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North America

“Sonido Bestial Sinfónico” solidifies classical sound in salsa

The February 27, 2026, performance of Sonido Bestial Sinfónico, which reunited “The Kings of Salsa,” Richie Ray and Bobby Cruz, at Puerto Rico’s Coca-Cola Music Hall, served as a farewell for Bobby Cruz. With a sold-out crowd thanks to Alexandra Fuentes’ production and a promotional alliance with the radio station Salsoul the legendary salsa vocalist said goodbye to the stage, insisting that while death had come looking for him, it had taken Willie Colón instead.

"Sonido Bestial Sinfónico" solidifies classical sound in salsa
“Sonido Bestial Sinfónico” solidifies classical sound in salsa

During Sonido Bestial Sinfónico, the audience also celebrated the 81st birthday of virtuoso pianist Richie Ray (born February 15) and the 88th birthday of singer Bobby Cruz, who celebrated his birthday the day before the event. Midway through the performance, the duo took a moment to blow out the candles on a cake brought onto the CCMH stage.

The concert was conducted by maestro Cucco Peña, featuring the voice of Yanira Torres and the Philharmonic Orchestra of Puerto Rico. From the local salsa scene, standout musicians included timbalero maestro Edwin Clemente, Emanuel Navarro on congas, and Richie Carrasco on bongo and cowbell, alongside the essential bass swing provided by Edwin Morales, director of the Orquesta Mulenze. Richie Ray’s wife, Angie Maldonado, and Jerry Medina were featured on backing vocals.

This symphonic concert, which celebrates more than six decades of “The Kings of Salsa” in music, had been postponed from its original date of October 25, 2025.

The repertoire included major hits popularized by the duo that have become classics of tropical music. Following a symphonic medley opening, the setlist included “Sonido Bestial,” “Agúzate,” “Richie’s Jala Jala,” “La Lluvia,” “Míster Trumpetman,” “El Diferente,” “Mi Amigo Juan,” “Yo Sé Que Te Amo,” “La Zafra,” “Juan en la Ciudad,” “A Mi Manera,” and a reprise of “Sonido Bestial,” among others.

The performance on Friday, February 27, 2026 of the Symphonic Bestial Sound concert that reunited "The Kings of Salsa", Richie Ray and Bobby Cruz
The performance on Friday, February 27, 2026 of the Symphonic Bestial Sound concert that reunited “The Kings of Salsa”, Richie Ray and Bobby Cruz

The show’s pinnacle featured Cucco Peña singing “Idilio” alongside Norberto Vélez in a heartfelt tribute to the late Willie Colón. The conductor acknowledged that figures like Willie Colón have made it possible for Puerto Rico to hold an important place on the global stage, affirming that “music is the face of Puerto Rico to the world.”

Richie Ray interjected a segment in which he shared his testimony of conversion to Christianity, extending an invitation to anyone who wished to join the ministry he now leads as a pastor. During this segment, the song “Hombres de Valor” was performed.

Another significant moment occurred when Bobby Cruz sang “La Novia,” clarifying that he is “free, but not available.” In addition to the hits achieved during the duo’s monumental and historic musical career, Richie Ray led several classical music pieces adapted for salsa.

The Coca-Cola Music Hall in Puerto Rico served as Bobby Cruz's farewell concert. It was a sold-out show.
The Coca-Cola Music Hall in Puerto Rico served as Bobby Cruz’s farewell concert. It was a sold-out show.

The patriotic finale featured the performance of “Mi Bandera,” which served as a farewell from both Richie and Bobby to the island, as both artists reside within the Puerto Rican diaspora in the continental United States. Events of this magnitude are what give deep meaning to maestro Cucco Peña’s statement: “Music is the face of Puerto Rico to the world” within the universal musical scene.

Bella Martinez Puerto Rico

 

 

 

Also Read: Don Perignon and La Puertorriqueña Release Classique et Savoureux

 

“El Caballero de la Salsa” Kicks Off “Íntimo” in Puerto Rico

With performances on February 14 and 15, 2026, at the Coliseo de Puerto Rico, Gilberto Santa Rosa started the year “at home” with two sold-out shows and the successful launch of his “Íntimo” tour. That is always the goal. On the island, the audience is as demanding as they are generous and the singer knows it. Following the concerts, “El Caballero” posted on social media: “Puerto Rico, thank you for giving us two nights full of love, dancing, and so much music at home! What a thrill it is to sing at home!”

“El Caballero de la Salsa” Kicks Off "Íntimo" in Puerto Rico
“El Caballero de la Salsa” Kicks Off “Íntimo” in Puerto Rico

On January 30 of this year, the album that shares the tour’s title was released. In Puerto Rico, two shows were scheduled for Valentine’s Day weekend. The first coincided with Valentine’s Saturday; the second was added for the following day due to how quickly the first round of tickets sold out.

At exactly 6:46 PM on Sunday, February 15, 2026, the stage of the Coliseo de Puerto Rico welcomed Gilberto Santa Rosa’s orchestra to begin the second concert, marking the salsa singer’s long-awaited reunion with the Puerto Rican public. According to a press release from Edumil Ruiz’s agency: “These performances are part of a series of special concerts celebrating the month of love (…) and represent the long-awaited reunion of ‘El Caballero de la Salsa’ with his Puerto Rican audience after two years since his last performance on the island.”

A Night of Rhythms and Ovations

The performance began with high energy and impact from the very first track. The opening bars were seasoned with the sounds of the Puerto Rican cuatro, played by Fabiola Muñoz. “Déjate querer” featured a timbal solo by Pete Perignon, while “Cartas sobre la mesa” highlighted Saviel Cartagena’s saxophone. These were followed by “Ahora o nunca,” “Tú,” “Amor para la historia,” “Quiéreme,” and “Almas gemelas,” which featured Juan Carlos Vega on an aerophone solo; followed by “Yo no te pido” and “Conciencia,” for which the audience gave the artist a thunderous standing ovation.

Between songs, Santa Rosa took a moment to address the crowd: “I was born, raised, and live here. And it moves me to know that here in Puerto Rico, I am still dearly loved.” He added that he is a fan of singing to the brokenhearted with “scorned” lyrics set to savory, danceable arrangements. Addressing the contradiction of that combination, he stated, “We Puerto Ricans are capable of crying and dancing at the same time,” capping the explanation with: “That’s just how passionate we are.”

152 With the performances on February 14 and 15, 2026 at the Coliseo de Puerto Rico, Gilberto Santa Rosa began the year in "his home" with two sold-out shows.

152
With the performances on February 14 and 15, 2026 at the Coliseo de Puerto Rico, Gilberto Santa Rosa began the year in “his home” with two sold-out shows.

After his remarks, “Gilbertito” explained he would welcome a beloved artist to sing “Misterio,” an urban salsa track with lyrics “about a relationship where you don’t know if it’s coming or going, starting or ending.” Gerardo Rivas took the lead in his solo role, which required Pete Perignon to fill in on the congas while Pedro Marcano took over the timbales.

Tributes and Special Guests

Later, Gilberto Santa Rosa dedicated a segment of the concert to a legend Puerto Rico bid farewell to last December. He stated that Rafael Ithier was a musical genius whom he considered a mentor and a father in music, dedicating the iconic “Las hojas blancas” to him. Notably, the production featured a team of sign language interpreters who translated the entire concert in real time.

The repertoire also included “Vino tinto,” “Cosas nuevas” highlighting Pedro Marcano on the flugelhorn and “No me dejes solo,” which kicked off with a mozambique rhythm and rumba clave on the drums, courtesy of Gerardo Rivas and Tito Echevarría. The most anticipated moment arrived when Santa Rosa asked the crowd to join him in a chorus that allowed “El Caballero” to pay his respects to special guests. The “Choliseo” vibrated as the crowd chanted: “Mira quien llegó / Quién está ahí / Qué bueno que te vino a ver” (Look who arrived / Who is there / How good they came to see you). The tenacious sonero greeted the following guests in perfect rhyme and with his trademark elegance: Don Perignon, Luisito Ayala, Luis Vázquez, Juan José Hernández, Elwood Cruz, Marilin Pupo, Cucco Peña, Lissette Álvarez, Willie Chirino, his wife Alexandra Malagón (whom he called “The owner of my heart”), and Ismael Miranda, among others.

The evening continued with “No pensé enamorarme otra vez” and “Para vivir,” for which he was joined by Yeika Álvarez and “a representation of the Arturo Somohano Philharmonic Orchestra of Puerto Rico.”

Gerardo Rivas (Hijo de Jerry Rivas el reemplaso de Jimmie Morales), Gilberto Santa Rosa y Pete Pergnon
Gerardo Rivas (Hijo de Jerry Rivas el reemplaso de Jimmie Morales), Gilberto Santa Rosa y Pete Pergnon

A Monument to Nostalgia

“Tengo una muñeca,” followed by a fusion that progressed from boogaloo to cha-cha-cha and finally to salsa with Gilberto showcasing his skill on the maracas led us into a monument of nostalgia. The memory of the conga player Santa Rosa had worked with since their days in Willie Rosario’s orchestra until his passing in 2021 was honored with “Impaciencia.” The song showcased the Jimmie Morales Signature Series drums by Remo Percussion©, which sponsored “El Rey del Seco” (The King of the Dry Hit) from 2005 to 2016.

During this segment, “El Caballero” displayed his own skills as a talented conguero while singing, accompanied by Gerardo Rivas (the orchestra’s conga player) and Pete Perignon (the timbalero) on either side. While the audience was spellbound by the sight of the three musicians at their drums, this writer wondered if Gilberto was reminiscing about the days when he used to imagine he was a singer, using an upside-down trash can as a drum in the group led by Don Perignon.

The “Army of One”

This intervention was followed by “La agarro bajando,” which preceded the introduction of the band members, “musically directed by the master of the trombone,” Georgie Torres. The lineup included:

  • Backing vocals: Yeika Alvarez and Gino Ramírez.
  • Puerto Rican Cuatro: Fabiola “The one who holds her own” Muñoz.
  • Trumpet: Rebecca Zambrana (with the orchestra for 29 years) and Pedro Marcano.
  • Trombone: Anthony Rosado (also a ballroom dance champion).
  • Saxophone/Flute: Francisco “Paquito” Cruz and Saviel Cartagena.
  • Piano: Luis Marín.
  • Congas: Gerardo Rivas.
  • Timbales: Pete Perignon Morales.
  • Bongos: Rafael “Tito” Echevarría.
  • Bass: The legend Johnny Torres.
  • Keyboard/Aerophone: Dr. Juan Carlos Vega.
  • Vocals: Michael Pérez.

Santa Rosa also praised the technical and audiovisual teams, producer Rafo Muñiz, and Edumil Ruiz, noting that “all these people make this work.”

After identifying his team who gave a masterclass in what the military calls an “Army of One” the hits “Conteo regresivo,” “Perdóname,” “Que alguien me diga,” and “Que manera de quererte” rang out. Gilberto Santa Rosa celebrated Valentine’s weekend by once again proving why he holds the loyalty and preference of his Puerto Rican fanbase.

From the start, the energy never wavered. The crowd sang and danced along with the artist, the musicians, and the dancers on stage. The vast repertoire serves as a reminder of the countless hits “El Caballero de la Salsa” has collected throughout his prolific career.

Bella Martinez Puerto Rico

 

 

 

Also Read: Bandleader and conga player Tony Rosa tells us how he built his career

Bandleader and bongosero Ray Degaldo is here to talk about his life and career

The talented percussionist Ray Delgado has made room in his schedule to share some time with us and talk about some of the most curious details of his artistic career, which fills us with pride and gratitude in equal measure. The founder of the Ray Delgado Project has many interesting things to say, and we are more than willing to listen.

Ray playing the bongo
Ray Delgado playing the bongo live

Ray’s inspirations to become an artist

Ray grew up in a family with deep Puerto Rican roots and was raised between Puerto Rico and New York because his parents constantly moved from one place to another, which made him feel very fortunate because he was being formed between two cultures that allowed him to listen to all kinds of music. In his time, radio remained extremely popular, so this was his vehicle to travel just by listening to certain songs.

Music in English came from the United States and Europe, while music in Spanish came from Cuba, Venezuela, Puerto Rico, the Dominican Republic, Jamaica, and many other countries. Delgado was exposed to all genres, but as a New Yorker, the one that resonated the most with him was salsa and the atmosphere that it brings with it. In fact, he remembers having the joy of seeing the Machito Orchestra, Johnny Pacheco, Héctor Lavoe, Willie Colón, Pete Conde, and many others live.   

These great exponents were the ones who sparked off the young man’s desire to pursue music at some point, but his father did not like the idea at all, as he saw the men in this business as womanizers, drunks, and irresponsible. Obviously, no father wants his son to end up like that, so Ray had to wait to become a responsible adult with a steady job to finally realize his aspirations as a kid.

Ray and his father
Ramón Delgado Castro holding his son Ray Delgado and his brother when they were babies

It all started when some older men invited him to play with them, so he found an old bongo drum he kept in his closet and accepted the offer without a second thought.

That was the point of departure for him to play with many other bands in New York, and his consistent work led him to want to be better, to study hard and prepare himself much more.

Ray’s music education

Ray studied at the East Harlem Music School founded by legendary musician Johnny Colón in Manhattan, and focused on timbales with teacher Ray Cruz, but he left the instrument aside for a while when he moved back to Puerto Rico. When returning from the Island of Enchantment, he enrolled at the Harbor Conservatory for the Performing Arts. He also studied with Professor George Delgado, who is the current conguero for the Spanish Harlem Orchestra. He describes him as an excellent teacher and musician from whom he learned so much.

Additionally, he had the support of many musician friends who also helped him and taught him many things that are not learned in an educational institution, including Luis Rivera, Radamés Rojas, Eric Rivera, and many others. Close contact with other artists and groups made him see that many sounded exactly the same and there was little variety, so he decided to form his own orchestra.

In this way, he also learned percussion, which is the area by which he is best known today.

Joe and Ray
Joe Bataan and Ray Delgado

Ray Delgado Project’s birth

Driven by the lack of musical variety in his environment, he wanted to create his own musical project that included vibraphone, percussion, piano, bass, and vocalist. It all started with a workshop for musicians offered by Ray himself in a community room in the building where he lived and he was allowed to use it. After having played and experimented with different styles, the group was getting smaller until all the musicians who signed up ended up leaving.

From there, at every show and opportunity he had to meet new musicians, he would ask for their numbers to recruit them and achieve a chemistry and combination, resulting in the sound he wanted. Ray was in that process from 2009 until now. About three years ago, in 2023, he finally got what he was looking for. 

This group was called Ray Delgado Project, which takes up a huge amount of time and effort. However, the musician says that the New York where his youth was spent, which offered lots of places to go dancing, no longer exists, so there is not much work as back then.

Today, they play many covers of great hits from the 1970s, but they add their own touch to stand out with completely new arrangements. Not so long ago, they released their new version of “Lo Que Traigo es Sabroso,” a hit by Eddie Palmieri, and adapted it to their own style and arrangements. It can be found on Spotify and the main digital platforms. 

Ray and his orchestra
Ray Fuentes (piano), Abraham Saenz (bass), Danny Sieber (vibraphone), Ray Delgado (director and bongo), Rhadames ”Randy” Rojas (lead vocals) Izzy Diaz (congas), and José ”Cheo” Colón (timbales)

Ray is so happy with what he has achieved so far with their orchestra that ensures that when God calls him, he will be calm and happy to have been able to play and make audiences dance during his lifetime. God willing, we wish him many more years playing with the Ray Delgado Project, enjoying life and bringing joy to those who have the pleasure of listening to him. 

Read also: Leader of K’ndela Salsa Band Eric Cabanilla and all his entertainment company has to offer

Latin Bayarea WebSite

North America / USA

Latin Bayarea WebSite

Sitio web de Latin Bayarea
Sitio web de Latin Bayarea

At present, the search for information about Latin music and its culture in California (USA) has been put into the technology, because it is a very practical tool. On the internet, you can find an online site where you can investigate practically everything: music, culture, entertainment, clubs and concerts. The Web site is Latin Bay Area.

Among its many events that advertise monthly is that of:

Mariah Parker’s Indo Latin Jazz Ensemble CD Release Concert

This concert celebrates the upcoming release of Mariah Parker’s new CD, Indo Latin Jazz Live in Concert.

According to Latin Beat Magazine, Mariah Parker’s Indo Latin Jazz Ensemble “blends the rhythmic syncopations of Latin jazz music with the entrancing, asymmetrical meters of East Indian rhythms resulting in first- class world music. Intriguing melodies that draw musical inspirations from the tempos of Brazil, Cuba, India, and Spain make for an uplifting serene yet passionate musical journey into an idealworld.”

Sunday, January 22, 2017, 7:00 PM Freight and Salvage

2020 Addison Street

Berkeley, California

Tickets: $24 in advance, $28 at the door

For more info, call (510) 644-2020 or visit www.thefreight.org

Featuring Mariah Parker (composition, piano, santur), Paul McCandless (woodwinds), Matthew Montfort (guitar), Kash Killion (bass, cello), and percussionists lan Dogole, Brian Rice, and Michaelle Goerlitz.

Indo Latin Jazz Live in Concert CD Release 1/20/17

Lanzamiento del CD "Indo Latin Jazz Live in Concert", 20/01/17
Lanzamiento del CD “Indo Latin Jazz Live in Concert”, 20/01/17

In 2009, Mariah Parker launched her Indo Latin Jazz Ensemble with a sold- out debut concert at Yoshi’s in Oakland, California. Mariah’s new release for AncientFuture.com records, “Indo Latin Jazz Live in Concert,” captures the magic of that first performance, as well as subsequent Northern California concerts at the Freight & Salvage in Berkeley, the Throckmorton Theater in Mill Valley and a studio session at Bob Weir’s TRI Studios in San Rafael. These multi-track live recordings were painstakingly mixed and mastered over a seven-year period by veteran Ancient Future producer Matthew Montfort. Indo Latin Jazz Live in Concert is a follow-up recording to Sangria, Mariah’s debut CD, which received airplay on over 468 New World, Jazz, and Latin radio programs, and earned over 365 reviews and media placements, including two songs that ascended to the Smooth Jazz Now Top 100 Songs of 2009 Chart.

Bios Mariah Parker

Mariah Parker in concert
Mariah Parker in concert

(Composition, piano, santur) http://www.mariahparkermusic.com

“Parker, who holds a degree in music from UC Santa Cruz, wrote the eight instrumental compositions on this exquisite collection of pieces that fuse Latin rhythms with influences from South America and India with a dash of straight-up American jazz. It’s an intoxicating blend of East and West performed by musicians of astounding virtuosity. Like all the best jazz bands, this group is as disciplined as it is innovative, stopping on a dime when the composition calls for it and soaring into gorgeous landscapes of free association the next moment that are as pleasing as they are adventurous.

Mariah Parker's
Mariah Parker’s

This is sophisticated stuff, an album of global fusion performed by a group with character, charisma and the confidence that comes across when world-class musicians at the top of their games come together and create magic in the here and now of a live performance.” -Marin Independent Journal

Mariah Parker has been playing music from the time she could reach the keys on the grand piano in her family home. While completing her degree in music at UC Santa Cruz, she worked with ethnomusicologist Fred Lieberman and drummer Mickey Hart on the “Planet Drum” project and became fascinated with the possibilities of bridging musical concepts from different traditions.

She has performed her original compositions in festivals in the US and Europe. A gifted composer and band leader, she released her first solo recording of her compositions, “Sangria,” in February of 2009. This release received extensive airplay and critical acclaim worldwide.

“Dazzling…. Parker’s subtle and sensuous sounds reflect exotic flavors of India, the Middle East and Latin America.” -Palo Alto Daily News.

Matthew Montfort (Scalloped Fretboard Guitar)

Matthew Montfort
Matthew Montfort

Recently recognized as one of the world’s 100 Greatest Acoustic Guitarists, Montfort is a pioneer of the scalloped fretboard guitar and the leader of the seminal world fusion music ensemble Ancient Future. He has performed concerts worldwide, including at the Festival Internacional de la Guitarra on the golden coast of Spain near Barcelona and the Mumbai Festival at the Gateway of India in Bombay.

Paul McCandless (Reed Virtuoso)

Paul McCandless
Paul McCandless

During a distinguished career spanning three decades, Grammy-winning woodwind virtuoso Paul McCandless has brought a soaring lyricism to his playing and composing that has been integral to the ensemble sound of two seminal world music bands, the original Paul Winter Consort and the relentlessly innovative quartet, Oregon.

A gifted multi-instrumentalist, McCandless has specialized in an unusually broad palette of single and double reed instruments that reflect his grounding in both classical and jazz disciplines.

lan Dogole (Global Percussion)

Ian Dogole is an accomplished bandleader, composer, and multi- percussionist who has recorded and performed with artists such as Hamza el Din, Tito La Rosa, Ancient Future, and Alex de Grassi on a wide variety of percussion instruments, including udu, cajon, hang, African talking drum, kalimbas, cymbals and dumbek.

Ian Dogole
Ian Dogole

Kash Killion (Bass, Cello)

Kash Killion plays cello, bass and assorted African and Middle Eastern stringed instruments, and has worked with Donald Byrd, George Cables, Billy Higgins, Cecil Taylor, John Zorn, Sun Ra, Butch Morris, George Lewis, Reggie Workman, and the Sun Ra Arkestra.

Brian Rice (Latin Percussion)

Brian Rice is a highly acclaimed musician specializing in Latin, Afro- Cuban, and Brazilian percussion who performs with acts such as Mike Marshall with Choro Famoso and the Antionio Calogero Quartet featuring Paul McCandless and Mike Manring.

Brian Rice
Brian Rice

Michaelle Goerlitz (Latin Percussion)

A talented percussionist with a focus on Brazilian, Afro Cuban, Venezuelan and Peruvian rhythms, Michaelle has played, recorded and toured with Mark Levine, Wayne Wallace, Houston Pearson, Denise Perrier, Joan Jeanrenaud, the Pickpocket Ensemble, Samba Rio, Novo Tempo, Bossa 5-0, and many others.

The Jazz Connect Conference

North America / USA  / New York
The Jazz Connect Conference
The Jazz Connect Conference

The Jazz Connect Conference organized by JazzTimes and the Jazz Forward Coalition, will be held January 5-6, 2017 at Saint Peter’s Church (at 54th & Lexington) in New York City and will lead into the annual APAP (Association of Performing Arts Presenters) Conference as well as Winter Jazzfest.

Continuing the momentum from the January 2016 event which hosted over 800 registrants, the 2017 Jazz Connect Conference, with a theme of “The Family of Jazz,” will feature a series of essential workshops, panels and events held over the course of two days. The Early-Bird Pre-Registration rate is only $145, until December 15, with additional discount of 15% offered to members of various organizations, including APAP, Chamber Music America, Jazz Journalists Association, JazzWeek, JazzCorner, ASCAP, BMI, SESAC and AFM Local 802.

With a theme of “The Family of Jazz,” the conference will again bring together a wide cross-section of the jazz community for over a dozen workshops and 5 plenary sessions, on a variety of timely and engaging subjects.

Moderators and panelists include an impressive cross-section of artists and professionals. Returning this year by popular demand will be an “Ask the Experts” networking session enabling emerging artists and professionals to connect and get informed input on their own careers and operations.

The latest schedule reflects the input from and collaboration with numerous organizations such as JazzWeek (radio programmers), the Music Business Association, ASCAP and the Jazz Journalists Association.

In addition to incorporating the involvement of various organizations, the sessions also include a wide range of voices from inside and outside the jazz community, so that we may examine and discuss the full range of issues and trends both within our community and with the music business at-large.

The Jazz Connect conference is organized by Peter Gordon of the Jazz Forward Coalition and Lee Mergner of JazzTimes, with assistance and input from over a dozen industry professionals. The conference has received the support of the Association of Performing Arts Presenters organization, which hosts the world’s leading forum for the performing arts every year in New York City

The Jazz Connect Conference - Flyers
The Jazz Connect Conference – Flyers

Website: www.jazz-connect.org

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.