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Search Results for: Celia Cruz

Rolando Sanchez from Honolulu – Hawaii

Percussionist, Singer, Singer-Songwriter, Producer and Leader is Hawaii’s Best Selling Latin Artist

Rolando Sanchez, percussionist-singer-songwriter-producer, leader of Hawaii’s first longest recording Latin recording artist.

In this Site you will experience the history and achievements of this musical Family called “SALSA HAWAII” for over 20-years, performing, recording, touring and just sharing the love and ALOHA of our Latin Music Wolrdwide.

With CDs sold Worldwide and the number of awards and accolades from press, government, musical organizations, community organizations, locally, nationally and Internationally.

HONOLULU TROPICAL Celebrating 20 years of Latin Music in Hawaii Rolando Sanchez Salsa Hawaii Singer, Songwriter, Percussionist (timbales-congas-bongos- drums) Recording Artist, and Producer. Born in Masaya, Nicaragua, to a musical, artistic family; his father, an accomplished songwriter, pianist, and singer.

Rolando Sanchez from Honolulu - Hawaii
Rolando Sanchez Percussionist, Singer, Composer, Producer and Leader is the best-selling Latin artist in Hawaii

His mother also played piano and sang as with most of his immediate family.

His musical influence began at a very young age playing drums with neighborhood kids emanating the music of the time (i.e.: Beatles, Trini Lopez, Paul Anka, etc.).

In his early teens he began listening to more Latin music styles, which formed the basis for his music today. The bands that influenced him at the time were Tito Puente, Celia Cruz, Billo’s Caracas Boys, Sonora Matanzera, Sonora Santanera, Daniel Santos, and a Nicaraguan band Los Satelites del Ritmo.

In the late 60s, the family relocated to San Francisco, California where he grew up and truly realized that music was to be his life. The music scene in the Bay Area at this time was very diverse. He delved in all the different styles.

During that time, Latin music was beginning to blossom and all kinds of Latin-style bands such as The Aliens, Latin Bloods, Los Beamers, Bandido, Unidad 77, and Limbo began to play in and around the Bay Area.

Rolando Sanchez from Honolulu - Hawaii
Rolando Sanchez Percussionist, Singer, Composer, Producer and Leader is the best-selling Latin artist in Hawaii.

Cesar’s Club was THE place to be to experience the best Latin musicians (Pete and Coke Escovedo, Roger Glenn, Luis Gazca, Pablo Telles, Victor Pantoja, Francisco Aguabella, Carmelo Garcia) performing live.

That’s when Rolando realized his passion for Latin music and particularly Timbales.

Then it happened! Santana Band came out and proved to be the biggest inspiration for all Latin musicians in the Bay Area (the world) including Rolando. It seemed that Latin bands were coming out of the woodwork: Azteca, Malo, Sapo,Dakila, and Salsa De Berkeley to name a few. He played with different bands in San Francisco’s Latin music scene and shortly thereafter, decided it was time to start his own band called SOLAR; they played a mixture of Latin rock and Latin jazz fusion.

Rolando and his brother Mario (still playing congas with Bay Area bands) were alsosome of the guys hanging out at Dolores Park in the Mission District playing congas and timbales along with such notables as Raul Rekow, Karl Perazzo, Chepito Areas, Carlos Badia, John Santos, and many other well-known Bay Area Latin percussion artists of today.

His band gained popularity and started playing the circuit where he met and befriended such artists as Pete and Sheila E. and Master Armando Peraza who helped develop his affinity for percussions.

While playing in the Bay Area, SOLAR was billed with bands like Azteca, Azuquita, Sapo, Cal Tjader, Cesar’s All-Star Band, Willie Bobo, and others.After their break-up, he formed the band SUNSMOKE together with his uncle, Freddie Velasquez, who had just returned to the Bay Area from touring the country with the Phil Driscoll Band. SUNSMOKE quickly became well-known in the Bay Area and they toured the west coast and Canada where they opened for blues master B.B. King and performed at the Canadian Rock Festival with bands from all over the world.

For over 20 years, performing, recording, touring and simply sharing the love and ALOHA of our Latin music around the world.
Rolando Sanchez Salsa Hawaii

After a couple of very busy years, including recording some demos for major record labels, they broke up and Rolando spent some time in Los Angeles checking out the music scene there.

Upon returning to the Bay Area, he joined MESSIAH, one of the hottest Funk/Gospel/Rock/Disco bands. Their single, “Get up on Your Feet and Dance”, became a hit in the International disco scene. MESSIAH then went on to Japan where they enjoyed instant success and toured for 4 months. Shortly after their return, the band broke up and THE ROLANDO SANCHEZ BAND was born. Composing and writing his own material, Rolando released his first single cassette with two original songs, “She’s the Lady” and “Cold Hearted Woman”.

She’s the Lady” was made into a music video shown on local stations on both east and west coasts at the very beginning of the MTV movement.

It featured some of the Bay Area’s finest musicians including vocalist Jo Baker (Elvin Bishop Band). After being in the Bay Area for nearly 20 years, Rolando felt the need for a change of pace in his life.

In 1984, he visited his sister in Hawaii and the rest, as they say, is history.

Not long after arriving in Honolulu, Rolando decided to make it his home and the place where he would throw his musical fate to the wind.

His very first musical engagement in Honolulu was at the Waikiki Shell with one of Hawaii’s hottest singer/songwriters of that year, Mr.

Audy Kimura, in celebration of 25 Years of Statehood. This made it all the more clear to him that he was in the right place.

On this site you will experience the history and achievements of this musical family called "SALSAHAWAII" for more than 20 years.
HONOLULU TROPICAL Celebrating 20 years of Latin Music in Hawaii

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Johnny Pacheco founder of the Fania All Stars says goodbye

This Monday Cuqui Pacheco announced the news

Johnny Pacheco, one of the great Latin musicians, died this Monday, February 15 at the Holy Name Medical Center in Teaneck, New Jersey because of pneumonia, which he had already suffered for several days and for which he was hospitalized. Called one of the creators of salsa, Johnny left this world at 85 years of age, but his legacy will live forever not only in the hearts of Latinos, but also in the history of music.

A short statement was released by what is now his widow María Elena “Cuqui” Pacheco and the rest of his relatives:

“With great pain in my soul and an emptiness in my heart I inform you that the teacher Johnny Pacheco with much peace passed away this afternoon. Thank you so much for all the prayers from him and all the love you always gave him. At this time we ask for privacy and prayers. “

Johnny Pacheco
Johnny Pacheco was co-founder of Fania Records.

There were and still are many reactions around the departure of the founder of Fania. Salseros around the world have mourned the news and many musicians who in one way or another knew Johnny have expressed their sadness:

Rubén Blades published on his Facebook account: “I just received information indicating that Dominican Johnny Pacheco, flutist, arranger, composer and leader of the group “Las Estrellas de Fania”, has just moved “al otro barrio”. At 85 years of age, Pacheco leaves us an important musical legacy, represented by all the collaborations that he made during his distinguished career, with figures like Celia Cruz … To his family and loved ones we send our condolences . Have a good trip Johnny and “Simá!”

On his part, Marc Anthony took to Instagram to dedicate these words to him: “Teacher of Teachers and my good friend! Rest in peace! You were there for me from day 1. Your sense of humor was contagious and I am forever grateful for your support, for the opportunity to be in your presence and for your amazing legacy. “

Maelo Ruiz also left his words: “Today a giant left us ? We regret his physical disappearance! Thank you maestro Johnny Pacheco for everything you did for salsa, you left an insurmountable legacy for future generations! God receive you in heaven ? #QEPD #Rip #JohnnyPacheco #FaniaAllStars ”

Puerto Rican Victor Manuelle also used Instagram to remember Johnny: “Thank you teacher. I had the honor of honoring you in life. Your legacy will not die. Your music will live forever in our hearts. We are going to miss you, Master Pacheco. R.I.P.”

And another was El Caballero de la Salsa Gilberto Santa Rosa: “Today Salsa and music in general are in mourning. One of the pioneers, creative genius and in my personal case an exquisite person said goodbye … Rest in peace master Johnny Pacheco.”

And these are just an example of the many reactions that Latin musicians left when they heard the news. Johnny Pacheco definitely left his mark and a legacy that was difficult to emulate, but which gave the foundation to one of the most listened to genres in the world, of which Latin America is extremely proud.

The incredible career of Johnny Pacheco

 

Juan Azarías Pacheco Knipping was born on March 25, 1935 in the city of Santiago de los Caballeros in the Dominican Republic. His father was Rafael Azarías Pacheco and thanks to him his love for music arises since he was a clarinetist and a famous conductor. On his part, his mother was Octavia Knipping Rochet, who brought Pacheco a mixture of cultures, since she was the granddaughter of a French colonizer and great-granddaughter of a German merchant who married a Dominican woman of Spanish family.

Johnny moved to New York with his family at the age of 11, where he continued his studies, especially music, managing to enter the prestigious Juilliard School to study percussion. In 1960 he founded his first band: Pacheco y su charanga, after working in several Latin bands. With this band Pacheco achieves success by signing with Alegre records, and presenting a dance rhythm which he called the pachanga, in this way he becomes a star touring the United States, Europe, Asia and of course Latin America.

Johnny Pacheco
Jonny was a great musician and the father of Salsa.

La Fania first started out as a record label, with a partner who was not thought to be interested in Latin music Jerry Masucci, a former policeman who became a lawyer, but fell in love with this music on a trip he made to Cuba. This foundation occurred in 1964, between Harlem and the Bronx where the productions were sold from the trunks of their cars. But the Fania legacy was only taking its first steps by giving an urban touch to Latin music using the term salsa to sell its releases.

With Pacheco, Fania achieved a new rhythm based on the existing ones of Caribbean music, especially the Cuban son, but by putting a faster tempo. One of the things that stood out in Fania’s music was the lyrics, which were used to talk about somewhat sensitive issues, from racism to the political problems of the time, without neglecting pride in their Latino origins.

During the ‘60s and ‘70s, Fania had under its wing many singers who today are considered the best in Latin music and the promoters of the salsa genre: Héctor Lavoe, Willie Colón, Celia Cruz, Rubén Blades to name a few, not counting the musicians who have been part of the band that accompanied the stars in their presentations. Practically the Fania All Stars became the school of many musicians.

Johnny Pacheco
The Fania All Stars.

Fania Records was called the Motown of salsa, becoming a music powerhouse, which led his band the Fania All Stars to tour around the world filling arenas and selling many records. Featuring never-before-seen collaborations such as Willie Colón, one of the best salsa composers, with Rubén Blades, a lyricist focused on the social part. Hector Lavoe was also a cult singer who made music history but whose career was very short and was marked by addiction problems which led to an early death at 46 years old.

During the ‘80s, Fania saw its end when facing many problems due to royalties and lawsuits, working with many artists was not easy and at that time there were many dark moments focused on addictions and monetary problems. In 2005 Fania returned to the spotlight as Emusica bought their catalog that was getting lost in a warehouse in Hudson, New York. Many hits were remastered and re-released in 2006.

Johnny Pacheco will always be remembered as the father of salsa, who with Fania managed to leave his mark on Latin music, rest in peace maestro.

 

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“Pandemia”, the Johnny Ray song about the pandemic

Pandemic

We all know that 2020 was a tough year for everyone, the reason is quite obvious, the pandemic. Although more than a whole year has passed since the disease began to reach the whole world, the repercussions of covid-19 continue to affect many people today, that is exactly what the new Ray’s song is about, it is called “pandemia” (pandemic) after all.

There are many artists who have taken the unfortunate health situation to create art out of it, in this particular case, a song, after all, inspiration can come from anywhere, something that great artists clearly know, and this is the case of Johnny Ray and this song.

In charge of the direction and the percussion of the song is Johnny Ray himself, while the person in charge of the composition of the song was Johnny Zamot. Sammy González Junior was chosen to sing the song, and after listening to his interpretation, we realize it was a good choice.

Johnny Ray
New song of this great artist

The song is relatively short if we compare it with the average genre’s songs, but it is enough to comprehend the message, plus, but with just over two minutes in length, we can enjoy the authenticity of the salsa’s sound at its best.

On the other hand, as everyone could imagine just by reading the song title, the lyrics focus on the changes that have arisen as a result of the crucial pandemic and the desire for it to finally end. If we translate the lyrics, these say “you can no longer hear the drum that makes you so happy, all this ended when the pandemic arrived”, these are the first lyrics we listen to after the song’s introduction. “I would give a to be able to cheer people up, beating my drums, watching people enjoy,” sings Sammy Gonzáles, making the message of the song clear in that phrase.

Johnny ray

Johnny Ray is not just another salsa artist, he is a veteran musician with almost forty years of experience, which makes him someone very recognized within the salsa industry. Together with his group called Salsa Con Clase (Class salsa), Ray has participated in countless events of different nature, from schools and universities to different fairs and many private events; Furthermore, they have been indifferent shows in more than a dozen countries, so his international journey has allowed him to gain a lot of experience.

From a very young age, Ray was a talented percussionist, and his interest in music would lead him down the road to success. As he grew and developed himself more as a musician, he would go from playing congas in different places in New York where salsa was constantly present, to sharing the stage with some of the most internationally recognized salsa (and other music genres) artists, such as: Marc Anthony, Rubén Blades, Celia Cruz, Oscar de León, Tito Nieves, Eddie Palmieri, Jerry Rivera and many more.

Despite such a memorable career, Johnny Ray continues to produce songs to this day, and will surely continue to do so for many years to come, as we see that even the pandemic is far from discouraging him, in fact, does the exact opposite, inspire him.

 

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Written Salsa, Barquisimeto’s Salsa Column presents Pamir Guánchez

By: Professor MSc. Carlos Colmenárez (Venezuela)

Pamir Guánchez, brilliant Venezuelan singer, flutist, saxophonist and arranger.

The special guest of this edition of Salsa Written is the brilliant Venezuelan singer, flutist, saxophonist and arranger Pamir Guánchez, born in Caracas, who began his artistic career at an early age.

Welcome Pamir to the Barquisimeto salsa column, we would like to know how were your musical beginnings? Thank you Professor Carlos for inviting me to your column, which has won praise both in my country and here in the United States of America. I received formal training in my beginnings at the National Conservatory of Music “Juan José Landaeta” in the city of Caracas, where I studied for 10 years, graduating as a flutist.

I studied theory and solfeggio, harmony and music history, I received saxophone lessons with Maestro Rolando Briceño in New York City for 5 years, I was also part of the Youth Symphony Orchestra with Maestro José Antonio Abreu and also in the Caracas Chamber Orchestra for 3 years.

Written Salsa, Barquisimeto's Salsa Column presents Pamir Guánchez
Pamir Guánchez, brilliant Venezuelan singer, flutist, saxophonist and arranger

Which orchestras have you belonged to? I belonged to different orchestras and tropical groups such as Orquesta La Bronko, Los Melódicos de Renato Capriles, Orquesta La Magnífica de Elio Pacheco, Tabaco y sus Metales, Orquesta Amistad de Chuito y Rodrigo, Orquesta Fascinación de Maracay.

Excellent Pamir, by the way, how did you join the orchestra of the Sonero del Mundo? In 1989, while I was with the Fascinación Orchestra, I was discovered by maestro Oscar D’León, who recognized my talent and opened the doors of his orchestra for me to enter as a flutist and saxophonist. I was there permanently for 15 years, where I was able to travel the world and experience some of the most important moments of my career, such as playing at the famous Carnegie Hall and Madison Square Garden in New York City. Guanchez thanks to his preparation, experience and artistic career with Oscar D’Leon, went on to join one of the iconic orchestras of salsa, as is the Orchestra of the Queen of Salsa Celia Cruz, where he remained for 2 consecutive years, performing as a flutist and baritone saxophonist, experience that marked his artistic career, to live very emotional moments next to the “Guarachera de Cuba“.

Pamir, I understand that you also participated with maestro Tito Puente Jr? Indeed professor, I was also a flutist and saxophonist, making myself known during my time with the orchestra of Tito Puente Jr., with whom I recorded his penultimate musical production “Siguiendo los pasos de mi padre” alongside Latin Jazz stars such as the sax master Mario Rivera and I also accompanied him in his presentations around the world.

In terms of recordings, what can you tell us? In 2004 I began recording my first musical production entitled “Pamir con alma de protón“, which with the song “La Charanga de Pamir” won the Estrella award, an award given to local artists with international projection, the CD was signed by the company Protel and was distributed by Universal Latino, with this CD I begin another facet of my career and it is as a singer.

In 2006, seeking to attract and enter the Anglo-Saxon market, I recorded my second CD called "Via Miami", completely instrumental and with the Latin jazz cut, a production that has had great acceptance among jazz lovers.
Pamir Guánchez brilliant Venezuelan singer, flautist, saxophonist and arranger

In 2006, looking to attract and enter the Anglo-Saxon market I recorded my second CD called “Via Miami“, completely instrumental and with the Latin jazz cut, a production that has had great acceptance among jazz lovers.

In 2009 I recorded my third musical production entitled “Pamir inconfundible“, with the promotional number “El soñador“, lyrics, music and composition by Oscar D’León, and also with the participation of former Fania All Stars bassist Salvador Cuevas in a tribute to Jhonny Pacheco, director and flautist of Fania, This CD was on the list for the Latin Grammy nominees, I also counted with the participation of the musicians of the Oscar D’León Orchestra with whom I have a magnificent relationship both professionally and as a friend.

Professor Carlos, I also had the honor of recording with José Alberto “El Canario”, the song “El canario y la flauta”.

Also, with Oscar D’León the song “Baila apretao“, both compositions of the maestro Víctor Gámez.

Pamir has received certification of participation in the 11th annual Latin Grammy Awards, for his participation as a musician in the winning recording, “Tesoros de la música venezolana” (Treasures of Venezuelan music), as he accompanied Ilan Chester.

I was part of the Youth Symphony Orchestra with Maestro José Antonio Abreu.
Pamir Guánchez, born in Caracas, began his artistic career at a very early age.

He has appeared on numerous television programs such as “Despierta America” on Univision, Azteca TV, America TV, interviews on different radio stations in Venezuela, USA, Colombia, Peru, Europe, where they have given him the opportunity to make himself known and continue advancing in his artistic career. Recently he was promoting his fourth musical production called “Se pega“, which has its promotional video. With this production Pamir & La Pachanguísima has won for two consecutive years the 3rd Annual Legends Award and 4th Annual Award as best flutist, at the same time when he is requested by maestro Oscar D’León he accompanies him on stage.

Congratulations Pamir for your extraordinary artistic career and from International Salsa Magazine and from www.salsagoogle.com and from this server Carlos Colmenárez, we wish you to continue reaping success, putting the name of Venezuela on high. Thank you very much Professor Carlos for giving me the opportunity to make contact with my country through your column and I hope to be with you again, blessings, a hug in the distance.

Pamir Guánchez, brilliant Venezuelan singer, flutist, saxophonist and arranger.

 

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Let us remember the Puerto Rican Catalino Curet Alonso.

Biography

By: Héctor Valor Fernández correspondent from Caracas, Venezuela

 

 

Catalino “Tite” Curet Alonso was born in the town of Guayama, Puerto Rico on February 12, 1926, the son of an orchestra musician and a seamstress. He was just two years old when his parents separated; his mother and sister moved to Barrio Obrero, Santurce, with his grandmother, who was responsible for his upbringing. He also received his primary and secondary education.

 

Puerto Rican composer Catalino Curet Alonso
Photo of the Puerto Rican composer Catalino Curet Alonso

Life in the neighborhood and his experiences there influenced his music. He studied music theory and solfeggio with professor Jorge Rubián, at the same time as growing up with other Latin music great legends such as Rafael Cortijo, Ismael Rivera, and Daniel Santos.

After graduating from high school, he began studying journalism and sociology at the University of Puerto Rico. For more than 20 he worked for the U.S. Postal Service and, at the same time, he was composing songs. In 1960 he moved to New York City, where he worked for the newspaper “La Prensa” as a sports journalist.

In 1965, Alonso met percussionist and salsa singer Joe Quijano, who committed one of his compositions entitled “Efectivamente” to record for the first time. In 1968 and 1969 he composed songs expressly for La Lupe such as “Carcajada final”, “Puro teatro”, and “La Tirana”.

In the early 1970s, “Tite” got into the salsa movement led by the label of Fania Records in which he became the composer of the greatest classics of the genre.

Alonso composed more than two thousand songs, such as “Anacaona”, “Periódico de ayer”, “Lamento de Concepción”, “Las Caras lindas”, “Juan Albañil”, “Mi triste problema”, “Tiemblas”, “Plantación Adentro”, “De todas maneras rosas”, “Marejada feliz”, among many others.

Alonso’s compositions were interpreted by the greatest singers and groups in the Latin American music industry: Joe Quijano, Cheo Feliciano, Celia Cruz, La Lupe, Willie Colón, Tito Rodríguez, Héctor Lavoe, Ray Barretto, Tito Puente, Ismael Miranda, Roberto Roena, Bobby Valentin, Marvin Santiago, Justo Betancourt, Willie Rosario, Pete “Conde” Rodríguez, Andy Montañez, Rafael Cortijo, Tommy Olivencia, Frankie Ruiz, Rubén Blades, among others.  Tite” Curet Alonso is considered the most important composer of salsa music in his country and Latin America of the 20th century.

Puerto Rican composer Catalino Curet Alonso
Colash of Puerto Rican composer Catalino Curet Alonso

Catalino Curet Alonso left a son, Eduardo, and a daughter, Ilda, as well as several grandchildren. He maintained a fruitful loving relationship with Norma Salazar, an excellent Puerto Rican exponent dedicated to working with children, literary work, craftsmanship, and dance with traditional Puerto Rican rhythms.

She knew quite a lot about Tite’s efforts because she knew full well that beneath that face, that unbreakable smile, and that ever-present hat, there was a man permeated by great emotions, a loving discourse with a political edge, and she kept vigil with a man responsible for his work.

Catalino Curet Alonso died in Baltimore, Maryland, U.S., on August 5, 2003, at the age of 77, as a consequence of respiratory involvement which caused him a heart attack.

His remains rest in the Santa María Magdalena cementery of La Perla in Viejo San Juan. “La Perla, where patriots are buried”. His tomb is close to those of Rafael Hernández, Pedro Flores, and Daniel Santos.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.