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Search Results for: Bar

The legend of Gon Bops began in 1954 in California, USA.

It remains one of the oldest and most respected Latin instrument makers in the world.

 

The legend of Gon Bops began in 1954 in California when Mexican-American Mariano Bobadilla (born in Guadalajara), who would become one of the most respected conga makers in the percussion industry, began designing and building conga and bongo drums.

Bobadilla, a band instrument repairman and professional trumpet player, launched Gon Bops in his father’s old wooden garage in a downtown Los Angeles neighborhood.

He chose the name Gon Bops because “Gon” was one of the colloquial expressions of the time, like “everything goes, man,” and “Bops” because his friends nicknamed him Bob, which sounded like “Bop” in the Latin dialect.

Although Bobadilla’s drums remained true to the classic Cuban form, he was a true innovator in the development of drum hardware. He designed the first teardrop-shaped crown with rounded rims, developed to protect the hands of the musicians, a concept that is now universally accepted.

It remains one of the oldest and most respected Latin instrument makers in the world.
The legend of Gon Bops began in 1954 in California, USA.

He also gave birth to the first tunable hardware for congas and bongos in the United States. After seeing how Cuban congueros heated the drums in their kitchens before performing, Bobadilla decided there had to be a simpler and more reliable method for tuning these instruments.

Other innovations of the young company included taroles (wooden timbales), the first pre-assembled replacement heads for congas, chromatic tuned cowbells, and numerous stands, adapters and other accessories.

Gon Bops was very successful in its early days. The instruments were in great demand by the top musicians of the time – giants such as Alex Acuña, Mongo Santamaría, Francisco Aguabella, Armando Peraza, Poncho Sánchez, José Hernández and Rich Barrientos, all of whom contributed invaluable R&D input. Gon Bops quickly became the undisputed leader in Latin percussion instruments and remained so throughout the 50s, 60s and 70s.

Mariano remained deeply committed to a hands-on role in production and retained complete control of the design and manufacture of all his products. As a result, Gon Bops instruments were mainstays on the world’s biggest stages, including the massive Woodstock festival in 1969.

However, the winds of change swept through the American percussion industry. By the time the 1980s arrived, all the major U.S. percussion manufacturers had moved overseas to manufacture their instruments. Cheap Asian labor costs meant higher profits.

But as manufacturing costs declined, so did quality, and for that reason Bobadilla refused to move its production out of the United States. As a result, Gon Bops began to struggle financially. Unable to compete with its larger competitors, Bobadilla had no choice but to close the doors of his beloved company.

Fortunately, that was not to be the end of the Gon Bops brand. In 2001, Don Lombardi of U.S. drum manufacturer DW bought the company along with all its patents and trademarks.

Lombardi had met Bobadilla in 1978, when he used Gon Bops’ Timbale shells to build DW’s brass snares, and had subsequently continued to seek Bobadilla’s R&D advice. It was a great fit, and it was no coincidence that the quality of DW’s drums and hardware continued to grow after the Gon Bops acquisition.

To manage his newly acquired Gon Bops brand, Lombardi hired the best drum craftsmen in the United States. He even purchased San Francisco-based Sol Percussion to recruit its founder, drum builder Akbar Moghaddam, to the Gon Bops cause.

Moghaddam brought with him fellow drummer Octavio Ruiz, and Lombardi teamed them up with Alejandro Perez, a drum builder who had worked with Mariano Bobadilla at the original Gon Bops factory.

In 2010, cymbal manufacturer SABIAN Inc. announced that it had purchased the inventory, intellectual property, patents and manufacturing equipment of Gon Bops from DW.

"We are excited to begin this new chapter in the history of SABIAN and Gon Bops," notes Andy Zildjian
The deep commitment to innovation that SABIAN applied to its own instruments

The deep commitment to innovation that SABIAN applied to its own instruments had inspired founder Robert Zildjian and his son, SABIAN president Andy Zildjian, to seek out like-minded instrument companies available for acquisition. And it just so happened that Lombardi had begun looking for a buyer for Gon Bops.

“We are excited to begin this new chapter in the history of SABIAN and Gon Bops,” Andy Zildjian notes. “Gon Bops instruments are a perfect blend of vintage craftsmanship and innovative thinking. Since its founding in 1954, the company has pioneered several features and enhancements that have forever changed Latin instruments.

We are excited to not only expand distribution, but also to continue to focus on innovative designs that represent clear improvements to meet the needs of musicians.

Since its founding in 1954, the company has pioneered several features and improvements that have forever changed Latin instruments.
Andy Zildjian points out. “Gon Bops instruments are a perfect blend of vintage craftsmanship and innovative thinking.

The pursuit of the best sound is what our craftsmen work for every day. We know that the fit is perfect, above all, because sound matters.”

Today, Gon Bops remains one of the oldest and most respected Latin instrument makers in the world.

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Alexandra Albán Manitas de Piedra baptized by Bobby Cruz

The percussionist christened by Bobby CruzStone Hand.

Alexandra Albán is the daughter of José Vicente Albán and María del Carmen Illera. She remembers the musical variety of her city of birth, Pasto. She admires the playing of Giovanni Hidalgo and Ray Barreto. He has recorded with José Aguirre’s group Kema, with flutist Néstor Torres, with Charlie Cardona, with Tony Sucar, with Bobby Cruz, with Alberto Barros in his Tribute to Colombian Salsa and recently recorded for Aymé Nuviola.

Born in the city of Pasto, Colombia, even as a little girl her musical talent started to show as she started her career as a trumpet player for different musical groups in her home city. Soon she was also singing and participation in national level competitions in which she obtained numerous awards.

The percussionist baptized by Bobby Cruz as Hands of Stone
Alexandra Albán Stone Hand

On the other hand, when she decided to travel to the city of Cali, she began her career as a percussionist, where she began to be part of different groups, thus strengthening her musical talent especially as a percussionist, Alexandra has had the opportunity to participate with artists such as Puerto Rican flutist Nestor Torres in his Latin jazz album which was nominated for a Grammy and Latin Grammy for best album in its genre, also participated in the song “Agua para beber” by Bobby Cruz.

In 2016 she was invited to be part of the jury at the salsa world cup in Cali, Colombia.

In 2018, Maestro Milton Salcedo invites her to record one of the songs (Sombrero de Yarey) of his album Swing 80, where she recorded all the percussion and was also nominated for a Latin Grammy.

In 2019 the master Mario Ortiz invites her to record in his production “50 Aniversario” in the theme (Budo) which was also nominated for the Latin Grammy, and the singer Albita Rodriguez also invites her to record in one of the themes of her album “Acústico” nominated for the Latin Grammy.

Some artists Alexandra has worked with. Maelo Ruiz , Tito Nieves , Jerry Rivera , Luisito Carrión , Ray Sepúlveda , Ray de la Paz, Henry Fiol, Orquesta Mulenze, Tito Gómez (R.I.P), Richie Ray and Bobby Cruz (special guest percussionist), Roberto Blades, Cano Estremera (R.I.P) among others.
The percussionist baptized by Bobby Cruz as Manitas Hands of Stone

In 2020 she was called by the renowned producer Motiff, to record a project of the Artist Arthur Hanlon, production called “Piano y Mujer” where she had the opportunity to record Percussion, Artist like Kany Gracia, Natalia Jimenez among other Artists, participated in Piano y Mujer.

Some artists Alexandra has worked with. Maelo Ruiz, Tito Nieves, Jerry Rivera, Luisito Carrión, Ray Sepúlveda, Ray de la Paz, Henry Fiol, Orquesta Mulenze, Tito Gómez (R.I.P), Richie Ray and Bobby Cruz (special guest percussionist), Roberto Blades, Cano Estremera (R.I.P) among others.

She has also had the opportunity to work and record with Alberto Barros’ tribute to Colombian salsa, a group that won 2 gold records for sales in Mexico.

Anecdote with Bobby Cruz and the nickname he gave you as Manitos de Piedra (Little Hands of Stone)

Since she was a child her beginnings in music were not long in coming, she began her career as a trumpet player in different groups in her hometown, she also ventured into singing where she was winner of national competitions, including the singing contest of the house of culture of Nariño, where she won first place.
Alexandra Albán Born in the city of Pasto, Colombia

The Manitos de piedra thing was when the master Bobby Cruz invited me to record a CD with a song called Agua para beber. Bobby Cruz wanted some quinto solos and wanted me to do them, he calls me, I record them, and my surprise when I listen to the final product and in the middle of the solo he tells me Alexandra Albán, Manitos de piedra, hahaha. That song hit in Puerto Rico and Miami. Once I went to a concert dedicated to Richie Ray and Bobby Cruz in Puerto Rico, and people asked me if I was the aforementioned Manitas de piedra. For them, that’s my identification.

 He admires the playing of Giovanni Hidalgo and Ray Barreto.
I am from Colombia

Research Sources

Diana Marie: Correspondent for International Salsa Magazine in Miami, Florida

International Salsa Magazine

https://www.soultonecymbals.com/artist/alexandra-alban

 

By: Diana Marie Correspondent International Salsa Magazine in Miami, Florida

 

Home

North America – May 2021

 

Raymundo "Ray" Barretto

Alexandra Albán Manitas

Gon Bops

Alberto SantiagoLuis perico

Andrew Mark Mclaughlin

salsa harlem

 

 

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Get to know the Anacaona Museum in the Dominican Republic (April)

Did you know one of the best known cultural histories in Dominican Republic and Haiti is about the last princess of the Caribbean and protector of the Taino people known as Anacaona? She who was born in 1460 on the island of Hispaniola (now known as the Dominican Republic and Haiti). This time, we can know something more about her and the Anacaona Museum located in the village of Bayahibe, which is a beautiful Caribbean town in the Dominican Republic to the south of the island (embarkation for Saona sland in the main parking lot). https://www.museoanacaona.com/443512637  Cotubanamá National Park – Google Maps

Anacaona
Anacaona Statue Photo

Daniel Cacharanza is the director and owner of the museum, which is set to open about this April 15 after its opening was postponed due to COVID-19; Daniel previously had a dive school, during his time at sea and in its depths he would venture out in the island’s waters while enjoying the landscape offrered by mother nature and founding these treasures on land and sea, where you could see the history of its people many years ago.

When he discovered these important symbolic artifacts, he got a new goal in his life that was to show the culture and time many decades ago to locals and tourists. That is how the Anacaona Museum was created, its staff explain to us that each one of us will discover the history of this place and, in turn, the origins of the Dominican people, starting with this great, expressive, beautiful and important princess called Anacaona, who was the last leader and one of the main figures of Taino society and led her people when the encounter between cultures was given whith the arrival of the colonizers, especially the Spaniards.

Daniel Cacharanza Photo
Daniel Cacharanza in the coast Dominican – Photo

The term Anacaona gathers meaning as it is separated, where the term “Ana” and “Caona” result in the final conjugation “Golden Flower”. She was born in 1460 and was the sister of Bahechio, cacique of Jaragua , whom she succeeded after his death, held the position of cacique in Jaragua (one of the five chiefdom in which the island was divided) and became noted for her intelligence and mental agility, with which she was beign handled. Her husband was the Casique of El Cibao Caonabo, with whom she had a daughter named Higuemota; she also seeded poetry in her people and was the author of many of the historical romances known by the name of areitos, which were sung by the indigenous people in their popular dances.

The Taino population was characterized by its unique purity, zero vanity or evil among them, their economy was based on the exchange of goods and everything within the community that was available to everyone. They did not know the value of gold or other jewels stolen by the invaders when they arrived. The Taino indians had never seen galleons and were not familiar with swords, mirrors and firearms brought by the invaders, this being the succession of the darkest history that they could live.

 

At the beginning, Queen Anacaona started to feel acceptance and a positive receptivity of foreigners (the Spaniards) to their lands and then admiration as they brought a lot of knowledge and objects that they did not possess and that they Spaniards used in their daily routines, but it took serious and repeated offenses to her people for Anacaona to change her feelings towards the Spaniards and/or foreigners, where her husband fell prisoner in one of his battles with them and died far from his country on the way to Spain in 1946.
After a long conflict against the rule of Spanish fleets that had looted and enslaved the entire Taino population until they remained in misery by the greed of colonization at the time of Christopher Columbus when he reached the new world, Anacaona was arrested and sentenced to death for her courage and courageous gestures in defense of the Taino population.

Anacaona Picture
The Last Queen the Tain people – Anacaona

Caves Colash
Colash Caves – Republica Dominican

Anacaona died by hanging in 1503 at the age of 29 on the orders of Spaniard Nicolas de Ovando, a very messy way in which the Spaniards paid pack the debt of gratitude they had with a queen from whom they had only received favors, and who had forgiven them the death of her husband and other tricks, so she was able to take revenge, but she did not. For several years, many Europeans who lived a quiet life in her State, ending her era and that of her people, as they were exterminated and enslaved.

This story is well known in the Dominican Republic and Haiti, becoming a symbol and history, so the Anacaona Museum was a way to live it or appreciate it. This place is the refuge and exhibition of the culture of the inhabitants of the island for approaching its people or tourists who visit it and traveling through time with the different architectural pieces discovered, but it does not explain how many of them got there and others were simply created on the island. However, it is not known how the Taino people managed to have them, as such instruments used must have been very sophisticated to create it as was the Shard sphere and the Egyptian pyramid whose creation could not be explained it in other museums, as happens in many cultures.

Descubrimiento arqueologico
Foto de la esfera del laberinto de Chartres

Daniel Cacharanza
Daniel Cacharanza diving under the sea

Daniel Cacharanza Diving
Daniel Cacharanza diving in the coast

Caves at Repubican Dominican
Photo the Caves in the Anacaona museum

Going down the caves
Going down the caves of Dominican Republic

For more information:In the museum, you will be able to carry you back to those times through their findings as they are unique and original pieces, dated as early as 1000 before Christ (BC) and the pre-Columbian era, You can hear and live the origins, history and life of this beautiful country through each piece and see you the caves that reveal true evidence, such as drawings, and the most reliable theory is that the entire National Park of the East was an authentic Taino settlement.

  • WebSite: https://www.museoanacaona.com/443501785
  • Social Networks: @MuseoAnacaona

Twenty-Seventh Edition Of Tempo Latino Will Be Unmissable

CANCELLED

The festival in its 27th edition will present international stars of great trajectory and emerging from July 29 to August 1

Tempo Latino, the leader Salsa Festival in France, resumes its activities after its forced pause due to the Pandemic. The whole family will be able to enjoy this summer in the open air, on its main stage “Les Arènes” of the presentations of established and emerging artists of Latin music in Vic-Fezensac (Gers, France) during the last weekend of July. Tickets for all performances are already available in advance since last January on their website.

At Les Arènes (main stage), Tempo Latino will present the concerts: Pacific Mambo Orchestra (Friday, July 30 – 9:00 P.M.), Los Van Van (Friday, July 30 – 11:00 P.M.), Interactivo (Saturday, July 31 – 9:00 P.M.), London Afrobeat Collective (Saturday, July 31 – 11:00 P.M.), Alain Pérez (Sunday, August 1 – 9:00 P.M.), and Issac Delgado (Sunday, August 1 – 11:00 P.M.), to close all their nights.

Every day of the festival, before the nightly live performances, in between each concert or before leaving Les Arènes, Tempo Latino offers a Caribbean atmosphere where you can taste exquisite dishes and enjoy a guest DJ each day in La Conga. Also, you can do the same at Bar Habana, in front of the bullring “El Pueblito”. Here, from 12:30 P.M. to 1:30 P.M., you can improve your Salsa steps with Atocha Showman with a free dance lesson.

To quench your thirst, you can head to La Placita, located at the back of Les Arènes. In this corner from 6:00 P.M., you will be able to savor varied and national wines, or if you prefer to continue discovering Latin specialties and crafts, you will find them in the dozens of stands in El Barrio. The El Barrio area is located in the center of the international market.

Post Tempo Latino
Tempo Latino will take place under favorable sanitary conditions for all attendees.

First Salsa Festival in Europe!

The Festival Tempo Latino maintains since 1994 its artistic focus on Latin and Afro-Cuban Music. The desire of this festival was and continues to be to make this live and popular music known. Its 500 volunteers invite event attendees each year to discover Latin rhythms for four consecutive days.

Since the beginning of Tempo Latino in the town of Vic-Fezensac, Les Arènes and its georithmic satellites of Conga and Cap Tempo have been the places designed to receive the maximum Salseros, who discover and enjoy the rhythms, artists, and Caribbean flavors of the moment.

Tempo Latino, being the Salsa ambassador in Europe, has presented for 27 years more than 200 renowned and emerging artists and orchestras, among which are: Papo Luca, Sonora Ponceña, Oscar D’Léon, Yuri Buenaventura, Los Van Van, Ernesto “Tito” Puentes, Afro Cuban All-Stars, Celia Cruz, Eddie Palmieri Orchestra & Alfredo De La Fé, Jimmy Bosch, Willie Colon, La Sonora Ponceña, Orishas, ​​El Gran Combo de Puerto Rico, Omar Sosa, Omara Portuondo, José Alberto “El Canario”, Spanish Harlem Orchestra, Johny Pacheco and his Tumbao Anejo, among many others.

Know the Ticket Reservation Methods

The three-day ticket for access to all Les Arènes concerts, which will take place from Friday to Sunday, is available for € 85 on its online platform.

This pass can be exchanged for a bracelet, valid for one person, and can be collected starting Friday at noon, at the counters dedicated to ticket controls located on both sides of the doors of the main stage.

You can also purchase your tickets at:

Pass 3 jours
Tempo Latino offers a special pass for the three-day festival of concerts

At the Tempo Latino Office: 3, rue du Général Delort, 32190 Vic-Fezensac

Authorized payments: Check (payable to Tempo Latino), Vacation Voucher, Cash, and Credit Card

During the Festival: The Tempo box office moves to Les Arènes. 18-20, Avenue Edmond Berges, 32190 Vic-Fezensac. Telephone: 05 62 06 40 40 / 05.62.06.66.56

Authorized Payments: Check (payable to Tempo Latino), Vacation Vouchers, Cash, and Credit Card

At the Artagnan Tourist Office in Vic-Fezensac: 18, rue des Cordeliers, 32190 Vic-Fezensac.

Authorized payments: Check and Cash

How do you Get to the Festival?

By car: Distance by car. Bordeaux – 170 km | Montauban – 115 km | Toulouse – 100 km | Tarbes – 80 km | Agen | 70 km | Auch | 25 km

By Train: Vic-Fezensac does not benefit from a station. Toulouse, Agen, and Auch are stations suggested for arrival. Tempo ferries will meet you there and escort you directly to the festival venue.

Unmissable Will Be Tempo Latino 2021!

Pacific Mambo Orchestra, Los Van Van, Interactivo, London Afrobeat Collective, Alain Pérez, and Issac Delgado will display their talent on stage

In this Twenty-Seventh Edition of Tempo Latino (a festival held outdoors), all the biosecurity measures implemented in the country will be respected.

First Salsa Festival in Europe!

Los Van Van will close on the first night of the festival. They will celebrate its 50 years of trajectory in Tempo Latino 2021.

Los Van Van was founded in 1969 by the bassist, composer, and legend of Cuban music, Juan Formell.

Juan, accompanied by José Luis Quintana, known as “Changuito” and César “Pupy” Pedroso, invented the “Songo”, a Cuban rhythm predecessor of the “Timba” or Cuban Salsa.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.