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Search Results for: Afro dances

7 Signs That You Should Attend A Festival

Are You Overwhelmed By Monotony?

Do you need to get out of the routine but without spending a lot? Do you want to expand your circle of friends? Do you want to have a new love? If the answer to most of the questions has been “Yes”, you most likely have a high need for social life that you can get at a Festival.

Half-length couple dancing
Adaptability, sociability, happy thinking, and remembrance are some of the skills you get at a festival

In a festival, you elude reality for a long time, and you will perceive unequaled sensations. One of the highest Latino events held in Europe is the Tempo Latino Festival in France, which hosts 7 000 people a day for a weekend.

Now that you already know the number of people with whom you can interact at a festival, I present you the seven signs to be conscious of how to recognize if you should attend one:

  1. You find it difficult to establish social relationships, or you don’t have time to share with your friends.
  2. You need to save as much as you can. It is due to the uncertainty that prevails in these times of the fluctuating economy. (Some scientific studies certify that it is better to invest money in experiences than in material objects).
  3. If your memories are about your family and student trips.
  4. You want to have a different weekend outside the daily routine or new love.
  5. You are interested in shows and attractions that make you live an experience to the fullest and have a feeling of exceptional freedom.
  6. You long to meet people with the same musical style.
  7. You want to show your best, most comfortable, or crazy outfits.

BRIEF HISTORY

The first festivals have provenance in Egypt (4500 B.C), followed by Greece and Rome. Subsequently, the first festival as we know them today took place in Dublin (Ireland) in 1897 after the middle ages. In the twentieth century began its greatest apogee with the most famous and long-lived events of this kind: Isle of Wight in England (1968), Woodstock in the United States (1969), and Viña del Mar in Chile since 1960.

Since then, the number of followers has increased in these festivities of several days that favor social life and that gives them skills such as adaptability, sociability, generous and joyful thinking, in addition to the remembrance that happens to occupy a fundamental place in this list.

If you are interested in experiencing this lifestyle and exercising a new way of empathizing with people with the same musical style and interests, here are two recommendations for upcoming Latin festivals to be held in Spain this fall 2021.

FESTIVALS IN SPAIN

Guaguancó Festival World-Madrid

Crowd of people with hands up
The festival will take place in the Sierra de Madrid, just 40 minutes from the city center

Ten years have marked the Guaguancó festival, which for the first time makes its stop in Madrid. This year it will have a lineup of high-level artists, workshops, events, Cuban music concerts, and activities.

The El Escorial resort campsite will be the place to celebrate this Afro-Caribbean weekend party.

El Escorial is a complex with large outdoor spaces for holding shows, concerts, and some workshops. Its covered spaces have more than 400 square meters, and all this under strict cleaning and disinfection protocols.

Date: Thursday, September 9th – Sunday, September 12th

Venue: Escorial Resort Natura. Carretera M-600, Km 3,5, 28280 El Escorial, Madrid, Spain

Barcelona Temptation Festival 2021

Woman dressed in red dancing with her partner
This festival has been successful with people from the USA, Canada, Russia, China, and Japan

This festival in the fourth edition will immerse you in the Latin rhythms of Bachata, Kizomba, and Urbankiz for a week. More than 11 artists on stage, workshops, social dances in the pool area and gardens with excellent DJs as well as grandiose masterclasses will be the programming of the Barcelona Temptation Festival 2021 from September 14th to Monday 20th at the Evenia Olympic Park hotel located in Gerona (Spain).

Venue: Evenia Olympic Park hotel. Building Park Carrer Sra. Del Rossell, S / N, 17310 Lloret de Mar, Gerona, Spain

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May 8, 2021 Day of the Cuban Son

On May 8, Cuban Son Day is celebrated on the birth of Miguelito Cuní and Miguel Matamoros, great exponents of the Creole genre.

This article is dedicated to exalt the most Creole of Cuban music, especially son.

 

This day is a tribute to this music-dance expression and to the musical legacy of its great exponents included Miguel Matamoros and Miguelito Cuní, reported the Cuban Music Institute.

The Official Gazette of the Republic said on 2 October that the Decree 19 of the Council of Ministers recognizes Cuban son as part of the intangible heritage since 2012.

This day is a tribute to this musical-dance expression and to the musical legacy of its great exponents, Miguel Matamoros and Miguelito Cuní, informed the Cuban Institute of Music.
May 8th Cuban Son Day

This declaration consolidates the file for its proposal to this candidacy.

The information has also been shared by the chief proponent of this initiative, maestro Adalberto Álvarez, who said on his Facebook page that the joy of having our Son Day is very great.

Cuban son is a vocal and sanceable instrumental genre that constitutes one of the basic forms within Cuban music that blends African musical elements with Spanish musical elements.

May 8 is a representative day, since the births of Miguelito Cuní and Miguel Matamoros are commemorated, that is why this date was the one proposed, said the 2008 National Music Award.

Likewise, the Caballero del Son, as Adalberto Álvarez is known, declared that this is only part of the task, since we already have the Day of the Cuban Son, we still have to get the son to be named Intangible Heritage of Humanity.
May 8 is a representative day

In addition, the Caballero del Son, as Álvarez is known, stated that this is just a part of the task, so we already have Cuban Son Day, we still have to get son to be named an Intangible Heritage of Humanity.

This is a vocal and danceable instrumental genre that constitutes one of the basic forms within Cuban music that blends African musical elements with Spanish musical elements.

It reportedly was born in the easternmost region of Cuba and was developed in provinces such as Guantánamo, Baracoa, Manzanillo and Santiago de Cuba in the late 19th century, even though there are testimonies that the most ancien Cuban sones date back to the 16th century such as the Son de la Má Teodora by the 1562 and performed by two Dominican sisters, Micaela and Teodora Ginés.

 DECREE 19, CUBAN SON DAY Single Article. To declare May 8 “Day of the Cuban Son” as a tribute to this music-dance expression and to the musical legacy of its great exponents. IT SHALL BE PUBLISHED in the Official Gazette of the Republic of Cuba. DONE in the Palace of the Revolution, Havana, to the next two days of September 2020, “YEAR 62 OF THE REVOLUTION”.

BE IT PUBLISHED in the Official Gazette of the Republic of Cuba. GIVEN at the Palace of the Revolution, in Havana, on the 2nd day of the month of September 2020, "YEAR 62 OF THE REVOLUTION".
The Cuban Son was born from the blending of Afro-Cuban and Spanish crossbreeding.

History of Cuban Son

Cuban Son was born by mixing Afro-Cuban and Spanish cross-breeding. Its origin is intimately linked to Changüi, considered as the mother rhythm of son.

Son came from the East to Havana around 1909. The “Cuarteto Oriental”, created in 1916, became the Sexteto Habanero in 1918, establishing itself as the traditional format of the son bands. In the 1920s, with the emergence of commercial radio broadcasting, the rise and popularization of son began, being the Septeto Nacional de Ignacio Piñeiro one of the main representatives from this time.

The upper classes of Cuba, who are fond of danzón (Cuba’s first native genre) sat watching son warily, seeing it as a slumming and classless genre. However, son was gaining popularity and ended up imposing on danzón, which was consigned to oblivion.

Apart from the fans son has always had in Cuba, the importance of this genre also lies in the influence it has had on the emergence of other genres such as son montuno, mambo, and salsa. In contrast of danzón, son has always been present in Cuba, either directly or within other later musical genres.

Son montuno is a type of son that was played and danced in the last part of Danzón. The importance of this son was its influence in the creation of salsa, in both in music and dance.

Dancing

This dance is only played at the last minute in a salsa club room if the deejay is Cuban, and hardly anyone dances it well.

The base of this dance is three steps followed by a pause, such as salsa. The figures are very simple and similar to those of Cuban salsa. The fundamental difference with salsa is the way of taking the steps. They are more energetic, such as mambo, with a wider hip movement and the pause more marked than in salsa. In other words, instead of the rhythm fast-fast-slow on salsa. In the case of son, it could be considered as fast-fast-fast-fast-slow.

The rhythm of son is, in general, slower than that of salsa, which allows the dancers to recreate in adornments and flirtations. The rhythm is better followed with the key, which is usually very marked.

There are no enchuflas, which are typical of Cuban salsa. The side steps, cockroach style, the couple turn, the walk, the side walk, the side walk, and the step forward-back are widely used.

A very typical and spectacular figure is when the man crouches or even is placed in a horizontal position, leaning the point of the foot on the floor, and the girl takes hom by his hand and walks around him, making him turn the sole of his foot.

Source:

great exponents of the Creole genre.
Cuban Son Day is commemorated on May 8 on the occasion of the birth of Miguelito Cuní and Miguel Matamoros.

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LEARN TO DANCE SALSA IN 3 MONTHS WITH STUDIO SALSAMÁS

Show off like an expert tropical genre dancer with figures and 12 combinations of different steps during one quarter of the year at this innovative academy in Munich

Salsamás Logo

The LA Salsa style (on1) is danced online and is characterized by dynamics and power.The Studio Salsamás is one of the most popular Latin dance specialized academies in Germany. The teaching of this school is based on a sporty, expressive, fun, and elegant training system, in which you will learn the steps of Salsa in three months to look like an expert dancer of this genre. And although at the moment it is not possible to attend the studio in person, the lessons are broadcast live through the Zoom platform with personalized assistance.

In this academy, you can choose the different popular styles of Salsa today: Salsa Los Ángeles, Salsa Nueva York, Salsa Cubana, Bachata, Bachata Sensual, and Kizomba for all ages.

couple dancing in a hall
Mambo (on2) – Salsa NY Style – is characterized by smooth and flowing movements. The typical Mambo is suitable for social dances.

The Class System during the first week conducts instruction in the typical Los Angeles Salsa On1 style (United States), which is danced in line and is characterized by an acrobatic and highly dynamic style with smooth movements and transitions typical of the Mambo ( ideal for shows) with the mix of Salsa On2 developed in New York (United States).

Different combinations of dance and figures are shown on each level during the three months. It means that all those people who feel that they do not master the dance steps after the fourth date and want the elements learned in this phase to solidify the basis have the option of staying in the same stage to repeat the fundamentals. For example, the Beginner I course includes 12 different step combinations with the same degree of difficulty, and they are taught alternately over three months. Everyone can decide after the first month whether to go to the next level or stay there. The recommendation is to complete the classes up to Beginners III in succession and not take breaks to establish a solid base.

The maximum objective of Salsamás is to establish Salsa in this European country as a feeling of joy that offers the opportunity for relaxation, providing a new lifestyle for all ages while also involving the development of the technical skills necessary for mastering the essential steps of this Afro-Caribbean rhythm.

SALSAMÁS DANCE STUDIOS

Asian couple dancing
The Bachata originally from the Dominican Republic is similar to the salsa spread all over the world, varied, and very popular!

Currently, the German government continues with restrictions on the start of activities in dance academies and entertainment establishments in order to safeguard the lives of its inhabitants. For this reason, Salsamás offers its teaching system online. However, once this dance studio, located in a central but quiet area of Munich city, very close to the Ludwig-Maximilians University and the Schwabing Technical University, has reopened will begin its teaching work in person and with all the biosecurity measures established by the government entity.

The main studio is located at Arcisstraße 36, 80799, a popular and culturally diverse neighborhood developed in the German city, inhabited in the past by numerous artists. This studio is placed on the ground floor, comfortably furnished and illuminated, and can be reached on foot at 6 minutes from Theresa Street U2 or U6 University subway station.

Also, they recently opened the second venue in Am Schützeneck 3, 81241, inside the middle of the Pasing district, directly next to Pasing Arcades. This new location offers the same characteristics as its main headquarters: good atmosphere, lighting, and excellent furnishing conditions. Find it as Studio Salsamás Pasing.

SOUTHERN HISTORY

couple of dancers posing
Cha Cha is danced On2. This slower rhythm allows for precise and smooth execution of the movement.

Pablo De Queiroz and Silvina Igova run the Salsamás Dance School founded by De Queiroz in October 2006 in the bohemian district of Munich. Together, Pablo, Silvina, and their team (Karolina John, Elena Frolova, Steffi Menz, Jean Caruana, Isabella Grill, Vasco Martins, Charley Raymdt, and Katrin Aumer) teach Salsa at nine different levels with great enthusiasm, effort, and commitment to be today to Salsamás one of the most innovative dance schools in the city.

But, who are Pablo and Silvina? Pablo De Queiroz of Brazilian origin moved to Germany in 1998. In a short time after his organization in this land he discovered his passion for dance, and it is what has characterized his personality until now. On the other hand, the Bulgarian Silvina Igova began to dance intensely during her childhood and it was until she met with Pablo (six years ago) that she discovered her love for Salsa and especially for the stage. Pablo and Silvina’s shows fascinate with their unique musical performance and energetic execution. The choreographies are created by Pablo and never fail to impress with artistic genius, genuine passion, and precision in dance.

Pero, ¿quiénes son Pablo y Silvina? Pablo De Queiroz, de origen brasileño, se mudó a Alemania en 1998, poco tiempo después de su organización en esta nación descubrió su pasión por el baile y es lo que ha caracterizado su personalidad hasta la actualidad. Por otro lado, la búlgara Silvina Igova comenzó a bailar intensamente durante su infancia y fue hasta su encuentro (hace seis años) con Pablo que descubrió su amor por la Salsa y especialmente por los escenarios. Los espectáculos de Pablo y Silvina fascinan por su interpretación musical única y enérgica ejecución. Las coreografías son creadas por Pablo y nunca dejan de impresionar por el genio artístico, genuina pasión y precisión en la danza.

Pablo de Queiroz and Silvina Igova are frequently welcome guests nationwide to Salsa congresses, various festivals, and events.

In 2011 they came second in the German Salsa Championship held in Ludwigsburg.

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Bella Martinez, the irreverent Salsa writer

Life is fun. Dare to live it

Bella Martínez was born in Puerto Rico. She is a graduate of Natural Sciences from the University of Puerto Rico, Río Piedras Campus. She lived in the state of North Dakota as a member of the United States Air Force. She completed her master’s in Health Services Administration and Quantitative Methods at Central Michigan University, Mount Pleasant, Michigan.

In 2016 she published Schizophrenic: Imaginary Episodes from a Different Life. In 2020 she wrote Insurrecta: Schizophrenic Chronicles of an Indomitable Life from Ediciones Scriba NYC. She maintains contact with her followers through the blog Life is beautiful, dare to live it. Her mission is to inspire Spanish-speaking people around the world to live life to the fullest.

Her writings have been published in several international literary anthologies, including: Divina, la mujer en twenty voices by Ediciones Scriba NYC -awarded at the International Latino Book Awards 2019, in Los Angeles, California- and in various editions of the poetry book Siglema 575, of minimalist poetry, Ediciones Scriba NYC. If you want to know more about Bella, you can do so by visiting Bellamartinezescribe.com or through her pages on Instagram, Facebook, Twitter, YouTube and Pinterest.

Bella Martinez led a pretty fun life
Bella Martinez, the irreverent Salsa writer

Bella Martinez I lead a pretty funny, sometimes complicated life; although I try every day to simplify it. I’ve even thought that one day I could be a minimalist…. Sure, in my own way; like everything else. I almost forgot to mention that I’m a vegan and a salsa dancer who dances until she collapses.

I should add that I love music that allows me to dance and express what is otherwise impossible to write or draw. In short; I dance salsa, I cook, I write and I dare to face whatever life brings me.

My mission is to inspire Spanish-speaking people around the world to dare to live a unique life because as I titled my blog: “La vida es bella…. Dare to live it”; I believe that life is to be lived the way you want it to be lived, doing good without looking out for others. I invite you to take a look at my blog .

I post about dance, music, beauty, fashion, vegan cooking, literature and everything else I can think of. Well, at least that’s the intention.

As for my narrative; and according to my great friend of always, Dr. Lopez Feliciano: “Through humor, and the narrative of the transgenerational transmission of the tribe, core values such as freedom, truth, integrity and fidelity are exposed.

The schizophrenic chronicles unveil an imaginary world in which cats, heifers, lice, mice are personified; and shoes, brooms, cars, keys and paper dolls are animated. The approach to reality is fantastic spun with ideas of references that are only experienced by an untamed life.”

And I say, “I expose in my memoirs through wacky stories and mocking the harsh daily reality of an ordinary routine; visiting stamps of my memories and nostalgically longing for the peasant activities of my ancestors whom I remember daily. You can’t help but fall in love with my picturesque narrative…”

The memories of Jimmie Morales comes to us from the pen of Puerto Rican writer Bella Martínez. In this new proposal by Martinez, she herself reported that: “it details the memoirs of the conga player who made his way into the world of salsa to become one of the most influential percussionists in the genre he has dedicated his life.”

From the pen of Puerto Rican writer Bella Martínez comes: A Conguero for History, The Memoirs of Jimmie Morales.
Bella Martinez, the irreverent Salsa writer
Life is fun. Dare to live it

The official launch of this daring text in which the author stresses the importance of our music and the influence that Puerto Rican performers have had throughout the history of salsa beyond our shores was on Thursday 19 November 19 2020.

This launch coincided with Puerto Rican’s Day. The list of contributors Bella counted on during drafting included the maestro Willie Rosario, who wrote the prologue, and the most prolific soloist of commercial salsa: Gilberto Santa Rosa, who wrote the introduction and the back-cover text. The virtual presentation of Un conguero para la historia was sponsored and streamed through the Instituto de Cultura Puertorriqueña.

The text is available in paper form through the following links:

Amazon.com – Global:

Un conguero para la historia: Las memorias de Jimmie Morales (Paperback).

Walmart.com:

Un conguero para la historia, Las memorias de Jimmie Morales (Hardcover).

The book is also available at:  – Fundación Nacional para la Cultura Popular, Old San Juan – Puerto Rico.

– El Candil Library, Ponce – Puerto Rico

– Laberinto Library, Old San Juan – Puerto Rico

– Pure Sound, Bayamón – Puerto Rico

– RZayas Music, Juana Días – Puerto Rico

– The Bookmark, San Patricio Plaza – Puerto Rico

In the following text, fro-Antillean music researcher and Colombian journalist Robert Téllez Moreno, who is a biographer of Ray Barretto and Willie Rosario, summarizes what the reader will find in the memoirs that the conga player Jimmie Morales shares with his followers through the voice of Bella Martínez:

Percussionist Jimmie Morales was born in Bridgeport, Connecticut. The son of Puerto Rican parents and owner of a natural talent, he developed an interest in music when as a child he listened to groups such as The Beatles and The Rolling Stones.

As from 1967, Jimmie and his family settled in Puerto Rico, from where his connection with Afro-Caribbean music emerged, after having listened to various Cuban, Puerto Rican and New York conga players such as Ray Barretto, Patato Valdez, Candido Camero, Mongo Santamaria, Johnny ‘Dandy’ Rodriguez, Milton Cardona and Eddie Montalvo, among others.

His first approach to the instrument occurred when his neighbor, Rubén Beltrán allowed him to play congas at his home. Later, he joined the youth group ‘La Justicia’ , with which he began to work permanently, while having his own instrument given away by his father.

After three years of work with ‘La Justicia’, Jimmie Morales joined Beto Tirado’s ‘La Predilecta’, in which he remained until he joined Tito Allen’s orchestra to work as a conga player until 1978, when he received an invitation from the maestro Willie Rosario, ‘Míster Afinque’, to join his orchestra in place of Papo Pepín.

According to Jimmie Morales, during those eight consecutive years, he lived his most formative stage, and what he considers his “formal training in the music industry”. This happened when he was a member of Willie Rosario’s orchestra, which was one of the greatest institutions of the salsa movement.

With Willie Rosario’s orchestra Jimmie Morales participated in the productions: ‘El Rey del ritmo’, ‘El de a 20 de Willie’, ‘The Portrait of a Salsa Man’, ‘Atízame el fogón’, ‘The Salsa Machine’, ‘Nuevos Horizontes’, ‘Afincando’ and ‘Nueva Cosecha’.

In 1986, Jimmie Morales joined Gilberto Santa Rosa’s nascent orchestra ‘El Caballero de la Salsa’, participating in multiple recordings and traveling the world.

At the same time, Morales began an impressive career as a top-level studio musician. He received credit for hundreds of recordings of such artists as: Lalo Rodríguez, Oscar León, Paquito Guzmán, Eddie Santiago, David Pabón, Héctor Tricoche, Edgard Joel, Marvin Santiago, Tito Rojas, Rey Ruiz, Ismael Miranda and Frankie Ruiz, the latter, with this latter he participated in all his solo albums.

As an accompanying musician, Jimmie Morales has appeared as an accompanying musician on hundred of recordings of great figures such as: Willie Colón, Ismael Miranda, Juan Luis Guerra, Tito Nieves and Jerry Rivera, among many others.

In 2010, as a leader of his own proyect, Jimmie Morales released ‘El Tumbao’ with the songs “Píntate Los Labios María” popularized by Cuban guitarist of the Buena Vista Social Club Elíades Ochoa and arranged Louis Cruz, who was Ray Barretto’s pianist in the 70s. The recording also includs “The Continental”, a jazz standard, arranged by seasoned José Madera, who was percussionist and arranger for Tito Puente’s orchestra for more than 30 years.

Recently, Jimmie Morales has contributed with his talent to the recordings: ’40… y contando en vivo desde Puerto Rico’ by Gilberto Santa Rosa, an album that captures one of the most emotional nights of the recent tour of the ‘Caballero de la Salsa’ and ‘Opus’, the eighth album by singer Marc Anthony, and recorded at Art House Society and Criteria Studios in Miami under the direction of multi-Grammy Award winning pianist and producer Sergio George.

Jimmie Morales, continues his commitment to music, from the area of pedagogy, sharing his experience and knowledge through workshops and clinics provided to young people from different countries, who have a genuine interest in music.

Bella Martínez: Amazon

Bella Martinez, the irreverent Salsa writer

 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.