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Latin Parties Begin In Europe During July 2021

Hungary, Spain, and Croatia are the first three countries that welcome summer with Salsa Festivals and Congresses more than a year after the Corona

Couple Dancing
Hungary, Spain, and Croatia are the first three countries to resume Salsa Festivals and Congresses Salsa

In July, the summer begins in Europe and with it the imposing Latin Holidays. Hungary, Spain, and Croatia are the first three countries to resume Salsa Festivals and Congresses after 19 months of cessation of activities due to the Corona.

During these events, the protocols to guarantee the safety of the attendees will be carried out from the entrance with the performance of antigen tests, surveillance systems with thermal control, disinfection tunnels, and divisions within the facilities.

So, celebrate the Latin Parties in Europe at the beginning of July 2021 with Salsa Latina Istriana Festival in historical Croatia, Benidorm Salsa Congress in cultural Spain, and finally, you can also attend the Hungarian Summer Salsa in architectural Hungary.

SALSA LATINA ISTRIANA FESTIVAL – CROATIA

Latin Couple Dancing
Salsa Latina Istriana Festival 2021

Salsa Latina Istriana Festival started in 2004 as a free dance workshop with 100 dance lovers and enthusiasts to promote Salsa and other Caribbean dances.

This year comes to the seventeenth edition of this festival with tradition and community support with more than 15 European dancers, free Salsa, Bachata, Kizomba, Semba, and Urban Kiz workshops, international instructors, two boot camps, boat parties, 12 famous DJs, two free social dances on four floors, and much more.

Salsa Latina Istriana Festival 2021 will be held under the precautionary measures agreed upon for events and dance academies.

The workshops and the evening parties will take place over three days at Dom Hrvatskih Branitelja in the center of the coastal city of Pula.

Date: Friday, July 2 – Monday, July 5

Venue: Dom Hrvatskih Branitelja, Leharova 9, Pula, Croatia

Price in Gold Passes: 105€

BENIDORM SALSA CONGRESS – SPAIN

CANCELED (Reprogrammed for 2022)

Couple choreography with blue background
BENIDORM SALSA CONGRESS 2021

Benidorm Salsa Congress opens its doors from July 5 to 11 at the facilities of the Hotel Gran Bali with a selection of national and international artists, amazing shows accompanied by the rhythm par excellence, workshops, boot camps, 22 hours of Masterweeks, Pool Party, After-hours, several tracks for social dances with the Latin music of four DJs of the moment from midnight to five in the morning at the Crystal Palace, and contests up to 5,000 euros in prizes.Benidorm, a famous seaside resort on the Costa Blanca in the Valencia region and a popular Mediterranean tourist destination for its nightlife, once again becomes the Salsa capital of Europe for seven days with Benidorm Salsa Congress 2021, and you can book your tickets online starting this month on the Cucumpa platform.

Benidorm Salsa Congress calls you!

Address: Calle del Actor Luis Prendes, 4, 03502 Benidorm, Alicante, Spain

HUNGARIAN SUMMER SALSA – HUNGARY

five members of La Movida Cuba
La Movida Cuba’s members: Michel Carballo, Beny Perez, Ignacio Carballo, Yandro Reiniso, and Laura Pérez

Develop part of your summer in this Sensual Salsa Festival 2021 to be held from July 8 to 12 at the Balaton Conference and Leisure Center located in the western area of Hungary.

Hungarian Summer Salsa will feature a Bachata Championship, Rueda Competition, Cuban Salsa On1, and Kizomba, as well as Parties in the water park, and boat sailing at sunset. More than 40 dance teachers will present their shows and there will be international DJs. A live concert will delight attendees for 90 minutes with the La Movida Cuba orchestra, and additionally, they will enjoy a wine tour in an authentic Cuban atmosphere.

Concert Address: Balatonfüred Balaton Center, Horváth Mihály u.

Date: Saturday, July 10

Time: 11:00 PM

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Hungarian lake landscape at sunset
HUNGARIAN SUMMER SALSA 2021

1 La Movida Cuba is a band from Budapest created in 2009 and made up of five talented Cubans, who developed a famed and danceable music project with interpretive artistic quality and flavor of the music of the Caribbean island.

Due to the versatility of their musicians, they implement daring choreographies where they interact with the public with new movements that today are known as La Movida in Budapest.

2 You will set sail to conquer the Hungarian Sea at sunset on the largest ship on Lake Balaton on the first day of the event. Remember to respect the dress code for this excursion, which this year will be blue and white.

3 On the last day of the festival, the Koczor winery will be visited for the wine tasting. The winery is located 3.5 km from the Balaton Conference Center. Attendees will go up and back together on a small train. This train will depart at six in the afternoon and will descend at ten at night in time for the closing party of the Hungarian Summer Salsa

Until then, stay safe, keep up the same excitement, keep dancing, and be conscious

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The Macropana Hector Castillo with its Latin and Caribbean Essence are

El Macropana contributed considerably to the development of radio in Venezuela from the 70’s until his death with his particular and original self-taught style of communication to the public.

 

Héctor Castillo, one of the main diffusers of Afro-Caribbean music in Venezuela, died on June 5, 2012.

He was especially remembered for the conduction of the radio program “Caribe Son”, he also worked as a producer of musical shows and TV programs specialized in salsa, becoming a pioneer in this type of TV programs.

He was in Radio Nacional de Venezuela in the production of diverse musical programs in several frequencies, as well as in many other radio stations that allowed him to become one of the most important and great connoisseurs of the Salsa broadcasting in our country together with Lil Rodríguez, Henrique Bolívar Navas, and Phidias Danilo Escalona, among others.

More than 30 years ago, when the salsa genre was at its peak, a kind of “boom” emerged in Venezuelan radio that led some radio broadcasters to take the risk of transmitting the genre that Phidias Danilo Escalona had baptized “salsa”.

Héctor Castillo, one of the main promoters of Afro-Caribbean music in Venezuela, passed away on June 5, 2012.
Héctor Castillo with his Latin Essence and Caribbean Son

Thus, a radio station located in La Florida, Radio Aeropuerto, took the first step. Spaces like Bachata, directed by César Miguel Rondón were born and the programming went from soft music to hard salsa, with the appearance of Rafael Rivas “El Tigre” and Luis Calzadilla “El Villano”.

The above mentioned combination had a very particular way of addressing the audience. Calzadilla emigrated and a young bisoño was hired who had another conception in the way of dialoguing with the public. A passionate of the rumba, but respectful of the public to which he was addressing. Over the years, he became an obligatory reference when talking about salsa on the radio, his name: Hector Castillo.

Hector Castillo, “El macropana”, died on June 5, 2012 at 10:00 pm. The salseros of the mata dawned with the sad news of his death, already expected because his illness was known. Hector himself said goodbye to his friends a month before with this message sent from his cell phone:

“Greetings little brothers, tomorrow I will have my third operation and I am very delicate, I love you”.

Remembered especially for hosting the radio program "Caribe Son", he also worked as a producer of musical shows and TV programs specialized in salsa, becoming a pioneer of this type of television programs.
Héctor Castillo, one of the main promoters of Afro-Caribbean music in Venezuela.

In addition to being a researcher and scriptwriter, after Radio Aeropuerto, Castillo maintained the program Esencia Latina on VTV. Héctor was a producer on Tves and also had his own space as an independent national producer. His program Caribe Son, was broadcast, among other stations, by RNV.

Radio in Venezuela

Radio broadcasting in Venezuela began in 1926, during the government of General Juan Vicente Gómez, thanks to the technical knowledge of Luis Roberto Scholtz and Alfredo Moller, and the political influence of Colonel Arturo Santana, aide to General José Vicente Gómez, son of the President of the Republic.

Under the name of AYRE, they obtained official permission on September 25, 1925, which not only granted them exclusive rights to the transmissions, but also to sell the receivers. In May 1926 the transmissions began with a Western Electric of 1 kw and an antenna supported by towers of 65 m in height. Luis Roberto Sholtz was the managing director of the radio station and Alfredo Moller was the official announcer.

The plant was installed on the land now occupied by the New Circus and the passenger terminal, and the studios in a house on the corner of El Tejar. They transmitted news from the newspapers and variety shows, within an area of 3,200 km. When the political events of 1928 took place, the AYRE radio station was officially closed.

Two years later, on December 9, 1930, Broadcasting Caracas was inaugurated, founded by William H. Phelps, owner of the American store, a business specialized in the import and sale of electric devices. Edgar J. Anzola and Ricardo Espina were Phelps’ immediate collaborators. And in the technical management of the station, Alberto López. Within the International Broadcasting Agreement, Venezuela had been given the YV code. That is why in the acronym of the new plant the identification YVIBC appears in long wave and YV2BC in short wave.

The BC corresponds to the nominal syntagma Broadcasting Caracas, which from 1935, after the death of General Gómez, will simply become Radio Caracas. The initial equipment of 1BC was RCA brand with a power of only 100 watts. The radiating antenna worked on 2 old windmills. This was the first time it went on the air, on the occasion of the remote transmission from Henry Clay Square, about the inauguration of a statue of the famous American politician.

That same year of 1930, on December 17, from the Campo de Carabobo, Broadcasting Caracas also broadcasts the inauguration of an allegorical monument of the Battle of Carabobo, to commemorate the first centenary of the death of the Liberator Simon Bolivar.

A whole elite of figures from the world of communication, music and the Venezuelan intelligentsia is beginning to form around Radio Caracas.

And its programming goes from the news to the official speech, from popular music to cultured music and from the funny sketch to the radio melodrama. “El Diario Hablado”, founded by Mario García Arocha, was for many years an informative tribune of national and international events. And the presence of musicians like Carlos Bonet and Eduardo Serrano, as conductors, anticipated the participation of artists like Fedora Aleman, Angel Sauce, Pedro Antonio Rios Reyna and Antonio Estevez. After the creation of 1BC (Radio Caracas), the voices of Radiodifusora deVenezuela (29.5.1932), La Voz de Carabobo (6.7.1934), La Voz del Táchira (4.7.1935), Emisoras Unidas (16.2.1935), Ondas Populares (10.2. 1935), Ecos del Zulia (1.4.1936), Ondas del Lago (12.10.1936), Radio Popular (15.10.1936), La Voz de la Esfera (27.4.1937), Ecos del Orinoco (6.6.1938), Emisora Vargas (6.8.1938), Radio Puerto Cabello (20.9.1938) and La Voz de la Fe (15.9.1940).

The boom of radio broadcasting, after the death of General Gómez and during the governments of Eleazar López Contreras and Isaías Medina Angarita, gave rise to legislation on the use of radio electric media. This is how the Law of Telecommunications appeared, approved by the National Congress on July 12, 1940, repealing the previous law of July 27, 1936; and the Regulations of Radio Communication, promulgated on February 7, 1941.

With these legal instruments, the State governs radio communication, with a more modern sense of equity and justice. As a means of communication, radio has had a singular importance in the country’s political history.

More than 30 years ago, when the salsa genre was in full swing, a kind of "boom" appeared on Venezuelan radio that led some radio stations and broadcasters to take the risk of transmitting the genre that Phidias Danilo Escalona had baptized as "salsa".
Phidias Danilo Escalona, Rafael Rivas “El Tigre”, “El Macropana” Héctor Castillo

 

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Meet Liz Castillo in our report for this May 2021 edition

 

In the Caribbean there is a group of islands that attract many tourists all year round for its warm beaches, music, history and / or culture, one of the most visited is the beautiful island of Cuba, where tropical tourism is excellent for tourists. , one of the provinces that stands out for being a land of beautiful landscapes and hospitable people who preserve their traditions is Pinar del Rio which is located in the westernmost part of Cuba, it highlights its extraordinary natural charms such as its caves and Pinar del Rio parks, its beaches are bathed by two waters “the Atlantic and the Caribbean” which you can see with the naked eye when you go there and having this great diversity and beauty, you can explore the seabed as there is great tourism ecological and practicing water sports, it also has green gardens, the mogotes of Viñales and its guano houses where tobacco leaves are dried, there is an impressive Mural of Prehistory, a huge cave painting g burned on the surface of a mogote where its tropical and exuberant colors allow it to be distinguished from afar.

This time we have the Cuban singer Marielys Castillo Prietos also known by the stage name Liz Castillo, who was born in this beautiful city Pinar del Rio, Cuba on September 20, 1985, tells us with affection the place where she was born and is the perfect description that we mentioned at the beginning of this article; currently she lives in Havana to better develop her musical career.

In 2000, he began his musical career where he joined the movement of amateur artists of “Casa de Cultura”, a place that belongs to the network of cultural institutions that make up the Ministry of Culture of the Republic of Cuba. where there is concerted cultural development between the community and state entities, aimed at the preservation, transmission and promotion of artistic and cultural samples of the community, there were workshops where visual arts, dance, music are taught … was able to present singing songs for both children and adults; which obtained several prizes in the diverse Contests.

During these 5 years he dedicated himself to recording his album called “Cosas Contigo” with full authorship, his songs have a great variety of musical genres such as Bachata, Salsa, Vallenato, among others in order to have a great musical enrichment and in turn achieve a greater reach to your audience.

Cosa Contigo - Liz Prieto
Cover of Marielys Castillo Prietos – Cosa Contigo

In 2004, she graduated from Elementary Level in Singing Specialty, and jointly received Popular Singing classes in Havana with her teacher Robertina Morales Silva, who is someone very important to her since she mentions that she owes her musical career to him. because during his beginnings, he was born with the concern and doubt of being a musician and she was the one who showed him his path and what is correct or not; When he received his classes with her, he discovered and obtained the answers to his concerns in his musical career, even today they keep in contact supporting her.

She begins to work on the composition of the songs of her authorship, where until today she has more than 25 works registered in the National Copyright Center, performed by recognized Orchestras and Soloists and by herself.

The emotion and inspiration to create his songs is “Love”, the most sincere and most sincere feeling there is, it is also inspired by its derivatives such as heartbreak, life and lived experiences; This is one of the ways that you express what you feel, what you like and what you don’t like and what you want to send to your audience.

A year later (2005), he joined the Ebano y Marfil group and the Ireme Group. On this same date the Polyphonic Choir of Pinar del Río was integrated, these were the first groups with which I worked instead of working as a soloist, it was a new world where he does not deny that for those who start in group music and with experience it is scary because they do not know if they will measure up or not (their own insecurities), if your desire to move forward and progress is stronger it will be appeased by gaining experience and more security, as happened to her, who is a person characterized by a person who never backs down and moves on, to catch up and strive to defend himself for which he has fought, since she herself knew what would happen by studying it, thought and assumed in his future, making this a wonderful and great experience.

Live- Liz Castillo
Photo of Marielys Castillo Prietos and her musical group

What better happiness and personal reward than listening to your musical themes on the street and expanding to radio stations and the internet, this is the best happiness that a musician has.

After 4 years he retired from the musical group to go to Havana (2009) to train more as an artist for a year at the Mariana de Gonitch Singing Academy, directed by Maestro Hugo Ósle, a very prestigious teacher from Havana, he is known As the director of the group that bears the name of the famous internationally renowned Russian singer and pedagogue, who preferred to live in Cuba and was in charge of preparing young talents, there Liz Castillo had her lyrical and popular singing classes and above all they took you to to do shows and concerts in all the theaters of Havana either as a soloist or in a group, thus cultivating in his career and to have a more accurate criterion in a few words he was covering a wide repertoire and varied musical genres from Folklor A; upon graduating he continued working and always asking his teacher Robertina Morales Silva for support.

She mentions that during the COVID-19 pandemic, she did not see the bad things but the positive things, it has been for her during that difficult year, very prosperous in her career since she has been able to get 2 singles that were previously in process or paused, 2 salsa songs ʺCanción sin Rostroʺ which is currently coming out these days with its video clip and soon ʺWhere our Love is bornʺ … the pandemic has paralyzed many things but we must take advantage of this time at home and she did it promoting herself and obtaining a greater reach through the internet platform using social networks.

“For live music to be heard by the public, that they like it and identify with it and to achieve at this time is through communications especially the internet and social networks”

“Canción sin Rostro” is a musical theme that aired recently, it tells us that during its creation it was not called that, but “De que vale”, because that change arose, it was a theme related to an unrequited love and at the end of the song was a happier ending instead of the sadness it had at the beginning, it is like for example seeing the dark side of life comes at the end to see the light, the most beautiful part of life.

Liz Castillo - Cosas Contigo
Musical themes by Liz Castillo

To the new talent that is currently emerging, Liz Castillo mentions that currently many people want to be a fast and famous artist, but the truth is… “the person who is going to be an artist is because they have it in their soul, mind and it is written in Life will go on and overcome its obstacles, no matter how difficult … the artist is born with that quality, those who are not will not be able to continue even with all the support in the world “…” the artist’s work is not for himself, but for others, respecting his audience with respect to his lyrics, a clear message without many complicated words ”

If you want to know more about her, listen to her songs or contact her:

Spotify

  • https://open.spotify.com/artist/0FMLrFYvhu14ITV7ecMHpx?si=9_e5Ru99QBqn_kWvZ3U7EA

Pleylist

  • https://open.spotify.com/artist/0FMLrFYvhu14ITV7ecMHpx?si=9uUH-GunTUKJ3R2DvPsibg

 

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Argentina and its musical genres of origin and the tropics

Argentine musical genres and development to date with tropical genres

 

Each country has its essence with respect to what it represents above all in its culture, and in Latin America there is a great variety of musical genres and dances unlike Europe since during the colonization of the new world a mixture occurred not only at the level of races but also of culture, emerging a great variety of musical genres…

In this time we have Argentina, a country full of cultural diversity being the most interesting characteristic of this great South American country. It is a country where music is expressed with great style and elegance, especially at the level of dance, since its presentations are made in various places, including outdoors, especially in Buenos Aires (usually in summer).

Argentinian dance
Argentine Collash

Among the musical genres that stand out are:

  • Argentine Rock: it is the mix of rock and roll, blues, country & western, R&B, doo wop, boogie woogie and swing; It is characterized by having an outstanding and recognized Hispanic lyrics throughout Latin America thanks to the great popularity of the bands and artists that participated and reaped records in album sales and in attendance at recitals in the mid-1950s to date. (sample bands)

 

  • Tango: a musical and dance genre very characteristic of the Rio de la Plata region and its area of ​​influence, but mainly of the cities of Buenos Aires (in Argentina) and Montevideo (in Uruguay). Their music and dance is very popular in Argentina and this expressive dance has strong European influences. It is danced as a couple where the dancers merge in a romantic embrace, showing their sensuality, passion and feeling in each step taken, leading it to become one of the most famous dances and musical genres in the world.

 

  • Cumbia: despite the fact that this rhythm from the Caribbean countries, particularly Colombia, has spread in several Latin American countries including that country, the cumbia and the different variants are part of the music called “tropical”, and in Argentina Cumbia Villera is a subgenre born in popular areas, born approximately in 1997. It emerged from the fusion with local rhythms such as chamamé and tango, due to its instrumental endowment; Another particular characteristic of Argentine cumbia is the inclusion of flamenco within its musicalization.

 

  • In Argentine there are folk rhythms:

 

  • Zamba: its name derives from the daughters of black slaves and aborigines, who were sought to seduce through dance, this genre is located in the central part of the country and is generally associated with the Argentine Pampas. It is danced in pairs where the man surrounds the woman’s shoulders with a handkerchief with the intention of seduction.

 

  • Carnavalito: this genre is located in the Andean region, north of Argentina, its music and dance make up a part of the Andean pre-Columbian culture, it has a festive and lively tone.

 

  • Chacarera: a dance native to the north-central part of the country, has a marked aboriginal influence where the Quichua language is manifested. With vehement and intense tones, it is used in regional Carnival dances and is danced by stamping and courting figures.

During the 50s in the USA (United States) several musical genres were called “Latin Rhythms” to differentiate them from African-Americans, among which are salsa, merengue, samba, bachata and bolero among the most known. You will say that this has to do with the musical genres mentioned above … because there is a great difference and history since each musical genre or dance has its own rules to perform them either on a musical or dance level, but when a mixture arises. from two or more musical genres, a new one more innovative, fun and with a taste to the population, like what happened with the Latin rhythms in that country.

Photo of some dancers
Tango dancers photos

Salsa is a contagious and fun rhythm most of all for the general population at the time of dancing it, since people enjoy a very lively music where they usually shine with the amount of turns to magically show themselves with their spectators and to achieve this you are born with it or you train with professionals in dance; this generally applies to all Latin and / or tropical rhythms.

It does not matter what genre this popular in each country, the important thing is the dedication, expression and that each person has when producing their musical theme or dance to the public, giving the native his personal touch to his music or dance, becoming more unique and not as generic as it is made in other countries.

 

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