• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • HOME
  • Previous editions
    • 2026
      • ISM / March 2026
      • ISM / February 2026
      • ISM / January 2026
    • 2025
      • ISM / December 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
  • Download Salsa App
    • Android
    • Apple
  • Spanish

Search Results for: Cuban

Heyzer Cabrera, brilliant and virtuoso Venezuelan percussionist

International Salsa Magazine / www.SalsaGoogle.com and its correspondent, Professor Carlos Colmenarez from Barquisimeto, Venezuela have the privilege to present one of the most important bastions of our Latin music in the Caribbean.

In this opportunity we honor in our salsa column, the Venezuelan percussionist Heyzer Cabrera, born in the city of Caracas, on May 3, who already has more than 30 years of musical career, because at the age of 7 years old he was part of the Venezuelan Children’s Choir, directed by Professor Raul Cabrera, his uncle.

At the age of 15 he began his interest in percussion, with the help of his great friend and also percussionist Juan Pablo Barrios and at 17 he began his career as a professional musician with the “Orquesta Canela” in 1994 and since then he has been part of many groups of the salsa genre, such as: “El Combo de Venezuela”, “La Negramenta” and accompanying international artists such as Andy Montañez, Van Lester and Pedro Arroyo.

At the age of 15 he began his interest in percussion, hand in hand with his great friend and percussionist Juan Pablo Barrios and at 17 he began his career as a professional musician with the "Orquesta Canela" in 1994 and since then he has been part of many groups of the salsa genre, such as: "El Combo de Venezuela", "La Negramenta" and accompanying international artists such as Andy Montañez, Van Lester and Pedro Arroyo.
Heyzer Cabrera, brilliant and virtuoso Venezuelan percussionist

In 2013, he began his project to make a recording studio, which is called “A Tempo Récords” and in parallel he studied sound engineering at the academy (Audio Place), under the guidance of Jesus Sanchez and Jean Sanchez. In his career as a sound technician he has participated as a producer of several orchestras and in 2019, he gets his first recognition by being nominated in the production “Con Todo” by Coco y su “Sabor Matancero”, for Record of the Year, Salsa Genre, at the Pepsi Music Awards in Caracas.

Heyzer, at the international level you have had presentations? Indeed Professor Carlos, in 2018 I had the pleasure of being in Cali, Colombia, with the orchestra “La Negramenta”, in La Topa Tolondra and the reaction of the public was of great emotion, chanting all the songs of the orchestra; later in 2019, I returned to Cali, but with the orchestra “Noche Caliente” and soon we will return to the neogranadino country.

And with Juan Pablo Barrios, you were part of his wonderful jazz-salsa band? Hey, yes, I was part of that wonderful orchestra for 8 years.

I was part of that wonderful orchestra for 8 years.
With Juan Pablo Barrios, I was part of his wonderful jazz-salsa band.

Heyzer, with which of the percussion instruments do you feel better for its execution? My friend Carlos, with all the irons equally, that is: timbales, congas and bongos.

Also, Heyzer Cabrera has just become part of the musical project “Ritmo Caliente”, the group formed by the musicians: Cheo Navarro, Alfredo Naranjo, Jhoán Muñoz, José Soto, Miguel Urbina, Rodrigo Mendoza on vocals and of course, Heyzer on percussion and also the first personal single entitled “Mi social”, was recorded in Cabrera’s studios.

For those who wish to contact and hire the excellent percussionist Heyzer Cabrera, you can do so at 0412-9782696, through Instagram: heyzer_drums, atemporecords. Facebook: Heyzer Cabrera and A Tempo Récords.

with all irons equally, i.e.: timbales, congas and bongos.
Heyzer Cabrera has just become part of the musical project “Ritmo Caliente”.

From Salsa Escrita, International Salsa Magazine / www.SalsaGoogle.com and all its staff, we wish the greatest success to this bastion of Venezuelan percussion.

Facebook: Heyzer Cabrera, brilliant and virtuoso Venezuelan percussionist

Everything prior to the 20th century is in the History of Salsa, since what happened in the Caribbean is common to mankind.

As in the rest of the world, salsa in Venezuela entered in the 60s from the new sounds created in New York, and driven by musicians like Federico Betancourt (Federico y su combo latino), or radio programs like La hora de la salsa, although rumba and Cuban son were already rooted since the 40s and 50s.

Article of Interest: Johnny “Dandy” Rodríguez Jr.

See you next time and let’s keep on salsaing!

By: Professor Carlos Colmenarez from Barquisimeto, Venezuela

ISM: Fanny Almanera better known as La Sonera del Callao

On this occasion we have the opportunity to interview the Peruvian Sonera called Fanny Almanera also known as La Sonera del Callao, her nickname comes from her native country El Callao, Peru.

She was born on January 23 and is the 9th daughter of her parents (Don Héctor Almenara and Carmen Barreto), from a very young age she knew and learned many things about the music of both parents; in the lyrical genre thanks to his mother and his best teacher Dona Ana María Parodi and with respect to his father who is / was a collector of the best exponents of Salsa (especially Cuban and Puerto Rican music), both listened almost all the time to Justo Betancourt, La Lupe, Candido Fabre, Benny More, Ismael Rivera, Los Papines, Irakere, Luis “Perico” Ortiz, among others.

When she turned 16, she realized that she was passionately and in love with the dynamic salsa genre and made the decision to leave the choir and classical music, since her love and her taste is for the salsa musical, thanking her father greatly for showing her , show him and listen to the best collection of salsa music to date … “Music is like medicine … it fills the soul and innovates over time” and over time, while gaining his experience, his own audience would give him their nickname La Sonera del Callao and with the favor of God take his parents, especially his father, to Cuba.

Tribute to Omara Portuondo Living Legend of Cuba
Memory of the brave Sonero Cano

She also had the honor of participating for the first time in the choir to Junior Gonzales and alternate Grandes with Peruvian Orchestra such as Peru Salsa by Beto Villena, Las Estrellas de la Maquina by Boris Gomez, La Nueva Generación by Franco Covetto, during that time chosen as the best nobel voice of the salsa genre for the 80s; and at the same time he made several recordings for different groups, likewise he recorded an unpublished song of his own entitled “Yo Te Espero”.

Unlike other musicians, Fanny Almanera during this season met and currently has friends of renowned musicians, who interacted with her and her family, even before becoming a singer.

Memory of Ray Barreto and singing Adalberto Santiago de Fannia
Ray Barreto and singing Adalberto Santiago de Fannia

Between the 70s and 80s, Las Leyendas Latinas arrived in Peru with Ray Barreto and Adalberto Santiago, who gave him the great opportunity to sing with them “Quitate La Máscara”, then with Linda Caballero (La India), the song “Mi Primera Rumba ”, Then with the salsa pharaoh Oscar de León with the song“ Toro Mata ”and also with the great Lebrón Brothers with the song“ Sin Negro no hay Guaguancó ”. With the Owner of the Soneo Carlos “El Cano” ESTREMERA the song “Amame en Camara Lenta”, with Frankie Vazquez “El Cuarto de Tula”, with Yolanda Rivera the song “Rumba en el Patio”, Vity Ruiz brother of Frankie Ruiz the song “La Cura”, with Aldalbeto Santiago on the song “Nadie se Salva de la Rumba”.

In all these golden opportunities, he managed to ask her many questions to perfect her singing, including knowing more about how to rhyme the phrases and after a while with her imposing voice, Fanny captured the attention of the greats of salsa, representing Callao and for which the Chalaco people named it “La Sonera Del Callao”.

Souvenir of Linda Caballero best known India and Fanny La Sonera del Callao
Singing with Linda Caballero, the best known India and Fanny La Sonera del Callao

She tells us that she is very happy with this great experience acquired, especially that she met many internationally recognized artists, many met them in person and others thanks to social networks, expressed by many who have a very beautiful voice, which is why she sang many songs musical expressing that at the time of singing he likes it because it is his passion with all his steps (vocalization, expression, movement).

During the Covid-19 pandemic it affected her like the rest of the world, in her case the recordings of her musical themes could not be made as before since the recording studio did not work as before, she had to sing with a smaller group of people, they couldn’t get together to practice; Although he was on a halt due to the pandemic, he was able to record a challenger “El Virus Se Mata Con Musica”, invited by a Cuban musician which was also recorded by Cuban artists, which was successful as it was heard in different parts of the world.

Thank God, despite all the complications that arose regarding her musical career, she achieved many things during this pandemic and also remained active thanks to social networks and is currently activating social activities in clubs, where They work in small groups live or online.

Fanny Almenara, continues with her impeccable musical career, loving music and recording a song entitled “Amor de mis Amores”, a salsa version with the Orquesta NG del Callao Director Franco Crovetto.

For her vast artistic career, she was awarded by different musical associations and by the company Pinsen Callao, Asocosalsa Peru (Ceremony Tite Curet, Busto Hector Lavoe, Charlie Palmieri and 25 Anniversary of Artistic Life (Okonkolo Association) and a few days ago she received the award The Miami Radio Salsa Superior Award Director Richard Roman (“La Dama De La Salsa” Award)

Fanny La Sonera del Callao 2021
Fanny La Sonera del Callao the Los Award award from Radio Salsa Superior of Miami Director Richard Roman

After his voice reached Cuban pages like the page “Benny More”, “Un Millón De Adalsoneros” and “Al Son Del Pinar Del Rio” She was invited to the day of Son 8 de mayo led by the gentleman of son Adalberto Álvarez, later I also record a song authored by the Reyna del merengue Milly Quezada “Gracias A Ti” dedicated to those who are always in the front line such as doctors and nurses in Covid 19 and the latest that the production of the song La Sitiera Tributo has recorded to the Cuban diva Omara Portuondo in which Nelson Gonzales participated in the tres, Eddie Montalvo on the congas, Nohelia Zambrano from Colombia on the violin and Luis Perico Ortiz on the Trumpet

For more information:

  • Tik Tok: @fannyalmenara

Find out the details of the Guanajuato Salsa Congress 2022.

There is a great variety of folklore and tastes among the inhabitants of each country throughout the world and this time we have Mexico, which is the fifth largest country in America, with a great variety of cities and partially different customs and in Guanajuato It is a state of the Mexican Republic little studied in terms of traditional musical and dance manifestations, surely because there is one of the most important industrial corridors in the country.

Guanajuato Salsa Congress Logo
Guanajuato Salsa Congress 2022 Logo

For the year 2022 in the state of Guanajuato it will be held, this being its 2nd. Edition of the Latin dance and music congress, based in the city of Guanajuato, Mexico. For all people interested in learning, competing and / or showing their talent regardless of their style and / or age.

There will also be competitions of:

  • Ladies shines Salsa open category
  • Ladies shines Bachata open category
  • Sauce same gender Open category
  • Amateur Bachata couple – student
  • Amateur Salsa couple – student

The Guanajuato Salsa Congress 2022 will be held at the Hotel Real de Minas, Guanajuato, Gto. Mexico, where its musical environment will emerge thanks to the Official Dj Salsero, Dj Mr Swing, Dj Wagner, Dj Boss and Dj Cordero, where you can dance to the best musical themes that exist in these times and with them do the various planned activities.

The Socials will be held on Friday 28, Saturday 29 and Sunday 30 of January 2022, where people will be able to unfold and get to know each other and practice their dance steps and with the shows that will take place, they will make it a great show since they will be In charge of great dancers recognized internationally and nationally, where Salsa, Cha cha cha, Bachata, Afro-Cuban and Kizomba workshops will be held.

We are pleased to inform you that among the artists already confirmed are the following:

  • In the sensual bachata genre we will have Juan Pedro Navarro and Diana Alducin (Mexico), @JuanPeyDianaOficial who come to share with all their spectators and participants their dance steps in the workshops and shows.
  • In the Afro-Cuban genre we have Adrián Arellano (Mexico), follow him through his Facebook page and Instagram @ Salzumba-Adrian-Arellano.
  • La Pachanga we have the pleasure of being instructed by the professional dancer Shani Talmor (New York), if you want to know more about her follow her through @ShaniTalmor.
  • The dancer (China-Mexico) Rubén Lee will be teaching us Mambo on2, know his skills through his website @ RubenLeeDance.
  • In Salsa / Mambo Fusión we have the dance couple Selene Tovar and Enrique Jarquín (Mexico) @ EnriqueJarquinOficia, where you will learn a lot with them this wonderful Salsa / Mambo fusion.
  • In Bachata Dominicana we have the director of @bachateros_con_ashe Oskar Hdz (Mexico)
  • And the Kizomba classes with the dancer Kali Kali (Mexico), you can contact her through @kalikalidjwah.
Guanajuato Salsa Congress 2022
Guanajuato Salsa Congress flyer

The cost of the tickets of the first presale will last until August 31, however through the following pages you will be able to know the new costs:

  • Fullpass $ 900
  • Danserpass $ 800
  • Fullpass + 3 hotel nights $ 1800 based on a quadruple room.

Payments and / or deposits:

  • BBVA Bancomer account: Juan Sergio Cordero Barrera 156 113 3923 Clabe Account 012 180 0156 1133 9238

If you want to have more information or about the cost and payment of the Guanajuato Salsa Congress 2022 tickets, you can consult it through the following means:

  • Facebook e Instagram: @GuanajuatoSalsaCongress
  • Telefono: +52 4771798966

 

Larry Harlow ¨El Judío Maravilloso¨ Salsa Legend

He is a traditional and important figure in Latin music.

Pianist, Multi-Instrumentalist, Arranger, Composer, Producer and Musical Director Lawrence Ira Khan “Larry Harlow el Judío Maravilloso” was born on March 20, 1939, in Brooklyn, New York, USA.

He traveled to Cuba in the ’50s, at which time he established his residence and began to study Afro-Cuban music. After gaining experience, he returned to New York to develop his own style and created his group “The Harlow Orchestra”.

Later, he participated in “The Fania All Stars”. During his years with Fania, Harlow recorded 35 albums as the leader of his own orchestra and another 20 as a member of Fania.

Harlow ha participado activamente en giras internacionales y en las principales ciudades de Estados Unidos. Actualmente, además de tocar con su banda, Harlow graba y dirige videos para artistas líderes en Estados Unidos y Europa.
Larry Harlow, creator and innovator of salsa.

He also produced more than 200 recordings for other artists, created and composed the first salsa opera, “Hommy”, which he orchestrated, directed and performed in New York and Puerto Rico.

Harlow stays active on international tours as well as in the main cities of the United States. In the present day, in addition to playing with his band, Harlow records and directs videos for standout artists from the United States and Europe.

Larry Harlow, a salsa composer.

The Latin music iconic pianist’s career in 10 recordings that marked an era and the history.

Heavy Smokin’ (1966)

Impresionado con la forma de tocar de la orquesta, Masucci se acercó a su líder, un joven pianista de origen judío llamado Larry Harlow, y le ofreció un contrato discográfico. Harlow sería el primer artista firmado con el nuevo sello Fania Records. Grabado con el cantante cubano Felo Brito, este primer LP incluye "La juventud", además de "Chez José", un homenaje al conjunto donde todo comenzó.
Heavy Smokin (1966)

In 1964, future salsa impresario Jerry Masucci went to the Chez José club to go dancing with his girlfriend in Manhattan. Impressed with the orchestra playing, Masucci approached its leader, a young pianist of Jewish origin named Larry Harlow, and offered him a record contract. Harlow would be the first artist signed by the newly-opened label of Fania Records. Recorded with Cuban singer Felo Brito, this first LP includes “La juventud”, as well as “Chez José”, which was a tribute to the club where it all started.

Presenta a Ismael Miranda (1969)

Aunque sus personalidades son completamente distintas, Harlow y Miranda graban una serie de LP explosivos con ritmos afrocubanos. Esta es su segunda colaboración y presenta algunas canciones de boogaloo, que estaba de moda en el momento. El bajista es Bobby Valentin, quien aporta tres temas, entre ellos el swing letal de "La Contraria".
Presenta a Ismael Miranda (1969)

In the late 1960s, Harlow found the singer who would bring his group to the aristocracy of salsa: a young Puerto Rican boy named Ismael Miranda. Although their personalities are completely different, Harlow and Miranda record a series of explosive LPs with Afro-Cuban rhythms. This is their second collaboration and features some boogaloo songs, which was the fashion of the moment. The bassist is Bobby Valentin, who contributes three songs, including the lethal swing of “La Contraria”.

Abran Paso! (1971)

Su sonido de trombón y trompeta alcanza un paroxismo de sabor en Abran paso !, anclado en tan maravillosas composiciones de Ismael Miranda como "Abandonada fue", "Donde llevas el son" y "Dolor y amor". El cantante aporta su sensibilidad puertorriqueña, mientras que las orquestaciones de Harlow se nutren de la tradición del son cubano. Una combinación de electrizante éxito artístico y comercial.
Abran paso! (1971)

While collaborating with the legendary Fania All Stars as a keyboard player, Harlow feverishly records, taking advantage of the explosion of salsa as a cultural phenomenon. His trombone and trumpet sound reaches a paroxysm of flavor on Abran paso!, anchored in such wonderful compositions made by Ismael Miranda as “Abandonada fue”, “Donde llevas el son” and “Dolor y amor”. The singer brings his Puerto Rican sensibility, while the orchestrations of Harlow are nurtured in the tradition of Cuban son. An combination of electrifying artistic and commercial success.

Homenaje a Arsenio Rodríguez (1971)

Junto a Miranda, compuso la canción "Arsenio", una salsa fuerte con sabor cubano y un clima de melancolía desgarradora. El resto del LP, que fue grabado en una sesión de ocho horas, está dedicado al repertorio de Rodríguez, con versiones extraordinarias de "Tumba y bongo", "No me llores" y "El terror", entre otros. Indispensable.
Tribute to  Arsenio Rodríguez (1971)

When Arsenio Rodriguez (musical genius, blind, and pioneer of Cuban son passed away in Los Angeles in December 1970) Harlow quickly decided to record an LP dedicated to his work. Along with Miranda, he wrote the song “Arsenio”, a strong salsa with Cuban flavour and a climate of heartbreaking melancholy. The rest of the LP, which was recorded in an eight-hour session, is dedicated to Rodríguez’s repertoire, with extraordinary versions of “Tumba y bongo”, “No me llores” and “El terror”, among others. Indispensable.

Hommy A Latin Opera (1973)

Inspirado en la ópera rock Tommy del grupo inglés The Who, grabó Hommy, con la participación de Cheo Feliciano y Pete "El Conde" Rodríguez, entre otros. Harlow le pidió a Celia Cruz, que estaba desatendida por la industria de la música en ese momento, que cantara "Gracia Divina", que resucitó su carrera.
Hommy A Latin Opera (1973)

In the early 70s, Ismael Miranda decided to leave the orchestra of Harlow and pursue a solo career, which would cause animosity between them for a long time. Harlow began developing ambitious projects. Inspired by the rock opera Tommy by the English group The Who, he recorded Hommy, with the participation of Cheo Feliciano and Pete “El Conde” Rodríguez, among others. Harlow asked Celia Cruz, who was neglected by the music industry at that time, to sing “Gracia Divina”, which resurrected her career.

Salsa (1974)

Bajo el sencillo título Salsa, rinde homenaje a las raíces cubanas de la música tropical, combinando el sonido del trombón y la trompeta con dos violines que evocan la estética charanga de grupos como la Orquesta Aragón. Con "La cartera", una versión de una canción de Arsenio Rodríguez, Harlow logró su mayor éxito. Gracias a los cantantes Adalberto Santiago y Junior González surgió el sobrenombre de "El Judío Maravilloso"
Salsa (1974)

Harlow recorded one of his most significant albums in just two days. Under the simple title Salsa, it paid tribute to the Cuban roots of tropical music, combining the trombone and trumpet sound with two violins that evoke the aesthetics charanga made by groups like Orquesta Aragón. With “La cartera”, a cover version of a song by Arsenio Rodriguez, Harlow achieved his biggest hit. Thanks to singers Adalberto Santiago and Junior González, the nickname “El Judío Maravilloso” came about.

El Judío Maravilloso (1975)

Este LP del año 1975 sigue explotando un sonido épico con marcada influencia cubana. El tema de apertura, "El dolorcito de mi china", de Arsenio Rodríguez, tiene una duración de 10 minutos e incluye un solo de piano lleno de virtuosismo y expresividad. El auge de la carrera del tecladista no mostró signos de desvanecimiento, como lo demuestran sus versiones de "Buenavista guaguancó" y "El negrito ñéngere", así como el instrumental psicodélico "Latin Roots", compuesto por el propio Harlow.
El judío Maravilloso (1975)

Harlow continued to record prodigious albums, now with Junior Gonzalez as lead vocalist. This LP of the year 1975 continues to exploit an epic sound with a amarked Cuban influence. The opening track, “El dolorcito de mi china”, by Arsenio Rodriguez, lasts 10 minutes and includes a piano solo full of virtuosity and expressiveness. The peak of keyboard player’s carrer showed no signs of fading, as demonstrated by his versions of “Buenavista guaguancó” and “El negrito ñéngere”, as well as the psychedelic instrumental “Latin Roots”, composed by Harlow himself.

La Raza Latina (1977)

Harlow participó de esta tendencia con un musical, A Salsa Suite, que describe la evolución del género tropical desde África hasta el Caribe, pasando por Nueva York de los años 50 y 60 y culminando con una canción dedicada al futuro. Harlow contrató a Rubén Blades para que fuera su vocalista, aunque este no es su mejor momento. Un disco fallido y breve, pero fascinante en su ambición conceptual.
La Raza Latina (1977)

At the end of the 70s, salsa is fertile ground for grandiloquent experiments of a symphonic character. Harlow participated in this trend with a musical, A Salsa Suite, which describes the evolution of the tropical genre from Africa to the Caribbean, passing through New York of the 50s and 60s and culminating in a song dedicated to the future. Harlow hired Rubén Blades to be his vocalist, although this is not his prime. A failed and brief album, but fascinating in its conceptual ambition.

Larry Harlow presents Latin Fever (1978)

A fines de la década de 1990, cuando el interés por la salsa clásica había ido en aumento, formó la banda Latin Legends con el conguero Ray Barretto y el cantante Adalberto Santiago. Este primer disco cuenta con la participación de Pete "El Conde" Rodríguez (unos años antes de su muerte) e Ismael Miranda. El sonido es cálido y orgánico, enfatizando el conocimiento musical de estos veteranos. Según Harlow, era su banda favorita para tocar en vivo.
Banda de leyendas latinas de Larry Harlow (1998)

Harlow always showed the eclectic trends of a cosmopolitan musician. In 1970, for example, he recorded a rock record in the style of Chicago band with the group Ambergris. In 1978, he produced this fascinating LP by Latin Fever, a group consisting of 14 female singers and instrumentalists. These include percussionist Susan Hadjopoulos, who would become famous with English Joe Jackson, and the singer Ada Chabrier, who also collaborated with Ray Barretto and Willie Colón. A rarity that is worth discovering.

Larry Harlow’s Latin Legends Band (1998)

Harlow continued to record high-quality LPs in the 1980s. In the late 1990s, when the interest in classic salsa had been increasing, he formed the band Latin Legends with conguero Ray Barretto and singer Adalberto Santiago. This first album includes the participation of Pete “El Conde” Rodríguez (a few years before his death) and Ismael Miranda. The sound is warm and organic, emphasizing the musical knowledge of these veterans. According to Harlow, it was his favorite band to play live.

The Jewish Salsa Pianist, Innovative and Irreverent

This day 20 / 8 /2021 and after 32 days hospitalized “El Judío Maravilloso” Larry dies in New York at 12:30 a.m. from complications as a kidney patient that weakened his already weary heart.

Words of his wife Maria Del Carmen Harlow-Kahn

“Mi Amore, you are already free to play your music in the celestial orchestra. Thank you for the honor of accompanying you and loving you till the end of your life. 

You will live forever in my heart and in the hearts of all who love your music and your huge legacy, fly high my Wonderful Jew and rest in peace.”

Sources:

Ernesto Lechner de AAPR

Artículo de interés: La voz de Markolino Dimond y su irreverente piano en Funk / Soul & Funk-Disco “The Alexander Review

Europe – September 2021

Estandarte morado y rosa con el logo actual de AWAL

Banner rojo y negro con el logo actual de Kobalt

Estandarte mostaza y blanco con la imagen del taller Alocubano Salsa Festival

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 96
  • Page 97
  • Page 98
  • Page 99
  • Page 100
  • Interim pages omitted …
  • Page 114
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.