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Search Results for: Cali

Pablo Padin born in Manhattan, New York

North America / United States / New York 

Pablo Padin born in Manhattan, New York. I grew up with a pair of Timbales at home

I was born in Manhattan, New York on December 1, 1969.  My parents Pablo and Haydee Padin moved from Puerto Rico to New York in 1968. My father played Timbales with local salsa groups at the time, so I grew up with a pair of Timbales at home.

My father started teaching me how to play at a very young age.  We moved to LA. , California in 1978 and I started playing drums in the school band and in the community drill teams as well.

I (Pablo Padin) got my first private drum set lesson at the age of 9 at a music school in Hollywood California.

Pablo Padin in concert
Pablo Padin in concert

At the age of 15, I (Pablo Padin) started playing my first steady gig in a salsa band with my father at a nightclub in Marina Del Rey, California.

In 1989 we moved to Puerto Rico so I started studying music at the Interamerican University in San German, PR. At the university I studied with the musicians that were playing with all the big salsa and merengue groups of that time.

So at that point in time I started playing with famous salsa singers such as Roberto Lugo, Nino Segarra, Hector Tricoche, Domingo Quiñones and Johnny Rivera.

At the same time I started doing studio work as well. In 1996 I got the call to play with Gilberto SantaRosa and did that gig for 15 years. It was with Gilberto that I hooked up with piano player, arranger and producer Jose Lugo.

Jose started using me on all of his studio productions. I have won 6 Latin Grammys and 2 American Grammys on recordings and productions of artists such as: Millie Quezada, Elvis Crespo, Grupo Mania, Gilberto SantaRosa and Tito El Bambino.

Pablo Padin singing
Pablo Padin singing

At that point in my career I started recording and playing concerts with artist such as Puerto Rican Power, Pedro Brull, Yomo Toro & Willie Colón, Andy Montañez, Ismael Miranda, Tito Nieves, Cheo Feliciano, Rafael De Jesus, Richie Ray & Bobby Cruz, Bobby Valentín, Marvin Santiago, Cano Estremera, Victor Manuelle, Ruben Blades, Ray De La Paz, Jose Alberto ”El Canario” Lalo Rodriguez, Truko Y Zaperoko, DLG, Isaac Delgado, Herman Oliveras, Edwin Colón Zayas and many others.

To this date I’ve been working with Jose Lugo’s Guasabara Combo, in which our first cd was nominated for the Latin Grammy.

We are working on our third cd now that will include two original compositions of mine. I’m super exited, humbled and thankful for all the great experiences that I’ve lived and for the ones that are yet to come, Thank You God!!!!!

Three albums by Arturo Sandoval to give away at Christmas

North America / United Stated / Washington DC

ISM Recommends “CHRISTMAS AT NOTRE DAME”, “ULTIMATE DUETS”, and “LIVE AT YOSHI’S” of the “Trumpet Legend” to enjoy in the comfort of your home

ARTURO SANDOVAL
ARTURO SANDOVAL

Here is already a month left for December and with it the fast and multiple purchases, in addition to the Christmas gifts that you should not leave for last. What a headache for some people! It’s for that we are going to recommend you the elite gift, three Latin Jazz albums by Arturo Sandoval with which you will be 100% a lord and you will not disappoint even your “Secret Santa”.

  • ULTIMATE DUETS

Ten-time Grammy winner Arturo Sandoval released his more recent album “Ultimate Duets” in 1998. Marking the continuation of a distinguished four-decade catalog of over 30 groundbreaking titles, the album finds renowned artists from the worlds of Pop, Jazz, Classical, and Latin music coming together for the Cuban maestro’s first duets.

At the outset of recording, Arturo with more than 40 years making music, wanted to make a CD with singers that perhaps nobody has related to Jazz, so he made a list with more than 20 names of artists that he admired deeply but who sing different genres and then simply asked each participant to suggest a favorite song they would like to reimagine with the “Trumpet Legend”, and the results are absolutely amazing as the list of collaborators.

Arturo Sandoval
Arturo Sandoval

ULTIMATE DUETS includes 11 hilarious tracks: “Andante, Andante” – featuring the awaited return of the globally recognized voice of ABBA’s Anni-Frid Lyngstad. This song from the multi-platinum Super Trooper album marked the first time that a member of the Swedish supergroup has returned to the studio to record one of their classics. Stevie Wonder chose to record “People” (which he and Sandoval first performed at a Grammy tribute to Barbara Streisand), whereas Prince Royce turned the tables and decided to record Stevie Wonder’s “Don’t You Worry ‘Bout a Thing” (Popularized in the 70s) in a contemporary Bachata style.

Likewise, the Spanish singer/songwriter Alejandro Sanz also participated in this album versioning “Corazón Partio” featuring Big Phat Band. In the same way, Arturo recorded with legends and new generation voices: Plácido Domingo (“Granada” feat. Vicente Amigo), Pharrell Williams (“Arturo Sandoval” feat. Ariana Grande), Josh Groban (Solo Esta Soledad), Juan Luis Guerra (La Bilirrubina), David Bisbal (El Ruido), Al Jarreau (After All), and Celia Cruz (Quimbara). “It was very exciting to include something with Celia, whom I always admired and loved very much. I couldn’t make a record of duets without her, the eternal Salsa Queen”, Arturo said.

Although in this album Sandoval shows a great variety of genres, he assures that he won’t move away from Jazz: “It’s my main genre and would never leave it, but I am also a big fan of music in general. I’ve always liked Salsa, Merengue, Pop … Good music is what matters most to me, for that I’m so happy with this album”, Sandoval said for an international media.

Release: May 18th, 2018

Available on your favorite digital platform!

  • CHRISTMAS AT NOTRE DAME

Arturo Sandoval, the most dynamic live performer of our time and virtuous trumpeter recorded his FIRST official Christmas Album with the ensembles of Notre Dame one year ago.

This album contains 12 Joyous tracks featuring the Notre Dame Children’s Choir & Isabella Burns (Ave María), Notre Dame Children’s Choir (Joy To The World, O Come All Ye Faithful, and Silent Night), Symphonic Winds (Let It Shine and Fantasy On Fum, Fum, Fum), Notre Dame Jazz Ensemble (The Christmas Song and Have Yourself A Merry Little Christmas), Gabriella Solis & Stephen Lancaster (I’ll Be Home for Christmas), Alyse Jamieson & Jazz Ensemble (All I Want For Christmas Is You), Matthew Kelly & Emorja Roberson (Frosty The Snowman), Victoria Fraser & Notre Dame Children’s Choir (O Holy Night), Sacred Music at Notre Dame Vocalists, and graduate Jazz trio!

Celebrate the Holidays NOW!

Release: October 5th, 2018

  • LIVE AT YOSHI’S

The last ISM recommendation is this live album recorded in Yoshi´s, an important venue located in Oakland, California. This Trumpet Concert in which Sandoval and crew render musical honors was launched in 1995 and contains seven tracks: first pays tribute to the genre’s earliest New Orleans traditions (Second Line – Joe Avery’s Blues) then proceeding on to Bebop (Bebop Medley). Without forgetting his deep Latin roots (El Manisero) and his bound-less love for mentor Dizzy Gillespie (Dear Diz and Every Day I Think of You), as well as for trumpet icons Clifford Brown (Joy Spring Sureña) and Miles Davis (Seven Steps to Heaven). A dollop of Clark Terry’s “mumbling” is even thrown in for good measure.

“I enjoyed Arturo Sandoval’s Latin Jazz concert at Yoshi’s night club on July 4th. He combined all kinds of Jazz inspiration into his own unique “Latin Soul” music. His music is so free and universal. I feel Arturo’s inspiration can bring us together and is taking us into a new dimension of our new world… – Yoshi.

Release: October 2nd, 2015

Oh, And if you haven’t seen a concert by this “Trumpet Legend” yet, don’t miss this month 4 days of amazing shows with two sets, so you can attend at the time that suits you best in the city of the White House, Washington DC.

Dates: November 14th, 15th, 16th & 17th

Prices: $71 – $76

Venue: Blues Alley. 1073 Wisconsin Ave. NW Washington, DC 20007

Contact: 202-337-4141

Purchase your ticket online today at https://www.bluesalleylive.com/?fuseaction=home.artist&VenueID=3&artistid=19523

 

ARTURO SANDOVAL – Trumpet Legend

  • 10 Time Grammy Award Winner
  • Emmy Award Recipient
  • 6 Time Billboard Award Winner
  • 2013 Presidential Medal of Freedom Recipient
  • 2016  Honorary Doctorate recipient in Fine Arts from The University of Notre Dame
  • 2015 Hispanic Heritage Award Recipient

“Cuando una canción es buena, siempre va a ser buena, sin importar quién, cuándo o cómo se cante”. Arturo Sandoval

 

More about Arturo Sandoval as well as event dates around the world at http://ARTUROSANDOVAL.com/

Social Channel:

 https://www.facebook.com/pg/ARTUROSANDOVALMUSIC/

Know the connections of tropical dances

Latin America / Venezuela /Caracas

Tropical Dances:

Did you know that people have several ways of communicating?

Oral communication is what we normally use to communicate in such a way to establish and maintain personal relationships, and to show not only words and express emotions and/or feelings, body communication is used, which can be said in a few words that it is a form creatively expressing through gestures, eye contact, poses, and arm and leg movements; turning this form of communication into something more intimate and accurate without the need for the use of words.

Salsa dancers

In social activities, one of the most popular is dancing, where body communication is very important since the couple or group needs to know certain signs that indicate “when” or “how”, in order to perform the steps and how. As a result, the success of said interpretation will test the quality, maturity and growth of the dancers in the rhythms they dance.

dancers dancing in a club tropical
dancers dancing in a club tropical

Of course, it should be noted that each musical genre has its own rules, especially in the counting of steps in music, which gives grace, stability and rhythm to the dancers in the song played either in a musical event and is of vital importance not only for a casual event but for a competition. For this reason, it is important to know the steps and turns to perform and have excellent body communication (especially if it is as a couple) to know what they are going to do.

dancers dancing salsa, bachata and other tropical dances

In Latin rhythms, this type of communication is really important, otherwise the grace of the dance is lost. Among the most important Latin rhythms that are essential and/or significant are:

  • Salsa: a Latin tropical rhythm that, although it was born in Cuba due to the mixture of “Guaracha”, “Son”, “Mambo”, “Cha Cha Chá” with a unique style, through time several types emerged ( Salsa Cubana, Salsa en Linea, Salsa Casino, Salsa New York or Mambo style, Salsa Cali style, Salsa Puerto Rican and Venezuelan sauce). In this dance it is very important to pay attention to the look, the hands and arms (the latter in the case of the man since with him he dominates and/or controls the woman in the dance and she must interpret what the next movement is) to thus being able to perform either a simple step or a few laps, of which there is a great variety of them.
  • Bachata: is a danceable musical genre originating in the Dominican Republic, within what is called urban folklore. It is considered a derivative of the rhythmic bolero, with influences from other styles such as the Cuban son and merengue. This dance has great sensuality like the rest of the Caribbean rhythms, where it requires an unbeatable appearance on the part of the dancers when performing it, where that connection with the couple is important so that it can impress the public.
  • Merengue: is a dance music genre originated in the Dominican Republic at the end of the 19th century. It is very popular throughout the American continent, where it is considered, along with salsa, as one of the great dance musical genres that distinguish the Latin American genre.
  • Kizomba: a very sensual rhythm that emerged in Angola, which resulted from the mixture of 3 cultures (Angolan colony, Portuguese colony and part of Cape Verde “Brazil” as well as the French Caribbean of Martinique and Guadeloupe.). In this rhythm, the connection of the couple, especially the woman, is of vital importance, since the movement of the hips is slow and sensual, as are their steps. Did you know that many people have the prejudice that it is a very sensual dance, however, it is as sensual as you want to project it, in the same way it happens with Bachata and Merengue, they can be as sensual as you want to project them or as normal how you want to do it.”

So, if you want to give life, grace, elegance and popularity to your dance, keep in mind, keep in mind these characteristics and how you manage to synchronize with your partner and show your spectators either in a personal party, competition, event and/or or congress, whether national or international, which is a true dance.

dancers pre-performing tropical dances
dancers pre-performing tropical dances

We spoke with Andrea Chaparro from Lulada Club

Lulada Club is a group composed entirely of women that plays a good number of Latin music genres such as salsa, bolero, cha cha chá, boogaloo, among others. These girls have a very interesting concept that caught our attention as soon as we checked their social networks, so we decided to get in touch with their director, Andrea Chaparro, who kindly agreed to talk to us and give us more details about the group she leads.   

Andrea Chaparro from Lulada Club
Andrea Chaparro, bandleader of Lulada Club

Name of the orchestra ”Lulada” and how it emerged   

We found the name they chose for the group very curious, so Andrea went on to explain that Lulada is a Colombian drink, specifically Cali (the capital of salsa) that comes from the lulo fruit. She and her partner, who is also part of the orchestra, wanted to pay tribute to this city so important for their careers and for salsa in general.    

The idea came from several sessions and rehearsals in which they were deciding what name to use, but they always knew that they wanted it having to do with Cali. In the end, they thought that ”lulada” sounded very good and mixed the term with ”club”, which originated a result that they all liked.   

Why only girls? 

Andrea recognizes that having a Latin female orchestra is not a novel idea, far from it. In fact, she saw this concept in Cali in several all-female orchestras that have been around for decades, so she wanted to replicate that idea.    

About six or seven years ago, it was when she wanted to create an all-girl group and the opportunity was given to her in the framework of the pandemic. In Colombia, the artist had been playing with other all-male groups, but she began meeting other female musicians and instrumentalists and had the opportunity to organize a group for an event to which she and her saxophonist partner were invited. 

When we wanted to know more about the selection process of the members, Andrea noted that she did a sort of search on Instagram to see their work directly, but several of the girls were brought in and recommended by other members.   

Some of these girls had not had the opportunity to develop their skills because they were always underestimated in the Latin salsa scene for being female or very young, so Lulada Club has been a great opportunity for them to grow and evolve in music.   

Lulada Club and Andrea Chaparro
This is the whole group, Lulada Club

She considers that they have all fit together very well with the group and understand each other perfectly most of the time, which is why she considers that they have been very fortunate to find each other and join their professional lives.    

Andrea and Lulada Club in New York 

At the moment, all of the members of Lulada Club live in New York and have no plans to move to any other place, since their greatest opportunities have been given to them in this city. 

She does say that they are completely open to the possibility of touring both nationally and internationally whenever they find it possible. Indeed, at present, they already have many invitations to attend concerts and festivals in many other cities in the United States, but they will not base the orchestra anywhere else.   

Both Andrea and the rest of the girls feel that their biggest audience is there and many people in positions of power are seeing what they are doing and taking them into account. People, club owners and event organizers have received them with open arms and have taken them into account for events of all kinds.   

One such event is SummerStage on August 2, whose main attraction will be the maestro Eddie Palmieri, who will be offering one of the last concerts of his career after announcing his retirement. It is a great honor for the girls to be able to open for this world-renowned artist who has contributed so much to salsa and Latin music since his beginnings.    

The news about their participation in the event made them very happy and feel that all their hard work has paid off.    

Andrea Chaparro on stage with Lulada
Andrea Chaparro singing on stage

Genres played by Andrea and Lulada Club   

As we have mentioned at the beginning of this edition, there are several Latin genres played by Lulada Club such as salsa, cha cha chá or boogalo, but each one has its own audience. 

In that sense, Andrea said that they play a lot of hard salsa for dancers and classical music coming from the clubs in Cali. There are certain songs that can never be out of their repertoire such as ”Llorarás” by Oscar D’ León, ”La rebelión” by Joe Arroyo, ”Brujería” by El Gran Combo de Puerto Rico, among others.   

In cases where we get a quieter audience, we can play a bolero or cha cha chá, but everything will depend on the reaction of those present to our performance,” said Andrea on this subject. 

In terms of their original songs, they have two recorded and their names are ”La Palma” ”Lulada ya llegó”, which has been very well received by those who have heard it.    

Undoubtedly, Lulada Club has a lot to offer to the audience and fortunately festival organizers and club owners are realizing the great potential of this group, and every day that passes they are taking more into account in their lineups.    

Read also: Allyson Briggs ”La Rubia de La Salsa” 

Musical director of VibraSÓN Jake Jacobs is here

VibraSÓN is a musical group that makes life in the state of California, specifically in the San Francisco Bay Area, which has become one of the best options for festivals and nightclubs seeking fresh sounds in terms of salsa, swing and Latin music in general.    

I was pleased to know about this great orchestra, its members and sound thanks to its work at Charley’s LG, Bar and Nightclub where Eduardo Guilarte, our editor, was working and directing everything related to the lineups and musical programming for Latin music nights, more specifically on Tuesdays.   

When I made contact, the person who was kind enough to reply was musical director of VibraSÓN. Jake Jacobs, who at the same time works as a producer, percussionist and backing vocalist.    

Jake Jacobs from VibraSÓN
Jake Jacobs, musical director of VibraSON

Talk with Jake Jacobs from the group VibraSÓN   

Jake Jacobs comes from a very interesting background. His first contact with music took place with his father and uncle, both of whom were professional musicians, but Jake says he has always been interested in this world.   

He studied classical piano and music theory at the University of Illinois and took some jazz piano lessons in his passage through the University of California. During these years, the musical director spent roughly 13 hours a day practicing with this instrument to master it as well as possible. 

With time, he became interested in Latin music and dance, which also led him to take dance classes at university. With that knowledge acquired up to that moment, he went to visit New York and his trip coincided with the National Puerto Rican Day Parade (an event held annually in New York and other states to celebrate Puerto Rico and its traditions in the United States). 

This event inspired Jake so much that he returned to the Bay Area with the intention to switch his dance classes to salsa classes. He became so good that he began to teach salsa dance classes himself to numerous students interested in learning these rhythms, something he has been done for over 20 years in widely recognized clubs and dance studios.   

He used to provide these classes twice a week at the Cocomo Club, which was very important at the time and attracted more than 600 people every day. When bands performed live, the future leader of VibraSÓN began to know musicians, who, in turn, gave him music lessons and his first opportunities to play in bands.   

 

Jake Jacobs with VibraSÓN
Jake Jacobs and the other members of VibraSÓN

Apprenticeships and classes with great musicians 

One of the most impressive credentials that Jake can have is to have studied with some of the best musicians in the San Francisco Bay Area such as Edgardo Cambón, Karl Perazzo, Michael Spiro, Louie Romero, among others. 

Evidently, all these luminaries have taught the producer much of what he knows and applies today, but he ensures that it was not easy to learn from so many ”teachers” at the same time, in both dancing and music performance.   

Ensures that some of the most important things he learned have to do with technique and tips to be applied such as how to play the drums, the notes at the right times, silences and much more. 

He points out that they all taught him valuable and important things, which are still very useful to this day. One of those great lessons was to practice and practice until he achieved the sounds he wanted, especially in Latin music. 

VibraSÓN 

Finally, in 2014, Jake decided it was time to put into practice everything he learned and create his own musical group with his own original details. This is how VibraSÓN came about.    

The origin of his band’s name came from Luis Morales, one of its members. It is based on vibraphone, which is not widely used by the orchestras from the San Francisco Bay Area, but by the dancers and by this new group in their performances. As for the end of the name, it comes from ”son cubano”, a typical genre of the island Jake likes very much.   

Although Club Cocomo unfortunately closed the following year, that didn’t stop VibraSÓN from making its way and becoming one of the most demanded groups in the Bay Area in recent years.   

One of the things that Jake thinks makes his group unique is that there are very few people who use the vibraphone and, due to his training as a dancer, he is always looking to make the most appropriate music for that part of the audience for whom dancing is very important.   

Jake Jacobs in San Francisco
Jake Jacobs performing on stage in San Francisco

How Jake and VibraSÓN read the crowd   

For Jake and the rest of the band, it is very important to read the crowd and see how people react to the music they play at any time. They pay a lot of attention to the dance floor to see what works and what doesn’t with the people they play for that night.   

Having played at clubs such as Charley’s, Bar Fluxus, La Peña Cultural, The Cigar Bar and Space 500, they have prepared a very generous repertoire for each performance. Just as they have written original music, they have also dedicated themselves to perform covers of the most buzzed-about artists in recent times in certain contexts, something that worked out for several orchestras when they need to draw on these resources to entertain the audience.   

This wide repertoire that they now enjoy is what has allowed them to make diverse shows with lots of variety so that those present never get bored, even if they usually go to the same place.   

Another thing they tend to do is add new arrangements and change genres to the covers they do so that they do not sound exactly like the originals and they can inject some of their essence, even if they are not songs written or sung by them originally. ”Even if they are covers, we always try to add our original arrangements so that the dancers enjoy them that much more” said Jake.   

They have also learned to connect with the audience and know what the dancers and the general public want in order to give them exactly what they want. And they did not learn this overnight, but have observed in detail what other orchestras do to imitate what is good and useful.    

Jake and VibraSÓN on stage
VibraSÓN performing on stage

Tours and future plans of VibraSÓN

At the end of the interesting talk, Jake told us that, for now, they only plan to record new music and other activities that are comfortable for all the members, since many of the musicians are in other orchestras and record for other people, so it is too complicated for them to tour with VibraSÓN. In addition to that, several of them have small children to care for, so it is impossible for them to travel for a long time.   

He is so considerate because he always tries to keep the same members and preserve the unity of the group above all else. It has worked for them, as they have managed to made a name, which will continue to become popular over time. 

Read also: Fausto Cuevas Y La Moderna in International Salsa Magazine 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.