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March

Rosario Jermano

Europa / Italia / Napoles

Rosario Jermano is probably the best known Italian percussionist, open to all types of traditional and worldwide ethnic music.

Rosario Jermano

Jermano’s Neapolitan origin together with his extraordinary intuitive interpretations have given birth to a music with a genuine Mediterranean sound with colours from World music and pop influences.
His world is not conned to the Neapolitan area, but is open to the sound and cultures of the entire Mediterranean area, mixed in a truly exciting blend.

The exotic Middle East as well as tribal Africa are united by the sound of his percussions to create what he himself calls “The breath of life”.

Rosario Jermano with his drums

Jermano has played with played with: Zucchero Fornaciari, Eros Ramazzotti, Fabrizio De Andre, Pino Daniele, Renato Zero, Rai Orchestra, Loredana Berte, Mia Martini, Ornella Vanoni, Gino Paoli, Fiorella Mannoia, Ana Belen, Edoardo Bennato, Eduardo De Crescenzo, Luca Barbarossa, Corrado Rustici, Raf, Riccardo Cocciante, New Perigeo, Toots Thielemans, David Foster, Gigi D’Alessio, Nuova Compagnia di Canto Popolare, Enzo Gragnaniello, Natascia Bonacci, Patch Stewart, Sting & Zucchero, Toquino, Luca De Filippo, Yaire, Jose Miguel Diez, Lorca, Tishubi y Giorgina, Andrea Bocelli, Tyromancino, Del Newman Orchestra.

For more information:
Facebook: https://www.facebook.com/R.Jermano/

Brad Dutz

North America / Los Angeles / California

Brad Dutz, His endorsements include Innovative Percussion, Gon Bops, Remo, Yamaha, Paiste and Roland

While recording CD’s for artists like Kiss, Willie Nelson, Michael Wolff, Tribal Tech, David Benoit, Rick Braun, Vinny Golia, Alanis Morrisette, LeAnn Rimes, Mitch Forman, Kim Richmond, Rickie Lee Jones, Hands’Onsemble and even actors Jeff Bridges and Ronny Cox, Brad Dutz tries to bring the strangest percussion instruments he has to the session to create a unique sound.

Brad Dutz and his drums
Brad Dutz and his drums

He can be heard on TV shows King of the Hill, Family Guy, American Dad, Enterprise and Firefly. Some of the movies that Brad has played on include Last Vegas, Battleship, Bourne Legacy, Cowboys And Aliens, Prince Of Egypt, Syriana, Hildago, Rugrats Of Egypt, Syriana, Hildago, Rugrats Go Wild, Star Trek 5, Ocean’s Eleven, Anchorman, Hollywood Homicide, Transformers 1 And 2, Rush Hour 3, Run Down, I Spy and Imax Films’ Mysteries Of Egypt, Mt. Kilamanjaro, The Amazon and Island Of Sharks.

As a member of BMI since 1985, Brad Dutz has produced over thirty CD s as a leader and composed the entire body of music on more than twenty of those releases. He is the owner of the publishing company Leaky Spleen music. The ensembles he has written for cover a wide range of instrumental combinations.

Brad Dutz in concert
Brad Dutz in concert

In 1990, Brad Dutz started his composition studies of multiple scores mainly of 20th century music and privately with composers Terry Plumeri, Ron Jones, Russell Steinberg. In addition to CD projects, he has composed for dance companies and theatre as well as television, movies including a few silent films.

The main focus of his composition over the last twenty years however, has been his numerous CD releases.

Everything from solo pieces to nonets is featured on his compact discs. Last year saw the fourth release- ‘”Peripheral Hearing” ‘of his latest quartet project.

This unit has the unique instrumental combination of mallet percussion, oboe, cello and bass clarinet.

Other recent ensembles include The Other Three (a trio with Kim Richmond and John Fumo), Obliteration 4tet (found objects for percussionists), Polarity Taskmasters (keyboards, voice, Theremin, percussion) and the duet CD with reedman Vinny Golia.

In 2002 his Obliteration quartet was the subject of a documentary lm. As an educator, Brad has taught hand percussion at Cal State Long Beach since 1997.

He has conducted hundreds of clinics at colleges and high schools on a variety of topics (including studio work, composing for percussion, producing his own CD of world percussion and freelancing in the music industry) He has also conducted master classes, lectures at many schools including University of KY Cal Arts, Saddleback College, Chapman College, NIU, WINONA State in MN.

Cal state LA, Indiana University, UNT, WEBER College, USC, UCLA, EIU, Eagle Rock Community Center, Southern Methodist University, ISU, U. of I, MILLIKIN, Pierce College, University Nebraska, Southern Utah University, Brigham Young ,Utah state, University of Alaska- Fairbanks and many others.

In 1995, Brad Dutz was featured on four videotapes (now reissued on DVD) Have Fun Playing Hand Drums that taught newcomers about playing hand percussion.

In addition, for four years Brad Dutz wrote a monthly column for Drum Magazine on hand percussion and he has written three (3) books featuring his original compositions -Manipulations in Sound and Time, Music for Hand Percussion and Percussion Pieces for Duos, Trios and Quartets. There are brand new compositions since 2012 now published by Honey rock Music. His endorsements include Innovative Percussion, Gon Bops, Remo, Yamaha, Paiste and Roland.

Facebook: https://www.facebook.com/brad.dutz/abo ut?lst=833588259%3A569504777%3A15 81456694

Kirk Douglas

North America / United Stated / New York

Kirk Douglas “My greatest achievement un my long career was to help end the blacklist at the movies”

Kirk Douglas
Kirk Douglas

At the age of 103, Isuur Danielovitch Demsky, on February 5th, 2020 passed away. He was better known as Kirk Douglas. At the Sarah Lawrence College in Canton, new York. He discovered acting. He was rejected from the fraternities for being Jewish. However, eventually, Douglas became the president of the Student Council, the first time a Jew help that position. In his career he made over 90 film. He brought a certain air of powerful rebellion in his characters and left a legacy. A part of that legacy is the recognition for his humanitarian sense and “commitment to justice”

Coercion of opinion in Un-American
Coercion of opinion in Un-American

 

Senator McCarthy
Senator McCarthy

Douglas said that his greatest achievement was in helping to end McCarthyism. People from the industry were persecuted for their alleged communist affiliation. Artistic creativity was being censured. Douglas had hired screenwriter Dalton Trumbo to do the screenplay for Spartacus.

Dalton Trumbo HUAC 1948
Dalton Trumbo HUAC 1948

 

Dalton Trumbo in jail
Dalton Trumbo in jail

Trumbo was one of the highest paid screenwriters of this time, accredited with works like Oscar winning The Brave One, Exodus, Spartacus and Roman holiday and many other famous works. In 1950 Dalton spent 11 months in prison as one out he Hollywood 10. The Junior senator from Wisconsin Joseph McCarthy wanted to make a name for himself, along with attorney Roy Cohn, senator (later president) Richard Nixon, and Hollywood gossip columnist Hedda Hopper. The committee assured that Blacklisted individuals wound’s work for years to come. Hedda Hopper organized a picket line at the opening of the film, urging her 35 million reader toy boycott the movies Spartacus.

Spartacus
Spartacus

Spartacus - film

Otto Preminger was the first to fight back against Joseph McCarthy and his witch-hunt, recognizing the work of Trumbo for Exodus. In 1955 Kirk Douglas had established his own production company. If Spartacus was boycotted, it would cause financial chaos for Douglas, and after being placed in the backlist, no one would work with him and Hollywood would ostracize him.

Otto Preminger
Otto Preminger

It took a great deal of courage for Mr. Kirk Douglas to stand up for his beliefs and fight to abolish blacklist and all that it meant. He joined the ranks with Otto Preminger. One of the first persons to cross Hedda Hopper’s picket line and give his support to Kirk Douglas was president elect John F. Kennedy.

Helda Hopper
Helda Hopper

Undoubtedly, the death of Kirk Douglas server for us to reflect on our role in society, and how we can contribute for our spaces, whether from art, film or music: and in different directions, beyond religion or politic. That sense of justice in the real legacy of Kirk Douglas. Some articles mention tha his already successful son Michael Douglas, how is married to actress Catherine Zeta Jones was left out o the will. Mr kirk Douglas left a vast part of his fortune to charity, His successful son Michael Douglas already is reputed to have a fortune in excess of $ 300,000,000 dollars.

Kirk Douglas
Kirk Douglas

Salsa: From New York to the world!

North America – United States – New York

Last February we actively participated in different activities in New York, promoted by different instances and always supported from the Spanish Harlem Salsa Gallery Museum and The Johnny Cruz Show.

Johnny Cruz: We were part of the Somos Puerto Rico event, together with more than 25 artists and with the collaboration of La Boom, which allowed thousands of people to work for our island: Puerto Rico. There was a lot of music, and we were accompanied by artists such as Jova Rodríguez, Arlene, Roberto Vásquez, Anissa Gatners, Fernando Berniero, Alex Bautista, Jen Carrasco and Kevin Tapia, among others.

We also had typical food for sale and many initiatives aimed at saving so many lives in need. From this event we want to continue bringing families to the United States and they can be calm until they stop shaking in the south west of Puerto Rico. You are not alone!

In addition, we are working hard on a documentary about Frank Ferrer, always thinking of immortalizing figures that have consolidated Salsa in the world as a Latin genre of world projection.

Salsa, as you know, is a typically New York musical genre, the result of the influence of great Latin jazz musicians, and the existence of a youth of Latin origin born, or resident in New York, in slums where Salsa is the best expression, spiced up by the exile produced by the Cuban Revolution and the awareness of American racial minorities.

In 1964, Johnny Pacheco, a flutist of Dominican origin, and Jerry Masucci, a young businessman, founded the Fania label, which gave the old Latin labels, a more modern sense of Caribbean music. Musicians and singers of the previous generation were reinvented, but others were incorporated as a young Willie Colon, the Palmieri brothers, Eddy and Charlie; Papo Luca, Ray Barreto, Larry Harlow. And, there were also singers who put their voice to Salsa to tell stories of the street, daily or reflexive, that were the mirror of the life of the neighborhoods: Cheo Feliciano, Adalberto de Santiago, Andy Montáñez, the Ismaeles -Miranda and Ribera-, Justo Betancourt, Héctor Lavoe or Rubén Blades.

Johnny Cruz Salsa: From New York to the world!
Johnny Cruz Salsa: From New York to the world!

The influence of the Cuban revolution had led composers and salsa musicians to become aware that it was necessary to compose songs that talked about what was happening in the streets from a critical perspective, giving way to a new salsa and foot reality for characters as Frank Ferrer started from folklore and protest to arrive at salsa mixing both concepts in an exemplary album: Yerbabuena. All this and much more can be enjoyed very soon.

For this month of March, Puerto Rico will organize the 1st World Salsa Collectors Meeting and of course we will be there representing New York with the Salsa Museum (SPAHA Salsa Gallery Museum). From March 7th, at least 15 organizations of this type of collector from seven countries will exhibit their collections of the Caribbean genre.

The collectors meeting will take place at the Sheraton Hotel, in Miramar, under the theme “La Salsa se baila así” and will be free admission. It will be attended by collectors from Puerto Rico, Colombia, Panama, Peru, Ecuador, Mexico and several cities in the United States.

That day will be the official release in LP format of the album “Mario Ortiz, 55 Aniversario”, nominated for the last edition of the Latin Grammys.

The event includes memorabilia exhibitors of legendary salsa artists such as Willie Rosario, Bobby Valentín, Roberto Roena o la Sonora Ponceña, as well as the Museo de la Salsa de Puerto Rico or the Fundación Nacional para la Cultura Popular.

Pieces from the Jairo Varela Museum, renowned deceased Colombian musician, whose orchestra Grupo Niche is still active and triumphing around the world will be presented. The writer Daniel Nina, will give a lecture about Salsa, and Puerto Rican dancer Tito Ortos will talk about the history of salsa dancing. We can enjoy live music with the group Cubaneo 54, and a great closing with the several times awarded Big Band of the Free School of Music of San Juan, directed by Professor Manuel García. See you there!

As always, remember that Spanish Harlem Salsa Gallery is in 1708 Lexington ave New York N.Y. 10029. Open free to the public all Thursdays & Fridays from 4 to 7 pm and Saturdays from 1 to 8 pm. Check the updates in our website: spahasalsagallery.com.

Johnny Cruz - Spaha Salsa Gallery
Johnny Cruz – Spaha Salsa Gallery

Also, The Johnny Cruz Show, the #1 Salsa Show on television on all 5 Boroughs of New York on CH67.  Saturdays from 3:30 to 4:30 pm.

Contact: Johnny Cruz. 917-747-8505.  [email protected].

 

By Johnny Cruz Correspondent, New York City, New York

Johnny Pacheco, presents “Orquesta Primera Clase” from Maracay-Venezuela

The title of this album speaks for itself; the hand of the transcendental Dominican musician is introduced in this album.

El Zorro de Plata Pacheco appears as executive producer of the album, although we do not discard that he also participated in part of the musical production, due to the way the orchestra was structured and the style in which the arrangements were given; it is something that we can hardly notice when listening to the album, it is evident the great similarity to “Pacheco y su Tumbao”; four excellent trumpets with sonorous arrangements.

Johnny Pacheco, presents "Orquesta Primera Clase" of Maracay-Venezuela
Johnny Pacheco, presents “Orquesta Primera Clase” of Maracay-Venezuela

The predominance of Teo Hernandez (R.I.P)’s vocal style and register in the nasal coros, fits perfectly with the “Tumbao Añejo” that we have always been accustomed to from maestro Johnny Pacheco (R.I.P).

Although the album was backed by the Fania label and is loaded with a cheerful and swinging flavor, we think that it went somewhat unnoticed by the music-loving public.

The reasons could be several, we must remember that in those times in the 80’s the merengue rhythm was beginning to penetrate with a lot of strength.

Johnny Pacheco, presenta la Orquesta Primera Clase
Johnny Pacheco, presenta la Orquesta Primera Clase

Although we could also add the little interest that the public of the capital (Caracas) had for the groups of the regions or interior of the country, and although it seems ironic to say it.
Another possible reason could be linked to the inclusion of only unpublished songs (it is well known that in those times, they supported copies more than creativity); these are only conjectures of this server, however, they do not escape the reality of that time.

Teo Hernández (R.I.P)
Teo Hernández (R.I.P)

As for the musical themes, we have already pointed out that all of them are original and very well compensated with their arrangement; In particular there are two songs that I like very much, one of them is “Negro Nací”, written and sung by Orlando Sanoja, is a very happy song dedicated to our black race of the danceable in his music, “Si negro nací nací nací, blanco no puedo ser”, The other song of my predilection is “El Sabio”, composition and lyrics by Jorge Compres and vocalized by Teo Hernández, with great diction, good phrasing and those tasty choruses that accompany him.

Orlando Sanoja
Orlando Sanoja

It is worth mentioning that the excellent La Orquesta Primera Clase is still in force with a musical staff of the new generation maintaining its original sound with its lead vocalist Orlando Sanoja.

It is another good Venezuelan album that you should have in your personal CD library.
Johnny Pacheco presents “La Orquesta Primera Clase” (1982) Fania LPS-66506

SIDE A

1.- NEGRO NACÍ (Orlado Sanoja) Sings: Orlando Sanoja/ Arrangements: Nicomedes López
2.- ME SIENTO MUY FELIZ (Al mMaro Ríos) Sings: Orlando Sanoja/Arrangements: Bolívar Javier
EL ANIMAL (Jorge Compres) Sings: Teo Hernández/Arrangements: Jorge Compres
4.- TODO TIENE SU FINAL (Bolívar Javier) Sings: Teo Hernández/Arrangements: Bolívar Javier
5.- LLEVAME CONTIGO (Almaro Ríos) Sings: Teo Hernández/Arrangements: Bolívar Javier

SIDE B

1.- EL SABIO (Jorge Compres) Sings: Teo Hernández/Arrangements: Jorge Compres
2.- A MARACAY (Orlando Sanoja) Sings: Orlando Sanoja/Arrangements: Jorge Compres
3.- EXTRANJERA (Phorto Jacquez) Sings: Teo Hernández/Arrangements: Jorge Compres
4.- VIVA MI GUAGUANCO (Jorge Compres) Sings: Teo Hernández/Arrangements: Gilberto Riera
AY QUE HUMANIDAD (Orlando Sanoja) Sings: Orlando Sanoja/Arrangements: Jorge Compres

Personnel:

Pastor Rodríguez (1st Trumpet)
Henry Kamba (2nd Trumpet)
Gustavo Nieves (3rd Trumpet)
William Fermín (4th Trumpet)
Armin Kail (Piano)
Carlos Fagúndez (Bass)
Harold Josef (Congas)
Edgar Aponte (Timbal)
Félix Benítez (Bongo)
Teo Hernández/Orlando Sanoja (Singers)
Bolívar Javier/ Nicomedes López/ Jorge Compres/ Gilberto Riera (Arrangements)
Teo Hernández/Orlando Sanoja/Edgar Aponte (Chorus)
Johnny Pacheco (Executive Producer)
Carlos Guerrero (Recording Technician)
Luis Arismendi (General Recording Supervision)
Recorded at Fidelis Studios
Alejandro Pérez (Art and Design)

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.