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Search Results for: Awards 2020

Maelo y su Klan want to bring tropical rhythms to the whole world

Maelo y su Klan is the latest project, and one of the dreams, of the producer with more than twenty years of experience, Johnny Ysmael Salaverria Dicurú. The popular “Maelo” as his dearest friends call him, continues his career by working and pouring his heart into this project. With them the first genre fusion between Son and Kizomba is known. In the following lines we will talk about Maelo and his most beloved project.

Who is Maelo?

Johnny Ysmael Salaverria Dicurú was born in San Juan parish, in Caracas, capital city of Venezuela, where he spent his childhood surrounded by the joy of the Caribbean “soneros and salseros”. He was a child when he first expressed his interest in one of the most popular tropical Caribbean rhythms, salsa. Part of his influences came from his uncle, Héctor Bruno Dicurú.

Ysmael D´La O, is his artistic name on stage and producing, but his closest friends call him “El Tiburón de la Salsa”. He left with $80, and a luggage full of dreams, to look out for adventures abroad. His destiny was Tenerife, where he quickly earned the love and respect of the natives, and was embraced as an adopted son.

Maelo as a producer has worked with renowned soloists and groups, from all over the world. To name a few: Nicky Jam, El Binomio de Oro, Tito Rojas, Oscar D’León, Porfi Baloa, Tony Vega, La Dimensión Latina, Ray Sepúlveda, Guayacán, El Grupo Niche. As a promoter and producer of events, one of his greatest achievements was El Gran Combo De Puerto Rico who celebrated their 50th anniversary, and visited Europe hand in hand with him.

We can call Maelo, the cultural ambassador of Caribbean rhythms, making more than 30 countries listen and enjoy them. He was the first Latin American to have 100 continuous virtual conversations during the pandemic, a time when creativity was the escape of many artists.

Among his awards and recognitions is being nominated as International Producer of the Year in 2020, Producer and Promoter of the Virtual Euro Festival in the 20/21 edition. But soon more will come, since Maelo’s talent is infinite.

Defining Maelo and his Klan

The band stands out in danceable rhythms such as: Son, Charanga, Guaguancó, Salsa, Tropical, Latin Jazz and a lot of fusion with an original sound, which is inspired by African rhythms. Of course, with the influences of great masters of the old tropical school. In this way, a combination is created that generates a modern sound, worthy of the new generation. But what most characterizes this Klan is the creation of the fusion of the genres between Son and Kizomba.

The works of Maelo y su Klan have the collaboration of the renowned arranger and director of Billo’s Caracas Boys, the Venezuelan Julio Cesar Estrada. Also by Paquito Barón, ex-member of the Orquesta Bronco of Venezuela, in the musical production.

The Klan has all the merits and the support of the Anglo-Saxon and Asian public. One of his productions entitled ¡Cultura viva! Fusion is positioned as the new sound in Afro-Caribbean music. Maelo not only puts his talent for the band, but also puts all his knowledge of the tropical rhythms of Latin America, as well as its movements through Europe and Asia. Let’s hope that the journey of Maelo y su Klan will be a very long one, full of great successes, so that they can continue to please the public that loves these tropical rhythms.

Goodbye to El Canario de Carolina

Music in mourning

The world of music, more specifically salsa, has lost one of its greatest stars later this year 2022 and is none other than the unforgettable Lalo Rodriguez, who leaves a huge void after his unfortunate departure. In view of the unfortunate things that happened to the humanity of the great artist, we want to take this opportunity to remember the most important of his musical work and the importance of the legacy left by him.

A little of his biography

Ubaldo Rodríguez Santos, better known as Lalo Rodríguez, was born in Río Piedras, Puerto Rico on May 16, 1958 in the family formed by his parents José Rodríguez and Magdalena Santos. As a child, he soon started singing in music festivals and radio and television shows, in which he already showed the great talent that would carry him for the rest of his life. So much so that, a few years later, he was already part of his first musical group, the Tempo Moderno Orchestra.

Lalo Rodríguez was found dead on December the 13th
Lalo Rodríguez was found dead on December the 13th

When he was 15 years old, he received the necessary support to move to New York City, a place where some of the biggest salsa stars of the time were located. While there, he joined Eddie Palmieri‘s band and provided vocals for several songs on the album ”Sun of Latin Music”, which became the first salsa album to win a Grammy. The following year, the artists would team up again to create ”Unfinished masterpiece”, which got a nomination for the aforementioned awards. At that time, it was Palmieri himself who named him ”Lalo” for the first time.

After walking away from Palmieri, he participated in the Machito Grillo’s orchestra, with whom he recorded the album ”Fireworks”. Incredibly, this album also got a Grammy nomination, which represented fabulous numbers for Lalo. Upon coming of age, he already had three albums, a Grammy won and two Grammy nominations.

1980s

During these years, Lalo recorded a significant amount of albums and was beginning to be considered as one of the precursors of romantic and erotic salsa, a subgenre that was beginning to gain much more notoriety in those years. One of the biggest hits of his entire career was the song ”Ven devórame otra vez”, which won him a Lo Nuestro Award in the category of Tropical Song Of The Year and reached very good positions in the Latin Music charts.

Lalo Rodríguez and Eddie Palmieri
Lalo Rodríguez and Eddie Palmieri

1990s

In the 1990s, he continued working hard in his career, resulting in the albums ”Nací para cantar” and ”Estoy aquí”, with which he won gold and platinum records due to the large number of copies sold. These were the last record productions of the artist to be released to the public.

Recent years

Lalo never stopped being active on stages of all types, both in his native Puerto Rico and in other countries around the world. In 2020, it was announced that he was going to release a new album and already had a song selection to include in the material, although no further details had been offered.

Unfortunately, fate would not allow him to go forward with his plans and he was found dead near a basketball court in Carolina, Puerto Rico. One of the first relatives to make an appearance was his road manager.

Lalo Rodríguez and Johnny Cruz
Lalo Rodríguez and Johnny Cruz

After knowing that Lalo was found dead, his road manager Francisco Pérez, who had been working with the artist for several years. He indicated that he had communicated with him that same day and they had agreed to meet, but instead, he received the unfortunate news about his death.

During the following days, many artists expressed their sorrow for the departure of the singer and highlighted his great talent in life, such as Víctor Manuelle, Elvis Crespo, Arnaldo Vallellanes, among many others.

Read also: This is the story of Percussionist Joe González

        By Johnny Cruz, ISM Correspondents, New York, New York City

Producer, composer, and singer D’ William tells his story

Who is D’ William?

William Pagán Díaz, artistically known as D’ William, is a talented producer, composer and singer with extensive experience in various tropical genres. He was part of the Oro Negro Orchestra and the Tañón Band before starting his solo career. We were fortunate to talk to him and learn a little more about his history and career.

Producer, composer, and singer William Pagán Díaz
Producer, composer, and singer William Pagán Díaz

How his career began

The Oro Negro Orchestra represented his first musical experience and he was about 17 years old at the time. In fact, his mother had to sign a contract for him to be part of the group because he was underage. He stayed there for a year until he got asked to audition for the Tañón Band, a group that Olga Tañón was creating at the time.

After auditioning with 300 or 400 candidates, I was chosen as the last missing member for the group because it required four and there were only three. D’ William told us that he felt he had the world in his hands due to work with Olga Tañón, but unfortunately she decided to broke up the band because she had other plans. At that time, Pagan did not know what to do with his life because he thought he had already pursued the ultimate in his career, so he decided to turn his life around, enlist in the army and forget all music.

These years of his life contributed a lot to strengthen his discipline, but he also realized that he did not want to dedicate himself to military life forever. After he retired, he moved to Japan and lived there for about seven years, during that time he was introduced to Puerto Rican salsa thanks to some friends. He started singing salsa, but always saw music as sort of a hobby and not as something he wanted to do professionally.

He toured all over Japan with the Conquistando Orchestra and composed for other artists and various franchises, but nothing for himself. In 2010, he decided that he wanted to change that situation and recorded six salsa songs with the idea of moving to Puerto Rico thinking he was going to find the same country in the musical field. Then, all the songs recorded by him stayed on the hard drive of his computer and he could not do anything with them.

D' William at the Estela Awards
D’ William at the Estela Awards

Unable to get a job, he decides to use his veteran’s benefits to complete his education, which leads him to study criminal justice and law. In 2018, a job opportunity as a lawyer for the federal government in Washington DC arose, so he moves there and meets some people who reconnect him with music thanks to his career in Japan.

When the COVID-19 pandemic arrived, he finally made the decision to start his solo career and choose a stage name that referred to his real name, which led him to use D’ William. In September 2020, he recorded his first song titled “24 horas enteras” giving start to his solo career.

Why use merengue as a base for his music?

Although merengue has not had such a boom in recent years, D’ William is passionate about this genre that he never wanted to leave aside and even said that “a party without merengue is not a party”. The artist wanted to do something that included a tropical genre handled very well by him and he knows he was right about deciding on merengue, since he has observed a renaissance in the popularity of this set of rhythms with the help of artists such as Elvis Crespo, who was again seen in awards recently.

Music for millennial ears

D’ William points out that the most important elements of merengue will always be present in his work, but in his own words, ”the years and generations make the music evolve”. Since the performer did not want to stignate in the same thing, he tries to experiment with a new style of singing merengue and writes some of his lyrics with other genres in mind, such as dembow. He also incorporates kicks, snares, synthesizers and other sounds to reach millenial ears.

This combination of the above elements has made the reception to the artist’s music great.

D' William performing on stage
D’ William performing on stage

Experience in Guatemala

D’ William also told us about the Estela Awards in Guatemala, which he did not knew nothing about until he was invited to attend. Once there, he noticed the importance of these awards for Central America, as they recognize the talent of Guatemala, El Salvador, Costa Rica, Nicaragua, Mexico and many more.

He had the honor of being in its sixth edition and seeing how artists who did not have the opportunity to be in bigger events such as Billboard, Tu Música, Latin Grammy, among others, were awarded. Something very special about this year was the participation of a Puerto Rican delegation of for the first time in its history, in which D’ William was with several of his compatriots.

The reception of the public and press towards this group was great and they really enjoyed the show. They were so well received that they plan to return soon in December to continue delighting Guatemalans with their talent.

What did D’ William do during the pandemic?

D’ William told us that he did a lot of things for himself and other colleagues during the pandemic. He did a great collaboration on a track with Dominique Patrick Noel, a French percussionist with whom we had the pleasure to talk beforehand. They have done several songs together in which the Puerto Rican sings and does some arrangements with Noel.

He also sang with Eduardo Padua, who is a very famous Puerto Rican conguero in Virginia and Peruvian Andy Caseda.

D' William did interesting collaborations during the pandemic
D’ William did interesting collaborations during the pandemic

Read Also: The interesting story of French percussionist Dominique Patrick Noel

EFG London Jazz Festival

Commemorates 30 Years With A Display Of International Latin Jazz Artists

The first seasons of the EFG London Jazz Festival took place in May
The first seasons of the EFG London Jazz Festival took place in May

EFG London Jazz Festival celebrates its 30th birthday with the innovation and musical freedom that has always characterized the London Jazz scene.

This festival, the largest and in constant transition in North London, opens its space from Friday, November 11th to Sunday, November 20th to present a program of live and digital presentations with world-class artists, emerging talents, collaborations specials, avant-garde sounds, and the latest music for a massive audience that has established the EFG London Jazz Festival https://efglondonjazzfestival.org.uk/ as one of the main international Jazz events in Europe.

This emblematic event in the United Kingdom has three outstanding aspects that have characterized it over the years, they are Character, Impulse, and Wealth. The Character is evidenced in each edition with the contribution of special collaborations, discoveries, and exclusive commissions. The second aspect of this festival is the Impulse, being this event the highlight of the Jazz calendar in the capital. Finally, the third aspect is the Wealth that can be easily found in a club or concert hall packed with spectators to enjoy 300 live shows in more than 70 places attracting around 100,000 people daily.

In this 2022 edition, the star lineup is represented by nine international Latin Jazz artists such as Fiona Ross (Friday, November 11th), Katriona Taylor Quintet presenting “La Reina de la Bossa Nova” (Saturday, November 12th), Yuri Hernández (Sunday, November 13th), Colectiva (Thursday, November 17th), Mexico’s Woman of the Year for Arts and Culture, Migdalia Van Der Hoven (Thursday, November 17th), the Jazz/Latin group led by Steve Rubie from the 606 Club, Samara (Friday, November 18th), Trombonist Laura Impallomeni (Saturday, November 19th), Osvaldo Chacón (Sunday, November 20th) and Chucho Valdés (Sunday, November 20th).

L I V E   B A N D S

Fiona Ross

 “Voices celebrate the power, connection, and expression of song, beauty, and aptitude…”

At fourteen she lied about her age to play weekend Jazz clubs in London. Photo: Alexander Barnes-Ross
At fourteen she lied about her age to play weekend Jazz clubs in London. Photo: Alexander Barnes-Ross

Vocalist, pianist, songwriter, and producer, Fiona Ross, has become known for having an authentic contemporary Jazz sound obtained by mixing the fast rhythm of Latin Jazz, a brief flirtation with vintage Jazz, a bit of Neo Soul, and a touch of melancholy ballads.

Multi-award-winning Jazz artist, editor-in-chief, journalist, and founder of the award-winning organization Women in Jazz Media Fiona Ross was Director of the British Academy of New Music in London for nearly a decade, where she was responsible for the formation of Ed Sheeran, Rita Ora, among many others. Fiona’s date will be on November 11th at 8:30 PM at the London Polish Jazz Café Posk (238-246 Kings St. W6 0RF), and the ticket is £15.

Yuri Hernández + DJ Flecha

 “…Celebrating unity with the power of music.”

Many describe her album Loco Soñador as “a wild and sensual masterpiece.”
Many describe her album Loco Soñador as “a wild and sensual masterpiece.”

This multifaceted 10-day event brings to its lineup the established singer within the Latin music industry for the last two decades, Yuri Hernández. The establishment that will host it will be Juju’s Bar & Stage (Ely’s Yard, 15 Hanbury St, London E1 6QR) on Sunday, November 13th from 6 PM, and the cost of the ticket doesn’t exceed £9.

Hernández is one of the most sought-after musicians in northern Spain and is introduced to the UK Latin Jazz scene through Loco Soñador, his second studio album released in 2020. Joining this musical genius will be DJ Flecha (Joel Verdecia) with his supporting act promoting Cuban music. This veteran DJ (25 years of career) has been nominated three times as Best Latin Tropical DJ in a European country for his technique and originality when mixing.

Colectiva & Osvaldo Chacón

“Beyond the margins, some of the most innovative artists at the forefront of Jazz are pushing its limits and expanding the definition of the genre while drawing influences from a wide range of other languages.”

Osvaldo Chacón and his band have played at the Royal Festival Hall, among many others.
Osvaldo Chacón and his band have played at the Royal Festival Hall, among many others.

This Afro-Latin and Jazz music band, Colectiva, reflects on themes of sisterhood and female empowerment. They are rooted in the sounds of Africa, Latin America, and the diaspora, creating a genre that the group has dubbed Jazz Tropicaliente (Hot/Tropical/Jazz). Their debut single is Under The, written in collaboration with pianist María Grapsa and released in April 2021. This track received great support from global radio stations and famous DJs in the music industry.

Colectiva will be presented on November 17th at 8:30 PM at the London Kings Place-Hall Two-(90 York Way, N1 9AG), and tickets have a permanent price of £15.

On the other hand, Osvaldo Chacón’s band is the leading Timba orchestra in the UK and has been nominated multiple times for the prestigious LUKAS awards. Osvaldo Chacón, composer, producer, and singer-songwriter, has shared the stage with great Salsa figures such as Adalberto Santiago, Azuquita, Tito Allen (Fania All Stars), Salsaceltica, Eddie Palmieri, as well as the greatest world-famous stars such as Celia Cruz, Oscar D’León, Rubén Blades, and Alberto “El Canario”. Supporting Osvaldo Chacón will be DJ Javier La Rosa mixing Salsa, Cuban Timba, Reggaeton, Latin Hip-Hop, and R&B. Sunday, November 20th is the date when you can enjoy these presentations. Time: 8 PM. Venue: Juju’s Bar & Stage. Ticket: £10.

Chucho Valdés

 “The Icons are the living legends of Jazz and the leading heroes of the genre who paved the way and continue to create, inspiring artists, and audiences alike.

Valdés, with his valuable contribution, has given direction to Afro-Cuban Jazz
Valdés, with his valuable contribution, has given direction to Afro-Cuban Jazz

The EFG London Jazz Festival brings the Cuban pianist, composer, and arranger Chucho Valdés, who celebrates his 80th birthday with his extraordinary work La Creación with the Yoruban Orchestra and Hilario Durán & John Beasley.

The winner of six Grammy Awards and three Latin Grammy Awards is the most influential figure in Afro-Cuban Jazz of the 20th and 21st centuries. In an extensive career spanning six decades, Valdés has pushed the boundaries of new expressions in Afro-Cuban music. His influence and inspiration in the genre are immeasurable to the point that his work sets the standard by which new generations are governed and drives their careers. To see Chucho Valdés head to the London Southbank Center (Royal Festival Hall, Belvedere Road SE1 8XX) at 7:30 PM. and tickets range from £30 – £45.

Along with Chucho will be the cellist, vocalist, composer, and niece Ana Carla Maza. Within her discography is the album La Flor (2020) which incorporates Latin rhythms, Pop melodies and Jazz harmonies along with classical techniques. Bahía (June 26, 2022) is her most recent production inspired by Cuban Son, Samba, Bossa Nova, Tango, Jazz, and Chanson with a rich mix of classical cello and voice.

Melissa Aldana Will Headline The Wellington Jazz Festival

The Most Acclaimed Latin Saxophonist On The International Jazz Scene

Melissa Aldana started playing the alto saxophone at the age of 6
Melissa Aldana started playing the alto saxophone at the age of 6

Melissa Aldana is a Chilean saxophonist and composer nominated for the Grammy Awards (2020) for her skills with this wind instrument, she has six studio albums, and her fame has spread to all Jazz circuits around the world.

Aldana with his quartet will headline the Wellington Jazz Festival 2022 to present to the fans the debut album with the company Blue Note Records titled 12 Stars, and you cannot miss the opportunity to experience this exceptional live performance with flowing harmonic notes seasoned with feeling in the Wellington Opera House (111 – 113 Manners Street, Wellington, New Zealand) on Sunday, October 23rd from 7PM to 8:30PM, and the ticket price is $69.

The Wellington Jazz Festival is an entry point into the Jazz music calendar for fans and the curious. This event will offer more than 100 magical concerts in bars, restaurants, and live music venues in the capital. This year the splendid festival will take place in mid-spring in Aotearoa (New Zealand’s Maori name), featuring some of the best international Grammy Award-winning and nominated artists, as well as renowned talent from this Oceanian country and the world.

On the other hand, Melissa Aldana was the first South American woman and instrumentalist to win the Thelonious Monk International Jazz Contest (Washington -USA) in 2013. This artist born in Santiago de Chile in 1988 is a graduate of the prestigious Berklee College of Music with a full music scholarship in 2009, moreover, she also comes from a musical family where her father and paternal grandfather played this instrument.

The discography of this tenor saxophonist goes back 12 years when, at only 22 years old, she came out on the music market with her debut album Free Fall (2010). It is followed by Second Cycle in 2012, Melissa Aldana & Crash Trio (2014), and Back Home in 2016. Her fifth studio album was Visions (2019), an album that earned her first Grammy nomination for Best Solo by Improvised Jazz in recognition of her impressive tenor solo on her composition Elsewhere.

12 Stars was composed in Harlem (New York - USA) in 2020
12 Stars was composed in Harlem (New York – USA) in 2020

Most recently her record production is 12 Stars, an anecdotal album that she wrote during the Covid-19 pandemic and the product of the struggles she went through due to the breakup of a long relationship. “This is a very important album for me. I felt like I had a lot to say because of all the experiences I had during 2020. After the personal process that I went through, I feel more connected to myself and my imperfections… Embrace everything I hear, everything I touch, including mistakes, is more significant than perfection”. Aldana exposed in her biography

12 Stars was recorded under the Blue Note label and released on the music market on March 4th. “I feel super privileged, but I had a feeling that this had to happen at some point. I’ve been very consistent with my band and my projects for a long time. I am very motivated for what comes next”. Aldana expressed to an international digital medium.

Melissa will end her presentations in Europe this year with a tour during November that will take her to the capital of Spain on Friday, November 11th (Teatro Fernán Gómez) and on Saturday 12th, she will be in Badajoz (Teatro López De Ayala). While on Monday, November 14th, she will perform at the Zig Zag Jazz Club (Berlin-Germany), and on Wednesday, November 16th, she will have the same but this time at the Porgy & Bess in Vienna, Austria.

The Padova Jazz Club (Padua- Italy) will be handed over to Melissa Aldana on Friday, November 18th, and a day later she will do so at the Teatro Lauro Rossi in Macerata, Italy.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.