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Search Results for: Cuba

What The Namm Show is and how it works

Latinos and their music have managed to conquer all types of spaces over time thanks to their talent and dedication, and one of them has been The NAMM Show, which is the event to which we are going to dedicate the next lines to be read.   

The NAMM Show is an annual trade fair for music producers from all over the world which is organized by The National Association of Music Marchants (NAMM) and is intended to receive suppliers, distributors, social communicators, artists and guests from NAMM member companies. The event takes place in January of each year at the Anaheim Convention Center in California, United States, and the 2024 edition took place between January 23 and 35. 

Among the main reasons for the realization The NAMM Show we can mention the promotion of the music industry and the producers offered to consumers anywhere on the planet, which makes it a very important space for anyone who wants to have a place in this highly competitive business.  

NAMM Show at the Anaheim Convention Center
The Anaheim Convention Center, where the NAMM Show is held every year

The National Association of Music Merchants 

Before delving into what The NAMM Show is, we think it is appropriate to talk about the organization in charge of realizing it and what exactly it does. 

The National Association of Music Merchants is a non-profit association that focuses on promoting the advantages and benefits of music and seeks to strengthen the marketing of music products in general as much as possible. 

The association was founded in 1901 under the name of The National Association Piano Dealers of America, but since it had much more ambitious aims for the future, the name was changed to NAMM. Today, NAMM and its trade shows function as a meeting center and bank of information for all who wish to stay abreast of the very latest in music products, recording, sound, among other things. However, it is important to note that activities and courses created by NAMM were offered to interested parties of all ages and musical backgrounds.   

An important division of Namm that must also be mentioned is The NAMM Foundation, which is a subdivision founded in 2006 of the aforementioned organization that seeks to promote active participation in the creation of music making use of scientific research, donations and public service. A very important element of The NAMM Foundation is that it relies on the generosity of industry members and is based on donations and trade association activities.    

This foundation provides opportunities for people of all ages, funding scientific research in music and music education.   

Stage at the NAMM Show
Yamaha Grand Plaza Stage at The NAMM Show in 2024

The NAMM Show 

The NAMM Show is considered as one of the largest trade shows in the music industry to be found on a global level and the most important producers, distributors, artists, record labels, music entrepreneurs and accredited members of the media get together every year at this lavish event to promote everything it has to offer to its audience.   

All who enters The NAMM Show will see vendors displaying all kinds of products in stands, allowing traders and producers present to keep up with the latest in music, reach all types o agreements and make purchases of what they need for the next few months of work. In addition to that, the event draws renowned musicians, who also exhibit their own models and equipment to those who may want to acquire them.   

Among some important facts about The NAMM Show, we can mention that 2018 was very important for the event, as it was the year in which it began to be held at the Anaheim Convention Center, joined the Audio Engineering Society and organized the Parnelli Awards, which are the prizes that reward all those professionals and companies that work behind the scenes so that everything works such as lights, effects, projection, among other areas. 

Three years later, The NAMM Show was not held in January due to the Covid-19 pandemic, so instead, NAMM held a virtual meeting which it named ”Believe In Music Week” starting on January 18 and had over 500,000 views from the general NAMM membership. While it is true that this event was about The NAMM Show every year, its purposes were very similar, as it sought to answer the immediate needs of the companies that are part of NAMM through training for opinion leaders who lead each of the music industry segments, especially at a time as complicated as those experienced back then.     

Products at the NAMM Show
Some of the music products offered at The NAMM Show in 2024

Last events of The NAMM Show 

Once the pandemic began to decline, fortunately the event was again held at the Anaheim Convention Center in 2022 with a three-day trade show that compensated perfectly for the previous year’s lockout.   

In 2023, the trade show held in April of that year welcomed more than 46,700 attendees from more than 120 countries and more than 1,200 exhibitors representing more than 3,000 brands overall, making it one of the largest and most beat-attended editions in recent years. This is not surprising due to the quarantine.  

As for this year’s edition, the event had a number of 1600 stands offering their music products, 3500 brands and about 62,000 attendees. 

Read also: Gabriel from the band Changüí Majadero talks about traditional Cuban Music 

Antonio Laya a traditional artist

Latinoamerica / Mexico / Cancun

Antonio Laya  “He tells us a little about his new single Abre que voy”

Today we are pleased to learn a little about the life of Antonio Jose Laya Gonzalez (Antonio Laya), a Venezuelan who with his voice and his particular way of dancing has managed to climb and carve his way to success, this Taurean with a great career as a singer of good salsa and especially son, he presents us his new single, abre que voy, a success that has gradually positioned itself on the best musical platforms from his current hometown, the beautiful city of Mexico.

Antonio Laya
Antonio Laya

Good afternoon friend Antonio, thank you in advance for the time you give us to learn a little about your life and give our great readers a little about your son, but in letters, we know from your artistic review that you come from a cultural world. the dance? Why the singing?

I come from a family of musicians, teachers and athletes, in 1995/96 I started in the popular culture workshops of the “Fundación Bigott” (cultural house of great social impact in Venezuela) in the Afro-Venezuelan percussion workshops with Professor Jesús Raúl Paiva, where he gave me the opportunity to enter this world of culture…

Years later this would bear fruit, when I joined the Vasallos del Sol group, a representative entity of Venezuelan folklore, on one of their tours in Europe “Germany” to be exact, one of its dancers stayed, leaving an open vacancy, it was then that I received the invitation to audition, at a festival of San Juan of the foundation, where I was able to win a spot. From then on I became a vassal of the sun.

All this experience in the middle of the show made me lean towards dance, where I got to venture as direct from my own dance school destined to spread the Cuban casino. With Vasallos del Sol I had the opportunity to travel the world, Colombia, Cuba, Ecuador, Spain, Mexico, Korea, Japan, the United States,

How many years has it been since the idea of ​​entering the cultural world of your country?

22 years since I formally started at the Bigott Foundation.

How did the idea of ​​giving life to singing come about?

On the tour of the United States, I began to sing with the vassals accompanied by the guitar of Luis Gonzalez, assuring me later that it was there that he heard me and knew that I could sing, quickly and a few months later he called me and invited me to participate in a project that neither It didn’t even have a name, which would quickly begin to take shape and to date is known as the seventh bohemian.

I began to sing very badly, I lost my voice because I didn’t know how to use the phonator, I began to take classes with several teachers, the first of them Ronald Gonzalez, fundamental pillar to start singing, placing and improving my vocal technique, successively Fabby Olano, Gladys Salazar, Maigualida Ocaña, Dayan Montiel, Marcial, Gustavo Gerardo. We recorded 3 albums on national tours, the second of which is entitled “She takes me” a song that I believe made the Seventh Bohemia popular. Singing was not in the plans but it ended up being one of my great passions.

Antonio Laya
Antonio Laya

A song that marks you?

She sings: The earrings that the moon lacks, I have them saved to make you a necklace I found them this morning in the mist when I was walking next to the immense sea. Since I was a child I woke up very early listening to music by La Sonora Matancera, Felipe Pírela, Damiron and Danzón de Acerina, it fascinated me.

Let’s talk about the seventh bohemia. How do you join this septet?

I am a founder, just in the second rehearsal when only Luis Freites, Cesar “Chagu” Bolívar and Luis Gonzalez were there I was summoned along with Krlos Gonzalez to be part of the group, from then on I started singing “Bilongo” to be exact, hahaha I’m so in love with the black tomasa……….., El Jamaiquino, Me que, among others.

What is the greatest thing you have experienced so far with music? -You could perhaps refer to a concert or moment to share with an artist-

I think the greatest thing I have experienced in music is having shared the stage with great figures both Venezuelan and foreign, Francisco Pacheco, Canelita Medina, Trina Medina, among, Jose Alberto “el canario”, Cheo Feliciano, Alexander Abreu and his Habana de First, Manolito Simonet and his Trabuco, Tiburón Morales, El Septeto Santiaguero, among others. On the other hand, being at the 2014 and 2015 Pepsi Music Awards, the biggest thing, achieving 4 nominations for the 2015 Latin Grammys, a great privilege.

What has given you and what has taken away the artistic life you lead?

It has given me the satisfaction of feeling and receiving the applause of an audience, feeling the magic of a stage, dancing on the most important stages of Venezuela and the countries I visit, I don’t know if there is another artist who performed in the same weekend in two different facets and groups in the most important venue in Venezuela

The Teresa Carreño Theater where on Saturday I danced in my last Vasallos de Venezuela concert in the concert “Guiados por la Luz” occasion to baptize the latest production, with guests from the cultural movement and the next day singing with La Séptima Bohemia alternating with Francisco Pacheco, El Septeto Santiaguero, Jose Alberto “El Canario” Canelita Medina and El Tiburón Morales and as special guests all the best dance academies in Caracas.

Antonio Laya
Antonio Laya

Antonio let’s laugh a little. Tell us about the funniest thing that has happened to you at a concert and the most painful.

WUUAOOO, too many, Well, a concert with Los Vasallos where I went out to dance and my pants began to drop, at a concert at the Yerba Buena Garden Festival 2008 in San Francisco we got the foot burn of the century since the stage was al pure sun and linoleum floor and at the baptism of the album “She takes me” in the main hall of the Central University of Venezuela after the great presentation of the renowned Ramón Castro We went on stage and I couldn’t see anything through my glasses hahaha and I I put in the place of my partner Miguel Guanchez colliding spectacularly ahaha to start singing. What a laugh.

We know of the great success that you have had in Venezuela with the successes that you have sung and have marked the public, they have gone from a sound to a necessity for the dancer. What do you consider this great impact?

Definitely because I come from the world of dance, I’m a dancer and a dancer and I understood perfectly that I needed the same audience that the casineros came from, those of us who at some point went to the Goiticoa school or the Monagas house. By the way, as a curious fact, I was the one who organized one of the first casino parties in a place called Beisboland, a party where I dare say it was the second presentation of one of the most important dance groups in the Venezuelan casino Son Rumbero, where they danced “Cuentas Verdes y Amarillas de Adalberto Álvarez.

How has your foray into Latin music in Mexico been?

Since my arrival in Mexico I have participated in several musical projects, Los Panas.com, La Formula Perfecta, Swing Latino to mention a few, it has not been easy since musically Cancun has a particularity and that is that the music that is danced is still that of the 80s when they talk about salsa, of course with its exceptions, but it has cost me to adapt but in the end it is what is consumed here. Here the forte is the hotel industry, so the Latin genres that marked an era are what is worked on, that’s why as a salsero it has been difficult for me to adapt, although I have worked anyway.

Antonio Laya and his Orchestra
Antonio Laya and his Orchestra

The Salsa or the Son? Which one do you lean towards?

Definitely La Salsa, I grew up in the middle of the Salsa de La Sonora Ponceña, Willie Rosario and the great Ray Barretto to name a few. Son also became my passion but I have to be realistic! came into my life thanks to the Seventh.

Open, I’m coming. Tell us a little about this great topic?

When I got on the plane to leave my country, in addition to nostalgia, I only had one thought, to make my album as a soloist first, I knocked on many doors, I looked for a lot of help, until I finally reached what today is called “Abre que I’m going” in that search the day came when I remembered that I had a buddy who was Omo Aña (Drummer) Maurice Melo and that after conversations, long conversations we would take a first step, start aggravating a theme, my first promotional single.

What surprise do we have to see from Antonio Laya during this 2019?

With God’s favor, to continue recording my album, including my first music video, if money allows me, hahaha For this 2019 I’m going to release my second single, it’s called… (Thinks) Not yet, let’s leave it as a surprise , do a launch concert and seek my respective nomination for the 2019 Pepsi Music Awards and the 2019 Latin Grammys.

Antonio Laya February 2019
Antonio Laya February 2019

Where can our followers find you?

My social networks Facebook and Instagram through @ToñitoLaya, on twitter as @Negrolaya and through my YouTube channel, Toñito Laya

 

Marco Toro. The Versatile of Percussion

Europa/ Holanda

Marco Toro is a versatile drummer, percussionist and composer born in Caracas, whose roots are embedded in Venezuelan popular music and culture.

Marco Toro
Marco Toro

In October 2015 he released his latest work, this time it’s about Latin jazz: Marco Toro presents Zambo Jazz, a mix of rhythms and flavors that reminds the listener of places like Africa, South America and New Orleans.

Marco Toro once again shows his diversity on drums and percussion, playing as always with top-notch musicians who also share credits on this production.

Marc Bischoff, from Germany on piano, wrote two of the eight songs: Oh Lame Saint and Mojitos and Daikiries, trumpeter Oscar -Chucky- Cordero, from Venezuela, wrote The Tour. Michael Simon, also from Venezuela, arranged Marialí. James 2 AM It is a composition by Chilean Alekos Vuskovic and Let It Walk is by trumpeter and arranger Francisco Peña from Colombia. Matthias Konrad plays the trombone; He is also from Germany and the Venezuelan Samuel Ruiz plays the bass.

Marco Toro
Marco Toro

In addition to playing drums, timbales, congas, bongos and cowbells, he also plays typical Afro-Venezuelan instruments such as cumaco, culo e puya, bell drum, tamboras, maracas, etc.

He not only plays all kinds of percussion instruments, he also plays a wide variety of styles.

Already in 2004 he embarked on a solo project: Marco Toro y su Ensamble, exploring South American rhythms such as Son, Joropo and Salsa, among others. With this group he released eight albums; The last CD is from 2017: Marco Toro y su Ensamble 12+1 Anniversary more info (www.toro-ensamble.com).

Marco Toro is currently playing with Lucas van Merwijk’s Drums United and Cubop City Big Band since 2008, touring Europe, the United States, Canada, South America, China and Thailand.

In 1989 Marco Toro formed Laberinto, a rock band that became known for creating “Metalatino”, a unique blend of heavy metal and Latin percussion.

In 1992 Laberinto moved from Caracas to Amsterdam, where the band released eight albums between 1996 and 2010.

Dutch rap legend Osdorp Posse appears on The World Might Suck, since 2008.

A ninth album: The best of Labyrinth was released in Venezuela.

After years of successful and extensive touring in Europe, Colombia and Venezuela went their separate ways.

Marco Toro
Marco Toro

He has shared the stage and recorded with many renowned artists such as:

  • Andy González
  • La India, Jimmy Bosch
  • Pedro Arroyo
  • Metropole Orkest
  • Laberinto, Osdorp Posse
  • Def P
  • Beatbusters, Lucas van Merwijk’s Drums United
  • Cubop City Big Band
  • Ricky Luis N’Clave
  • Zambo Jazz
  • De Pana
  • Beatbusters and Def P
  • Santanico,
  • G. Clarinda y la Rítmica
  • Primera Plana Orchestra
  • Bembe Orchestra
  • El Trabucombo by Gerardo Rosales
  • Marejada, Tierra Caliente
  • Rudy Albano
  • Jacqueline Castro
  • Subject to change
  • Tumbao
  • Grupo Kilele
  • Javier Plaza and his Orquesta Sonrisa
  • FP La Banda
  • Chucky y su Trabuco Guarimba
  • Barrio Nuevo
  • La Misma Gente
  • Marike Jager Kuenta i Tambu
  • King of the bongo
  • Carmen Gabriela Lozada
  • Grupo Mate
  • Alejandro Carbajal
  • Flaco Carrillo
  • Silicon Head
  • Wereld Kinder Festival
  • The virtual school of Bart Noorman
  • Pistoleros de la Paz
  • Download Amsterdam
  • Ensemble Amsterdam
  • Cabo Cuba Jazz
  • The Soul of Spanish Harlem
  • Jean Paul Tamayo

among others.

Marco Toro
Marco Toro

Marco Toro is sponsored by Zildjian Cymbals, Pearl Percussion and Evans Drumheads.

Latin America – March 2019

Young Puerto Rican singer Jeremy Bosch supports the Spanish Harlem Salsa Museum

There are many people who believe that salsa is a genre of past generations that does not have worthy youth representatives who stick up for this set of rhythms that has been keeping so many people dancing for so long, but fortunately they are wrong. Jeremy Bosch, whom we had the opportunity to interview at The Johnny Cruz Shw a few weeks ago is a god example of this.   

We are honored to know that one of the new sensations of Latin music, specifically salsa, supports one of the most important institutions dedicated to the genre such as the Spanish Harlem Salsa Museum, so we want to take advantage to talk a little about the career of this young singer and everything he has achieved so far.   

Jeremy playing the flute
Jeremy Bosch playing the flute live

Jeremy’s beginnings in this world 

Jeremy Bosch is a singer and flutist born in the city of Ponce, Puerto Rico, who began his journey in the world of music singing and playing percussion in the church on his block while growing up listening to a great variety of artists including Hector Lavoe to Chicago and Tonny Bennett, so he had influences of all kinds.   

Not much time would past before Jeremy took achevable steps towards the direction he was meant to take. At only 17 years old, he won a scholarship to study at Berklee College of Music in the city of Boston, United States, and graduated in 2023, specializing in jazz composition. From then on, what followed for the young artist have been successes and great proposals he could seize.   

One of thse things he is best known for is having been the vocalist and flutist of the acclaimed group Spanish Harlem Orchestra, but that has not stopped him from collaborating with great figures in the industry such as musical director and Grammy-winning percussionist Pete Perignon, with whom he recorded the social short called ”Sería Una Pena”.   

Johnny and Jeremy
Johnny Cruz and Jeremy Bosch posing for the camera

Jeremy’s professional career 

Sometime later, he would have the opportunity to realize one of the most important works of his career, which is the tribute to the late Cheo Feliciano, which was recorded live at the Dizzy Club in New York City and was titled ”The Music of Cheo Feliciano. In addition, the project included Nelson Gonzalez, Johnny ”Dandy” Rodriguez and Spanish Harlem Orchestra leader Oscar Hernandez.   

With regard to this great night for his career, Jeremy commented that since his debut both he and arranger and vibraphonist Felipe Fourniel had long time wanting to work on something about Cheo Feliciano and his legacy for a long time until they finally made it. This show was the sign that Jeremy has everything to become an icon of salsa and Afro-Caribbean music in general.   

As for his solo career, he has made a few remarkable recordings and one of them was ”Prologo Hoy”, which included the participation of Nicaraguan singer Luis Enrique and Cuban vocalist and guitarist Alain Perez. It is a five-song EP that focuses a lot on Afro-Colombian and tropical music, while including some covers in English such as ”Love Holiday”, which gives a distinct flavor to the material as a whole. 

Jeremy and Johnny on the set
Jeremy Bosch and Johnny Cruz on the set of The Johnny Cruz Show

Later on, Jeremy released ”Epilogo: la clave del tiempo”, which includes 11 tracks and is basically a mix of Afro-Cuban rhythms, soneo, urban genres, modern synthesizers, among other elements. The album starts with ”Locura” and continues with singles such as ”Try Again”, ”La Mala”, ”Autopsia” and a few more.   

Support for the Spanish Harlem Salsa Museum 

In the social networks of the director of the Spanish Harlem Salsa Museum, Johnny Cruz, there is a clip in which the The Johnny Cruz Show host introduces Jeremy as his special guest on that occasion, promotes the interview with him and describes him as the sensation of the moment. Then, the camera goes n Jeremy’s face, who thanks the invitation with a smile and assures that they both will have a good time talking about his life and career. 

We are honred to support young talents like Jeremy and, at the same time, to get the same support and love back because that is what salsa and the Latin music scene in general needs, that all those involved join together around it to keep it alive. 

Johnny Cru ISM corresponde in New York City

 

 

 

Read also: Paquito D’Rivera supports the salsa museum 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.