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Search Results for: Cuban music

Salsa, Salsa & More Salsa

Musical Events Come To Europe

Europe welcomes music events after a long hiatus from the pandemic. Nightclubs with a limited number of people as well as small outdoor Salsa festivals and congresses begin to reactivate their activities by receiving attendees with the presentation of a vaccination certificate or a negative Covid-19 test.

Here is a list of Salsa events in Europe with tradition that gives you a tropical welcome and says goodbye to what happened in 2020.

MONACO SALSA CONGRESS

Adult couple dancing
2020 passes are automatically valid for this new date

Since 2006 (first edition), the Monaco International Salsa Festival has been an unavoidable Salsa event for dance lovers.

This festival, a product of the passion of Hamidine Thiam and the experience of Gregory Salerno, has joined the best artists in the world on the same stage. Several of the festival’s shows have been broadcast on EuroSport for consecutive years, demonstrating the quality offered by this 15-year-old festival.

Salsa, Bachata, and Kizomba for the following modalities: beginner, advanced, or just curious are presented in three rooms simultaneously. In addition, you can taste food in front of the stage only with VIP passes, quality shows, and DJ nights until almost dawn.

With optimism and eagerness, this edition of the Monaco Salsa Congress 2021 will take place from October 8th to 10th with the participation of Maykel Fonts, Tropical Gem Dance Company, Andrea & Silvi, SuperMario, 4DJs, and many more artists to share memorable moments with you.

Venue: Espace Léo Ferré. Les terrasses de Fontvieille, 25 avenue Albert II. 98000 Monaco

CROATIAN SUMMER SALSA FESTIVAL

Woman in leopard swimsuit and man in white shirt
Enjoy this unique experience in Croatia in late summer

You can already feel the energy of the festival that makes all the people of the western part of the city of Rovinj (Croatia) dance Salsa. Beaches, hotels with swimming pools at reasonably priced, streets, an old tobacco factory, squares, islands, the whole town is a dance floor for thousands of visitors from all over the world who live and breathe Salsa.

The Croatian Summer Salsa Festival aims to educate, inspire, communicate, and entertain fans of Salsa, dance, the sea, and the sun. The focus in this edition will be on three styles: Salsa, Salsa Cubana, and Mambo. There will be carefully designed professional workshops for all levels, high-level pre-festival workshops (Wednesdays and Thursdays), as well as intensive Bootcamps for advanced dancers.

Imagine and live the experience of being part of it!

Outdoor Social Dance: Party on the beach dancing to the most applauded Caribbean rhythm under the stars in one of the most beautiful cities on the Adriatic coast. Ah! And don’t forget that this event also offers a boat excursion.

Music & DJs: The perfect combination missed in 2020. Finally, it is time to connect with the sound of the Tumbadoras mixed with the ocean waves and the warm summer breeze.

Dance Instructors: They are present at this event to inspire you and raise your level from amateur to professional. With them, you can dance as a couple, watch their performances with incredible outfits, sing, and also they are host like real artists do.

Workshops & Bootcamps: For 15 years they have been dedicated to promoting the best possible social dance education with community artists to create a high-quality structured and progressive learning experience. To gain more skills in dancing Croatian Summer Salsa Festival brings you pre-festival classes, weekend workshops, and choreography bootcamps for those who want to push their limits.

From September 1st to 5th, the summer salsa festival in Croatia will be held in the landscape of the Seasunsalsa house in the city of Rovinj located on the Adriatic coast.

Official biosecurity measures will be respected.

BERLIN SALSA CONGRESS

Woman dressed in blue dress dancing with man in red jacket
Berlin Salsa Congress – Do you accept the challenge?

In Berlin, the people will dance Salsa again in a congress this 2021. This event will be held outdoors under the sun during the day and at night you will live your passion indoors with three dance floors.

In this edition of the Berlin Salsa Congress, the focus will be on high-level social dancing from noon to midnight. Also, you can improve your skills in a series of exclusive workshops taught by a lineup of instructors from the world community in Berlin.

This Salsa congress, the longest in Europe in continuous operation since 2001, is renewed and brings Choreography Bootcamps.

  • Bootcamp # 1 is about teamwork in the genres of Salsa and contemporary fusion.
  • Bootcamp # 2. This is an Afro-fusion of Mambo. Here you will develop skills in footwork. It is designed for dancers with an intermediate level.
  • Bootcamp # 3. It is based on footwork for ladies only. Rhythm: Salsa

A Choreography Bootcamp challenges you in many different ways. It’s not just about choreography or technique. It is much more. It is expanding your limits with friends with the same interest, achieving an incredible sensation of overcoming obstacles by performing in front of a large and enthusiastic audience.

Date: Thursday, August 26th – Sunday, August 29th

Venue: Tempodrom. Möckernstr. 10. 10963 Berlin, Germany

SalsaGoogle.com is International Salsa Magazine

 

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Flashback: Arturo “Chico” O’Farrill

The Architect Of Afro-Cuban Jazz

Arturo "Chico" O'farrill with reading glasses and sitting
In memory of the 20 years of his physical disappearance

Arturo O’Farrill, better known as “Chico” O’Farrill was born on October 28, 1921, in Havana (Cuba) at the height of Son. He had a normal childhood like any son of a Jewish family raised to continue the family profession, Law.

In the 1930s Chico was admitted to the Riverside American Military School in Gainesville, Georgia. His father, an eminent Irish lawyer recognized in the Afro-Caribbean country, decided to intern him to continue his studies.

During his stay at that institution, O’Farrill discovered the great jazz orchestras that made life in that territory. Those bands were known by the name of Big Bands. He entered that musical environment and began his process of love and passion for the industry. He listened to recordings by Benny Goodman, Artie Shaw, Glenn Miller, and Tommy Dorsey while learning to play the trumpet on his own. In almost immediate time Chico became the trumpet player for the school’s military band and large dance groups.

Years later, Arturo returned to Cuba. He studied the same profession as his father (Law) and at the same time with his studies, he developed his facet as a composer. He received composition and harmony classes from important island musical instructors such as Félix Guerrero.

His progress, determination, and development in music were unstoppable. He was a member of the Armando Romeu Bellamar Orchestra and the Isidro Pérez Orchestra at the time of Mambo and Son, rhythms that prevailed and enhanced Latin music for decades.

MUSICAL HISTORY

Arturo "Chico" O'Farrill seated and in black and white
Chico O’Farrill dabbled in rock

“The Architect of Afro-Cuban Jazz” worked for four years (1943 – 1947) in Montmartre, the Cuban cabaret with the greatest French style. In the same way, he belonged to the Bellamar Orchestra, directed by Armando Romeu with Luis and Pucho Escalante, and Mario Romeu, among many other members.

As a trumpeter, Arturo traveled to Mexico and Europe. He created Los Raqueteros del Swing band, being the director and member of the orchestra. Subsequently, he founded Los Beboppers (the first Cuban bop group) with continuous performances at the Hotel Saratoga. Here, Chico was once again at the helm as director of the band and musician with his related instrument, the trumpet.

In the 1950s he began his successes as an arranger, working briefly for various musical directors such as Gil Fuller, Noro Morales, Frank “Machito” Grillo, and Benny Goodman.

Likewise, he composed his first masterpiece, Afro-Cuban Jazz Suite in five movements: Canción, Mambo, 6/8, Jazz, and Rumba Open. This masterpiece of composition was made and recorded for the imprint of the businessman Norman Granz, with the Machito Orchestra as the rhythmic base and accompanist.

The expert comments on Afro-Cuban Jazz Suite were numerous, but here are two of the most outstanding opinions:

Luc Delannoy: “It begins and ends with a hypnotic flute and conga duo that reflects the essence of Cuban treatment; the union of musical universes: the European (the flute) and the African (the conga). These two instruments are joined by the oboe, followed by the trumpets, saxophones, and the double bass “Tumbao”… After a return to swing and bebop in the fourth movement, Chico takes us back to the origins of Latin jazz with a melody of clear Arabic accents, before immersing himself in the universe of Afro-Cuban percussions.”

And Benny Carter commented on the Afro-Cuban Jazz Suite the following: “The reason for the coherence of the rhythmic parts and their relationships with the solos that have their own life and independence, Masterpiece of a genius.”

Arturo "Chico" O'farrill dressed in black and with a red background
His last album was Heart Of A Legend

After the enormous success of this powerful piece of music, O’Farrill wrote Cuban Fantasy for Stan Kenton during his stay in New York (EE.UU). However, Kenton eventually changed the name of the piece and it was called the Cuban Episode.

In 1953 he moved from New York to the California state and founded his orchestra with renowned musicians such as Mario Bauzá, Doug Mettome, Jimmy Nottingham, Eddie Bert, Fred Zito, Lenny Hambro, Flip Phillips, and the saxophonist Eddie Wasserman. The orchestra used the Afro-Cuban rhythmic section of Machito, harp, and oboe.

Under this concept, he recorded for Norman Granz and performed in two emblematic venues of the American Jazz music scene: Birdland (New York) and Hat Ballroom located in Los Angeles, California. During this period he composed three new movements: “La Jungla”, “Contrast”, and “Rhumba Finale”, baptized as “Manteca Suite”. The latter recorded in 1954 with Jazzist Dizzy Gillespie and an orchestra with 21 talented musicians.

In 1956 he returned to Cuba in search of inspiration and immediately began to work for the best record companies such as Panart and RCA Víctor. In this record label, he made “Chico’s Cha-Cha-Cha”, adapting the Charanga rhythm to the Big band format. This album was released, once again, on compact disc by BMG during the last decade of the 20th century.

Two years later the restless O’Farrill traveled to Mexico due to the great platform that this country provided for Latin American musicians at the time. During that residency, he once again stood out with a special sound. He appears on television as music director for singer Andy Russell, and there his life takes a dizzying turn. He started the semi-retirement period but never stopped composing. By that time, he composed his next and one of his greatest works “Azteca Suite” for trumpeter Art Farmer. And he made history once again!

In the 60s and with the rise of rock, Chico returned to New York and made arrangements for such important figures as La Lupe (They Call Me La Lupe); Cal Tjader (Along with Comes Cal); Count Basie (High Voltage); Gato Barbieri (Chapter Three: Viva Emiliano Zapata); Ringo Starr (Night and Day) and dabbled in Rock music with David Bowie (I Know That It Will Happen and Looking for Lester) and finally was the director of the Venezuelan Aldemaro Romero’s Orchestra.

In this stage that lasted until the end of the 20th century and already in the 70s, the Big bands went from being an innovation to being displaced by other rhythms that were rapidly increasing in popularity. These genres used new techniques, styles, sounds, and harmonies. It led to the appearance of icons in Jazz and the disappearance of the exclusive Bing bands for ballroom dancing.

For this reason, Chico O’Farrill reinvents himself and begins to work in the lucrative field of music for audiovisual advertising.

Arturo "Chico" O'farrill in black and white
Pure Emotion album earned a Grammy Award nomination for Best Latin Jazz Performance

In the mid-nineties, American Jazz producer and director Todd Barkan contacted the “Afro-Cuban Jazz Architect” to pay tribute to his career with a compilation of his musical hits. The name of the album was Pure Emotion and it got a nomination for Best Latin Jazz Performance at the 37th Grammy Awards.

O’Farrill toured Europe with his orchestra in 1996 and recorded his latest album entitled “Heart Of A Legend” with 14 tracks.

For this album, they had an orchestra of 18 musicians and a collaboration of international artists. The arrangements and musical direction of “Heart Of A Legend” were in charge of his son Arturo O’Farrill Jr. and who continues with his legacy.

On June 29, 2001, at 80 years old in New York City, Arturo “Chico” O’Farrill passed away.

Undoubtedly, Chico O’Farrill was always a visionary, and he was at the forefront for more than half a century of the musical genre today recognized worldwide as Latin Jazz.

In memory of the 20 years of his physical disappearance

Arturo “Chico” O’Farrill Forever!

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Mozart & Mambo

The Instrumental Music Album With The Major Projection Of 2021

Sarah Willis playing the French Horn with Yuniet Lombida playing the saxophone
Mozart & Mambo was recorded in Havana (Cuba) in January 2020

After six years of Horn Discovery, Sarah Willis brings us in her third album the discovery of two worlds through a completely harmonic and natural fusion. Her album Mozart & Mambo combines solo pieces for Horn of classical music originating in Western Europe with the traditional rhythms of Cuba Island.

Sarah had this magnificent and unusual idea due to her multiple trips to Havana city to teach how to play this brass instrument.

“As a Horn player, I always wanted to record Mozart’s horn concerts … And when I met the Havana Lyceum Orchestra and its conductor José Antonio Méndez Padrón I had the idea of ​​recording with them. I love the way they play Mozart. I love the way Pepe works with them… So, what better way than to mix some pieces of Mozart and Mambo? Then, we have pure Mozart. We also have some purely Cuban songs, but we also have a wonderful fusion of Mozart and Mambo. And, It is the title.

… The main concert on the album is the third concert for Mozart Horn, which is one of my favorites… It’s a catchy tune… I have an arranger in Australia called Joshua Davis, and I said, listen! I have this crazy idea.

– I want to turn this piece into a Mambo.                                                                         

– He said, sure, no problem.

But he didn’t know much about Cuban percussion. So, I said:

– I have the ideal person to help us.

And I turned to a wonderful musician from Cuba, Yuniet Lombida, who plays the saxophone on the album and is one of the best saxophonists in Cuba”. Willis commented on a digital medium.

The splendid trio between the first woman in the brass section of the Berliner Philharmoniker, the Havana Lyceum Orchestra under the baton of José Antonio Méndez Padrón (Pepe), and the consecrated saxophonist from Havana, Yuniet Lombida managed to create an exceptional experience among the Concerts for Mozart Horn and Caribbean intercalated rhythms: Mambo, Son, Salsa, and Bolero.

Harold Madrigal, Yuniet Lombida, Sarah Willis, Pepe Méndez, and Jorge Aragón
Harold Madrigal, Yuniet Lombida, Sarah Willis, Pepe Méndez, and Jorge Aragón

The album consists of 10 Tracks, which stand out: Rondo Alla Mambo and the two great Cuban classics Dos Gardenias and El Manisero with arrangements by Joshua Davis and Yuniet Lombida. Likewise, Rondo K. 371 and the first movement of Eine Kleine Nachtmusik (titled Sarahnade Mambo) demonstrate the subtlety of classical music with the interventions of the Cuban tradition, extolled by the Havana Lyceum Orchestra. In the other hand, the trumpeter Harold Madrigal Frías displays his virtuosity in the album with the pieces: El Manisero, Dos Gardenias, and Qué Rico El Mambo.

For this month, you will be able to witness this extraordinary musical fusion live at the Rheingau, Kultursommer Nordhessen, Young Euro Classic festivals in Berlin City, and Elbphilharmonie in the town of Hamburg in Germany.

Much of the proceeds from the purchase of the Mozart & Mambo album are for the benefit of the Havana Lyceum Orchestra to provide them with modern and new musical instruments.

Who is Sarah Willis?

Based on the biography written by Sarah

Sarah Willis in black dress with French horn on her legs
Sarah Willis was included on Queen Elizabeth’s Birthday Honor Roll, which indicates that she has been granted the title of Member of the British Empire

“People often ask me for more details about my life and my career. No dates or names, but about the how and why. So, I share a little more of the most influential and inspiring events of my life playing the Horn.

… It is true that I decided to play the Horn in my first Trumpet lesson. Actually, my first teacher was the Trombone and I adored it and the Trumpet, so I practiced as much as I could… I was used to practicing. My parents were quite strict about it, something for which I am very grateful.

… School became quite a lonely place as my classmates didn’t understand my passion truly.

… I must say that being a member of various youth orchestras was one of the most important and enjoyable parts of my musical training. Here, I met other young people who did not find it strange to spend a lot of time just practicing and listening to classical music.

After 3 years at the London music school, I “discovered” Berlin. The city was incredibly vibrant and exciting, and the first time I heard the local Philharmonic live, I decided that I had to be as close to this orchestra as possible, so I moved there. My first job was with the State Opera under the direction of Daniel Barenboim in 1991, just after the fall of the Wall that ran through the capital, so it was a very exciting time to be in the city at that time.

In 2001, I won the position at the Berliner Philharmoniker, something I had dreamed of since I first heard them play.

I started playing an Alexander horn when I was 16 years old. It was very unusual in England! I fell in love with the sound of this speaker and would not play anything else.

… My day job takes up most of my time and mental space, but since I started doing interviews with soloists and conductors for the Digital Concert Hall of the Berlin Philharmonic Orchestra (BPh) and I became involved as a mentor and presenter of the BPh on YouTube since 2011, I have become very passionate about online music communication.

I started Horn Hangouts (musician talk show) in 2013 and have been presenting the Sarah’s Music TV show (conversations format with conductors, students, musicians, and dancers) for Deutsche Welle TV since 2014.

I love doing both with passion and I enjoy connecting with musicians from all over the world, reaching out to people who may not have easy access to live concerts or teachers”.

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The man who conquered Hollywood

The magic of a great musician is that he has the key to open your soul.  He takes you to a dimension full of happy emotions, you forget all your pain and troubles and you just dance!  For the Yoruba’s, one of the sons of Obatala, is Changó. He represents strength, virility, drums, music, fire, lightning, dance, justice, the need and joy for living.  If one person was all of that, it was Mr. Johnny Polanco.  Mr. Polanco is dearly remembered by all those whose life he touched.  This June 2nd marks the sixth year of his passing.   Altagracia and Socrates, from Puerto Rico and Santo Domingo were his parents.  They lived in the Bronx in New York.  Socrates was the owner of an auto mechanic shop.  This is probably where Johnny first came into contact with automobile engines.  He developed a passion for working with automobile engines.  Johnny graduated from Alfred E. Smith High School; a school reputed for teaching shops.  It’s very probable that he furthered his knowledge of engines there. His talent grew to engineering levels.  If anyone could fix a problem on an engine, it was Johnny.  All the musicians knew that if there was a problem, it was Johnny who could fix it for them. There’s a story about how DJ Robbie called Johnny at home one such time at around 3:00 am and Johnny got out of bed and went to his aid.   His other passion was music.  Johnny never attended music school.  He mastered a number of instruments, all on his own. Everyone says that around five years of age, he was given a guitar.  But it wasn’t until the age of ten, that he became serious in learning music.  At the age of fourteen, he was already playing with the Steve Colon band. He played with a number of New York groups, Charanga Sensual, Conjunto Saoco to name a few. Johnny had flat feet, but nonetheless in 1979 he enlisted in the United States Marine Corp.  The Marine Corps capitalized on his knowledge of engines and assigned him to the motor pool. His early assignments were in Camp Lejeune, North Carolina, Parris Island, South Carolina, and Okinawa, Japan. Johnny was a patriotic American who loved and served his country.  Just before enlisting in the service at twenty-four, Marion Gonzalez gave birth to Christopher and three years later to Melody.  In 1980 the marines sent Johnny to the west coast, Camp Pendleton, California. Marion and Johnny married, but their union did not survive. Marion and Johnny had joint custody. Johnny’s visitation turn was usually from Fridays after school to Monday morning, returning them to school.  In 1984 Johnny was playing at the New Porter Inn, in Newport Beach, California.  That night he met Joanna, a lady from Bronx.  They say it was love at first sight.  On January 23, 1987 they married and she remained his companion for the rest of Johnny’s life.  Joanna worked as a Registered Nurse and had two children of her own, Angela and Anthony Wheaton.  They made their home in Lakewood, California, where they had all their four children together on the weekends.  They were fortunate, because the kids all got along well. Some called them the Brady Bunch.

Johnny Polanco and Conjunto Amistad
Johnny Polanco and the rest of the members of Conjunto Amistad.

The long full gear marches and Johnny’s flat feet became a problem. In 1987, with the rank of E-5 sergeant, Johnny decided to be a full-time musician and separated from the Marines.  Close to their Lakewood home Johnny took a daytime job working for Mr. Tom Scott a Union 76 service station owner. Johnny stayed with Tom for next six years, when Tom sold in 1992.  The job was conveniently within walking distance of his Lakewood home.

In this gas station Johnny Polanco worked many years
Union 76 gas station where Johnny Polanco worked for many years.

In Hollywood, there was a Vietnam disabled veteran who had been studying business, Armando Castro.  Completing his studies, Armando opened a small restaurant. Although of Nicaraguan origin, Armando decided to serve Cuban food and named the restaurant El Floridita. On Monday nights they started to play Salsa.  Cali Aleman was the first band that played.

Armando Castro Floridita owner
Armando Castro owner of El Floridita

In 1993 Orquesta Versatil was playing on Monday nights. It was then that Armando Castro introduced Johnny to the band leader, Carlos Navarro.  At the time Versatil was a popular, strong, well liked band and Johnny fitted right in.  Then things started to happen, the band leader Carlos had to fly to Venezuela, also the arranger Niño Jesus Alejandro went to Canada. So, they held a meeting with Armando.  “mete mano Johnny, put a band together and take over.”  For the next 22 years Johnny played Monday night with his Conjunto Amistad at El Floridita.   Johnny’s band was in demand.

Carlos Navarro leader of Orquesta Versatil
Carlos Navarro band leader of Orquesta Versatil.

Albert Torres was a consultant and MC to over 50 yearly Salsa Congress’ around the world.  Albert had a lot of connections and started to manage Johnny for some 15 years.  With Albert’s connections the band played in Japan, England, Italy, Spain, China, Thailand, Mexico, Costa Rica to name a few.  Everyone was busy with little time to spare, eventually Johnny started handling his own bookings and the relationship with Albert just disappeared.

Albert Torres manager of Johnny Polanco
Albert Torres managed Johnny Polanco for 15 years.

In business they always say location, location, location! Nothing could be truer than that for “El Floridita.”  You see folks, this little restaurant in a small strip mall, is just across the street from … Pickford Center.  What’s Pickford Center? It’s the film industry Academy of Arts.  You know the “Oscars!”  The clientele boasted of directors, writers, producers, actors like Patrick Swayze, Jay Leno, Jennifer Lopez, Nicole Kidman, Robert Duvall, Mick Jagger, Edward Olmos to name a few.  They didn’t just go there to eat; it was the film industry’s connection to Salsa and the work just poured in.  Johnny played for Hugh Heffner at the Playboy mansion and also the Playboy Jazz Festival. Prince chose Johnny to be his opening act in Las Vegas.  Johnny did the music for countless films (see bio).    When a victorious general was paraded in Rome, above his head, a slave would hold the laurel reave, while at the same time continuously whispering “this too shall pass.” The idea was to keep him grounded. Johnny didn’t need that.  He was a man who saw the injustice in the world and was always looking out for the little guy, the underdog.  He was a man who shared the wealth.  Many remember how Johnny would call them to give their bands work.  To this day many a story is told about how Johnny helped them out.  He was a man who in his car, would carry cat food and milk to feed the strays.  May God bless you in heaven Johnny.  We remember you as a kind man who loved and cared for the poor.   His accomplishments were so many that we created a link for you to view the photos and also his biography of recognitions and accomplishments.

Changó

The magic of a great musician is that he has the key to open your soul.  He takes you to a dimension full of happy emotions, you forget all your pain and troubles and you just dance!  For the Yoruba’s, one of the sons of Obatala, is Changó. He represents strength, virility, drums, music, fire, lightning, dance, justice, the need and joy for living.  If one person was all of that, it was Mr. Johnny Polanco.  Mr. Polanco is dearly remembered by all those whose life he touched.  This June 2nd marks the sixth year of his passing.  Altagracia and Socrates, from Puerto Rico and Santo Domingo were his parents.  They lived in the Bronx in New York.  Socrates was the owner of an auto mechanic shop.  This is probably where Johnny first came into contact with automobile engines.  He developed a passion for working with automobile engines.  Johnny graduated from Alfred E. Smith High School; a school reputed for teaching shops.  It’s very probable that he furthered his knowledge of engines there. His talent grew to engineering levels.  If anyone could fix a problem on an engine, it was Johnny.  All the musicians knew that if there was a problem, it was Johnny who could fix it for them. There’s a story about how DJ Robbie called Johnny at home one such time at around 3:00 am and Johnny got out of bed and went to his aid.
His other passion was music.  Johnny never attended music school.  He mastered a number of instruments, all on his own. Everyone says that around five years of age, he was given a guitar.  But it wasn’t until the age of ten, that he became serious in learning music.  At the age of fourteen, he was already playing with the Steve Colon band. He played with a number of New York groups, Charanga Sensual, Conjunto Saoco to name a few.
Johnny had flat feet, but nonetheless in 1979 he enlisted in the United States Marine Corp.  The Marine Corps capitalized on his knowledge of engines and assigned him to the motor pool. His early assignments were in Camp Lejeune, North Carolina, Parris Island, South Carolina, and Okinawa, Japan. Johnny was a patriotic American who loved and served his country.  Just before enlisting in the service at twenty-four, Marion Gonzalez gave birth to Christopher and three years later to Melody.  In 1980 the marines sent Johnny to the west coast, Camp Pendleton, California. Marion and Johnny married, but their union did not survive. Marion and Johnny had joint custody. Johnny’s visitation turn was usually from Fridays after school to Monday morning, returning them to school.
In 1984 Johnny was playing at the New Porter Inn, in Newport Beach, California.  That night he met Joanna, a lady from Bronx.  They say it was love at first sight.  On January 23, 1987 they married and she remained his companion for the rest of Johnny’s life.  Joanna worked as a Registered Nurse and had two children of her own, Angela and Anthony Wheaton.  They made their home in Lakewood, California, where they had all their four children together on the weekends.  They were fortunate, because the kids all got along well. Some called them the Brady Bunch.

The long full gear marches and Johnny’s flat feet became a problem. In 1987, with the rank of E-5 sergeant, Johnny decided to be a full-time musician and separated from the Marines.  Close to their Lakewood home Johnny took a daytime job working for Mr. Tom Scott a Union 76 service station owner. Johnny stayed with Tom for next six years, when Tom sold in 1992.  The job was conveniently within walking distance of his Lakewood home.

In Hollywood, there was a Vietnam disabled veteran who had been studying business, Armando Castro.  Completing his studies, Armando opened a small restaurant. Although of Nicaraguan origin, Armando decided to serve Cuban food and named the restaurant El Floridita. On Monday nights they started to play Salsa.  Cali Aleman was the first band that played.

In 1993 Orquesta Versatil was playing on Monday nights. It was then that Armando Castro introduced Johnny to the band leader, Carlos Navarro.  At the time Versatil was a popular, strong, well liked band and Johnny fitted right in.  Then things started to happen, the band leader Carlos had to fly to Venezuela, also the arranger Niño Jesus Alejandro went to Canada. So, they held a meeting with Armando.  “mete mano Johnny, put a band together and take over.”  For the next 22 years Johnny played Monday night with his Conjunto Amistad at El Floridita.   Johnny’s band was in demand.

Albert Torres was a consultant and MC to over 50 yearly Salsa Congress’ around the world.  Albert had a lot of connections and started to manage Johnny for some 15 years.  With Albert’s connections the band played in Japan, England, Italy, Spain, China, Thailand, Mexico, Costa Rica to name a few.  Everyone was busy with little time to spare, eventually Johnny started handling his own bookings and the relationship with Albert just disappeared.

In business they always say location, location, location! Nothing could be truer than that for “El Floridita.”  You see folks, this little restaurant in a small strip mall, is just across the street from … Pickford Center.  What’s Pickford Center? It’s the film industry Academy of Arts.  You know the “Oscars!”  The clientele boasted of directors, writers, producers, actors like Patrick Swayze, Jay Leno, Jennifer Lopez, Nicole Kidman, Robert Duvall, Mick Jagger, Edward Olmos to name a few.  They didn’t just go there to eat; it was the film industry’s connection to Salsa and the work just poured in.  Johnny played for Hugh Heffner at the Playboy mansion and also the Playboy Jazz Festival. Prince chose Johnny to be his opening act in Las Vegas.  Johnny did the music for countless films (see bio).
When a victorious general was paraded in Rome, above his head, a slave would hold the laurel reave, while at the same time continuously whispering “this too shall pass.” The idea was to keep him grounded. Johnny didn’t need that.  He was a man who saw the injustice in the world and was always looking out for the little guy, the underdog.  He was a man who shared the wealth.  Many remember how Johnny would call them to give their bands work.  To this day many a story is told about how Johnny helped them out.  He was a man who in his car, would carry cat food and milk to feed the strays.  May God bless you in heaven Johnny.  We remember you as a kind man who loved and cared for the poor.
His accomplishments were so many that we created a link for you to view the photos and also his biography of recognitions and accomplishments.

Film Academy of Arts Center
Pickford Center in front of El Floridita.

By: Eduardo Guilarte & Karina Garcia

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Latin America – June 2021

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A bailar colombia

Salsa y sentimiento

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carlos colmenares

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.