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Search Results for: Colombia

José Madera Niño “Salsa became part of my growth”.

Latinoamerica / Venezuela / Caraca

The also visual artist has the technology to complete his project in the middle of the COVID-19 pandemic.

The Venezuelan José Madera Niño & 3er.Mundo Orchestra launched its new song “Me gusta, pero…” in the voice of guest singer Memo Arroyave, accompanied by a video clip showing the other facet of Madera Niño: painting. This single is the fifth one to be included in his second album Matices.

The musician, composer, and orchestra leader said: “This song of my own was already in post-production when the pandemic was announced. It would not have been possible to complete this project from our homes without technology, the dedication and commitment of Irving Manuel and Jorge Estevez to mixing and mastering, the working hours of Alfredo Montilla for the editing of the video between Venezuela and Colombia“.

Voice of guest singer Memo Arroyave
The Venezuelan orchestra José Madera Niño ; 3er.Mundo launched their new song “Me gusta, pero…”,

José “Flaco” Bermúdez was at the forefront of the musical direction and arrangements. Yomar Méndez “Caballo” (timbal), Arnaldo Guacarán “Patatín” (bongó and bell), Wilman Sánchez Jr. (trumpets), Hugo Olivero (saxophone), José Antonio Padilla (trombone), David González (bass) and Irving Manuel (piano); Rodrigo Mendoza and Eloy Ríos on backing vocals, with José Madera Niño (congas and minor percussion) as executive producer.

Matices combines the voice color diversity of each of the guest soloists thus far such as Pedrito Flores, Irving Manuel, and Charlie Guzman. This salsa album will be composed of ten pieces and shall have the participation of several performers: “We want to present the world with good music, food for the soul and for the spirit in this difficult time we are living“.

MULTIFACETED

La orquesta venezolana José Madera Niño & 3er.Mundo lanzó su nueva canción "Me gusta, pero..."
José Madera Niño “Salsa became part of my growth”.

It should be emphad that José Madera Niño is extremely multifaceted because in addition to be a visual artist as a profession, he is also a musician by conviction: “I have been drawing as far back as I can remember. When I was 14, I entered the School of Plastic Arts Cristóbal Rojas. I alternated my artistic activities with my high school studies and weekends were for the music”.

From there, he became a self-taught percussionist from a very young age thanks to the salsa boom in Venezuela in the mid-70s. This synergy between his two passions led him to form his orchestra: José Madera Niño & 3er Mundo, which flirts with Latin Jazz.

It seeks to extrapolate his plastic compositions to music and then create true works of art for the demanding music lover’s ear and the elegant dancer at the same time.

His first recording De amor, desamor y rumba took four years to come to light, due to the pauses imposed by self-management: “It is not easy to make an album without sound financial support. This first album is a sort of day-in and day-out chronicle of any ordinary individual. Inspired by all the music I listened to in my teens in simple and clear language”.

"It's not easy to make a record without a solid financial backing. This first album is a kind of chronicle of the everyday life of any ordinary person. Inspired by all the music I listened to in my adolescence, with a simple and diaphanous language".
The Venezuelan orchestra José Madera Niño ; 3er.Mundo

Journalist María Fernanda León recently interviewed him about his second CD Matices, consisting of ten musical tracks. He has released four of them on digital platforms from last year to 2020.

Madera Niño 3re Mundo
Madera Niño 3re Mundo

-Why the name 3er Mundo?

-The name thing was an irreverent way of saying that in spite of our disadvantages, we are capable of great things from passion, talent, and study. We are much more than a qualification.

-Why salsa and not another genre?

-I listen to all kinds of music. In fact, when deciding to live from it, we get to handle different genres and I enjoy that, but I have a special taste for salsa because it became part of my growth. It was always present in the atmosphere while I was playing in the street in my neighborhood, in high school, and on the bus when I was going to art school.

– Most of the songs are written in your handwriting, what inspires you?

-I was always interested in writing, I had a lot of unfinished ideas. When I began pre-production I dusted off all that material and turned it into songs.

-Why Matices?

– This production is a kind of canvas; music is the pigment, the stuff. The musicians and singers are their nuances. I think it is a different production from the first one, but the same essence.

-You changed your concept of an album with only one performer. Now you invited several of them…

-For me, it was very important to build a sonority for the public to recognize us when listening to one of our songs. Gustavo Gerardo was for a long time the voice that identified us, but it is not easy to hold someone if you cannot guarantee economic stability. Besides, he was already planning to start a career as a soloist, which by the way is already beginning to bear its first fruits at an international level.

-Who is participating?

-In this second production I have Pedrito Flores, who is an excellent singer and inherited this responsibility of being at the forefront of the band in live performances. Besides, I am privileged to have several guest vocalists such as Rodrigo Mendoza, Irving Manuel, Charlie Guzmán, and Memo Arroyave, among others that I will soon announce. All this with the intention of reaching a wider audience. I think such alliances are beneficial for the genre.

-When will all the songs come out of the oven?

-I have been presenting the songs as singles. Every month or every 45 days I make a release until completing the ten songs. Later last year, I have been released four songs. However, the pandemic that affects the entire world delays the production a little bit further, but we continue to work.

– You are an artist. How do you shuttle between your two passions?

-It’s not easy but I think it would be more difficult not to. I’m not very organized so I live in a constant effort to divide my time. I have participated in more than sixty group exhibitions and three solo exhibitions. My work is present in several art galleries and private collections.

Madera Niño 3re Mundo
Madera Niño 3re Mundo

-Your son also ventured into salsa last year. What do you think of the support offered to talent today?

-I think the boys are increasingly better prepared to meet the challenges.

The industry has changed and maybe those of us who have years of experience years in the business spend more time assimilating it. Young people know that besides recording on their own, they have to handle the many forms of promotion, know about graphic design, marketing, etc. That is very good because there are no record labels that invest in emerging artists. There are lots of young talent.

-How do you see salsa in Venezuela? Is there sufficient promotion and support?

-There is not sufficient support so I think we cannot wait any longer, we have to conduct ourselves. Work hard toward our dreams, we must learn to use the tools that technology offers us.

-Do you consider your albums a work of art?

– Yes, they consist of the same elements: color, balance, space, and atmospheres.

-What does José Madera Niño want to show every time he is on stage?

-A good show, a well-assembled band, a costume according to the situation, in short, the respect the public deserves.

Editor/ Lic. María Fernanda León

President of San Juan Producciones

Photos/ Courtesy: José Madera Niño

 

 

Por Maria Fernanda Leon, ISM Corresponsal – Caracas – Venezuela

 

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Mercadonegro Orchestra of Switzerland

Mercadonegro Orchestra was created in Europe.

Mercadonegro Created at the end of 2000 with influences of Salsa Dura thanks to their experiences working with artists such as Celia Cruz, Alfredo de la Fe, Cheo Feliciano, Tito Nieves, many more.

Mercadonegro has managed to create a new style in the salsa music genre. Its musicians come from different parts of Latin America and each bring their own tendencies, Peru, Colombia, Cuba, Venezuela, Italy and Brazil are musically mixed and give rise to the unique style and sonority of the Mercadonegro Orchestra.

Its musicians come from different parts of Latin America and each bring their own tendencies, Peru, Colombia, Cuba, Venezuela, Italy and Brazil are musically mixed and give rise to the unique style and sonority of the orchestra mercadonegro.
Mercadonegro Orchestra of Switzerland

Thanks to their meeting with violinist Alfredo de la Fe, they participated in prestigious concerts, such as Ronnie Scott in London, New Morning in Paris, Istanbul Jazz Festival, Pavarotti and Friends (Modena, Italy), Montreux Jazz Festival (Switzerland), Fiesta (Rome, Italy), Bal de la Rose (Monte Carlo), Monaco, Athens (Greece), sharing the stage with Carlos Santana, Metálica, Buenavista Social Club, etc.

They had the opportunity to work for three consecutive years with the queen of salsa Celia Cruz, and have accompanied artists such as Cheo Feliciano, La India, José Alberto ”el canario”, Albita Rodríguez, Willie Chirino, Ray Sepúlveda, Willie González, Andy Montañez, Adalberto Santiago, Richie Ray, and others.

Mercadonegro is part of the New York Salsa all Stars project with Giovanni Hidalgo, Jimmy Bosch, José Alberto “El Canario”, Dave Valentin, Frankie Morales.

Mercadonegro is part of the New York Salsa all Stars project with Giovanni Hidalgo, Jimmy Bosch, José Alberto "El Canario", Dave Valentin, Frankie Morales.
Mercadonegro Created in late 2000 with Salsa Dura influences.

They participated in the recording of the album “Latitudes” by Alfredo de la Fé and then they made their own productions. The group stands out for the energy they exude in their compositions and performances, and it is also worth mentioning their good taste and adoration for their idol: Eddie Palmieri.

Conducting this dozen of professional musicians requires the character that César Correa fortunately has, as well as a rigidity well applied to the service of the music.

Surely, we are before a group of talents that already contributes significantly with its quality, to the internationalization of Latin music.

Mercadonegro is undoubtedly one of the best salsa groups that can be found in Europe.

The Mercadonegro project was born when three Latin-American musicians, emigrants in Europe for love, met with Bibomusic’s producer.

The Mercadonegro project was born when three Latin American musicians, emigrants in Europe for love, met with Bibomusic's producer.
Mercadonegro is undoubtedly one of the best salsa groups to be found in Europe.

The four friends, strongly feeling the emotions, the problems of the emigrants, the legacy of their Latin culture, have kept their musical heart in Latin America.

They therefore decided to spread throughout the world the sounds of these countries, together with new beats and vibes, expressive of their own style and of the new musical and life experiences they were making abroad. On this basis they created Mercadonegro.

The group was named Mercadonegro not to forget the roots and the legacy of Afro-American music, and also to describe the difficult pattern, for a group of young and almost unknown musicians, to become popular and appreciated worldwide, starting from an unexpected location for Latin-American music, and with a young and independent label, Bibomusic.

The musical founders of Mercadonegro are: José Armando Miranda, born in La Habana, Cuba, the lead singer and the author of many of the songs of Mercadonegro. Cesar Correa, the son of two well-known Peruvian musicians, was born  in Trujillo, Peru.

Cesar play piano and keyboards as only few masters in the world can do.

Rodrigo Rodríguez was born in Cartagena de Indias, Colombia’s most Caribbean town. Rodrigo, who sings, plays timbales and much other percussion, writes, like Armando, some of the most successful songs of the group, and is a very versatile artist and showman.

MERCADONEGRO, thanks to its great live performances, has rapidly become the most interesting new act in high quality Latin music, starring at the most important jazz, Latin and world music festivals, like “Umbria Jazz” in Perugia, “Fiesta” in Rome, “Latinoamericando Expo” in Milano, Afro-Pfingsten Winterthur, Montreux Jazz, “Lugano Estival Jazz” in Switzerland, “Vic Fenzensac”, “Paris Jazz Festival”, “Marseilles Féte de la Ville” in France, “Red Sea Jazz Festival” in Israel, “Rotskild” in Denmark, Rotterdam Carnival in Holland, North Sea Jazz Festival etc. often with TV live coverage.
On this basis they created MERCADONEGRO, a group that has become the orchestra of choice for major salsa festivals and congresses around the world.
On this basis they created Mercadonegro. The group was given the name Mercadonegro in order not to forget the roots and legacy of Afro-American music.

On this basis they created MERCADONEGRO, a band who therein has become the orchestra of choice for the main Salsa Festivals and Congresses worldwide, a band who was called in 2009 to make the opening concert of the most important Latin Festival of the world, the Latinoamericando Expo in Milano.

The group was named MERCADONEGRO not to forget the roots and the legacy of Afro-American music, and also to describe the difficult pattern, for a group of young and almost unknown musicians, to become popular and appreciated worldwide, starting from Switzerland, an unexpected location for Latin-American music.

MERCADONEGRO, thanks to its great live performances, has rapidly become the most interesting new act in high quality Latin music, starring at the most important jazz, Latin and world music festivals, like “Umbria Jazz” in Perugia, “Fiesta” in Rome, “Latinoamericando Expo” in Milano, Afro-Pfingsten Winterthur, Montreux Jazz, “Lugano Estival Jazz” in Switzerland, “Vic Fenzensac”, “Paris Jazz Festival”, “Marseilles Féte de la Ville” in France, “Red Sea Jazz Festival” in Israel, “Rotskild” in Denmark, Rotterdam Carnival in Holland, North Sea Jazz Festival etc. often with TV live coverage.

Mercadonegro Salsa
Mercadonegro Somos del Barrio

Members

Aismar Simón – Piano

Armando Miranda – lead vocal

Rodrigo Rodríguez – timbales & voc

Eduardo ” Dudu” Penz- Bajo

lisbel acosta – trombón

Humberto Amesquita – trombón – director

Giancarlo Ciminelli – trompeta

Oscar Cordero – trompeta

Amik Guerra – trompeta

Edwin Sanz – congas

Walter Rebatta – bongo & campana

Josbel Rodriguez – voc

José Mendoza – Ingeniero de sonido

Eddie Villanueva – Tour Manager

Mercadonegro Salsa

BOOKING:
[email protected]
www.mercadonegro.ch
Tel : +41 78 883 31 96
Tel : +41 78 973 21 83

 

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Written Salsa, Barquisimeto’s Salsa Column presents Pamir Guánchez

By: Professor MSc. Carlos Colmenárez (Venezuela)

Pamir Guánchez, brilliant Venezuelan singer, flutist, saxophonist and arranger.

The special guest of this edition of Salsa Written is the brilliant Venezuelan singer, flutist, saxophonist and arranger Pamir Guánchez, born in Caracas, who began his artistic career at an early age.

Welcome Pamir to the Barquisimeto salsa column, we would like to know how were your musical beginnings? Thank you Professor Carlos for inviting me to your column, which has won praise both in my country and here in the United States of America. I received formal training in my beginnings at the National Conservatory of Music “Juan José Landaeta” in the city of Caracas, where I studied for 10 years, graduating as a flutist.

I studied theory and solfeggio, harmony and music history, I received saxophone lessons with Maestro Rolando Briceño in New York City for 5 years, I was also part of the Youth Symphony Orchestra with Maestro José Antonio Abreu and also in the Caracas Chamber Orchestra for 3 years.

Written Salsa, Barquisimeto's Salsa Column presents Pamir Guánchez
Pamir Guánchez, brilliant Venezuelan singer, flutist, saxophonist and arranger

Which orchestras have you belonged to? I belonged to different orchestras and tropical groups such as Orquesta La Bronko, Los Melódicos de Renato Capriles, Orquesta La Magnífica de Elio Pacheco, Tabaco y sus Metales, Orquesta Amistad de Chuito y Rodrigo, Orquesta Fascinación de Maracay.

Excellent Pamir, by the way, how did you join the orchestra of the Sonero del Mundo? In 1989, while I was with the Fascinación Orchestra, I was discovered by maestro Oscar D’León, who recognized my talent and opened the doors of his orchestra for me to enter as a flutist and saxophonist. I was there permanently for 15 years, where I was able to travel the world and experience some of the most important moments of my career, such as playing at the famous Carnegie Hall and Madison Square Garden in New York City. Guanchez thanks to his preparation, experience and artistic career with Oscar D’Leon, went on to join one of the iconic orchestras of salsa, as is the Orchestra of the Queen of Salsa Celia Cruz, where he remained for 2 consecutive years, performing as a flutist and baritone saxophonist, experience that marked his artistic career, to live very emotional moments next to the “Guarachera de Cuba“.

Pamir, I understand that you also participated with maestro Tito Puente Jr? Indeed professor, I was also a flutist and saxophonist, making myself known during my time with the orchestra of Tito Puente Jr., with whom I recorded his penultimate musical production “Siguiendo los pasos de mi padre” alongside Latin Jazz stars such as the sax master Mario Rivera and I also accompanied him in his presentations around the world.

In terms of recordings, what can you tell us? In 2004 I began recording my first musical production entitled “Pamir con alma de protón“, which with the song “La Charanga de Pamir” won the Estrella award, an award given to local artists with international projection, the CD was signed by the company Protel and was distributed by Universal Latino, with this CD I begin another facet of my career and it is as a singer.

In 2006, seeking to attract and enter the Anglo-Saxon market, I recorded my second CD called "Via Miami", completely instrumental and with the Latin jazz cut, a production that has had great acceptance among jazz lovers.
Pamir Guánchez brilliant Venezuelan singer, flautist, saxophonist and arranger

In 2006, looking to attract and enter the Anglo-Saxon market I recorded my second CD called “Via Miami“, completely instrumental and with the Latin jazz cut, a production that has had great acceptance among jazz lovers.

In 2009 I recorded my third musical production entitled “Pamir inconfundible“, with the promotional number “El soñador“, lyrics, music and composition by Oscar D’León, and also with the participation of former Fania All Stars bassist Salvador Cuevas in a tribute to Jhonny Pacheco, director and flautist of Fania, This CD was on the list for the Latin Grammy nominees, I also counted with the participation of the musicians of the Oscar D’León Orchestra with whom I have a magnificent relationship both professionally and as a friend.

Professor Carlos, I also had the honor of recording with José Alberto “El Canario”, the song “El canario y la flauta”.

Also, with Oscar D’León the song “Baila apretao“, both compositions of the maestro Víctor Gámez.

Pamir has received certification of participation in the 11th annual Latin Grammy Awards, for his participation as a musician in the winning recording, “Tesoros de la música venezolana” (Treasures of Venezuelan music), as he accompanied Ilan Chester.

I was part of the Youth Symphony Orchestra with Maestro José Antonio Abreu.
Pamir Guánchez, born in Caracas, began his artistic career at a very early age.

He has appeared on numerous television programs such as “Despierta America” on Univision, Azteca TV, America TV, interviews on different radio stations in Venezuela, USA, Colombia, Peru, Europe, where they have given him the opportunity to make himself known and continue advancing in his artistic career. Recently he was promoting his fourth musical production called “Se pega“, which has its promotional video. With this production Pamir & La Pachanguísima has won for two consecutive years the 3rd Annual Legends Award and 4th Annual Award as best flutist, at the same time when he is requested by maestro Oscar D’León he accompanies him on stage.

Congratulations Pamir for your extraordinary artistic career and from International Salsa Magazine and from www.salsagoogle.com and from this server Carlos Colmenárez, we wish you to continue reaping success, putting the name of Venezuela on high. Thank you very much Professor Carlos for giving me the opportunity to make contact with my country through your column and I hope to be with you again, blessings, a hug in the distance.

Pamir Guánchez, brilliant Venezuelan singer, flutist, saxophonist and arranger.

 

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Maelo Ruiz

The Salsa singer Maelo Ruiz has over thirty years of singing romantic themes that have made him the leader of a small group of soneros of this style. And although he is very popular in Europe, the United States, and Latin America with his catchy songs and great commercial hook, you may not know everything about this artist. For that, we are going to tell you 11 things about the Salsa´s “Cuchi, Cuchi” little known to make you stand out among his fans.

1- Ismael Ruiz Hernández, better known as Maelo Ruiz ““El boricua de la Salsa”, was really born in New York (United States) in the late 60s and moved to Puerto Rico at 4 years old. He began his musical career at 16 years old at Escuela Libre de Música de Caguas under the direction of Juan Pacheco.

2- In 2007 Maelo was nominated for a Latin Grammy Award, in the best Salsa Album category for his album “Puro Amor”.

3- He has been a supporting singer for the artist Willie González on several opportunities.

4- He is a partner of the Universidad Autónoma de Guadalajara Campus Tabasco, where he supports young students to continue with their musical careers.

5- The Romantic Salsero has not had gastric bypass surgery for fear of a possible alteration of his vocal register.

6- Maelo Ruiz hasn’t composed any of the songs on his albums. “I don’t like writing songs. I leave that to the masters because they are the ones who compose and I sing. That is my philosophy.” He said to an international social medium.

7- He doesn’t know how to dance. No matter how hard he made, “he has two left feet.”

8- After the failure of his first two albums as a solo: “Experience” (1996) and “Maelo Ruiz” (1999), the Salsa singer had to cut the grass in the parks to survive. As an anecdote, he related that one day a lady heard him singing while doing his daily work and told him: “Boy, stop mowing the grass and dedicate yourself to singing with that beautiful voice you have.” Those words again prompted him to continue in the Salsa world.

9- In 2013, a Venezuelan lady stole the semen of the “Por favor señora” vocalist from a human reproduction institution, Fertilab, located in Venezuela. Artificial insemination was without Sonero´s consent and it produced unrecognized twin girls in September 2014.

10- The video with the highest number of reproductions of the singer on the YouTube site is the single “He vuelto por ti” with 60 million views until now, followed by “Te va a doler” with 42 million.

11- And finally, inside of the list: Maelo Ruiz’s 11 Things you didn’t know is his most successful soloist album: “En Tiempo De Amor” launched in 2003. This album has 11 songs, such as: “Por favor señora”, “Te va a doler”, “Así no se da el amor”, “Si volvieras a mí”, among others.

Who is Maelo Ruiz?

 

Maelo Ruiz

Ismael Ruiz Hernández, better known as Maelo Ruiz, was born in New York City in 1966, but at the age of 4, he moved with his family to Puerto Rico where his parents are originally from.

In 1994 he released his first record production as a soloist, which included the renowned song:  “Te Necesita Mi Amor”, which ranked # 1 on the list of tropical music for four weeks in Latin American countries such as Colombia, Panama, Venezuela, and cities of the United States: Chicago, Los Angeles, and Miami. Likewise, Maelo is credited as Best Salsero in Peru. And also, he got the Rumba de Oro Award in Ecuador.

Two years later, Ruiz launched his second album which was called “Experiencia” which contained among other hits: “Te Amo”, “El Reloj Cucu”, “La Primera Noche”, “La Dueña De Mi Corazón”.

In 1999 he released the third self-titled album that takes him on a tour around the European continent, promoting themes such as: “Oh Mujer”, “A Media Luz” y “Maldito”.

His fourth CD “En Tiempo de Amor” (2004) was directed by Diego Galé, highlighting themes such as: “Así Eres Tú” by Axel Martínez, “Será Que Si” by Luis Lambis, and two ballads: “Por favor Señora” by Juan C. Calderón and the popular song “Te Va a Doler” by Álvaro Torres.

During 2007, Maelo premiered his album “Puro Corazón”, where he decided to do the cover: “Entrégate” from Luis Miguel originally, “Amor, Amor” by Camilo Sesto and “He Vuelto Por Ti”  by Myriam Hernández, and whose album was nominated for The Latin Grammy Award for Best Salsa Album.Inicio

The Business Of The Artists

Currently, famous artists have begun to sell their musical legacy to avant-garde companies, obtaining the value for their catalog of songs comparable to a 25-year career in advance and immediate financial security that solves the termination of the singer-songwriter due to the forced stoppage of performances and concerts for a year due to the Covid-19 Pandemic. This New popular Business of the Artists consists of the monetization of iconic songs to private companies with which they reach agreements on the management of each theme for the subsequent increase in long-term income with a reliable projection in sustainable consumption.

Hipgnosis Song Funds Limited, KKR (Kohlberg Kravis Roberts), and Primary Wave are some of these unusual financial companies investing in music that have turned their sights to this sector and are completely changing the way it is managed around the world. Through the individual management of each classic theme, these companies promise to manage the proper use of the license in film, theater, television, commercials, new versions, etc.

There are already two Latin composers within this cartel of successful artists who have ceded their copyright to the company Hipgnosis Song Funds Limited: Colombian singer-songwriter Shakira and American songwriter of Latin American descent, Benny Blanco, this artist is the creator of very popular songs such as: “Señorita” (Shaw Mendes and Camila Cabello), “I can’t get enough” (J. Balvin, Selena Gómez and Tainy), “Good for you” (Selena Gómez) and “Love yourself” (Justin Bieber).

Although the details of these contracts have not been made public, it has been known that Shakira sold 100% of the publishing rights to her 145 songs to Hipgnosis and although all her legacy was delivered, this contract stipulates that the future compositions of the singer-songwriter are not included. Likewise, the new songs of the singer will continue to be managed by Sony / ATV, a record company associated with this Colombian star for more than a decade and with which she will remain for seven more years.

What is Hipgnosis Song Funds Limited?

It is a British investment company offering investors pure exposure to songs and associated musical intellectual property rights. Hipgnosis is listed on the main market of the London Stock Exchange (England) under the symbol SONG and has raised more than £ 625 million through its public offering since July 2018 to date.

Ted Cockle, Merck Mercuriadis, and Amy Johnson

The company along with its co-founder and former manager of figures such as Beyoncé, Elton John, Guns N ‘Roses, Iron Maiden among others, Merck Mercuriadisen, has a board of directors composed of Ted Cockle (President) and Amy Thomson (Chief Catalog Officer), which have poured all their knowledge of the modern and direct recording world to the company and have made Hipgnosis have thousands of hits from Latin popular singers such as Marc Anthony, Ricky Martin, Enrique Iglesias, and Jennifer López, among others.

What’s Behind This New Business?

Millionaire amounts! Nowadays, there is a greater consumer population of Streaming largely because of the Millennials generation, Generation Z, and the current Pandemic. This has made the great hits revalue over the news songs. According to estimates by The Wall Street Journal, a music catalog that could have been bought for £ 41,000 increased in value to around £ 40 million.

This new business has skyrocketed since the beginning of the covid-19 pandemic in early 2020 with the increase in digital content that remains stable with a continued projection of secure income on renowned artists who stand the test of time.

Regarding this New Popular Business of the Artists, Hipgnosis Song Funds Limited confirmed in its 2020 report that the investment for the acquisition of the rights to the Music Catalogs is sustainable in the market movement: “People always hear the music” and, thanks to the streaming, “they almost always pay for it.”

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.