• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • HOME
  • Previous editions
    • 2026
      • ISM / March 2026
      • ISM / February 2026
      • ISM / January 2026
    • 2025
      • ISM / December 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
  • Download Salsa App
    • Android
    • Apple
  • Spanish

Search Results for: Cuban

Unity, The Latin Tribute to Michael Jackson

North America / USA /

Unity, The Latin Tribute to Michael Jackson is a testament to the power of music and one man’s indomitable spirit. The passion project of Peruvian-born, Miami-raised producer / multi-instrumentalist / arranger Tony Succar, Unity features more than 100 musicians, such Latin superstars as Tito Nieves, Jon Secada and Obie Bermudez and the mixing magic of Jackson’s  legendary engineer Bruce Swedien in the first ever Latin album salute to The King of Pop.

Unity, The Latin Tribute to Michael Jackson
Unity, The Latin Tribute to Michael Jackson

Fueled by his relentless commitment, quiet determination and passionate faith in the loving message behind much of Jackson’s music, Succar has spent the last four years carefully creating Unity: The Latin Tribute to Michael Jackson. He overcame seemingly insurmountable obstacles, turning each roadblock into a stepping stone to take the project to new heights. In the process, he married Jackson’s timeless pop and R&B tunes, such as “Thriller”, “Bilie Jean”, and “I Want You Back” to his glorious salsa and tropical rhythms, creating innovative, vibrant arrangements that snap to life with exhilarating energy.

“American funk, soul, jazz – all those styles that were influencing Michael – were inspired from African music”, Succar says. “Same with Afro – Peruvian music, Cuban music. These songs were meant to be. Their original flavor lends itself to these Latin rhythms”.

Succar, 28 grew up listening to his parents play Jackson’s music, and by 13 had begun his own music career. He started on piano and segued to percussion, graduating with a degree in jazz performance at Florida International University in 2008. But it wasn’t until after the superstar’s untimely passing in 2009 that Succar, who earned his Master’s in Jazz performance from FIU in 2010, took a deep dive into the music and the man.

Unity, The Latin Tribute to Michael Jackson - Flyers
Unity, The Latin Tribute to Michael Jackson – Flyers

“That’s when I became a fanatic, memorizing all his lyrics” he says. “He was an amazing singer. I started analyzing every single detail”.

As Succar pored through Jackson’s material, revisiting songs like “Man In the Mirror”, “Earth Song” and “They Don’t Care About Us” – all of which are reimagined on Unity – he came to a realization: “Michael wasn’t only a musician, he was a spiritual person. He was speaking to people’s hearts through his music. He was a true role model and leader, not only in the music industry, but life in general”, he says.

Concurrent with his discovery, Succar arranged a salsa-infused version of “Thriller” for a Halloween party at Miami’s legendary, now closed Van Dyke Café. The reaction was so immediate and overwhelmingly positive to the performance of this new arrangement, that Succar recorded a version in his bedroom with his band, posted in online and gave away copies. Djs started playing the track and Succar began getting requests from around the world for a full album of Latin – flavored Jackson songs. “That sparked it”, Succar says. “I was such a fan. I felt like I had to do something”.

Photo 1: Tony Succar
Photo 1: Tony Succar

He launched a Kickstarter campaign and raided more than $10,000, which allowed him to record basic tracks and the idea and harmonious ideal of Unity was born. “The one thing that stood out in Michael’s usic was love. The reality was unity,” He says. “I also wanted the title to stand for something: a real marriage between Latin roots and American pop culture and to help keep Michael’s legacy alive”.

Part of keeping Jackson’s legacy alive meant incorporating elements of the original production in each of his fresh renditions for Unity. “Even the horn lines, I would transcribe them from Quincy Jones’ produtions and then apply them to the arrangement in a different way,” Succar says. “The essence of every song was respected. I gave it my best to create this very thin line between what Michael did with his production and what I brought to the project”.

As Succar proceeded, an astounding number of coincidences buoyed the project. Succar’s initial plan was to record the album with one vocalist, soulful Broadway veteran Kevin Ceballo, but as Succar finalized the arrangements, the idea of a compilation album cae to him. The first artist he reached out to was legendary salsa singer Nieves. He heard nothing back for months . Then, one day in the studio someone suggested Nieves fo “I Want You Back”. Succar explained he’d had no success contacting Nieves.

Photo 2: Tony Succar
Photo 2: Tony Succar

It’s turned out a studio visitor knew Nieves, called his manager, sent Nieves an MP3, and within 10 minutes, Nieves was on the phone asking when he should come in to record his vocals.

Nieves became the project’s godfather, bringing in other Latin stars, such as India and Jean Rodriguez. “If it weren’t for Tito, I would never have been able to develop this into what it is, “Succar say. “He really opened the doors for me”. Nieves even brought in his son, Tito Nieves Jr. to duet on the album closer, an emotional take on “You are Not Alone”.

As the project progressed, Succar sought out Secada, but once again, was running into walls. He had switched to a different studio and the recording engineer just happened to have worked wih Secada and upon hearing Succar’s story, gave Succar the singer’s direct email. Secada immediately replied that he wanted to record “Human Nature,” his favorite Jackson track.

But there was more to come. Succar contacted Swedien about mixing some tracks, but failed to get a yes after more than a year’s effort. He met his engineer Nick Valentin through a mutual friend, who piped up that he’d been Swedien some music and next thing Succar knew, he’s sitting beside his hero at Swedien’s ranch as Swedien mixed “Earth Song” and “Smooth Criminal. “He was the cherry on top,” Succar says. “When we were mixing, he would put up the original Michael songs and put on our remixes to compare and contrast. He mixed the tracks on the same Harrison 32C model console he mixed ‘Thriller’ on”.

The groundbreaking album, a joint project between Universal Music Classics, Universal Music Latin Entertainment and Universal Music Mexico, embodies Jackson’s spirit of harmony and bringing diverse cultures together through music.

Members of Unity, The Latin Tribute to Michael Jackson
Members of Unity, The Latin Tribute to Michael Jackson

Where there once was nothing but a dream, Succar now sees unlimited possibilities. Not only will there be a tour to support Unity: The Latin Tribute to Michael Jackson, but he is considering future Unity projects that could salute the music of other timeless artist, such as the Beatles or the Bee Gees, filtered through a Latin musical lens. “Unity is going to become a movement,” he says. And given how far Succar’s come already, who could possibly doubt him?

Michael Jackson
Michael Jackson

Salsa Brava

Europa /

Salsa Brava. ¡La sensación latina en Dinamarca!

Salsa Brava es una de las compañías con más experiencia y prestigio del norte de Europa en la enseñanza de salsa, la realización de espectáculos de baile y la organización de eventos para empresas o reuniones privadas.

Son los ganadores del campeonato danés de salsa en 2004 y del campeonato de salsa de Copenhague en 2002.

Ima Mustafic - Salsa Brava
Ima Mustafic – Salsa Brava

Están deseando presentarte nuestro universo de salsa sensual, enérgica y elegante. Tras más de 20 años enseñando salsa, Salsa Brava es una de las escuelas de baile con más experiencia de Dinamarca en salsa y otros bailes latinos como bachata, merengue y chachachá.

Han desarrollado un método que hace que nuestros alumnos bailen con elegancia y confianza en sí mismos después de un corto período de tiempo.

Dos elementos importantes de nuestra forma de enseñar son el énfasis en la técnica de baile y la comprensión del ritmo y la música. También nos centramos en desarrollar tu estilo personal desde el primer momento.

No importa si eres principiante o bailarín avanzado. Bailarines de todas las edades son bienvenidos a nuestras clases, y si nunca has bailado salsa, no te preocupes… ¡Con ellos bailarás con confianza muy pronto!

Photo 1: Salsa Brava Social
Photo 1: Salsa Brava Social

Todos los estilos de salsa

Enseñamos todos los estilos de salsa: “Nueva York”, “L.A.-style” (cross body) y “Cuba”. Al finalizar todos nuestros niveles de clase, podrás realizar combinaciones sensuales, fondos y pasos avanzados.

Desarrollarás tu estilo personal y tendrás un amplio conocimiento de la técnica de baile necesaria para ser un buen bailarín de salsa. Además, podrás improvisar con todo tipo de música de salsa.

¡Salsa Brava es Fernando Hernández!

Ima Mustafic

Ima empezó a entrenar gimnasia de niña. A los 12 años, la sustituyó por jazz, ballet, bailes de salón competitivos, bailes latinos y salsa. Desde entonces, ha entrenado con algunos de los mejores bailarines de salsa del mundo, viviendo en Barcelona, ​​Madrid y Nueva York. Tras muchos años de formación en ballet, jazz, bailes de salón latinos y salsa, Ima ha entrenado, actuado y competido en diversos estilos de baile en todo el mundo, lo que le ha proporcionado un amplio conocimiento de la danza, la interpretación y la técnica de la danza, que puede transmitir a sus alumnos.

Ima Mustafic
Ima Mustafic

Salsa Brava

Salsa LA & Estilo Cubano + Clases de Bachata

La próxima temporada comienza el 25/06 – 2017 con un profesor de latín real http://www.salsabrava.dk/new-classes

Dirección : Estudio de danza Salsabrava: Helgesvej 29, 2000 Frederiksberg. (Piscina Frederiksberg, arriba a la derecha, segundo piso). Estación de metro Frederiksberg. Autobús 2 A (parada Aksel Moellers Have).

Saludos, Fernando Salsabrava Hernández.

  • Correo electrónico: [email protected] – Tel: 2249 5834
Photo 3: Salsa Brava Social
Photo 3: Salsa Brava Social

Juancito Torres: The National Trumpet of Puerto Rico

We present the musical life of one of the greatest trumpeters in Latin music, the master Juan “Juancito” Torres Vélez, known as “The National Trumpet of Puerto Rico.”

La Trompeta Nacional de Puerto Rico Juan Torres Vélez
La Trompeta Nacional de Puerto Rico Juan Torres Vélez

Born on January 14, 1936, in Caguas, Puerto Rico, to Justina Vélez Vázquez and Félix Torres Varcárcel, he began his musical journey playing the violin in his hometown. He joined the Municipal Band, where he was taught by Adrián Benjamín and Carlos Julio Bosch, who also taught him the intricacies of the trumpet.

Juancito was a fan of Placido Acevedo, the trumpeter and director of the Mayarí quartet, and Acevedo was his biggest influence for his development as a professional trumpeter. At the age of fourteen, he studied at the Escuela Libre de Música. In 1952, he joined the orchestra of jazz musician Ramón “Moncho” Usera Vives and stayed with him for a year before joining his teacher Miguelito Miranda’s band.

In 1955, he traveled to New York, where he worked with Xavier Cugat, Noro Morales, and the Lecuona Cuban Boys. It is also said that he was part of the orchestras of Pupy Campo and Tito Rodríguez and that he recorded with René Touzet, Dámaso Pérez Prado, and Eddie Cano.

Juancito Torres Primera Trompeta de Fania All Stars
Juancito Torres Primera Trompeta de Fania All Stars

Juancito returned to Puerto Rico in 1960 and enrolled at the Puerto Rico Conservatory to further his musical knowledge. In 1965, he appeared on the list of musicians who recorded the album Bobby Capó and His Orchestra with the great Bobby Capó. In the late 1960s, Juancito joined master Bobby Valentín’s orchestra, recording five albums with them between 1969 and 1975. During the 1970s, he recorded with Frank Ferrer, Justo Betancourt, Puerto Rico All Stars, and Marvin Santiago.

In 1979, Juan began his participation in recordings, concerts, and international tours with the Fania All Stars. He appeared as a member of the Pacheco and Masucci collective on at least ten albums between 1979 and 1997. These include Habana Jam, Commitment, Latin Connection, Lo que Pide la Gente, “Live”, Viva Colombia, and Bravo 97.

Juancito’s extraordinary musical career and great talent also allowed him to participate in recordings for many singers, musicians, and groups such as Cheo Feliciano, Tommy Olivencia y su Orquesta, Adalberto Santiago, Roberto Roena, Sonora Ponceña, Eddie Palmieri, Tito Rojas, Pedro Arroyo, Descarga Boricua, Lalo Rodríguez, and Ray Barreto, among many others. “The National Trumpet of Puerto Rico” also participated in recordings by musicians and singers of other rhythms and musical genres such as Pop, Tropical, Jazz-Rock, Progressive Metal, Rock, Reggae, and Funk/Soul.

Juancito Torres
Juancito Torres

Regarding our music, we remember some of the tracks in which our great musician from Caguas recorded immortal trumpet solos: “Cuando Te Vea” with Bobby Valentín, “Dime,” “Menéame La Cuna,” “Quítate La Máscara,” and “Puerto Rico/Adoración” with Fania, “Amada Mía” and “Salí Porque Salí” with Cheo Feliciano. “Pedregal” with Justo Betancourt, “Canto A Borinquen” and “Alianza De Generales” with Puerto Rico All Stars, and “Palo Pa’ Rumba,” “Prohibición de Salida,” and “Solito” with Eddie Palmieri.

Through this work on Juancito Torres’ artistic life, we want to pay a small but well-deserved tribute to one of the ambassadors of Puerto Rican music. Juan Torres Vélez’s musical career spanned half a century, during which he participated in more than a hundred albums in our music alone, which was named Salsa from the beginning of the 1970s. The National Trumpet of Puerto Rico will live forever in the hearts of Salseros around the world.

The trumpeter and producer Charlie Sepúlveda presented his new musical work titled Feeling Good Again, a jazz album released in 2003 on the Metrix label, which included our Juancito Torres on flugelhorn. Los Licenciados is the name of an album published by the Duque Records label and Omar Duque y su Orquesta. The recording year for this album is not specified, but Juancito Torres also participated as a trumpeter.

Charlie Sepulveda Feeling Good Again, Lanzado en 2003
Charlie Sepulveda Feeling Good Again, Lanzado en 2003

Juancito Torres suffered from high blood pressure and bronchial asthma. Unfortunately, he passed away from a heart attack while sleeping at his home in Carolina on July 26, 2003. We will always remember him.

Long Live Music! Long Live Salsa! Long Live Juancito Torres!

By:

The Best Salseros in the World

Dj. Augusto Felibertt

Read Also: Luis “Perico” Ortiz: six decades of impeccable musical trajectory

“La Muerte de un Burocrata” At the Palace Theatre in Downtown L.A.

North America / USA / Los Angeles
La Muerte de un Burocrata
La Muerte de un Burocrata

Latin American Cinemateca of Los Angeles (lacla) in collaboration with the Los Angeles Conservancy’s Last Remaining Seats film series, proudly present the Cuban film La muerte de un Burocrata (1966, Tomas Gutierrez Alea).

On June 14th at the Palace Theatre in Downtown Los Angeles’ historic theatre district at 8:00 PM. Satire of the Cuban bureaucracy of the post-revolution era which shows how convoluted it can be to get things seemingly simple.

La muerte de un burocrata is centered on the predicament of a hapless nephew (Salvador Wood) to retrieve the ID of his recently deceased uncle, a model worker and inventor. His widow (Silvia Planas) placed it in the coffin, but now need it, admonished by a bureaucrat that she will not get a pension without this piece of identification. But the bureaucrat in the cemetery tells him no exhumation is possible without a court order.

La Muerte de un Burocrata - Flyer
La Muerte de un Burocrata – Flyer

A clandestine operation yields the coffin but the nephew has to wheel it back to their home when the police unexpectedly show up. (Imagine the depredations of the Caribbean heat on an unrefrigerated cadaver). The farce escalates, the lampooning of recognizable government employees gets more ridiculous, and some sacred cows are turned upside down – like socialist realistart, and the fact that everybody is equal but some are more equal than others.

  • Director and Screenplay: Tomas Gutierrez alea.
  • Stars: Salvador Wood, Silvia Planas, Manuel Estanillo.
  • Music: Leo Brouwer
  • Cinematography: Ramon F. Suarez
  • Edited: Mario Gonzalez
  • Production Co: Instituto Cubano del Arte e Industrias Cinematograficos
  • Release Date: July 24, 1966 I Runtime: 85 minutes
  • Country: Cuba I Language: Spanish.

Tickets can be purchased through the L.A. Conservancy at the following link

http://www.laconservancy.org/event/la-muerte-de-un-burocrata-palace-theatre

For more information, please contact: Mariluz Gonzales, 818-667-6403, [email protected]

About Tomas Gutierrez Alea

Tomas Gutierrez Alea was a fervent supporter of the Cuban revolution, but good director that he was, his pictures never toe an overt propaganda line. They are aligned with the tenets of the regime but at the level of form, they are an artist’s creative take on the medium. “La muerte de un Burocrata” is a case in point, both in content and style. Fifty years after it was made, “La muerte” is still a refreshing, almost post-modern, satire on the plague of bureaucrazy… under any type of government and organization.

Tomás Gutiérrez Alea
Tomás Gutiérrez Alea

Gutierrez Alea uses the conventions of satire to blast the bureaucratic mindset that reduces life to a succession of absurdities, with witty homages to films and directors, in the guise of scenes filmed a variety of comedic styles: the assembly line of Chaplin’s Modern Times, the clock  from which Harold Lloyd hangs in Safety Last, Dracula’s fangs, the pie fights of Laurel and Hardy, a scattered and curvaceous Cuban Marilyn Monroe, and surrealist dreams like those of Buñuel.

The potpourri works very well, and gets hearty laughs from the audience. By Maria Elena de las Carreras, Ph.D. Noteworthy to mention, the film features music by the legendary composer, Leo Brouwer, who currently resides in Cuba.

About LACLA

Latin American Cinemateca of Los Angeles (LACLA) is a California non-profit organization dedicated to promoting cultural exchange through film by screening classic and contemporary films from Latin America and by USA Latinas and Latinos.

LACLA also supports the film and media efforts of Los Angeles inner-city middle and high school students with its annual student film festival.

About Last Remaining Seats

Last Remaining Seats is the Los Angeles Conservancy’s annual series of classic films in historic theatres. The series began in 1987 as a way to draw attention to the spectacular yet overlooked and underused historic theatre of Los Angeles. The film series has since become a summer tradition, drawing thousands of people from the region, the nation, and outside the U.S.

Photo of Los Angeles
Photo of Los Angeles

About the Los Angeles Conservancy

The Los Angeles Conservancy is a nonprofit membership organization that works through education and advocacy to recognize, preserve, and revitalize the historic architectural and cultural resources of Los Angeles County. What began as a volunteer group in 1978 now has more than 6,000 member households, making the Conservancy the largest local organization of its kind in the U.S.

Tempo Latino

Europe / France / Vic-Fezensac

Tempo Latino: The biggest party for every Latin Music lover in Europe!

Tempo Latino
Tempo Latino

In Vic-Fezensac, in the heart of Gers in Gascony, Tempo Latino is the biggest European festival of Latin music and Afro-Cuban, salsa, Latin jazz and hip-hop. This is a reference to music and Latin music. This year they are bigger than ever with the participation of dancers, musicians, orchestras and amazing dj’s around the world.

Tempo Latino presents each year for 4 days and 4 nights, a varied concerts and internship program with artists and professors of international level including from Cuba, Puerto Rico, Colombia, Venezuela, Panama, Africa, US, Europe and Japan.

Thursday, July 27

The party starts on July 27 with the Colombian group Puerto Candelaria. This amazing group was formed in 2000 in Medellín, Colombia, the result of the fateful meeting of six talented musicians, united and guided by talented composer Juancho Valencia to create a totally new and original musical show.

Colombian group Puerto Candelaria
Colombian group Puerto Candelaria.

The imaginary land of Puerto Candelaria is a sonorous place and the spiritual home to the members of the group and to all who enjoy taking a musical journey with the sound of the Candelarios. The group’s founders never imagined that a decade later their idea would come to be hailed the most daring, controversial and innovative Colombian musical project of recent times.

Puerto Candelaria bases its sound in popular Colombian rhythms, full of imagination and magical spirit that provoke the senses and awaken heightened emotions in audiences around the world.

Their creation of contradictory rhythms like Cumbia Underground or Jazz “a lo Colombiano” is responsible for creating a special place for their country in the global markets of jazz, experimental, and world music. On Thursday and thanks to the France-Colombia’s year celebration, this day will be a reunion between these two cultures.

Friday, July 28 Calypso Rose

Then, on July 28 you will have the pleasure to see the performance of Calypso Rose. This iconic singer is a calypsonian. She began writing songs at the age of 15, turned professional in 1964 and has written more than 800 songs and recorded more than 20 albums.

Calypso Rose
Calypso Rose

Saturday, July 29 Unity. Michael Jackson Latin Tribute

Friday 29 will be time to present the Michael Jackson Latin Tribute with the amazing show of the talent of Tony Succar and Unity. Unity is a testament to the power of music and one man’s indomitable spirit.

Michael Jackson Latin Tribute
Michael Jackson Latin Tribute

The passion project of Peruvian-born, Miami-raised producer/multi-instrumentalist/arranger Tony Succar, Unity features more than 100 musicians, such Latin superstars as Tito Nieves, Jon Secada and Obie Bermúdez, and the mixing magic of Jackson’s legendary engineer Bruce Swedien in the first ever Latin album salute to The King of Pop.

Sunday, July 30 Orkesta Mendoza

And finally, the event will end with the concert of Orkesta Mendoza. Orkesta Mendoza is a Latin music band from Tucson, Arizona. It was founded by singer and guitarist Sergio Mendoza in 2009. Through the use of Latin percussion, accordion, brass, and steel guitars, the band’s style, dubbed “indie mambo”, is a combination of ranchera, cumbia, psychedelic and indie rock.

Orkesta Mendoza
Orkesta Mendoza
  • Sergio Mendoza – vocals, piano, guitar
  • James Peters – drums
  • Joe Novelli – lap steel guitar
  • Marco Rosano – saxophone, clarinet, accordion, keyboard
  • Salvador Duran – vocals, cajón, maracas
  • Sean Rogers – double bass

With all the concerts, dance and parties, you can’t miss the summer event that brings all the Latin talent to Europe.

You go to Latin tempo
You go to Latin tempo

Tickets: Pre-sale prices

  • One night 30€ – 36€
  • 4 days pass: 100 – 120
  • Free entrance for kids under 12 years old

Transportation and accommodation

Transport: http://tempo-latino.com/CommentVenirTempo

Accommodation: http://tempo-latino.com/Hebergement

Our favorite Dj’s: DJ Mabe / Jacoviche / Emile Omar / Jomax …

Tempo Latino - Information
Tempo Latino – Information

For further information and tickets:

  • http://tempo-latino.com/accueil
  • Tourism office in Vic Fanzensac : 05.62.06.34.90
  • Telephone: 05.62.06.40.40.

And all the social networks

  • Facebook: @tempolatino
  • Twitter : @tempo_latino
  • Instagram: @tempolatino
  • Youtube: tempolatinofestival
  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 19
  • Page 20
  • Page 21
  • Page 22
  • Page 23
  • Interim pages omitted …
  • Page 114
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.