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Search Results for: Bar

Ralph Irrizary, a well-known percussionist, is considered one of the most “Swing” timbaleros in the world.

“Music has made me a more complete person, it’s part of who I am, I think I would be a miserable person without music, it’s a tremendous art, a language I feel very comfortable with”.

A well known percussionist, he is considered one of the most Swinging timbaleros in the world, possessing a particular style that has allowed him to leave a distinctive touch in the groups where he has participated, as far as the interpretation of the timbal is concerned.

Born to Puerto Rican parents in New York’s Harlem Latino, Ralph is a self-taught musician who learned the trade by listening to his brother’s records and the music of his idols in nightclubs, where he used to sneak in when he was 16.

His first experiences with professional Latin music took place in Puerto Rico, where he had the opportunity to share the stage with renowned bands such as La Terrífica, El Gran Combo, and La Sonora Ponceña, among others, for three years.

He has a particular style that has allowed him to leave a distinctive touch in the groups where he has participated, as far as the interpretation of the timbal is concerned.
Ralph Irrizary USA / Brooklyn / New York

He then returns to New York where he begins to play with local groups. In 1978 he met the maestro Ray Barretto, with whom he began a fruitful and productive working relationship that would result in five extraordinary record productions.

This particular percussionist considers that music is an important part of his life, so much so that he has stated that “Music has made me a more complete person, it is part of who I am, I think I would be a miserable person without music, it is a tremendous art, a language with which I feel very comfortable”.

Ralph has recorded with important figures of the show, such as: David Byrne, Paul Simon, Harry Belafonte, Earl Klugh, Juan Luis Guerra, Cachao, Celia Cruz and Yomo Toro, although he is mostly recognized for his musical relationship with Ruben Blades and Seis del Solar, a group of which he was part for 13 years, recording and performing internationally.

His musical contributions have also been fundamental. Although he does not consider himself a composer, he has composed for some salsa singers.
Ralph es una estrella del futuro que nunca ha olvidado sus raíces latinas

His musical contributions have also been fundamental. Although he does not consider himself a composer, he has composed for some salsa singers.

He also wrote a rap that he sang on a record by Seis del Solar; the song is entitled “Entrégate”. In addition, in Timbalaye’s first recording, he wrote the lyrics for “Raza Cósmica”. He has also contributed to the group’s arrangements. He even participated in the recording of two Latin jazz albums made by Seis del Solar.

He is currently one of the most sought-after musicians and has continued to work on commercials and soundtracks for film and television.

His charisma allowed him to develop an unexpected career as an actor: he performed in The Mambo Kings playing the role of Pito Fernández.

He has also participated in films and documentaries, Cachao, Como Mi Ritmo No Hay Dos, with Andy García, The Roots of Rhythm with Harry Belafonte and The Life and Times of Rubén Blades.

In 1996 he participated with Tito Puente in the show Master Timbaleros, presented in New York. This historic concert was the culmination of 26 years of dedication, practice and love for music. Puente noted on that occasion:

“Ralph is a star of the future who has never forgotten his Latin roots. His group is a marvel.

Among his most recent projects is a recording at Birdland for a compilation to be released by RCA Records.
This talented percussionist considers that his priority is to make sure that the audience is satisfied with what they have heard.

This valuable percussionist began to feel the need to record something in his own style, taking care of what is his premise in his musical work: “I have always said that one should play with the same quality in front of 10 or 5,000 people.

When the sound is perfect, there is a lot of rapport and you kind of rise six inches off the floor when that happens. I think that’s called swinging with intensity.

Hence his next step was the founding of the group “Timbalaye”, a septet with a strong big band sound.

The group combines contemporary Latin jazz with various tropical rhythms: timba, songo and traditional Afro-Cuban rhythms, bomba, cha cha chá and son montuno.

Their innovative sound has allowed the group to perform weekly in New York. In October 1997, Ralph and company performed with >Batacumbele> in a historic concert at Hostos College.

Among their most recent projects is a recording at the Birdland for a compilation to be released by RCA Records.

Among its members are Oriente López from the Afro-Cuba group, Arturo Ortiz from Rubén Blades and Juan Carlos Salas from the famous Venezuelan group Guaco. Timbalaye is considered the most select band in Latin Jazz.

This talented percussionist considers that his priority is to know that the public will be satisfied with what they have heard: That is my mission, to bring joy to the people.

 

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Luis Perdomo one of the most avid pianists of the Jazz in New York

Luis is one of the most active jazz pianists in New York.

Originally from Venezuela, he began playing piano at the age of 10, and by the age of 12 was playing professionally on radio and television, as well as in concerts and clubs. Luis later moved to the United States.

To attend the Manhattan School of Music on scholarship, he graduated in 1997 and went on to earn a master’s degree at Queens College, where he was a student of the great pianist Sir Roland Hanna.

Shortly after moving to New York, he quickly established himself as an in-demand pianist amassing an impressive resume.

Some of the artists Luis has recorded and/or performed include Ravi Coltrane, David Sanchez, Tom Harrell, John Patitucci, Ray Barretto, Brian Lynch, Miguel Zenon, Dave Douglas, David Weiss and The Cookers, David Gilmore, Ralph Irizarry and Timbalaye, Henry Threadgill and Steve Turre, among others; a list that is as remarkable for its high level as it is for its diversity.

To attend the Manhattan School of Music on scholarship, he graduated in 1997 and went on to earn a master's degree at Queens College.
Luis Perdomo One of the most avid pianists of the Jazz in New York

Luis is also recognized as a member of several bands, especially the groups led by Ravi Coltrane, with whom he spent 10 years and Miguel Zenon, with whom he has had a collaboration that is currently in its 18th year.

Luis has also made a mark as a performer. Composer and arranger on recordings by Ray Barretto, Ignacio Berroa, John Benitez and Ralph Irizarry. He has also been commissioned as a composer by the Jazz Gallery, The Afro Bop Alliance and Arturo O’Farrill’s Afro Latin Jazz Orchestra.

He can be heard most recently on Ravi Coltrane’s Grammy nominated “Spirit Fiction” and Miguel Zenón’s “Típico”. In 2002 he won the 2nd Grand Prize at the “3rd Martial Solal Jazz Piano Competition” in Paris, among a group of 66 international pianists.

He can be heard more recently in Ravi Coltrane’s Grammy nominated “Spirit Fiction” and Miguel Zenón’s “Tipico”. In 2002 he won the 2nd Grand Prize at the “3rd Martial Solal Jazz Piano Competition” in Paris, among a group of 66 international pianists.

As a sideman, Luis has performed at most of the major music festivals and venues in over 50 countries, and as a leader, he has toured Europe, Japan, South America and the United States.

Luis has also been very active around the world in recent years as a teacher, soloist and as leader of his own trio: The Controlling Ear Unit and various other projects, and has released nine highly praised recordings as a leader: “…Focus Point “.

Luis has performed at most major music festivals and venues in more than 50 countries.
Luis Perdomo has also participated in more than 200 recordings as a sideman.

Focus Point “. (2005),” Awareness ” (2006), and the highly acclaimed ” Universal Mind ” with Drew Gress and Jack Dejohnette (2012) for Ravi Coltrane’s RKM Music label. ” Pathways ” in 2008, the ” Childhood ” project in 2012 and ” Links ” in 2013 were recorded for Criss Cross Jazz.

His ” Twenty – Two ” project, with ” Controlling Ear Unit “, was released in 2015 on the Hot Tone Music label.

This high octane CD unites Luis with bassist / vocalist Mimi Jones and drummer Rudy Royston. The two most recent CD’s:” Montage “; Luis’ first piano outing and” Spirits and Warriors “; a quintet release for the Criss Cross Jazz label featuring drumming legend Billy Hart, was released in May 2016.

Luis Perdomo has also participated in over 200 recordings as a sideman.

As an educator, Luis has taught master classes at conservatories in Amsterdam and Paris, Princeton University, Hochschule Fur Musik und Theatre (Munich, Germany), Berklee (Valencia, Spain), IUDEM (Caracas, Venezuela), Esmuva (Madrid, Spain) ; and the School of Jazz in Berkeley, California, among others.

He has taught summer jazz camps, including “Jazz in July” at the University of Massachusetts, Langnau Jazz Nights in Switzerland; The Banff International Workshop and the University of Manitoba in Canada, Badajoz Jazz Worshop in Spain; Universidad EAFIT in Medellin; Tonica Jazz Festival in Guadalajara, Mexico and Guimaraes Jazz Workshops in Portugal, among others.

In 2016, Mr. Perdomo served as artistic director of the Langnau Jazz Workshops in Switzerland. Luis has also taught at the New School for Social Research, and currently serves as an adjunct professor of piano at Queens College in New York City.

In 2016, Mr. Perdomo served as artistic director of the Langnau Jazz Workshops in Switzerland.
Luis is one of the most active jazz pianists in New York.

For more information, visit www.luisperdomojazz.com

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Johnny Pacheco founder of the Fania All Stars says goodbye

This Monday Cuqui Pacheco announced the news

Johnny Pacheco, one of the great Latin musicians, died this Monday, February 15 at the Holy Name Medical Center in Teaneck, New Jersey because of pneumonia, which he had already suffered for several days and for which he was hospitalized. Called one of the creators of salsa, Johnny left this world at 85 years of age, but his legacy will live forever not only in the hearts of Latinos, but also in the history of music.

A short statement was released by what is now his widow María Elena “Cuqui” Pacheco and the rest of his relatives:

“With great pain in my soul and an emptiness in my heart I inform you that the teacher Johnny Pacheco with much peace passed away this afternoon. Thank you so much for all the prayers from him and all the love you always gave him. At this time we ask for privacy and prayers. “

Johnny Pacheco
Johnny Pacheco was co-founder of Fania Records.

There were and still are many reactions around the departure of the founder of Fania. Salseros around the world have mourned the news and many musicians who in one way or another knew Johnny have expressed their sadness:

Rubén Blades published on his Facebook account: “I just received information indicating that Dominican Johnny Pacheco, flutist, arranger, composer and leader of the group “Las Estrellas de Fania”, has just moved “al otro barrio”. At 85 years of age, Pacheco leaves us an important musical legacy, represented by all the collaborations that he made during his distinguished career, with figures like Celia Cruz … To his family and loved ones we send our condolences . Have a good trip Johnny and “Simá!”

On his part, Marc Anthony took to Instagram to dedicate these words to him: “Teacher of Teachers and my good friend! Rest in peace! You were there for me from day 1. Your sense of humor was contagious and I am forever grateful for your support, for the opportunity to be in your presence and for your amazing legacy. “

Maelo Ruiz also left his words: “Today a giant left us ? We regret his physical disappearance! Thank you maestro Johnny Pacheco for everything you did for salsa, you left an insurmountable legacy for future generations! God receive you in heaven ? #QEPD #Rip #JohnnyPacheco #FaniaAllStars ”

Puerto Rican Victor Manuelle also used Instagram to remember Johnny: “Thank you teacher. I had the honor of honoring you in life. Your legacy will not die. Your music will live forever in our hearts. We are going to miss you, Master Pacheco. R.I.P.”

And another was El Caballero de la Salsa Gilberto Santa Rosa: “Today Salsa and music in general are in mourning. One of the pioneers, creative genius and in my personal case an exquisite person said goodbye … Rest in peace master Johnny Pacheco.”

And these are just an example of the many reactions that Latin musicians left when they heard the news. Johnny Pacheco definitely left his mark and a legacy that was difficult to emulate, but which gave the foundation to one of the most listened to genres in the world, of which Latin America is extremely proud.

The incredible career of Johnny Pacheco

 

Juan Azarías Pacheco Knipping was born on March 25, 1935 in the city of Santiago de los Caballeros in the Dominican Republic. His father was Rafael Azarías Pacheco and thanks to him his love for music arises since he was a clarinetist and a famous conductor. On his part, his mother was Octavia Knipping Rochet, who brought Pacheco a mixture of cultures, since she was the granddaughter of a French colonizer and great-granddaughter of a German merchant who married a Dominican woman of Spanish family.

Johnny moved to New York with his family at the age of 11, where he continued his studies, especially music, managing to enter the prestigious Juilliard School to study percussion. In 1960 he founded his first band: Pacheco y su charanga, after working in several Latin bands. With this band Pacheco achieves success by signing with Alegre records, and presenting a dance rhythm which he called the pachanga, in this way he becomes a star touring the United States, Europe, Asia and of course Latin America.

Johnny Pacheco
Jonny was a great musician and the father of Salsa.

La Fania first started out as a record label, with a partner who was not thought to be interested in Latin music Jerry Masucci, a former policeman who became a lawyer, but fell in love with this music on a trip he made to Cuba. This foundation occurred in 1964, between Harlem and the Bronx where the productions were sold from the trunks of their cars. But the Fania legacy was only taking its first steps by giving an urban touch to Latin music using the term salsa to sell its releases.

With Pacheco, Fania achieved a new rhythm based on the existing ones of Caribbean music, especially the Cuban son, but by putting a faster tempo. One of the things that stood out in Fania’s music was the lyrics, which were used to talk about somewhat sensitive issues, from racism to the political problems of the time, without neglecting pride in their Latino origins.

During the ‘60s and ‘70s, Fania had under its wing many singers who today are considered the best in Latin music and the promoters of the salsa genre: Héctor Lavoe, Willie Colón, Celia Cruz, Rubén Blades to name a few, not counting the musicians who have been part of the band that accompanied the stars in their presentations. Practically the Fania All Stars became the school of many musicians.

Johnny Pacheco
The Fania All Stars.

Fania Records was called the Motown of salsa, becoming a music powerhouse, which led his band the Fania All Stars to tour around the world filling arenas and selling many records. Featuring never-before-seen collaborations such as Willie Colón, one of the best salsa composers, with Rubén Blades, a lyricist focused on the social part. Hector Lavoe was also a cult singer who made music history but whose career was very short and was marked by addiction problems which led to an early death at 46 years old.

During the ‘80s, Fania saw its end when facing many problems due to royalties and lawsuits, working with many artists was not easy and at that time there were many dark moments focused on addictions and monetary problems. In 2005 Fania returned to the spotlight as Emusica bought their catalog that was getting lost in a warehouse in Hudson, New York. Many hits were remastered and re-released in 2006.

Johnny Pacheco will always be remembered as the father of salsa, who with Fania managed to leave his mark on Latin music, rest in peace maestro.

 

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Let us remember the Puerto Rican Catalino Curet Alonso.

Biography

By: Héctor Valor Fernández correspondent from Caracas, Venezuela

 

 

Catalino “Tite” Curet Alonso was born in the town of Guayama, Puerto Rico on February 12, 1926, the son of an orchestra musician and a seamstress. He was just two years old when his parents separated; his mother and sister moved to Barrio Obrero, Santurce, with his grandmother, who was responsible for his upbringing. He also received his primary and secondary education.

 

Puerto Rican composer Catalino Curet Alonso
Photo of the Puerto Rican composer Catalino Curet Alonso

Life in the neighborhood and his experiences there influenced his music. He studied music theory and solfeggio with professor Jorge Rubián, at the same time as growing up with other Latin music great legends such as Rafael Cortijo, Ismael Rivera, and Daniel Santos.

After graduating from high school, he began studying journalism and sociology at the University of Puerto Rico. For more than 20 he worked for the U.S. Postal Service and, at the same time, he was composing songs. In 1960 he moved to New York City, where he worked for the newspaper “La Prensa” as a sports journalist.

In 1965, Alonso met percussionist and salsa singer Joe Quijano, who committed one of his compositions entitled “Efectivamente” to record for the first time. In 1968 and 1969 he composed songs expressly for La Lupe such as “Carcajada final”, “Puro teatro”, and “La Tirana”.

In the early 1970s, “Tite” got into the salsa movement led by the label of Fania Records in which he became the composer of the greatest classics of the genre.

Alonso composed more than two thousand songs, such as “Anacaona”, “Periódico de ayer”, “Lamento de Concepción”, “Las Caras lindas”, “Juan Albañil”, “Mi triste problema”, “Tiemblas”, “Plantación Adentro”, “De todas maneras rosas”, “Marejada feliz”, among many others.

Alonso’s compositions were interpreted by the greatest singers and groups in the Latin American music industry: Joe Quijano, Cheo Feliciano, Celia Cruz, La Lupe, Willie Colón, Tito Rodríguez, Héctor Lavoe, Ray Barretto, Tito Puente, Ismael Miranda, Roberto Roena, Bobby Valentin, Marvin Santiago, Justo Betancourt, Willie Rosario, Pete “Conde” Rodríguez, Andy Montañez, Rafael Cortijo, Tommy Olivencia, Frankie Ruiz, Rubén Blades, among others.  Tite” Curet Alonso is considered the most important composer of salsa music in his country and Latin America of the 20th century.

Puerto Rican composer Catalino Curet Alonso
Colash of Puerto Rican composer Catalino Curet Alonso

Catalino Curet Alonso left a son, Eduardo, and a daughter, Ilda, as well as several grandchildren. He maintained a fruitful loving relationship with Norma Salazar, an excellent Puerto Rican exponent dedicated to working with children, literary work, craftsmanship, and dance with traditional Puerto Rican rhythms.

She knew quite a lot about Tite’s efforts because she knew full well that beneath that face, that unbreakable smile, and that ever-present hat, there was a man permeated by great emotions, a loving discourse with a political edge, and she kept vigil with a man responsible for his work.

Catalino Curet Alonso died in Baltimore, Maryland, U.S., on August 5, 2003, at the age of 77, as a consequence of respiratory involvement which caused him a heart attack.

His remains rest in the Santa María Magdalena cementery of La Perla in Viejo San Juan. “La Perla, where patriots are buried”. His tomb is close to those of Rafael Hernández, Pedro Flores, and Daniel Santos.

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Takafumi Nikaido Born in Sapporo Japan in 1993

“To Takafumi Nikaido we send our congratulations for his professionalism, virtuosity and mastery of the tumbadoras”.
Giraldo Piloto Barreto (Klimax)

During his time in Cuba, he studied with leading percussionists such as José Luis Quintana “Changuito”.

Takafumi Nikaido began playing the saxophone at age 6 and was inspired to venture into percussion and studied with Fujio Saito after seeing a live performance by Earth Wind & Fire at age of 7.

At the age of 12, he traveled to Cuba to take dance and drumming lessons where he collaborated with Los Muñequitos de Matanzas.

He studied theory and interpretation with people like Eguie Castrillo, Tiger Okoshi, Mark Walker, Oscar Stagnaro and Jim Odgren.

Takafumi Nikaido Born in Sapporo Japan in the year 1993
Takafumi Nikaido professionalism, virtuosity and mastery of the tumbadora drums

In 2014 he traveled back to Cuba to attend the Fiesta del Tambor Percussion Competition where he received the “Best Foreign Participant Award”.

During his time in Cuba he studied with prominent percussionists such as Jose Luis Quintana “Changuito”, Adel Gonzalez, Adonis Panter Calderon and Osain Del Monte.

At Berklee, he performed with artists such as Oscar Feldman, Terence Blanchard, Jon Secada, FANTINE, Sivamani, Ruben Rada, Totó la Momposina and Mane De La Parra.

That summer, he became involved with “The United East Jazz Quintet” and performed live in 9 clubs from all over Japan and South Korea.

 In the summer of that same year, he became involved with "The Untied East Jazz Quintet" and played at 9 venues throughout Japan and South Korea.
During his time in Cuba he studied with the outstanding

They formed the musical group “MIXCLA” together with musicians Zahili Gonzalez Zamora and Gerson Lazo and perform pretty regularly, especially within Boston.

In 2015, he performed at the Festival International de Jazz de Montréal as a Zahili Gonzalez Zamora Project member.

He is currently studying at Berklee College of Music and participating in musical projects other than Latin music such as pop and jazz.

After high school, he attended Berklee College of Music as a scholarship student. He studied theory and interpretation with people like Eguie Castrillo, Tiger Okoshi, Mark Walker, Oscar Stagnaro and Jim Odgren. While at Berklee he performed with artists such as Carlos Vives,Yosvany Terry, Oscar Feldman,Terence Blanchard,Jon Secada, Darren Barrett, Sivamani,Ruben Rada,Totó la Momposina, and Mane De La Parra. He graduated with a degree from Berklee College of Music in 2016.

In 2014 he traveled to Cuba to attend the Fiesta del Tambor Percussion Competition where he received the “Best Foreign Participant Award”. During his time in Cuba he studied with prominent percussionists such as Jose Luis Quintana “Changuito”, Adel Gonzalez, Adonis Panter Calderon, Barbaro Crespo “Machito”, and Osain Del Monte.

At Berklee he performed at international jazz festivals such as the Festival International de Jazz de Montréal, the Monterey Jazz Festival and the DC Jazz Festival, among others.

The Latin trio “MIXCLA” was nominated for “International Artist of the Year” by the Boston Music Awards in 2018 and 2019.

As well as recorded the sounds of percussion for the soundtrack of “Final Fantasy XV”, which is a video game series that has surpassed 6 million sales worldwide and for the original soundtrack of the anime Dr. Stone.

After moving to New York in 2020, he continues to perform with legendary artists such as Paquito D’ Rivera, and Darren Barrett. Next year, he will perform as an ensemble/dummer in the off-broadway musical “The Visitor” directed by Daniel Sullivan which is a Tony Award winner in 2001.(Last updated Sep, 2020)

Website: Takafumi Nikaido

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.