The great percussionist, conga player, and six-time Grammy winner Tony Rosa has honored us with his presence for this February edition, which is full of many interesting things despite being a very short month.
Like so many other artists of this kind, he started very young in this world. Although his musical roots were not so Latin or folkloric, as is common, he ended up falling in love with one of his great passions today: Latin music.
Tony’s beginnings in music
Tony started playing the tumbadora at the age of just 10 in New York, his native city, but when he turned 12, he moved to Los Angeles, California, which is where his formal career as a musician began. It was in Los Angeles that he learned to play percussion, more specifically the conga, in the streets of this new city that welcomed him and his family.
One interesting thing about this is that absolutely everything he knows about instruments he learned by himself, indicating that he did not attend any institution that provided formal training in music. At that time, as a 15-year-old boy, he was already playing for different orchestras and touring with them.
Rock phase
Before becoming integrally involved with salsa, Tony played with some rock bands such as Chicanos. In fact, rock is a genre he still likes very much, and several of his favorite groups are rock bands such as Queen and Santana. However, that phase did not last for ever, and it was not long before, at the age of 16 or 17, he played with orchestras such as Azuquita Y Su Melao.
In 1997, he moved back to his native New York, where he started collaborating with Conjunto Libre and other groups of salsa and Latin jazz, a genre that was also making him curious.
Time with the Afro Latin Jazz Orchestra and Arturo O’Farrill
In 2008, while playing with Manny Oquendo, Tony met orchestra leader, composer, and pianist Arturo O’Farrill, who, after witnessing the great talent he had, asked whether he would be interested in joining his Afro Latin Jazz Orchestra, and he said yes. In total, he spent about nine years playing with O’Farrill and it was over five years ago. In fact, when asked if he knew why the Afro Latin Jazz Orchestra would no longer be playing at Birdland, he said he knew absolutely nothing about it.
After that, the artist found the right time to create his own quintet which he named Tony Rosa’s Afrojazz and with which he has songs such as “Mambo Mongo,” “Nothing Personal,” “Alfie’s Theme,” “Isn’t She Lovely,” and “Rica Mulata.”
However, he assures us that his affection for O’Farrill and the orchestra remains intact, and they even played together again in a tribute to Andy González at Saint Peter’s Church in Manhattan. He is also grateful for all the experience he gained there, otherwise he would not have the project he currently manages.
Projects apart from Tony Rosa’s Afrojazz
In addition to his work he does with his Latin jazz quintet, Tony is also recording with another musical group called Los Amigos, with which he recently released an album.
And about tours and performances at arenas and well-known venues, he says he does not know yet what he will be doing in the coming months. However, he expects things to start moving as the year progresses.
Read also: Bandleader Arturo O’Farrill leaves behind Birdland to look for other opportunities
