Radio

Meet Gerardo Osvaldo – Salsa y Sentimiento Academy

Meet Gerardo Osvaldo Russo, director of the Salsa y Sentimiento Academy and organizer of the San Clemente Salsa Congress

One of the seaside and tourist cities in Argentina is San Clemente del Tuyu belonging to the La Costa district, in the province of Buenos Aires, a very cozy place especially if you have a beach taste, enjoy the beaches, the tourist hotels, the seafood and many other things.

This time we have Gerardo Osvaldo Russo, he was born on July 3, 1984, he lives in a small city called San Clemente Del Tuyú, Argentina, he mentions his tastes for salsa and Latin rhythms, he tells us that in 2005 he began to dance and listen to salsa, from that moment his taste and passion for this great musical genre began, then he went on to dance other Caribbean rhythms.

Since 2009, I have been teaching Caribbean Rhythms in the “SAOCO” studio, one of the best places to train in your country, for that I had to travel every week since it was 300 kilometers away from where I lived. Then he made an important decision, which consisted of dedicating himself completely to teaching and then in the future to be able to create new projects that he already had in mind.

He mentions that in the city where he lived, he had no way of training, since there were few resources and he could not get to do everything he had in mind, in addition, his motivation was to grow personally as a teacher and dancer, to be able to dump all the knowledge that he was going acquiring the people who went to his classes.
For the year 2008 he began to teach at the beginning as a hobby for a year and a half until he made the decision to work 100% in his profession; So today he has his own Dance Academy called “Academia Salsa y Sentimiento” which was inaugurated in 2012, where he is currently a coordinator and teacher.

Team photo of Gerardo Oswaldo Russo — Gerardo Oswaldo Russo’s team

Gerardo has also been in charge of organizing the “San Clemente Salsa Congress” for about 3 years, as well as for his institution he holds Salsa, Bachata and other Caribbean rhythms every year, these include seminars and trainings with great teachers. quality and track record.

The reason that allowed the inauguration of the “Academia Salsa y Sentimiento” was basically the need in the people (not only in their city, but also in the neighboring cities of Puerto de la Costa, which is the region to which San Clemente belongs del Tuyú) to have the opportunity to learn to dance, express themselves, find a place of liberation, belonging and also be able to meet people and socialize.

For what it is known for being the first dance academy registered in the entire region, feeling very proud of its work team and of itself. In a few words, they mention that their goal has always been for people to identify with the activities they do, find a place where they can learn and have fun, as well as recharge. Students entering this academy may do so without any experience or knowledge of the rhythm they wish to practice.

At the Salsa y Sentimiento academy you start from scratch but people who already have knowledge can also come because we have various levels, working with people from 3 years onwards.

The biggest goal to be achieved was to create an International Salsa Congress, where they proposed to bring their students to compete; and in 2016 they were able to do it with the reggaeton group with professor “Maximiliano Laplaca” reaching the finals of one of the most important competitions in Argentina and South America called “Argentine Aerobic and Dance Tournament” (TAAD).

In 2017 their official website was inaugurated where they can manage more information and not only through their Facebook account and in the academy, together with other companies in the city, they are working to provide benefits to their students and not only have the possibility of learning and have fun if they can not also access discounts and benefits in stores in San Clemente. There is also a project for a few years from now and it is to be able to train teachers who leave our Academy. And later he began to broadcast live on his radio “Sentimiento Salsero”to promote other artists in the musical world.

During the Covid-19 period, many activities were paralyzed, including face-to-face classes, but it has managed to keep up with online activities and events, where for the first time its salsa and feeling congress was a success in 2020, we all look forward to your next congress in 2021.

Gerardo Oswaldo Russo at the dance academy

At the end, he gives us a message for both students and future learners.

“My message is as a teacher but fundamentally as a human being is that you do not stop going in search of your dreams, as long as you work hard with responsibility, passion and respect, things can be achieved. To also tell anyone who wants to come to the Salsa y Sentimiento Academy, they will find a place not only where they can learn to dance and train, but also a human group of containment, a place where they can freely express and bring out everything they carry inside. Young and old, to whom we are united by the passion for dancing. Teachers who love what they do and want to pass it on to new generations. Always open to the possibility of listening to anyone who has new ideas to build a better ACADEMY SALSA Y SENTIMIENTO every year ”

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The Macropana Hector Castillo with its Latin and Caribbean Essence are

El Macropana contributed considerably to the development of radio in Venezuela from the 70’s until his death with his particular and original self-taught style of communication to the public.

Héctor Castillo, one of the main diffusers of Afro-Caribbean music in Venezuela, died on June 5, 2012.

He was especially remembered for the conduction of the radio program “Caribe Son”, he also worked as a producer of musical shows and TV programs specialized in salsa, becoming a pioneer in this type of TV programs.

He was in Radio Nacional de Venezuela in the production of diverse musical programs in several frequencies, as well as in many other radio stations that allowed him to become one of the most important and great connoisseurs of the Salsa broadcasting in our country together with Lil Rodríguez, Henrique Bolívar Navas, and Phidias Danilo Escalona, among others.

More than 30 years ago, when the salsa genre was at its peak, a kind of “boom” emerged in Venezuelan radio that led some radio broadcasters to take the risk of transmitting the genre that Phidias Danilo Escalona had baptized “salsa”.

Héctor Castillo, one of the main promoters of Afro-Caribbean music in Venezuela, passed away on June 5, 2012. — Héctor Castillo with his Latin Essence and Caribbean Son

Thus, a radio station located in La Florida, Radio Aeropuerto, took the first step. Spaces like Bachata, directed by César Miguel Rondón were born and the programming went from soft music to hard salsa, with the appearance of Rafael Rivas “El Tigre” and Luis Calzadilla “El Villano”.

The above mentioned combination had a very particular way of addressing the audience. Calzadilla emigrated and a young bisoño was hired who had another conception in the way of dialoguing with the public. A passionate of the rumba, but respectful of the public to which he was addressing. Over the years, he became an obligatory reference when talking about salsa on the radio, his name: Hector Castillo.

Hector Castillo, “El macropana”, died on June 5, 2012 at 10:00 pm. The salseros of the mata dawned with the sad news of his death, already expected because his illness was known. Hector himself said goodbye to his friends a month before with this message sent from his cell phone:

“Greetings little brothers, tomorrow I will have my third operation and I am very delicate, I love you”.

Remembered especially for hosting the radio program "Caribe Son", he also worked as a producer of musical shows and TV programs specialized in salsa, becoming a pioneer of this type of television programs. — Héctor Castillo, one of the main promoters of Afro-Caribbean music in Venezuela.

In addition to being a researcher and scriptwriter, after Radio Aeropuerto, Castillo maintained the program Esencia Latina on VTV. Héctor was a producer on Tves and also had his own space as an independent national producer. His program Caribe Son, was broadcast, among other stations, by RNV.

Radio in Venezuela

Radio broadcasting in Venezuela began in 1926, during the government of General Juan Vicente Gómez, thanks to the technical knowledge of Luis Roberto Scholtz and Alfredo Moller, and the political influence of Colonel Arturo Santana, aide to General José Vicente Gómez, son of the President of the Republic.

Under the name of AYRE, they obtained official permission on September 25, 1925, which not only granted them exclusive rights to the transmissions, but also to sell the receivers. In May 1926 the transmissions began with a Western Electric of 1 kw and an antenna supported by towers of 65 m in height. Luis Roberto Sholtz was the managing director of the radio station and Alfredo Moller was the official announcer.

The plant was installed on the land now occupied by the New Circus and the passenger terminal, and the studios in a house on the corner of El Tejar. They transmitted news from the newspapers and variety shows, within an area of 3,200 km. When the political events of 1928 took place, the AYRE radio station was officially closed.

Two years later, on December 9, 1930, Broadcasting Caracas was inaugurated, founded by William H. Phelps, owner of the American store, a business specialized in the import and sale of electric devices. Edgar J. Anzola and Ricardo Espina were Phelps’ immediate collaborators. And in the technical management of the station, Alberto López. Within the International Broadcasting Agreement, Venezuela had been given the YV code. That is why in the acronym of the new plant the identification YVIBC appears in long wave and YV2BC in short wave.

The BC corresponds to the nominal syntagma Broadcasting Caracas, which from 1935, after the death of General Gómez, will simply become Radio Caracas. The initial equipment of 1BC was RCA brand with a power of only 100 watts. The radiating antenna worked on 2 old windmills. This was the first time it went on the air, on the occasion of the remote transmission from Henry Clay Square, about the inauguration of a statue of the famous American politician.

That same year of 1930, on December 17, from the Campo de Carabobo, Broadcasting Caracas also broadcasts the inauguration of an allegorical monument of the Battle of Carabobo, to commemorate the first centenary of the death of the Liberator Simon Bolivar.

A whole elite of figures from the world of communication, music and the Venezuelan intelligentsia is beginning to form around Radio Caracas.

And its programming goes from the news to the official speech, from popular music to cultured music and from the funny sketch to the radio melodrama. “El Diario Hablado”, founded by Mario García Arocha, was for many years an informative tribune of national and international events. And the presence of musicians like Carlos Bonet and Eduardo Serrano, as conductors, anticipated the participation of artists like Fedora Aleman, Angel Sauce, Pedro Antonio Rios Reyna and Antonio Estevez. After the creation of 1BC (Radio Caracas), the voices of Radiodifusora deVenezuela (29.5.1932), La Voz de Carabobo (6.7.1934), La Voz del Táchira (4.7.1935), Emisoras Unidas (16.2.1935), Ondas Populares (10.2. 1935), Ecos del Zulia (1.4.1936), Ondas del Lago (12.10.1936), Radio Popular (15.10.1936), La Voz de la Esfera (27.4.1937), Ecos del Orinoco (6.6.1938), Emisora Vargas (6.8.1938), Radio Puerto Cabello (20.9.1938) and La Voz de la Fe (15.9.1940).

The boom of radio broadcasting, after the death of General Gómez and during the governments of Eleazar López Contreras and Isaías Medina Angarita, gave rise to legislation on the use of radio electric media. This is how the Law of Telecommunications appeared, approved by the National Congress on July 12, 1940, repealing the previous law of July 27, 1936; and the Regulations of Radio Communication, promulgated on February 7, 1941.

With these legal instruments, the State governs radio communication, with a more modern sense of equity and justice. As a means of communication, radio has had a singular importance in the country’s political history.

More than 30 years ago, when the salsa genre was in full swing, a kind of "boom" appeared on Venezuelan radio that led some radio stations and broadcasters to take the risk of transmitting the genre that Phidias Danilo Escalona had baptized as "salsa". — Phidias Danilo Escalona, Rafael Rivas “El Tigre”, “El Macropana” Héctor Castillo

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@Latinasson, the online radio of Latin music and rhythms

It was one of the means of communication from the 20th century for people to stay informed anywhere or music to be aired whether at work, in places to dance, outside or at home. Latinasson was the first radio station in 1920 with its regular commercials and entertainment broadcasting, initially to England and France as the first countries to broadcast it along the English Channel.

The Radio industry in Venezuela:

Did you know that Venezuelan music is characterized by mixing Spanish, indigenous and African elements? Since the colonization of Latin America, there has been a mixture of these races, customs and cultures emerged, which derived in the emergence of various Latin rhythms both in Venezuela and in Latin America as a result of the mestizo people.

From May 23, 1926, the first Venezuelan radio station called AYRE started airing in Caracas and its first speaker was Alberto Mûller who made the first live radio broadcast; the radio was also supported by José Vicente Gómez, who was the son of President Juan Vicente Gómez; the radio was based on the reading of news from the Caracas newspapers, humor and music that could be live or on records; this radio show lasted 2 years until it closed down for political reasons. But this did not stop the opening of other radio stations from 1930 with the YVIBC station, which would become into Radio Caracas Radio 5 years later.

And as the years pass by, technology advances where televisions and other equipment appeared, endangering radio stations; even today there is strong competition in this area since up to the present time, people pull everything off the internet so radio stations had to adapt to this new technology, so instead of depending on a transmitted frequency in a certain sector, they are transmitted oover the internet either on a social network or their own web page, making information more live more often at an international level for all their followers.

One of the Caracas radio stations at which you can listen to a great variety of Latin music (especially “Salsa” and “Son”), information about artists at national and international level and upcoming events, we have the radio station @ Latinasson, (Latinas Son Ipradiodigital).

Which is transmited from 4 to 6 pm hour from Caracas, Venezuela, every Friday, with the participation of the broadcasters @ frankcroquers and @ hectovaloe2.

Latinas Son Radio — Latinas Son – Roberto Roena – flyers

On Friday, January 22, 2021, they will have an interview and, later, they will delight you with salsa music. In the second hour, they will be celebrating the Maestro Roberto Roena’s 80th birthday, who was born on January 16, 1940, in Mayagüez, Puerto Rico; he is bongo player, salsa dancer, and orchestal director, with his most listened songs: “El Traqueteo”, “Cui Cui”, “Aquellos que Dicen”, “Traicion”, “Sing a Simple Song”, “Roena Medley Dos..”, “Ponte Duro”, “Como te Hago Enetender”, “Avisale a mi Contrario”, “Guaguanco del Adios”, and others.

Don’t miss it and listen to this Latin radio station. Currently, you can listen to the station when connecting through the following options:

Google Chrome search: www.iptvdigital.com/radio

Firefox Search: www.iptvdigital.com/

Phones (Smarphones) : www.iptvdigital.com/radio

Direct Access Transmission: https://zeno.fm/ip-radio/