• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • Home
  • Previous editions
    • 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
      • ISM May 2019
      • ISM April 2019
      • ISM March 2019
      • ISM February 2019
      • ISM January 2019
    • 2018
      • ISM December 2018
      • ISM November 2018
      • ISM October 2018
      • ISM September 2018
      • ISM August 2018
      • ISM July 2018
      • ISM June 2018
      • ISM May 2018
      • ISM April 2018
      • ISM March 2018
      • ISM February 2018
      • ISM January 2018
    • 2017
      • ISM December 2017
      • ISM November 2017
      • ISM October 2017
      • ISM September 2017
      • ISM August 2017
      • ISM July 2017
      • ISM June 2017
  • Download Salsa App
    • Android
    • Apple
  • Spanish

Joseíto Mateo “They call me the Negrito del Batey, because work for me is an enemy”

Joseito was a consecrated Dominican merenguero who began his career in the 1930’s, better known as “El rey del merengue, El diablo Mateo”.

As a child he learned to sing and dance. He sang at the “Fiestas de la cruz” and at wakes, since at that time the deceased were prayed to with songs.

Mateo began his career as a singer during the 30’s, a period in which he was gaining the public’s favor.

Some time later he was requested by the record label “SEECO” to join the cast that in Havana would record with the Sonora Matancera.

Those were the years of the Trujillo Era in which Dominicans required an exit permit to travel abroad.

At first, this document was denied to Joseito.

As a consequence, in Havana, once the record was contracted and the pieces that would be part of it had been selected, including “El negrito del batey”, Joseito’s place was taken by the Dominican singer Alberto Beltrán, who was known since then by the Cuban public as “El negrito del batey”, instead of his true inspirer.

He was born on April 6, 1920 in Santo Domingo (Dominican Republic).

In one of his later trips, he decided to stay in Cuba to sing in CMQ, together with Celia Cruz and La Sonora Matancera, a very popular group at that time.

After the assassination of Rafael Trujillo on May 30, 1961 and the end of his dictatorship, Joseito decided to try his luck in Puerto Rico.

In 1962, Joseíto participated as vocalist in the first tour of the “Gran Combo” to Panama, to promote the album ‘El Gran Combo con Joseíto Mateo’.

There he met the young singers Pellín Rodríguez and Andy Montañez, who ended up replacing him in the Puerto Rican group.

“El Gran Combo was very good to me, I adapted to sing plena, bomba, guaracha, boleros, but then I had to return to Santo Domingo to clear my name.

They were falling behind all those who were with Trujillo, and in the Republic they said I was a spy and was on the run”.

 

Mateo’s professional work has spanned more than 70 years and constitutes an important reference of the Dominican musical culture.

He was nourished by the roots of merengue and became a singular exponent of it. His innovative style was characterized by a stage participation enriched by his particular way of dancing and singing.

Some of his best known songs are Madame Chuchí, Dame la visa, La cotorra de Rosa and La patrulla, among others. Joseito is known as “El Rey del Merengue” (The King of Merengue).

On November 11, 2010, Mateo was recognized at the 11th Latin Grammy Awards with the Latin Recording Academy’s Musical Excellence Award for his contributions to Latin music.

He retired in 2001, close to his 82nd birthday and after recording 50 “elepes”.

Joseíto Mateo passed away on June 1, 2018 at the age of 98, due to leukemia. He spent his last days in the Hospital de las Fuerzas Armadas.

Source:

https://www.buscabiografias.com/biografia/verDetalle/8662/Joseito%20Mateo

  • Author
  • Recent Posts
Augusto Felibertt
Augusto Felibertt
Latin America Coordinator at International Salsa Magazine LLC
[email protected]

P.O. Box 50631
Palo Alto, CA 94303
+1 408 287-9500
Augusto Felibertt
Latest posts by Augusto Felibertt (see all)
  • Ray Barretto: Rican/Struction of a Masterfor the year 1979 - August 28, 2025
  • Music as a Tool for Collective Emotional Control - August 28, 2025
  • Juancito Torres: The National Trumpet of Puerto Rico - August 28, 2025

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.