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Search Results for: Celia Cruz

Somaly Zapata

Latin America / Puerto Rican / Puerto Rican

Somaly Zapata She Shows Us Her Musical History

Somaly Zapata
Somaly Zapata

Somaly Zapata Santana is a Puerto Rican who was born on July 24, 1988 in the town of Bani, Dominican Republic. From a very young age, she showed inclinations for musical art, getting to participate in different social events. Her first song was a Mother’s Day gift to her grandmother when she was 13 years old. As the years passed, its melody and lyrics developed in the genres of Salsa, Merengue, Balada, Bachata or a fusion of them, giving it a characteristic that other songs do not have.

Photo of Somaly Zapata
Photo of Somaly Zapata

She was influenced by great tropical artists such as Milly Quezada, Olga Tañon, Celia Cruz, La India, among others; However, he did not show his voice to the public at that time because he was a very shy person, but always with a musical spirit deep inside.

She began to perform in different activities, imitating only the movements of Milly Quezada and mimicking her great themes almost perfectly. In her adolescence she began to discover herself as an artist on a vocal level through her lyrics, taking classes on topics related to this art, writing situations with no personal experience, but which were interesting for a composer hungry to express her most intimate feelings.

Somaly Zapata in the studio
Somaly Zapata in the studio

In 2011 he decides to go to work in the US (Stagedoor Manor Performing Arts) as a cultural exchange, which allows him to acquire knowledge and in turn save money to be able to professionally record his first song. From that moment on, he began his artistic career at the hands of the prominent Dominican musician/arranger Juan Valdez Ybet, who fusing ideas, supported by the great career of Mr. Valdez and the magic of the singer’s lyrics, launched from gradually the different singles of the artist; Not to mention, he is a member of ASCAP (American Society of Composers, Authors and Publishers).

These are the themes and/or songs that they present to us: Author: Somaly Zapata Arrangement: Juan Valdez Ybet Regalame – (Merengue) For someone like you – (Salsa) When the sun goes out – (Salsa) Doesn’t it hurt? – (Salsa) promotional theme.

Somaly Zapata singing her song
Somaly Zapata singing her song

For more information:

  • Email: [email protected]
  • Instagram: https://www.instagram.com/somalymusic/
  • Facebook: https://www.facebook.com/SomalyZapata/
  • Twitter: https://twitter.com/somaly_zapata
  • GooglePlus: https://plus.google.com/116832184355913365324

Albert Torres The Ambassador Of Salsa

North America / USA / New York
Albert Torres
Albert Torres

Albert Torres, a sympathetic boy with blushing cheeks who born in Brooklyn – New York – never suspected what his destiny had prepared him, to be the father of the Congresses of Salsa worldwide. His name would resound from North to South and from East to West, by the continents: American, European and Asian; in the different important scenes of the Latin music movement and would be the inspiration for many dancers of this branch.

His legacy would belong to the astonishment and shelter of the artists and the public that would applaud his talent, vigor and semblance to the rhythm of the phrase “Una Bulla”. This cheerful infant, without a doubt, was going to be a legend of Afro-Caribbean music. I’m talking about Albert Torres, The Ambassador of Salsa!

Photo by Albert Torres
Photo by Albert Torres

Albert began to listen to the salsa genre from the age of 5, staring in astonishment at the whole scene, sitting, of his first dance lessons … At the famous Palladium in New York, where his mother danced and liked the music of Mongo Santamaría and Tito Puente.

This child, future congressman of Salsa, grew up when the history of Latin popular music (salsa) was being written in the South Bronx, where Puerto Rican communities were having a great explosion of creativity and musical activity.

At the age of 12 years old his family decides to move to Puerto Rico, “By that time I did not want to speak Spanish, I did not want to be Puerto Rican. I did not want to be part of that environment”, said Torres. He only danced disco and Hustle. However, at the age of 15 his life took a dizzying turn when he heard:

“Oye que lio que lio se va a formar

cuando mi gatito sepa

y es tan simple la razón

El que a su gata le cuenta que el que a

su gata le cuenta

no es nada más que un ratón

un ratón…

…Échale semilla a la maraca pa que

suenen

chacucha cuchu cucha cucha

échale semilla a las maracas pa que

suenen

échale semilla a esas maracas oye

chacucha cucha cucha cucha

y hace rato está sonando sonando

chacucha cucha cucha cucha…”

 

Albert Torres simply fell in love with the Salsa thanks to this theme: “El Ratón” of Cheo Feliciano together to Fania All Stars. “The legends of salsa changed my life. When I heard these legends, that August 26th of 1971, in the Cheetah, something happened inside me. The music entered by the feet and came to my heart”. Thus, declared his beginnings in the Salsa, Albert Torres.

In 1991 his passion for Salsa took him to impress the girls of the neighborhood by his incredible steps to a Hollywood celebrity when he, first time, participated in the movie Mambo Kings in which he was chosen as one of the main dancers.

Hollywood - Albert Torres
Hollywood – Albert Torres

There he not only helped Antonio Banderas with the dance steps, but also with the English by that time for Banderas was very hard. In addition, during the filming of the movie Albert had the opportunity to share with big of Salsa like Celia Cruz, José Alberto “El Canario” and his great idol Tito Puente.

That film was the hit that catapulted Torres to world fame being chosen by Debbie Allen as one of the 4 dancers (of more than 400 couples) to participate in the Academy Awards (1993) and to dance “My beautiful Maria” whose Singer was Plácido Domingo and where he stood out as the first Puerto Rican to dance in the history of the ceremony.

Then, he returns to the cinema being the choreographer and dancer of Salsa scenes in the romantic film “Dance with Me” with Vanessa Williams and Chayanne during 5 months.

Later he worked on the movie “Out to See” (1998) with Jack Lemmon and Walter Matteau and in the same year he also made a guest starring appearance on the Keenan Wayan’s Show where he performed with Jennifer Lopez. Everywhere there was Salsa, Torres seemed to be there. At the time and with all this like trajectory Albert Torres in 1991 also began his stage as a producer.

He started promoting Salsa clubs in Los Angeles, “I lost a lot of money. Nobody wanted to know about Salsa”, said Albert. Nonetheless, he began to handle Johnny Polanco y Su Conjunto Amistad, which were the best-known salsa group in the Western United States.

In 1992 he founded his own company, Albert Torres Productions Inc. (ATP) and began to organize salsa parties in several places in Los Angeles. The most important were the Boathouse in Santa Monica, St. Marks in Venice and Sportsmen’s Lodge in Studio City.

3- Albert Torres
3- Albert Torres

At that moment the genre of salsa was losing popularity. However, Albert Torres with his wit, insight and a lot of intelligence pulled him forward on his own. He revived it in such a way that he became the most influential salsa promoter in the United States. He was who brought to Los Angeles some of the most important names in the Latin music such as: Fania All-Stars, El Gran Combo, Oscar D ‘León, José Alberto “El Canario” and the Spanish Harlem Orchestra, among many others.

In the late 1990s, after the I administration of President Clinton relaxed the laws restricting presentations by Cuban artists in the USA, Albert Torres was the first promoter, who brought to the famous and the notorious Van Van group to Los Angeles in January, 1997.

The show, which took place in a night club in downtown LA, was a success. Since then, Los Van Van has received major media awareness with prestigious publications such as Los Angeles Times, New York Times, among others and including the most coveted music honor, a Grammy and Latin Grammy nomination. Torres’s passion and promotional skills have played a key role in the U.S.A Latin Entertainment explosion. Ricardo Lemvo, musician and singer living in Los Angeles, founder and leader of the salsa band Makina Loka said:

“Personally, I have a great deal of gratitude to Albert. In 1996 when I released my first album, Tata Masamba, he was the one who presented my music to the Latin audience in Los Angeles. He also placed my band at Sportsmen’s Lodge, Grand Park and many other venues. Albert was also who recommended me to film director Randa Haines and as a result, my band, Makina Loca came out in the movie “Dance with Me” with Chayanne and Vanessa Williams. I will be eternally grateful to Albert Torres for giving me a hand at the beginning of my career”.

4- Albert Torres
4- Albert Torres

1997 was crucial for Albert and the world of Salsa in Los Angeles because began the dream of Mr. Eli Irizarri of Puerto Rico, the concept of the Salsa Congresses in San Juan. “I was not the first year, but I heard a lot of nice things even though it was a financial failure. I attended the event in 1998 and was the master of ceremonies. Then, I started the same concept in Los Angeles beginning in 1999 and in the next 8 years following the Los Angeles Congress stood out as the largest in the world. There attend more than 6000 people daily arriving from more than 42 countries”, said Albert for an Argentine media.

In 1998, at the head of ATP, organized the first edition of Los Angeles Salsa Congress and in May 1999 was carried out, with the presentation of Tito Puente in the opening. In this first congress Albert transformed the event into an exciting music and dance venue that attracted 20,000 Latin Music enthusiasts from all over the world and USA and with such great success that he immediately became co-producer Salsa Congresses in over 32 countries.

“My most important desire to be a promoter of the Congresses would be that this can be used for dancers, can realize their dream of dancing on a stage and also find a way to respect the dancers as they deserve it. This is extremely important”. Albert Torres.

In LA Salsa Congress the stars are born, many of the world renowned dancers have their start at this event. The mission of LA Salsa Fest is to pass on to the next generation through educational seminars, dance workshops and being able to perform on stage.

Since then, Albert Torres Productions has created and produced the World’s Largest Salsa Music event. In addition to this, ATP is the co-producer of the World Salsa, broadcast from Las Vegas every year by the ESPN TV network being watched by more than 20 million homes worldwide, where more than 1000 competing dancers will be known on the planet. “On ESPN told me that if I wanted to see it on TV I had to do competitions.

I do not like it, but for the dancers to get to know each other worldwide, I decided to make the World Salsa Championship, the biggest and most important salsa tournament in the world. Now, since April (2012) I decided to do it alone, without partners, and now it’s called World Latin Dance Cup. I added other categories like cumbia, bachata, casino, children and people over 45 years. We have about 20 categories”. Torres Said in an interview with a Peruvian media.

5- Albert Torres
5- Albert Torres

In the World Latin Dance Cup No requirements. You have to take stock and follow the world rules. These are of time, originality of the dressing rooms, of musicality. If you drop the wig, the earring (while dancing), points are removed; if you do not wear stockings, too. A wig will not give points, but if it falls it will take the points. In this championship there is not a world champion, so there is a champion in each category.

According to his friends, Albert was a “workaholic”. He was always on the road promoting salsa music through all the congresses he organized around the world. Always in transit, he spent one night in Istanbul, the next in Paris and the following week in Tokyo. For example, at the beginning of 2007 he had 48 weeks of travel and in one year he could travel to 48 exotic countries such as Dubai, United Arab Emirates, Japan, Hong Kong, Brazil, Bulgaria, Romania, China, Colombia, Venezuela, Spain, Mexico, Peru, Holland, Hamburg, Italy, Switzerland, Sweden, France, Ecuador, New Zealand, Australia and Puerto Rico.

Therefore, it is not surprising to see on your Facebook wall, the immense and felt messages of thanks from dancers from all corners of the earth. His latest project called “The Legacy Project” is an initiative to combine our music culture with the latest technology tendencies in order to reach and unite more people so future generations can appreciate, preserve and be part of the history of Latin dance and music around the world.

In 2011 Albert Torres was honored to be accepted as a Member of the Council for Dance of UNESCO (United Nations Educational Scientific and Cultural Organization) and Elected Grand Marshall at the National New York Puerto Rican Day Parade in front of 2 million spectators lined up on 5th Ave that past June 12 of the same year. This past May, 25th the world of Salsa and entertainment received a huge impact, the news of the death of Albert Torres, victim of a Stroke.

Family, friends, national and international press as well as web portals lamented and reviewed this regrettable fact. Rudy Mangual, creator of the famous magazine Latin Beat Magazine commented to an international media that before this terrible fatal outcome, Albert was very delicate of health in the last months; he had diabetes and had an infection in the pancreas. He also said that he regretted his gone because he and his wife Yvette Mangual had a very special affection to Albert.

Albert Torres’s family wishes to thank all of our Salsa Family for your thoughts, prayers and well wishes during this difficult time. Albert passed away today May 25th, 2017, peacefully, surrounded by family and loved ones. We all find comfort knowing that he is now promoting and dancing alongside his Idols, Celia Cruz, Tito Puente, Cheo Feliciano, Tito Rodriguez and Ray Barreto. As well as his close friends Johnny Polanco, Rudy Regalado, Alicia Gomez and many others. We would love nothing more than for you to help us continue keeping his legacy and DREAM OF UNITY alive by supporting the great event that he started 19 years ago:

The LA SALSA FEST.

Thank you again and may you all be blessed. UNA BULLAAAA!

Rest In Peace ALBERT TORRES

6/14/1956 – 5/25/2017

On the other hand, different personalities of the artistic world expressed their deep pain:

“Salsa and I lost a good friend. Like everyone else in the music world, I was in shock: Albert was an exuberant, vibrant person. It seems unfair that he left the planet in the prime of his life at only 60 years old.

2- Albert Torres
2- Albert Torres

I remember in one of our many conversations, he expressed his great desire to bring the famous African salsa group Africando to the United States. Africando had a song, “Yay Boy,” that was all the rage not only in New York but also in Latin America, but not many people had seen the group live. It was a huge undertaking to organize a concert with Africando since the lead vocalists lived in Senegal, Togo, and other parts of Africa. When Albert finally managed to bring Africando to Los Angeles in 2004, he was over the moon. That was one of his greatest triumphs.

Albert, your passing is a huge blow to all of us in the salsa world. We will miss you terribly. Thank you for everything you’ve done to promote our music. Salsa. We will never forget you.

Rest in peace, brother.” Ricardo Lemvo

1- Albert Torres
1- Albert Torres

“Creating Unity through Salsa”, words from my brother Albert Torres. That’s exactly what we are trying to do, will keep this in my heart forever… Your legacy lives. Thank you Albert! Thank you Edwin and the #LASalsaFest team for this”. Tony Succa

Famed Salsa legend, dancer and Hollywood choreographer turned mega event planner Albert Torres is already part of our history. His continuous efforts to globalize Salsa have made a major impact on the preservation and accessibility of both Salsa Music and Salsa Dance around the world. To achieve this, he was constantly traveling around the world, encouraging conferences and festivals, discovering talents for dancing.

No doubt, Albert Torres brought the music it in the blood. He had his own vibration and constantly he was being a role model. He played that key role in the confluence of people and places that created an environment for the growth of Latin music in America and the world.

Photo1: Albert Torres
Photo1: Albert Torres

For that reason, on the Facebook wall of Albert thousands of emotions multiply. And the messages coincide in the gratefulness and the claim of “una bulla”, una bulla salsera para Albert. Today on some side of the Salsa´s Big, sure, you’re dancing and singing!

Albert Torres in solidarity with charitable causes

“Before I was an event producer, I handled 50 beds in a hospital helping people with drug, alcohol, and mental problems… I have been sober since December 14, 1985. For that, I can live and help others to live their Dreams”. Albert Torres

Great dancer and Champion fell ill last year after the WLDC. With the support of dancers worldwide he was able to beat leukimia and will be back this year. What an inspiration and great story. Let’s all appreciate each day that we are blessed with. Welcome back Jeremy.

ATP continues with the Albert’s legacy and offering top-notch quality events with world-class performers. His bands are legendary and his events feature some of the finest musicians and dancers the world has ever known.

“Para mí la salsa no es latina sino mundial. No tiene barreras de colores ni de país. Es increíble ver niños chiquitos bailar como los de los 80 que bailan… Para mí la salsa es como si fuera una paella, una comida increíble: tiene tantos condimentos y tantas cositas.

Albert Torres and his records
Albert Torres and his records

La salsa es así: con un poquito de rumba, jazz, tango, y si le pones swing, ballet y se mezclan todos con una bella canción de Óscar de León, algo sucede que nos afecta desde los tobillos hasta el corazón… Los problemas siempre van a estar esperándonos en casa, pero qué cosa bonita llegar a un lugar donde todo el mundo se lleva. Cuando empieza esa música todos tenemos algo en común. Ojalá el mundo aprendiera de eso”. Albert Torres (June 14, 1956 – May 25, 2017)

To learn more about Albert Torres and his events, please visit: www.worldlatindancecup.com, www.mysalsacongress.com and www.alberttorresproductions.com

To read more about Albert Torres’ work with Baile de Los Niños, providing cultural outreach programs to at-risk youth and low-income families, visit: www.alberttorresevents.com/bailedelo sninos/mission.asp

“An Argentinian with a taste of Cuba,” Rogelio Martínez told Carlos Argentino, the King of La Pachanga

On June 23, 1929, in Buenos Aires, Argentina, Israel Vitenszteim Vurm, better known in the music world as “Carlos Argentino,” was born. He was an excellent Argentinian tropical music singer who was part of the Cuban band Sonora Matancera. He was also known in musical slang as “The King of Pachanga.”

Born in the La Paternal neighborhood of Buenos Aires, his parents were in the textile manufacturing business, and from an early age, he showed an entrepreneurial spirit. Despite belonging to a socially and economically well-off family, he worked as a street vendor, selling newspapers, magazines, and even coffee on trams and at racetracks.

Un argentino con sabor a Cuba, dijo Rogelio Martínez a Carlos Argentino, el Rey de La Pachanga Imagen Discogs
An Argentinian with a Cuban flavor, said Rogelio Martínez to Carlos Argentino, the King of La Pachanga Discogs Image

Ignoring his parents’ wishes for his professional future, he ventured into singing under the pseudonym Carlos Torres. In 1946, at just seventeen years old, he traveled to Brazil with an unknown orchestra. Problems quickly arose, as he had to ask for the intervention of the Argentinian ambassador to return to Buenos Aires, with the intention of studying medicine at Otto Krausse University, as his parents wished.

While there, he completed his mandatory military service, and upon finishing it, he returned to the music scene, definitively abandoning his professional career. He joined the orchestras of Luis Rolero and Raúl Marengo, performing in Peru and Chile. He then traveled to Colombia with Efraín Orozco’s orchestra. Something very curious happened on that trip: there was a Colombian singer named Carlos Torres, and to differentiate himself, he added his patronymic, becoming Carlos Torres Argentino, before artistically consecrating himself as Carlos Argentino.

Carloa Argentino También fue conocido en el argot musical como «El Rey de la Pachanga».
Carloa Argentino También fue conocido en el argot musical como «El Rey de la Pachanga».

In 1952, he also traveled to Havana, where he worked with the orchestras of Felo Bergaza, Arnoldo Nalli, and Julio Cuevas. He studied singing with the Italian professor Eduardo Bonessi.

In June 1954, he visited Bogotá, and in December, he traveled to Medellín. In February 1955, Sonora Matancera (from Cuba) went on tour in Colombia. They met at the Teatro Colombia in Bogotá. According to Carlos himself, Rogelio Martínez, director of Sonora, asked him if he was from Cuba, and Carlos replied, “I am Argentinian!” Martínez retorted, “Well, you’re an Argentinian with a taste of Cuba; you have to get on the vehicle!” “What vehicle?” Carlos asked. “Ours!” Don Rogelio replied and proposed that he travel to Havana, to which he agreed.

After several months of rehearsal, on August 17, 1955, they recorded their first 78 RPM record. His first single was the bolero-tango “Una canción” (by Aníbal Troilo), and on the other side, the guaracha “Las muchachas caraqueñas” (by Billo Frómeta). Later, he would record other songs such as: “Ave María Lola,” “El solterito,” “Cuartito 22,” “¡Ay, cosita linda!”, “Un poquito de cariño,” “Tu rica boca,” “En el mar,” “Boquita golosa,” “El novio celoso,” “Apambichao,” “Lamento náufrago,” and “La mamá y la hija,” among others; in addition to the boleros: “Alma Vendida,” “No pidas más perdón,” “El amor no existe,” “Cruel indiferencia,” and “Cuando tú seas mía.”

El Rey de la Pachanga
El Rey de la Pachanga

With Sonora Matancera, he traveled throughout Latin America and remained with the group until November 1959. In 1960, he left Cuba and traveled to Mexico. After this, in 1961, he returned to Argentina, where he was received with joy. He settled back in his native neighborhood of La Paternal, in Buenos Aires.

As a distinguished horseman, he became the owner of several thoroughbred horses, which he named after his songs: “Pachangueando,” “La Espumita,” and “El Manotón.” Apart from horse racing, Carlos was a football fan and supported his neighborhood club: Argentinos Juniors (the club where Diego Armando Maradona was born), and Boca Juniors, to whom he dedicated “Pachanga de Boca,” celebrating the title the “Xeneize” team won in 1962, and the album Somos la mitad más uno, celebrating Boca’s Metropolitano championship with Maradona in 1981. He also dedicated songs to other teams, for example, “Equipo de José” (the Racing champions of 1966-67); the one he recorded when Estudiantes de la Plata became world champions in 1968, under the technical direction of Osvaldo Zubeldía; or Chacarita Juniors (Metropolitano champions of 1969), among others.

Throughout his life, he resided – in addition to Cuba – in Colombia, Mexico, and Venezuela, where in 1978 he performed as a singer with the orchestra Los Solistas de Renato Capriles, and participated in their first two LPs, but he always returned to his Argentina.

On a memorable afternoon, July 1, 1989, he reunited with Sonora Matancera in Central Park, New York, to celebrate the group’s 65th anniversary with his old recording companions. On that occasion, he shared the stage with Celia Cruz, Daniel Santos, Vicentico Valdés, Welfo Gutiérrez, Leo Marini, and Nelson Pinedo, among other figures.

Argentino El Rey de la Pachanga con La Sonora Matancera
Argentino El Rey de la Pachanga con La Sonora Matancera

It was the last time he would be seen in performances, as on June 20, 1991, he died of a myocardial infarction while watching a horse race in Buenos Aires. May he rest in peace and eternal glory!

Also Read: Argentina y sus géneros musicales de origen y los tropicales

By:

Dj. Augusto Felibertt

Los Mejores Salseros del Mundo

Azúcar Latin Dance Company

North America / Canada / Ottawa

Ottawa’s premiere dance school specializing in Latin, Street and AfroCaribbean dances. Their mission is to bring the energy, passion and joy of dance to Ottawa and get you dancing to the music in your heart. Teachers expert and friendly instruction will get you dance floor-ready in record time, and the group outings and social events will introduce you to the amazing Ottawa dance community!

Azúcar Latin Dance Company
Azúcar Latin Dance Company

They take inspiration from the original Queen of salsa, Celia Cruz. She is famous for her sunny disposition, her warmth and passion, as well as her trademark of shouting “Azúcar!” (“Sugar” in Spanish) in her songs. They are inspired by her positive attitude towards life and her desire to share the joy of dance and music with as many people as possible

Meet The Team

Jeff Huang

Director is passionate about music and dances. He started dancing Latin street dances (salsa, bachata, merengue, and cha cha) in 2005 and has not stopped since – learning from many wonderful and talented instructors across Canada as well as across the globe.

Jeff Huang
Jeff Huang

This has made Jeff a well-rounded teacher with an eye for detail, while his easy going attitude makes everybody feels welcome at the studio. Jeff is extremely dedicated to his students, believing that they are the true heart of the company. He hopes to create a loving community where everyone can learn and laugh together, and share their love of dance. CONTACT JEFF [email protected]

Ana Gherasim

Director Ana is definitive proof that anyone can learn to dance. Discouraged from pursuing dance from a young age, she grew up convinced that she had two left feet. Thanks to Jeff’s infinite patience, she took up salsa in 2008 and is now one of our most enthusiastic teachers.

Ana Gherasim
Ana Gherasim

While Jeff is the (clave tempo-ed) heart of Azúcar! Ana is its brain, also dealing with the less artistic aspects of school management and administration. When she’s not teaching or running the studio, you’ll find her in most of our classes, lending a hand as well as honing her own style. CONTACT ANA [email protected]

Salsa Level 1, Instructors: Ana & Brian, Jeff & Ashvini

Take your first salsa steps! Discover the salsa rhythm, basic steps, left and right turns, crossbody leads, inside traveling turns, and simple combinations. You will also learn partnering technique and simple footwork to spice up your dancing! No partners needed!

Ana & Brian
Ana & Brian

Salsa Level 2 Instructors: Ana & Jeff

Go beyond the basics! Each 7-week session we introduce a combination of footwork and partnering moves based on common salsa patterns, including double-hand turns, hammerlock holds, wraps, traveling turn variations and more. We also introduce spin technique and body isolation exercises at this level. No partners needed!

Salsa Level 3 Instructors: Ana & Jeff

Once you have mastered ALL the moves we teach in Salsa Level 2, explore the endless combinations salsa has to offer while honing your technique and style. In this class we introduce more complex concepts (such as copas, 360s, multiple spins) and create new footwork and partnering combinations that will make you the star of the dance floor. No partners needed!

Ana & Jeff
Ana & Jeff

Salsa Shines Choreography Instructor: Ashvini

Ever feel like you’re not sure what to do when it comes to salsa shines? This class introduces and breaks down shines footwork, technique and styling through learning a piece of shines choreography. It’s perfect for those who would like to improve their shines repertoire and feel more confident on the social floor! As an added bonus – if you’ve ever been interested in exploring salsa performance, this is a great taster for what it’s like to learn and perfect a piece of choreography, without the pressure to actually perform (unless you really want to!). Open to all levels and genders.

Ana & Jeff
Ana & Jeff

Bachata Level 1 Instructors: Ana & Brian

Take your first Bachata steps! Our Level 1 course introduces you to the bachata rhythm, basic steps, turns and promenades that are the core of this fun and intimate dance, as well as basic styling elements to add sizzle to your dancing! Get dance floor-ready in 7 weeks! No partners needed!

Bachata Level 2 Instructors: Ana & Jeff

Once you are comfortable with the beginner moves covered in Bachata Level 1, this class takes it up a notch and introduces more complex moves. Mix things up with outside turns, cuddles and hammerlocks, fancy footwork, sensual body isolations and lots of turn patterns and combinations to take straight to the dance floor. No partners needed!

Bachata Level 3 Instructors: Ana & Jeff

Take your bachata to new heights! Once you have mastered Bachata Level 2, join this intermediate-level class. Learn how to get comfortable with your partner, develop great bachata leading and following technique, and make your dancing stand out from the crowd! No partners needed!

Ana & Jeff
Ana & Jeff

Salsaton Instructor: Emilie

Spice it up with Salsa & Reggaeton! This class is about adding spice to how you dance, whether you dance as your workout, to build up your confidence on the dance floor or just to have fun! Emilie will be giving lots of options for everyone to feel comfortable.

Dancehall Funk Instructor: Emilie

Dancehall is a Jamaican dance that includes elements of Reggae, African, Hip Hop, House and Latin. It’s all about confidence, creativity, expression, attitude, and FUN. Come learn a combination of hot moves and an energetic routine full of street smart choreography, dancing to the hottest music. Get ready for an energetic and challenging class!

Photo 1: Azúcar Latin Dance Company
Photo 1: Azúcar Latin Dance Company

Heels Instructor: Emilie

Strut your stuff! Celebrate creativity, individuality, uniqueness and fierceness! Dance styles such as Vogue, Sass and Jazz to get you moving to great music in heels. Learn a sexy routine and find new confidence on and off the dance floor! You won’t want to miss this class with Emilie!

Afro-Beats Level 1 Instructor: Natalie

Learn the basics of African dance and movement groove to great music, and get your sweat on with fun choreography! We’ll explore styles such as Azonto, Coupé Decalé, Afro House, and Dancehall. You will sweat and laugh, make new friends and improve your stamina as you learn fun combinations, technique and routines. Personal expression is encouraged!

Photo 2: Azúcar Latin Dance Company
Photo 2: Azúcar Latin Dance Company

Samba Instructor: Natalie

Join the carnival vibe! Experience the pulsating rhythms and energetic moves of Samba. Learn exhilarating dance combinations and routines as we travel across the floor and venture into some of the liveliest dances of Brazilian culture. This exciting class is certain to empower, energize, lift your spirits….and your booty too!

Sunday Workshop Series

Come explore a different dance, or aspect of dancing, the first and third Sunday of each month!

Photo 3: Azúcar Latin Dance Company
Photo 3: Azúcar Latin Dance Company

Don’t forget to know more about Azucar! in their website, so you can sing up and shop. Natalie http://www.azucarottawa.com/

Oscar D’León’s La Crítica was founded in Caracas in 1978

La Critica by Oscar D’León

We had just returned from New York when “Chiquitín,” Oscar D’León’s longtime secretary, called us at the office to let us know there was a commotion in the “Faraón de la Salsa’s” office.

Oscar D'León's La Crítica was founded in Caracas in 1978
Oscar D’León’s La Crítica was founded in Caracas in 1978

It was about the defection of some musicians from the Orquesta La Salsa Mayor. Indeed, Leo Pacheco, Felipe Blanco, and other musicians had decided to leave for financial reasons.

The news caused a stir; Oscar had already achieved a very special sound. He had moved away from the trombones that characterized his style and had incorporated a brass section with trumpets that made a difference. Suddenly, he was without his powerful machinery. Leo and his group formed what was called Nuestra Orquesta La Salsa Mayor, and Oscar, without a second thought, reassembled his group alongside Enrique “Culebra” Iriarte.

La Crítica

No one should doubt that Oscar had a tough time, but the prestige he had gained and the popularity of the sonero allowed him to come out on top.

Paul González, the son of “El Guajiro” González, a veteran guarachero and who at the time served as manager for the now-called “Sonero del Mundo,” devised the orchestra known today as La Crítica to avoid future setbacks and to have an orchestra on hand to alternate in scheduled dances.

 

La Critica de Oscar D’ León
La Critica de Oscar D’ León

The project’s formation brought together pianist and arranger Mauricio Silva, percussionist Radamés Pimentel, and Teo Hernández, who would serve as vocalist.

Since 1978, La Crítica emerged as an exceptional group. The jazz influences infused by Mauricio Silva from the very beginning were crucial for the public to accept the band as a favorite. In that “beginning,” other significant names included “Cheo” Navarro and Gustavo Quinto, who were already known from their time with Grupo Mango.

It could be said that Teo Hernández was the newest to the scene, as he had only been “toiling” in the world of salsa for five years, although he already had a “summa cum laude” after recording with maestro Ray Pérez and his Dementes. A female voice would debut with the orchestra: Gladys Torres.

40 Years of La Crítica

There have been many setbacks and successes over 40 years.

The musicality of this successful group is to be celebrated this Saturday, June 16, at the BOD Cultural Center. The event is at 5:00 in the afternoon, when the salsa public will gather en masse.

La musicalidad de esta exitosa agrupación ha de ser celebrada este sábado 16 de junio en las instalaciones del Centro Cultural BOD.
La musicalidad de esta exitosa agrupación ha de ser celebrada este sábado 16 de junio en las instalaciones del Centro Cultural BOD.

Jorge Collazo, who was Oscar D’León’s press chief and now is La Crítica’s on their return, tells us that a spectacular night is being prepared, “an evening to remember, a show that no salsero should miss.

The original singers will be there: the sonero Teo Hernández and Gladys Torres, who will take the stage accompanied by top-tier musicians and luxury guests to celebrate, dance, and sing the well-known hits of the moment, we are talking about ‘Se necesita rumbero,’ ‘Amada ven,’ ‘La merenguita,’ ‘Madre,’ ‘Rumba rumbero,’ ‘No lloraré,’ ‘A él,’ and ‘Cruel desilusión,’ among others.”

La musicalidad de esta exitosa agrupación ha de ser celebrada este sábado 16 de junio en las instalaciones del Centro Cultural BOD.
La musicalidad de esta exitosa agrupación ha de ser celebrada este sábado 16 de junio en las instalaciones del Centro Cultural BOD.

The prestige gained by La Crítica allowed it to accompany great international soneros such as Justo Betancourt, Héctor Lavoe, Ismael Miranda, Ray de la Paz, Daniel Santos, and the legendary Celia Cruz.

This is part of La Crítica.

Also Read: Cheo Linares is a Singer, Composer, Sonero, Poet and Caraqueño

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.