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“Choco Orta” Celebrates with New Single ‘Ahí na má’

The Puerto Rican sonera, percussionist, and producer “Choco Orta” is riding high with the release of her latest single.

“Choco Orta” de celebración con su nuevo sencillo ‘Ahí na má’

With this rendition of ‘Ahí na má’ penned by Cuban composer Zenón Abdón Suárez and arranged by Venezuelan pianist David Silva—“Choco” reaffirms her artistic identity, her interpretive power, and her enduring place in contemporary salsa.

In Puerto Rico, fans still fondly remember the triumphant concert celebrating the multi-talented artist’s three decades in salsa, held on April 6, 2019, at the Santurce Fine Arts Center (Centro de Bellas Artes). Throughout her impeccable career, the dancer and theater professor has earned numerous prestigious accolades.

In this latest recording, “Choco Orta” delivers a performance deeply rooted in the essence of salsa. The track has a storied history, previously recorded by legends such as Ismael Rivera with Cortijo y Su Combo, Frankie Vázquez with Los Soneros del Barrio, and Rico Walker with La Puertorriqueña, among others. According to the press release accompanying the release: “’Ahí na má’ captures the authentic language of the barrio, where the soneo becomes a narrative and a genuine connection with the audience.”

La sonera, percusionista y productora puertorriqueña, “Choco Orta”

This release was crafted specifically with the dancer in mind. The vocal tracking for the single took place at Willie González’s studio, under the expert engineering of Ceferino Cabán, while mixing and mastering were handled by José Guerrero at JosMastering in Venezuela. The cover art is the work of International Disseny.

Since her early days in Santurce, the seasoned soloist has carved out her own space in a historically male-dominated industry by focusing on her craft and growth. In an interview with Tele Once, “Choco” highlighted how her environment—steeped in a powerful salsa tradition—was instrumental in shaping her musical identity.

“Choco” dice reafirmar su identidad artística

“Choco Orta” stands as an exceptional example of the importance of soneo and improvisation as vital tools for communication and maintaining high-octane energy on stage.

Read Also: Choco Orta, The Queen of Flavor

Ray Pérez The Genius and Vanguard of Venezuelan Salsa

The Journey of a Pioneer Between Piano, Vinyl, and Musical “Madness”

Ray Pérez is, indisputably, one of the primary architects of Salsa in Venezuela. Born in Barcelona, Anzoátegui, on April 7, 1937, Ray stands as one of the most disruptive and essential figures in the genre’s history.

Ray Pérez: The Genius and the Vanguard of Venezuelan Salsa

His nickname, “El Genio” (The Genius), isn’t just hyperbole; he earned it through his multifaceted mastery as a pianist, arranger, and composer. Above all, he was a visionary who possessed the rare ability to capture the raw “sound of the streets.”

Historical Note: While his official records cite 1937, a fire that destroyed original birth registries has led to speculation that his true birth date may be December 25, 1938.

Music was in his DNA. Ray inherited a deep artistic vein from his father a singer, trumpeter, pianist, and musical director. Ray’s journey began at age twelve playing the tuba in the San Juan Bosco youth band under his father’s tutelage.

By seventeen, he had mastered the guitar, the cuatro, and the piano. Following his father’s passing, he balanced work and academics before ultimately deciding to commit his life entirely to his musical passion.

Formative Years and First Steps

Between 1962 and 1965, Ray studied at the Maracaibo Conservatory. His recording debut came via RCA Víctor under the artistic direction of Aldemaro Romero, recording the track “Marcianita” with the Trío Cristal.

After stints with the Trio Hambay and the group Los Bobos del Twist, he officially dove into Caribbean rhythms in 1965 with the creation of Ray Pérez y Su Charanga in the Zulian capital.

The Golden Era: Los Dementes, Los Kenya, and Los Calvos

Throughout his vast career, Ray launched three pivotal projects that secured his place in the Hall of Fame:

Los Dementes (1965): Their debut, Alerta Mundo, Llegaron Los Locos / The Crazy Men (1966), signaled the start of a new era. Under this moniker, he recorded nearly 25 albums for labels like Velvet, Fania, and his own imprint, Pyraphon Records, founded in 1967.
Los Kenya: Alongside the legendary voices of Carlos Yanes “Calavén” and Carlín Rodríguez, Ray innovated the sound by replacing traditional timbales with a full drum set. This project produced iconic albums like Ronda del Guaguancó, Rai Rai, and Nuevo Día.
Los Calvos: A bold experiment, again featuring “Calavén,” which resulted in two essential productions for RCA Víctor: Estos son los Calvos and Los Calvos… y qué Calvos.
La periodista y crítica musical venezolana Lili Rodríguez, el músico Ray Pérez y Roberto Ernesto Gyemant

The New York Chapters and The Return

In 1969, Ray moved to New York City. There, he played piano for Francisco Ángel Bastar “Kako,” collaborated with Rafael Cortijo and Pedro “Rudy” Calzado’s Charanga, and arranged for the “King of Boogaloo,” Pete Rodríguez, composing hits like “Bossa Triste” and “Dame Felicidad.”

Upon returning to Venezuela in 1971, he founded Ray Pérez y su Orquesta, releasing a string of hits such as Aquí estoy de nuevo, Perucho y el loco Ray, and Yo soy el Rey de la Salsa. In 1974, he struck gold again with Grupo Casabe, recording three albums under the CBS label.

Ray Pérez Y Sus Dementes El Dictador 1981

An Everlasting Legacy

Ray’s prolific career includes collaborations with immortal voices like Perucho Torcat, Nano Grant, Teo Hernández, and Nelson Navas. He has shared the stage with titans such as “El Pavo” Frank Hernández, Alfredo Padilla, Alberto Naranjo, and César Monge.

From his massive repertoire, we remember the anthems of the barrios:

“No salgas de tu barrio”
“Emae Mae”
“Pa’ l 23”
“Así mueren los valientes”
“Guaguancó en New York”
“La montaña”

Colaboración: Fotografías de ©Roberto Ernesto Gyemant

The Jeque and his Band present: “Ultimatum”, a musical gem with Hermán Olivera

A masterful fusion that redefines Guaguancó and Cha-Cha, celebrating the group’s tenth anniversary.

El Jeque y su Banda is a salsa ensemble based in Venezuela.

Under the direction of its founder and general manager, Lic. Ángel Martínez “El Jeque,” and with the impeccable musical direction, arrangements, and piano work of the renowned William “Willie” Melo, the band has established itself as a benchmark in the genre.

El Jeque y su Banda presenta “Ultimátum”, una joya musical junto a Hermán Olivera

Approaching ten years of professional trajectory, maintaining their momentum through persistence, passion, and dedication to their craft, the group celebrates this anniversary with the release of their fourth studio production: Evolución…El Jeque y sus Estrellas.

The Launch: “Ultimátum”

The purpose of this release is to announce the launch of their second promotional single, a piece crafted for the true music connoisseur: “Ultimátum.”

This musical gem features a collaboration with a legend of the genre, a world-renowned sonero and vocalist: Hermenegildo Olivera Suárez, globally known as “Hermán Olivera, El Sonero del Siglo XXI.”

Herman Olivera El Sonero del Siglo XII y Dj. Augusto Felibert

History and Evolution

This romantic-style track was originally recorded in 1981 by the great Puerto Rican interpreter Felipe “La Voz” Rodríguez.

The song was written by the legendary Puerto Rican composer Luz Celenia Tirado, who was the first woman recognized in the island’s challenging guild of troubadours and also performed on that original production.

On this occasion, El Jeque y su Banda takes the work in a new direction, transforming it into an aggressive Guaguancó fused with an elegant Cha-Cha.

The concept for this version was a creative endeavor led by Hermán Olivera, who defined the essence and intent of the track.

Ángel Martínez “El Jeque” y Dj. Augusto Felibertt

Subsequently, Luis Alberto and Willie Melo shaped the project, solidifying the final musical structure under the pen and direction of William “Willie” Melo, with the co-production of Luis Alberto “Redlouis” (Manager, Producer & Booking for Hermán Olivera).

Musical Virtuosity

It is remarkable how these music aficionados manage to mesh Guaguancó and Cha-Cha originally fused with a bolero with a versatility that preserves the essence, cadence, and appeal of the piece.

Herman Olivera Soneando Luis Rojas y Augusto Felibertt prueba de Sonido en el marco del evento Salsa Bajo la Cúpula Poliedro de Caracas.

Willie Melo masterfully integrates Hermán Olivera’s characteristic sound, marked by the influences of Manny Oquendo’s Conjunto Libre and the maestro Eddie Palmieri.

The arrangement, loaded with dissonant notes and power, softens its impact with the magic of the Cha-Cha, allowing Hermán to display his artistry in the soneo.

This interplay between the irreverent, the melodic, and the elegant makes “Ultimátum” a mandatory addition to any quality music lover’s playlist.

Production Credits

The excellence of this single is made possible by the participation of these great Venezuelan musicians:

Musicians: Yomar “Caballo” Méndez, Julito Antillano, Luis Ruíz, Joel “Pajarraco” Rivas, Frank Haslam, and Willie Melo.
Backing Vocals (Cha-Cha): Maestro Nino Segarra, accompanied by Rodrigo Mendoza and Wilmer Lozano.
Recording (Lead and Backing Vocals): Nino Segarra Studios (Puerto Rico).
Musical Recording, Mixing, and Mastering: Dale Cerebro Estudio, led by engineer Emmanuel “Cerebro” Romero.

Everything stated above summarizes a work with all the necessary elements to become a radio hit and, above all, an essential piece in your music library.

Sincerely,

Lic. Ángel Martínez “El Jeque”

Collaborations:

Luis Alberto “Redlouis” (Manager, Producer & Booking for Hermán Olivera)

Dj. Augusto Felibertt

Also Read: Hermán Olivera “El Sonero del Siglo XXI”

Christmas in New York

North America / USA / New York

“The holiday season is a magical season. The cities are impregnated with the Christmas spirit illuminated with multicolored lights and Christmas decorations. In New York it may seem at times a modern version of a Dickens story. The city is dressed in this season; it is full of decorations, events and celebrations. Join with us to see the most striking traditions, majestic Christmas trees, shows and events that are to be done during these festivities in the big apple.”

Photo 1: Christmas in New York	Photo 2: Christmas in New York
Photo 3: Christmas in New York	Photo 4: Christmas in New York

On your feet

The Story of Gloria and Emilio Estefan

You cannot miss this whole month of December ON YOUR FEET!, the Broadway musical about two people who believed in each other, their talent, their music and later became an international sensation.

ON YOUR FEET! Has some of the most iconic songs of the past quarter century, including Rhythm is Gonna Get You, Conga, Get On Your Feet, Do Not Want To Lose You Now, 1-2-3, and Coming Out of the Dark. The Broadway musical features a magnificent creative team: two-time Tony Award winner Jerry Mitchell (Kinky Boots), who directs a cast of twenty people with choreography of four-time Drama Desk nominee, Sergio Trujillo (Jersey Boys), And original libretto of the winner of the Academy Award, Alexander Dinelaris (Birdman).

Tickets: from $89. They will also have presentations on 24 at 14:00 and on December 30 at 20:00.

Andrea Bocelli

This formidable tenor will be performing with his great successes at the Mandison Square Garden this Thursday, December 15 from 19:30.

Tickets: from $124

Mega Bash 2016

The “Mega Bash” by Mega 97.9 FM and La Música will be a concert full of euphoria that will make the fans of Latin music vibrate along with the most important Hispanic artists. The concert brings a spectacular set of scenery, lights and sound that will allow these stars, as always, to make their masterful musical display.

Mega Bash

Tickets for this coveted show are on sale at ticketmaster and prices range from $184, $154, $124, $104, $84, $64, $44, including surcharges; And at the Prudential Center box office starting at 11:00 am (EST).

Other confirmed artists include: Enrique Iglesias, Ricky Martin, Juanes, Silvestre Dangond and Jencarlos Canela.

The reggaetoners Wisin and Ozuna also were confirmed for the Mega Bash event to be held at the Prudential Center in Newark, New Jersey this Friday, December 14:00 at 20:00; MegaBash with Enrique Iglesias, Juanes, Ricky Martin, Silvestre Dangond, Wisin and others at Prudential Center, Newark, NJ.

Therefore, there are several things you can do to enjoy the Christmas atmosphere. Each year there is a giant Christmas tree at Rockefeller Center and the shop windows of Fifth Avenue stores are beautiful.

Warehouse Decorations

The department stores dedicate a whole plant to a magical Christmas town like the one called Macy’s Santaland. Everything is beautiful and even Santa Claus is present, with which you or your children can take a photo (paying). Keep in mind that the tail can be quite long.

Christmas decorations are usually unveiled in late November or early December, usually after Thanksgiving. After New Year’s Eve many shops remove the Christmas decorations.

The Rockefeller Center Christmas Tree Lighting Ceremony

The lighting of the Rockefeller Center Christmas tree lights is a major event in New York. During the ceremony the Rockefeller Center is bursting, everyone wants to see the tree up close. The event is televised live and is viewed by millions of Americans. There is also the possibility of seeing some famous singer live. The tree is at least 20 meters long and 7.5 meters wide, but is usually much larger (between 23 and 27 meters).

The VIP tickets for this show are

The Rockefeller Center Christmas Tree Lighting Ceremony

The VIP tickets for this show are sold out every year, so be quick if you want to get tickets. With these tickets you will have the best seats: from an elegant cafeteria you will have a great view of the Christmas tree, drinks and snacks in an unlimited way. There is also a DJ.

The Rockefeller Christmas tree is decorated with more than 30,000 LED lights and the cable measures more than 8 kilometers. The ignition is a sight worth seeing.

Without the VIP ticket you will have to wait hours to find a place. The apples that surround the area are full of people waiting in the open, which also means that walking around the area is crazy. Many New Yorkers who are not going to go to the show avoid it.

In fact, the offices surrounding Rockefeller Plaza close at noon for employees to arrive at healthy and safe homes. The Rockefeller tree disappears the first week of January and the lights are usually turned off at 21:00 that same day

The Rockefeller Center Christmas Tree Lighting Ceremony - 2 — The Rockefeller Center Christmas Tree Lighting Ceremony – 2

The Rockefeller Center Christmas Tree Lighting Ceremony - 3 — The Rockefeller Center Christmas Tree Lighting Ceremony – 3

Rockefeller Center VIP Pack

Ice Skating & Top of the Rock

In addition to the beautiful Christmas tree, Rockefeller Center is famous for its ice rink. Ice skating in New York at Rockefeller Center is a wonderful experience. The queues at the Rockefeller are usually long, so if you want to skate during Christmas you can opt for a VIP package.

You will have access to the chalet next to the track, where you can rest after skating and warm up with hot chocolate, cookies and coffee. All this is included in the pack. And there is more! This option gives you free access to the Top of the Rock. From the lookout on the 70th floor you will have wonderful views of New York.

The Christmas Lights Tour of Dyker Heights

The holiday lights that decorate American homes are impressive. To see the best decorated houses (you’ve seen it in many series and movies) you have to leave Manhattan and go to Dyker Heights in Brooklyn. This area was selected as “the best decorated in the USA” in 2012. Take the Brooklyn Christmas Lights Tour of Dyker Heights and discover these beautiful decorations during this 3 and a half hour visit.

The Christmas Lights Tour of Dyker Heights - 2 — The Christmas Lights Tour of Dyker Heights – 2

The Christmas Lights Tour of Dyker Heights - 3 — The Christmas Lights Tour of Dyker Heights – 3

The tour starts in Lower Manhattan and from there the guided bus heads to Brooklyn. When you get to Dyker Heights you will not believe what’s in front of you! Some of the lush decorations cost more than $10,000. To soak up the Christmas spirit, on the bus they put carols and films about Christmas.

Radio City

Christmas Spectacular (The Rockettes)

Radio City Christmas Spectacular, starring The Rockettes, is one of New York’s most iconic Christmas shows. In it appear Santa Claus, the Nutcracker and of course the Nativity. You have all of December to attend one of the many daily functions out there. If you have already seen it, do not hesitate to return, because it changes a little every year. It is performed at Radio City Music Hall and is the best way to soak up the true Christmas spirit.

New Year’s Celebration

To conclude, more than a million people are going to Times Square to celebrate the beginning of the New Year: at midnight the crystal ball descends 23 meters and, when it reaches the ground, the marker lights up with the four digits of the New Year. Many even come in the morning of December 31 to be able to get a good spot before the crowd arrives.

Security is very strict: you do not accept the backpacks or bags and everything you need to fit in your pockets. It is usually quite cold, so it is best to wear clothes in “layers” to be comfortable and not suffer from hypothermia. Everyone is interested in knowing all about toilet services.

The closest ones are at the Port Authority Bus Terminal between 8th Avenue and 42nd Street, but the queue is going to be so long that you risk losing the drop of the ball and the beginning of the New Year. Also, take into account that it is unlikely that you can return to your original location, so you will need to go through security control once again, and the crowd is so narrow that the chances of returning to the same place are minimal.

If you decide to go to Times Square to celebrate the New Year, put snacks in your pockets, drink less liquid, wear more clothes, and have a lot of fun. Do you want to make a wish? Write it down and leave it, the day before, in the Times Square tourist center, or leave it online. Millions of cards, with New Year’s wishes, will be released as confetti on New Year’s Eve in Times Square.

Paoli Mejías A Talent Forged in the Streets and Discipline with a New Sound in Latin Jazz

From legendary sideman to the leader of a limitless musical vanguard.

Paoli Mejías is a pivotal figure in the evolution of contemporary percussion, renowned for his seamless fusion of Latin jazz with masterful conga technique.

Paoli Mejias: From accompanying legends to leading a musical vanguard without borders

While he is an exceptional multi-percussionist, his command of the congas has established him as one of the most in-demand soloists in the world.

He is distinguished by a melodic style; he doesn’t just keep time he makes the drums “sing,” utilizing precise tuning and astonishing speed.

After touring the globe alongside icons such as Eddie Palmieri, Tito Puente, Seis del Solar, Chick Corea, and Marc Anthony, Mejías has solidified his status as an international benchmark. His vast musical, folkloric, and cultural knowledge positions him today not only as a percussion virtuoso but as a visionary leading his own quintet.

With a career marked by success, Mejías has produced three high-caliber independent albums: Mi Tambor (2004), which received a Latin Grammy nomination, Transcend (2006), and Jazzambia (2008).

Paoli Mejías, a talent forged in the streets and through discipline

These works have placed the Puerto Rican percussionist at the forefront of the genre, earning glowing reviews in the world’s most influential publications, including JazzTimes, DownBeat, Jazziz, and Modern Drummer.

A Talent Forged in the Streets and Discipline

Born in Río Piedras, Puerto Rico, on March 7, 1970, Paoli discovered his calling at the age of twelve. Inspired by the records of Carlos “Patato” Valdés and Ray Barretto, and the innovation of groups like Batacumbele and Irakere, he bought his first conga and began a self-taught journey.

Without formal teachers, he learned the language of percussion by mimicking the sounds emanating from his favorite vinyl records.

Paoli Mejía with Nuevo Sonido en el Jazz Latino

His true training took place in the effervescent musical atmosphere of San Juan, absorbing the styles of his mentors in street rumbas.

His professional debut came via Rafú Wagner (former vocalist for Bobby Valentín), and while still a teenager, he was already collaborating with renowned local artists such as José Nogueras, Glenn Monroig, and Charlie Sepúlveda.

The Leap to the Global Stage

His impeccable technique and melodic sensitivity quickly made him the preferred sideman for the greats. For over eight years, he was a key member of maestro Eddie Palmieri’s orchestra, recording on historic projects like Masterpiece/Obra Maestra (with Tito Puente), which won a Grammy Award.

Paoli Mejías is a fundamental figure when discussing the evolution of contemporary percussion

His discography now exceeds 20 commercial productions, including the nominated Acuarela de Tambores.

This exposure to world music enriched his creative fire. As Elmer González noted in Latin Beat: “Through Mi Tambor, Paoli achieves a watercolor of rhythms and textures that make this album one of the best Afro-Latin jazz productions released as a leader, and he aspires to continue a career forged on the stages of the world’s most important festivals.”

Beyond the Traditional Genre

Today, Paoli Mejías’ group offers a style that transcends labels. His proposal fuses the “Salsa Gorda” of the big orchestras with Puerto Rican bomba and plena, incorporating nuances of Greek, Flamenco, Indian, and African music. The result is a vibrant experience where the audience ceases to be spectators and becomes participants.

His versatility was cemented at the Heineken Jazz Festival, where critics highlighted his absolute mastery of minor percussion, timbales, bongos, and ethnic instruments like the Nigerian Udu, hailing him as one of the most complete percussionists of our time.

Paoli was there: Eddie Palmieri, Tito Puente, Seis del Solar, Chick Corea and Marc Anthony

Beyond his role as a performer, the “Maestro” shares his knowledge by conducting clinics at prestigious institutions such as the University of Washington, the University of New Mexico, and the Puerto Rico Conservatory of Music.

Sponsored by leading brands like Latin Percussion and Sabian, Paoli Mejías continues to elevate the legacy of Latin jazz into exciting new dimensions.

Member of Santana

Paoli Mejías is a world-renowned percussionist who was a member of the band Santana, led by Carlos Santana.

Joining Santana: Paoli joined the group in 2013, taking over the conga chair. His arrival brought an impressive technical energy and rhythmic depth, establishing him as a fundamental piece of the band’s world tours for several years.

Source: Paoli Mejías

Also Read: Carlos “Patato” Valdés: One of the Greatest Percussionists in Latin Jazz History