• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • Home
  • Previous editions
    • 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
      • ISM May 2019
      • ISM April 2019
      • ISM March 2019
      • ISM February 2019
      • ISM January 2019
    • 2018
      • ISM December 2018
      • ISM November 2018
      • ISM October 2018
      • ISM September 2018
      • ISM August 2018
      • ISM July 2018
      • ISM June 2018
      • ISM May 2018
      • ISM April 2018
      • ISM March 2018
      • ISM February 2018
      • ISM January 2018
    • 2017
      • ISM December 2017
      • ISM November 2017
      • ISM October 2017
      • ISM September 2017
      • ISM August 2017
      • ISM July 2017
      • ISM June 2017
      • ISM May 2017
  • Download Salsa App
    • Android
    • Apple
  • Spanish

Anthony Carrillo The Legendary and Virtuoso Bongocero for Batacumbele and

Anthony Carrillo was born in New York City on 117th Street and Lexington Avenue, a neighborhood marked by significant complexities in terms of violence and drugs. This is why his father decided to move the family back to Puerto Rico in 1972.

Anthony Carrillo el Virtuoso del Bongo
Anthony Carrillo el Virtuoso del Bongo

“I remember that when I opened my eyes the second day, I heard the music of Willie Colón and Héctor Lavoe”.

Me opening my eyes, and the smell of the earth. It’s a scene I’ll never forget in my life.”

Once in Puerto Rico, his father continued to play music and was connected with musicians such as David “La Mole” Ortiz, who would later become a great mentor and collaborator for Anthony.

In the mid-1970s, Anthony and his brother began collaborating with the Areito Folkloric Ballet.

Anthony Carrillo: Master Percussionist

Master percussionist Anthony Carrillo comes from a proud Puerto Rican musical heritage. Although perhaps best known for his performances alongside his childhood friend and famous LP artist, Giovanni Hidalgo, Carrillo has performed with numerous renowned musicians throughout his career, including Eddie Palmieri, Gonzalo Rubalcaba, Paul Simon, and Harry Belafonte.

Anthony Carrillo Mis Raíces 1997
Anthony Carrillo Mis Raíces 1997

He was also an integral member of the outstanding percussion ensemble, Batacumbele, and, in contrast, the Puerto Rican metal band, PUYA. Piano legend Eddie Palmieri has referred to Carrillo as “the best bongocero in the universe.”

Under his own name, Anthony Carrillo has released three CDs, which include the historic first rumba recordings from Puerto Rico. His most recent performances include the off-Broadway musical “I Like it Like That” in 2017, and recording bongos with Puerto Rican artist Residente on his recent track “Hijos del Cañaveral.”

In April 2018, his Latin jazz group, AA team, released two original singles featuring Carrillo on bongos, drums, and vocals.

In August 2018, his dance orchestra, YÁMBAWA, released a four-track EP with originals and English-language pop standards infused with Spanish rap. He has stated that these two productions form his most prolific and inspired body of work in his career so far.

AA Team YÁMBAWA
AA Team YÁMBAWA

Musical Origins

Anthony Carrillo was born in New York City of Puerto Rican ancestry. From childhood, he expressed a special interest in music. His father, Mr. Roman “Don Nan” Carrillo, was his first teacher.

Through his father, Anthony Carrillo was exposed to the music of “Ramito” (one of the greatest exponents of folkloric music in Puerto Rico) and Rafael Cortijo.

Anthony’s earliest influences were “Papi Andino” (Ramito’s bongocero) and Roberto Roena (Cortijo’s bongocero).

When he was only nine years old, Anthony Carrillo’s family returned to Puerto Rico.

It was then that his father asked David Ortiz “La Mole” who was considered one of the best Rumberos in Puerto Rico to teach his son the techniques and patterns of Rumba. By age 13, Anthony was already part of the touring National folkloric group Areito, directed by Mrs. Irene Mcleane.

Anthony Carrillo Y Yova Rodriguez
Anthony Carrillo Y Yova Rodriguez

In the early 1980s, Anthony Carrillo became a member of the famous folkloric group, La Familia Cepeda, the foremost exponents and keepers of the traditional “Bomba” and “Plena” styles.

Collaborators:

Yova Rodriguez

Planet Drum

Also Read:  Papo Vázquez the Pirate & Troubadour of Our Latin Music

  • Author
  • Recent Posts
Augusto Felibertt
Augusto Felibertt
Latin America Coordinator at International Salsa Magazine LLC
[email protected]

P.O. Box 50631
Palo Alto, CA 94303
+1 408 287-9500
Augusto Felibertt
Latest posts by Augusto Felibertt (see all)
  • Charlie Sierra was a prominent Puerto Rican timbalero, recognized for his long musical career and virtuosity on the instrument - October 24, 2025
  • Anthony Carrillo The Legendary and Virtuoso Bongocero for Batacumbele and - October 23, 2025
  • “Promesa de Reyes” from the pen of Yova Rodríguez “The Jibarito of Mayagüez in New York” - October 23, 2025

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.