicky Marrero, Oscar Hernandez, Willy Rosario among others.

In 2014 he presented his first album titled “Eleven” and in 2017 his second musical project titled “Sancocho” with which he obtained great reviews from the music industry for its quality and high care…

He was a 2012 Grammy® winner and is part of the Remo family featuring his custom congas courtesy of Remo. He is also endorsed by Vic Firth, Soultone Cymbals and Jorg Gray.

Source:

WebSite: Daniel Peña

Official Release https://www.notaoficial.com/s/2021/06/08/daniel-pena-presenta-traigo-melao/

Daniel Peña y El Rey del Bajo Bobby Valentin

By: Diana Marie Miami Correspondent for International Salsa Magazine.

Article of Interest: Roniel Alfonso Mella Music Producer, Orchestrator, Composer and Instrumentalist

Salsa Superior Award
Diana Marie
Lady of Salsa 2021

International Salsa Magazine

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Daniel Santacruz wins a GRAMMY®

“Larimar” gave Daniel his first Latin Grammy®

The Dominican singer made history by winning his first Latin Grammy® for his album “Larimar”, in honor of a stone that it’s used in jewelry and can be found in his country. The album has eleven tracks, and it was released in the middle of the year.

After several nominations, 2020 was his year! Also as a historical event, he shared the first place with the merenguero singer Eddy Herrera, who was nominated in the same category. Both obtained the valued award filling the Dominican people with huge pride. In fact, on their Instagram profiles they uploaded a picture celebrating.

Two Dominican Winners — Both Dominicans won the Latin Grammy in the same category.

Santacruz was nominated with his brother Manny Cruz, but on this occasion, Daniel was the lucky one. However, he didn’t hesitate to dedicate this award to him, and the rest of their family; he thanked his wife, his mother, his fans, his manager, and each of his team members.

The Grammy winner for “Best Merengue or Bachata Album”, shared a video on his Instagram Profile where he looked happy and excited. The comments of his followers were immediate, it got more than forty thousand views, and a large number of congratulations.

I’m grateful to God, to the Recording Academy, and to all those responsible for participating in this important production, that represents the sacrifices of a career and efforts of many years”, said the artist.

Santacruz was one of the artists who performed in the show. He sang to the beat of his single “Larimar”, from Dominican Republic. A band of musicians accompanied him, as well as the stunning blue sea of his country.

Larimar was the production that made him a Latin Grammy® winner, and it’s his seven production. Santacruz was also the general producer, however he had a great team of professionals who adjusted all the details. The production was in charged of Ambiorix Francisco, Israel “Mayinbito” y Richy Rojas, mastering by Andrei Fossari, and mixing by Allan Leschorn, Esbin Ramírez y Richy Rojas.

A little bit about Daniel Santacruz

The singer was born in the United States but grew up in Dominican Republic, since childhood he felt a natural inclination for music. Although, he had said that he regrets not having taken piano classes with his grandmother Zulema Victoria.

She was always pushing me to the music ‘Come to teach you music theory'”, recuerda.

Daniel Santacruz — Daniel won her first Latin Grammy.

But nevertheless, this didn’t deprive him of his abilities in the music area. He acquired his first musical interests on the island. Since very young he was interested on the songs of Juan Luis Guerra, Wilfrido Vargas y Luis Miguel.

We won a Latin GRAMMY®!!! Thank you very much to all the Academy Members to take into consideration my album #LARIMAR, that was made with all the heart and feels. This year the #merengue and the #bachata win double as well I shared this triumph with my beloved and admired brother @eddy_herrera with his album #ahora. I shared this joy with my entire work team and with all the artists, musicians, engineers, and producers that participated with me! THANK YOUUUUUUU @latingrammys”, he expressed on his social media.

For the next year he is preparing surprises and new collaborations with colleagues of the industry. Santacruz’s career is just starting, his successes won’t stop since he is so talented and has so much energy. Congratulations, Daniel!

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