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November

The Legends: Tribute to Billo’s

North America / United States

Tribute to Billo’s. How was made?

Legends was conceived between April and September and it is already a reality! The album that is making people of all ages dance.

The record label JN Music Group is recognized for enhancing the work of Latinos in the United States. The company has 37 years of experience in the market and is chaired by Juan Hidalgo and Nelson Estévez, producers of Latin music in its different genres. Both have set themselves the goal of promoting other genres because “not everything is reggaeton”.

Adrián Frometa, grandson of the remembered Luis María Frometa “Billo’s”, is the new Director of the orchestra and was in charge of the negotiations around the album.

Great tropical artists participated in the tribute to Billo’s
Artists like Milly Quezada, Karina and Oscar D’León participated in the Billo’s album

“Los Legendarios” was conceived as a nice reminder of the musical career of maestro Luis Frometa. The proposal was born in these months of quarantine and the invited artists did not hesitate to participate. Different exponents of tropical music came together to enhance the work of the Dominican artist.

“For us as a record label it is an honor to make this tribute album that maestro Billos deserved it for a long time, the artists we have contacted are excited to participate in what we are sure will be the end of the year album”, commented Nelson Estévez owner by JN Music Group.

The project aroused great interest from fans around the world; and from now on it is considered the “album of the year”. A few days after its premiere, the views on YouTube have exceeded ten thousand visits. “Sigan bailando”, performed by Milly Quezada, reached forty thousand views.

Established artists such as Tito Rojas, Oscar D ’León, Wilfrido Vargas, Carlos Vives, Milly Quezada, Eddy Herrera, Karina, Alex Bueno, Charile Aponte, Sergio Vargas and Don Fulano; they were in charge of giving life to the remembered songs.

A closing of the year that arrives in style, under the musical production of Remil Cobi Renna and Victor Pabon.

“Tres Perlas”, performed by Carlos Vives, “De qué me sirve el cielo” by Karina, “El Brujo” by Don Fulano, “Por encima de todo” by Óscar D ‘León, “Sigan bailando” by Milly Quezada and “ Caminito De Guarenas” by Alex Bueno, are some of the video clips that are already on the different digital platforms. The cover is accompanied by an illustration by Luis Frometa and the interpreters.

The initiative took place during the long days of the global pandemic, where many artists and producers took the opportunity to exploit their creativity, generating new materials; and pleasantly surprising the fans. The album was recorded between Miami, New York, Colombia, the Dominican Republic and Puerto Rico.

“Tres Perlas” was very famous in 1971. In this case, Carlos Vives was in charge of bringing it to life. It is the beginning of a job well thought out and done with the heart. It has an animated audiovisual work where Vives and the remembered Frometa are observed. There are also three ladies, symbolizing “Santa Marta, Barranquilla and Cartagena”, present in the song.

Remembering the golden age

The singer is remembered for his great successes, as well as his great love for Colombia and Venezuela.

Luis María Frometa was the founder of Billo’s Caracas Boys and, for years, he remained at the helm. Starting in the 1960s, they became more famous in Colombia. He took part in family gatherings and renowned events.

Even Pablo Escobar himself, a remembered drug trafficker from that country, wanted to have him in some of his celebrations. In fact, he came up to thank her himself after he sang for his mother’s birthday. However, his children claim that he was not aware of who the hiring was for and if he had known, he would not have wanted to make an appearance.

The Billo’s also had the opportunity to appear at the Bogotá Modelo Prison, after Carlos Orjuela, Frometa’s friend, was confined in one of his cells. The singer did not hesitate to visit his friend. However, he did not allow it. He looked for excuses to prevent me from visiting that place. This was not an impediment for Frometa who ended up showing up at the facilities. For him, they too had the right to enjoy his music. Those who accompanied him affirmed that the energy was incredible and everyone enjoyed the presentation.

The group had great talents such as: Memo Morales, Cheo García, Felipe Pirela, Manolo Monterrey, José Luis Rodríguez, Rafa Galindo, Víctor Pérez and Nelson Henríquez.

Luis María Frometa Pereira, was born in the capital of the Dominican Republic, on November 15, 1915. He got his nickname for a phrase he used very frequently, he called any route that came his way Billo. He started in music from a very young age. Represented the Santo Domingo Symphony and the Firefighters Orchestra Band. So he walked through some small bands, until he reached his first big break. Venezuela was one of the first countries to receive him with open arms and where he was presented for the first time under the name “Billo’s’ happy boys ”´; ignoring the demand of Rafael Leonidas Trujillo, dictator who led his country.

Even when the band disintegrated, Frometa remained in Venezuela. Going through difficulties, economic downturns and a disease that took him away from the stage. However, he returned in style and was consolidated in the memory of those who enjoyed his songs. The contracts did not stop arriving and thus were the beginnings of a band that celebrates 80 years of musical trajectory.

A tribute to history

This is why this 2020 will be a celebration for the issues that moved masses and passed from generation to generation. “Legends” consists of twelve songs and ten originals by the group.

The idea is that Billo’s remains in the hearts of his fans. After 80 years since its creation and some 100 productions are still valid. His repertoire has always been the most varied; It ranges from boleros, guarachas, porros and Dominican merengue. Also, of Caribbean music.

Milly Quezada, a Dominican merenguera with a Colombian heart, was one of the special guests. In charge of interpreting “Sigan Bailando” and was very enthusiastic.

“What I consider to be one of the most contagious and joyful tropical songs that best defines the happy and fun spirit of Latin Americans and especially of us, the Caribbean, who carry the rhythm in our blood. Definitely, the greatest and most important contribution of the Billo’s Caracas Boys was the presentation, diffusion and positioning of the Dominican merengue, which he transmitted with such musical and literary quality, as well as other Caribbean genres that belong to all of us, ” said Quezada.

Carlos Vives also premiered his album song: “Tres Perlas”. He confessed himself a fan of the teacher Fometa and, for this, he is very excited.

“If there is a legendary orchestra, it is Billo’s. I want them to enjoy it, to mourn it, because I know that many will do it, and that the youth discover a great figure in music that is not only from Dominicans, Venezuelans and Colombians, but from all of America ”, said the artist through from your Twitter account. “Participating in this album is as if I had won a prize, I don’t know what, but I feel like a prize,” said Vives.

Legendarios is now available on different digital platforms under The Orchard Music label (on behalf of J&N Records, LLC). Do not miss it!

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Greeicy premiere “Los Consejos”

Greeicy premieres her new single “Los Consejos” and is nominated for the 2020 youth awards

This time we have the Colombian actress, singer and dancer Greeicy Rendón who has moved into the world of current music; Since she was little, she was interested in acting and music, so with the help of her parents, she began to take acting classes, piano, flute, guitar and singing.

On August 3, 2017, she made her debut as a solo singer with the release of her first single, «Brindemos» and subsequently, in the company of other artists or alone, they developed various musical themes; currently the charismatic and talented Colombian singer and songwriter, Greecy premieres “Los Consejos” the second preview of her new album.

"LOS CONSEJOS" the second advance of his new record material
New single “Los Consejo”

“Los Consejos” is a ballad with a fresh proposal that incorporates urban pop tones with a sweet melody and powerful lyrics that fuse nostalgia and disappointment “Duele quererte y tú tan lejos, tenía la fé de que íbamos a llegar a viejos, me hago la fuerte, pero es complejo, si la tristeza se me nota en el espejo”

The song was written by Greeicy, Andres Torres, Mauricio Rengifo, Keityn, Rudeboyz, Lexuzbeatz, Bullnene, Flybot, and Juan Camilo Vargas Vasquez.

“Los Consejos” is accompanied by a music video, directed by Greeicy and Dario F. Burbano and produced by Mike Bahía, where Greeicy is seen longing for that love that could one day be, while he is seen alone on a swing, transmitting that pain we feel when love escapes from our hands, without really knowing why.

Greecy photo
Greecy photo on an estate

This new song follows in the footsteps of the premiere of “Los Besos” and its version on piano, a song that was initially released in April this year. “Los Besos” already has more than 60 million combined reproductions and its video more than 40 million views and is currently in Spotify’s Top 200 and Top 50 Viral lists in 9 countries, and also in the Top 100 of Apple Music Latino in 11 countries.

“Greeicy Rendón delights with his version of ‘Los besos’ on piano” – RCN Radio

“In this new romantic and fresh version, the charismatic and cheerful personality of Greeicy continues to be reflected, who today is positioned as one of the most important Latin pop artists of the moment.” – 40

Since entering the music scene, Greeicy has become one of the most prominent female figures within the genre, projecting sensuality, sparkle and style. For this reason, she has established herself as one of the most influential female artists, reaching 4.1 million subscribers and almost 2 billion views on her YouTube channel.

The nominees for Youth Awards 2020 were announced through social networks and in the voice of the most important artists of the moment, where the Colombian artist Greeicy achieves a nomination.

The awards given by the leading Hispanic network in the United States Univision, which year after year recognize the best of music, confirm Greeicy’s nomination in the Hottest Core category with their single “Aguardiente”.

The award ceremony will take place live at 8P / 7C on August 13 from Miami, Florida, in compliance with strict public health and safety measures.

Votes are already available at www.premiosjuventud.com/vota until next July 21.

Somaly Zapata Santana Artist

Somaly Zapata Music

The Dominican Republic is known for being the second largest and most diverse country in the Caribbean, noted for the warmth of its climate and the hospitality of its people. They are also known and famous for their talent for dancing wherever there is music, which is influenced by their West African, Spanish and European roots; Among the genres that stand out the most is “Merengue”, “Bachata” and “Son”; Another genre that also stands out as popular music is “La Balada”, “Rap”, “Dembow”, “Rock” and “Jazz”.

In this opportunity we have the pleasure of introducing you through International Salsa Magazine to Somaly Zapata, a Dominican singer who followed her path in the musical world firmly and in an evolutionary way in her musical themes, from her first song in merengue “Regálame” to his new theme song to be promoted at the moment “¿Verdad que duele?” In its sauce version.

She was born on July 24, 1988, from a very young age she showed inclinations for musical art, getting to participate in different social events. Her first song was a Mother’s Day gift to her grandmother when she was 13 years old. As the years went by, its melody and lyrics developed in the genres of Salsa, Merengue, Balada, Bachata or a fusion of them, giving it a characteristic that other songs do not have.

Somali Zapata Music
Somaly Zapata recording in the studio

It was influenced by great tropical artists such as Milly Quezada, Olga Tañon, Celia Cruz, La India, among others; However, he did not show his voice to the public at that time because he was a very shy person, but always with a musical spirit deep inside him.

Later he began to perform in different activities imitating only the movements of Milly Quezada and doing an almost perfect mimic of his great songs. In her adolescence she began to discover herself as an artist on a vocal level through her lyrics, taking classes on topics related to this art, writing situations without personal experience, but that were interesting for a composer hungry to express her most intimate feelings.

Somaly Zapata shows us her musical history, beginning in 2011, when she decides to go to work in the United States “USA” at the “Stagedoor Manor Performing Arts” as a cultural exchange, which allows her to acquire knowledge and in turn save money for be able to professionally record your first song. From that moment on, she began her artistic career with the outstanding Dominican musician / arranger Juan Valdez Ybet, who, merging ideas, supported by the great career of Mr. Valdez and the magic of the singer’s lyrics, is launched from gradually form the different singles of the artist; Not to mention that he is a member of ASCAP (American Society of Composers, Authors and Publishers).

Somaly Zapata Music
Somaly Zapata pose

The themes and / or songs that they present to us:

Author: Somaly Zapata

Arrangement: Juan Valdez Ybet

Regalame – (Merengue)

Para alguien como ti – (Salsa)

Cuando se apague el sol – (Salsa)

¿Verdad que duele?  (Salsa) promotional theme

 

For more information, you can contact this great artist through:

 

Correo: [email protected]

WebSite:

Instagram: https://www.instagram.com/somalymusic/

Twitter: https://twitter.com/somaly_zapata

GooglePlus: https://plus.google.com/116832184355913365324

Facebook: @ somaly.zapata.5

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Azúcar Club Cubano – Brazil

Meet the “ Azúcar Club Cubano ” of Sao Paulo, Brazil:

Since the Salsa boom in the sixties, “60” invaded the ears of many Latinos and North Americans, later Europeans, Africans and Asians in restaurants, Academies, clubs, parties and events since they were the novelty of the moment and they had something that made his guests dance with seasoning and fun and for future talents (artists) a new style and / or musical genre.

Brazil is the largest country in South America and is one of the countries with the most energy and positivity. The good humor of its people and its constant party atmosphere make this Brazilian culture one of the pillars of world dance. Among the dances that exist in Brazil, the “Samba” stands out, which is danced during festivals and popular celebrations such as the Carnival, some of the most popular versions include “carioca”, “a baion”, “conga”, “mesemba”, “a batucado” and “carnivale”.

Outside of the carnival there is the Carimbó, Capoeira, Lundu, Baião and “Xote” (typical type of lining dance that is incredibly versatile and has several variations throughout the country, it is a dance that has a mixture of European and African influences, it also incorporates elements of salsa, mambo and rumba, depending on the region of Brazil).

Night Club
Azucar Club Cubano is open

Despite everything in Brazil other musical rhythms are also danced but in less quantity such as salsa and bachata in nightclubs and in Brazil there are a great variety of Latin academies, restaurants and clubs where you can enjoy pleasant music and if what You want to dance Merengue, Salsa and Cumbia, you can go visit the “Azúcar Club Cubano” which is a disco and nightclub that is located at Rua Dr. Mário Ferraz, 423 Itaim – Bibi, São Paulo, Brazil.

Which was inaugurated in August 2000; being the first Latin house in Sao Paulo at that time thanks to the Latin inspiration with its flirty and great Caribbean music. Currently it is recognized for being very cheerful and with excellent service where it had great successes and that until today it opens its doors to all people who like Latin rhythms, both music played by DJs and live music are also performed. events, concerts, festivities (birthdays, anniversaries, celebrations, among others).

Azucar Club Cubano working
In the Azucar Club Cubano

They also have a bar where the most requested alcoholic beverages are Rum and Tequila and among their cocktails are ” El Margarita “, ” El margarita con Tequila ” and ” Mojito “, the latter known as the best in all of Sao Paulo, Brazil; They also have a varied menu so that people can taste good food and the music that they are playing at that time.

The Club opens its doors to the public from Tuesday to Friday from 7:00 p.m. (7:00 p.m.) and on Saturdays from 8:00 p.m. (8:00 p.m.) and there one can pay with any credit card or debit.

Cocktails
cocktails are “El Margarita”, “El margarita con Tequila” and “Mojito”,

For more information you can search through:

WebSite:

Facebook: @ azucarclubcubano

Instagram: @ azucarclubcubano

Correo: azucar@ azucar.com.br

Teléfono: +55  11 3074 3737

Tripadvisor:

 

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The “Caballero de la salsa” delights us with his new album

North America / United States

The story of an artist

Gilberto Santa Rosa, known as “El Caballero de la salsa”, was born in 1962 in Puerto Rico.

The singer has excelled at performing romantic ballads, boleros, and salsa. His first steps in music were at a very young age. Before reaching adolescence he was already forming youth groups within the tropical genre. For about two years, he was part of the band La Grande, from the hand of greats of the genre.

Colegas is the new album of Gilberto Santa Rosa
Gilberto Santa Rosa has a new album

Elías Lopés, famous Puerto Rican trumpet player, became his teacher and tutor. At the age of 14 he traveled to New York to take his first steps in the musical field and his father entrusted him to Lopés. Santa Rosa is very pleased to have received his teachings.

“The greatest legacy for me was discipline, knowledge of the work you are doing and the challenges; He gave me musical challenges that developed the talent I had at that time, “said the salsa singer.

Gilberto participated in the “Homenaje a Eddie Palmieri” with the Puerto Rico All Star, a great opportunity for his career that was on the rise. In addition, he was in the ranks of the Willie Rosario orchestra.

First steps

In 1986, he got his first opportunity as a soloist. Combo Records allowed him to record four albums; giving it a further boost in the salsa genre. Good Vibrations (1986), Keeping Cool! (1987), De Amor y Salsa (1988) and Salsa en Movimiento (1989) were his first record works.

In 1990, he had the opportunity to change record labels. On this occasion, CBS today is known worldwide as Sony Discos. Company with which he has recorded approximately 24 albums and continues to this day.

Sony Discos trusted him and saw him succeed through the years. Punto de vista, the first production made with the label, received a gold and platinum record. The Man and His Music was quite a special production. It was held in 1995 and reflected a presentation held at Carnegie Hall in New York.

Acting is another of the roles that he has developed with great skill. In 1990, he participated in “La pareja dispareja” with Rafo Muñiz and Luis Vigoreaux, Jr.

In the 2000s he was in other theatrical pieces. He starred in the revival of “La verdadera historia de Pedro Navaja”, a musical that demanded a lot from him on a professional level; and with Cuban comedian Alexis Valdés in the play “Atrácame más”.

“Returning to the theater, this time to comedy, fills me with great enthusiasm and even more so to be able to share the stage with one of the greats of comedy in the United States and Latin America. The truth is that “Atrácame más” takes me out of my comfort zone which is music and challenges me professionally. I’m really enjoying this story and I hope people enjoy it a lot more ”, commented Gilberto Santa Rosa, about “Atrácame más”.

Gilberto Santa Rosa is one of the artists who broke paradigms in the United States and in the rest of the world. From the beginning, the Latin public did not hesitate to follow his career and, of course, attend his meetings. He also had the opportunity to travel to Japan.

He presented himself as a worthy representative of his country and surprised the audience by performing “De cara al viento” in Japanese. A feat that surprised critics due to the difficulty of the language. In addition, it was his beginning in the international market, until today he is acclaimed incessantly.

Gilberto had great acceptance and a box office record in his presentations at the First President Festival in the Dominican Republic, the Lincoln Center in New York with Andy Montañez; at the Anayansi Theater in Panama and at the Universal Studios Amphitheater in Hollywood with Olga Tañón.

The accompaniment by the Symphony Orchestra ended up catapulting him among his followers. They considered it an unprecedented presentation and brimming with talent. It was presented under this format in the United States and broke box office records at the Teresa Carreño Theater in Caracas, Venezuela.

Expresión, 1999

It was one of his most popular albums. The album marked the singer’s career as it was nominated for a Latin Grammy Award, for Best Salsa Album, in its first installment. “Que alguien me diga”, original Omar Alfanno, Panamanian composer positioned him for several weeks on the Billboard. The production featured 13 songs with a total of 55 minutes in length.

The album had great renown in the Central American market, giving it a gold record for sales. In addition, he was chosen by the National Foundation for Popular Culture among the most outstanding of the year 1999.

Gilberto, continued to count successes and praise the work of the greats in the industry. He made several tributes such as the concert “Viva Rodríguez” in tribute to Tito Rodríguez; Tribute that the Orquesta Estrellas de la Fania, to Don Tite Curet Alonso and La Guarachera, Celia Cruz, in New York.

40 … y contando, it was released in 2019. It was a live album, with which he commemorated his 40-year career. The idea was born from his concert at the Coliseo José Miguel Agrelot in San Juan, Puerto Rico. 40… y contando it ranked second in sales of Tropical Albums in the United States and first in sales in Puerto Rico.

The Puerto Rican celebrated his 2020 birthday with the launch of a new collectible album.

Colegas, 2020

Gilberto Santa Rosa - New album cover
The album cover was designed for the Venezuelan artist Gilberto Santa Rosa

In this work, he had sixteen collaborations, bringing together “colegas” known to the audience. The first single is “La Familia”, a duet with the singer Tito Nieves, a Puerto Rican recognized within the genre as well as: Tito Rojas, Luisito Carrion, Pirulo, Nino Segarra, Choco Orta, Jose Alberto “El Canario”, Isaac Delgado and Juan Jose Hernandez.

The arrangements are attributed to Ocana Sordi, (El Guateque De Chombo), James Hernandez (La Fonda De Bienvenido), Jose Madera (Bailadores), Rene Gonzalez (Estoy como nunca), Dino Nugent (Apaga la luz), Ricky Gonzalez (Vamos A Bailar El Son, Eque Tumba), Manolito Rodriguez (Medley Boleros), Marty Sheller (Ban Ban Quere, Caminalo), Ramon Sanchez (Que se sepa), Javier Fernández (Masacote, Tremendo Coco), Louis García (Por la Calle Del Medio , Isidro Infante (El Mejor Sonero, Mario Ague, Sonerito),

Singing with Tito Nieves was a pleasure for him because they share a friendship relationship:

“Tito and I have a friendship that transcends the stage and the day to day. He is my dear brother. His sense of humor is incredible. With him everything is very easy. In fact, it only took 45 minutes for us to have the song ready”, said the salsa singer.

Santa Rosa wanted this album to be a very special tribute to his companions of so many years. He looked for the numbers to fit in some way with the relationship with each colleague.

The 58-year-old singer is a winner of a Grammy and five Latin Grammys. He is in his best moment and it appeared that “Colegas” could have a continuation.

“These things excite me and motivate me to do a second part, because other “colegas” were left out,” he said.

Will it be the beginning of your new musical project? We’ll see!

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.