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 “Traigo Melao” his third and most recent production

The 2012 Grammy® winner and Dominican Percussionist based in Miami, Daniel Peña brings back a dream team for his new album titled “Traigo Melao” in a remastered and limited edition production available today on all digital platforms.

It is an album that contains 9 songs, it is very special for me, not only because of the musicians and singers that accompany me, but also because it includes important songs in my life such as ‘Lirio de los Lirios’ where there is a version played by my dad on acoustic accordion, remembering my childhood when he played it for me and my brothers, but there is also another version of this same song played by Bobby Cruz as a tribute to my father” expressed emotionally Daniel Peña who presents his third studio production.

This album was masterfully interpreted by artists Ismael Miranda, Meñique, Raulin Rosendo, Hector “Pichie” Perez, Odilio Gonzalez, Paquito Guzman, Bobby Cruz, José Alberto El Canario.

Among the top musicians that “Traigo Melao” includes along with its producer and percussionist Daniel Peña, Charlie “Bongo” Santiago, Charlie Sierra, Eddie Montalvo, Sammy García, Tito de Gracia, William “Kachiro” Thompson, Gamalier Reyes, José Madera, John “Dandy” Rodriguez Jr. and Juan Pablo Romero on percussion, while David Irrizary, Diego Giraldo, José Manuel Gutierrez, Johnny Silva, Gamalier Reyes, Jesús “Gumby” Navedo, León Cheva, José Arroyo, Paquito Gúzman and Cheito Quiñonez on backing vocals.

On piano were Gilberto “El Pulpo” Colón, Ricky González, Luis Marin, Óscar Hernández, Richie Ray, Andy Guzman, Carlos Infante and Antulio Mora, while on trumpets were Julián Cifuentes, Carlos De León, Dante Vargas, Ivan Alejandro Odio, Luis “Papo” Marquez and on trombones were Reynaldo Jorge, Daniel López, Alexander Zapata and José Berrios.

Also playing bass on the songs were the talented Salvador Cuevas, Maximo Rodriguez, Luis Rodriguez, Ramses Colon, Pedrito Pérez, Sergio Munera, José R. Santiago and José Velázquez.

The album featured mixing and mastering by Victor “Sonny” Hernandez, acoustic guitar by Rigo Irizarry, violins and string arrangement by Gerardo Aguillon, tres by Nelson Gonzalez, accordion by Maricarmen Vazquez and saxophones by Jose Heredia, Luis Disla and Ismael Vergara.

Daniel Peña is a Dominican producer and percussionist who began his musical career at an early age. During the course of his career he has had the opportunity to record with countless renowned singers and musicians such as: Ismael Miranda, Richie Ray and Bobby Cruz, Jose Alberto “El Canario”, Paquito Guzman, Tito Allen, Larry Harlow, Nicky Marrero, Oscar Hernandez, Willy Rosario among others.

In 2014 he presented his first album titled “Eleven” and in 2017 his second musical project titled “Sancocho” with which he obtained great reviews from the music industry for its quality and high care…

He was a 2012 Grammy® winner and is part of the Remo family featuring his custom congas courtesy of Remo. He is also endorsed by Vic Firth, Soultone Cymbals and Jorg Gray.

Source:

WebSite: Daniel Peña

Official Release https://www.notaoficial.com/s/2021/06/08/daniel-pena-presenta-traigo-melao/

By: Diana Marie Miami Correspondent for International Salsa Magazine.

Article of Interest: Roniel Alfonso Mella Music Producer, Orchestrator, Composer and Instrumentalist

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Jesus Pagan and his Orchestra Salsa Artist, Singer, Composer and Producer.

He began his musical career in 1991 as a percussionist and backup singer with various tropical music and nueva trova groups in Puerto Rico, being the Andrés Jiménez “El Jibaro”‘s group the best known amont those at that time.

In 1997, Jesús moved to the state of Massachusetts to get on with his life and continue his duties privately until he was invited to share a rehearsal of the Carlos Pabón’s orchestra, brother of salsa singer David Pabón.

That is when he again took the path on music, this time, as a lead singer. His name quickly ran throughout New England letting slip that this little guy was a great singer and sonero. Local orchestras such as The Latin Heartbeat, Komboloko, Ray Gonzalez, Eguie Castrillo and Frankie Rodriguez Y Homenaje A La Salsa immediately opened to him the doors and opened the plate to stand out as a great singer and sonero.

By 2008 Jesus Pagan was counting in a vast experience as a singer, sonero and composer, so he decided to release his first album under the title “Salsa De La Mata” becoming the new sense of the art of soneo in the genre he loves, Salsa. This album immediately became a classic of modern salsa.

Figures such as Hector “Maximo” Rodriguez, Eddie Montalvo, Ray Castro, Luisito Quintero, Joe Fiedler, Ray De La Paz and Lucho Cueto are among the talents in this recording which earned Jesus Pagan a Paoli Award and a U.S. Grammy Award nomination.

After this recording Jesus Pagan has released 3 other albums including one that he considers very special in his career which is “Ya Llego Conjunto Barrio”, “Somos Del Barrio” which he produced locally in the area of Springfield and Holyoke Ma. with musicians of the local salsa scene and internationally renowned figures.

Currently, Jesús Pagan is in the initial phase of what will be his new salsa work and has also recorded with other orchestras and artists in several genres as a guest artist, backup singer and composer.

Currently, Jesús Pagan also works as a chorister and singer for many of the best-known salsa artists in his environment. As a chorist, he has accompanied artists such as: Ismael Miranda, Tony Vega, Johnny Rivera, Adalberto Santiago, NG2, Frankie Negrón, Ray De La Paz, Raulin Rosendo, Wilmer Lozano, Héctor Tricoche, Tito Rojas, Roberto Blades, Willie González, Giro, Michael “El Buenon” and many others. As a singer, he has performed with: Larry Harlow, Richie Ray, George Delgado Y Conjunto Neoyorquino, Conjunto Classico, Alex Torres, Luisito Rey Y La Dinámica, Orquesta Dicupe and many others who have invited him to be part of special performances.

Recently, he returned from a super successful tour in Medellin, Colombia where he was the guest singer for the classic salsa orchestra from New York, the Dicupe orchestra in a sold out concert, over 10,000 people at La Macarena bullring.

His dreams realized include his performance at the most famous concert hall in the world, Carnegie Hall in New York City at a sold out concert with Puerto Rican percussionist Eguie Castrillo’s The Palladium Big Band and “The Gentleman of Salsa” Gilberto Santa Rosa featured as a guest artist by the year 2012.

Jesús Pagan also had the honor of being one of the main singers to salute the memory of Puerto Rican composer Rafael Hernández in a concert in his honour at the Mortenzen River Front Town Square in Hartford Ct and sang together with the son of the celebrated composer Chali Hernández.

Another of his achievements was to open 2 important concerts for renowned figures of the salsa scene. The first one at the UMASS Fine Arts a sold out concert with singer La India and the other one at the Boston City Hall for “Salsa’s bad boy” Willie Colon.

Jesús Pagan Y Su Orquesta Jesús Pagan & Conjunto Barrio

JD Productions Exclusive Artists

For booking: 413-297-8937 / 413-505-4745 E-mail: [email protected]

Artist Manager: Damaris Rivera de Pagan

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By: Erika Muñoz

La Mulata Rumbera

“Se Armó la Rumba en México“

International Salsa Magazine Correspondent

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Life is fun. Dare to live it

Bella Martínez was born in Puerto Rico. She is a graduate of Natural Sciences from the University of Puerto Rico, Río Piedras Campus. She lived in the state of North Dakota as a member of the United States Air Force. She completed her master’s in Health Services Administration and Quantitative Methods at Central Michigan University, Mount Pleasant, Michigan.

In 2016 she published Schizophrenic: Imaginary Episodes from a Different Life. In 2020 she wrote Insurrecta: Schizophrenic Chronicles of an Indomitable Life from Ediciones Scriba NYC. She maintains contact with her followers through the blog Life is beautiful, dare to live it. Her mission is to inspire Spanish-speaking people around the world to live life to the fullest.

Her writings have been published in several international literary anthologies, including: Divina, la mujer en twenty voices by Ediciones Scriba NYC -awarded at the International Latino Book Awards 2019, in Los Angeles, California- and in various editions of the poetry book Siglema 575, of minimalist poetry, Ediciones Scriba NYC. If you want to know more about Bella, you can do so by visiting Bellamartinezescribe.com or through her pages on Instagram, Facebook, Twitter, YouTube and Pinterest.

Bella Martinez I lead a pretty funny, sometimes complicated life; although I try every day to simplify it. I’ve even thought that one day I could be a minimalist…. Sure, in my own way; like everything else. I almost forgot to mention that I’m a vegan and a salsa dancer who dances until she collapses.

I should add that I love music that allows me to dance and express what is otherwise impossible to write or draw. In short; I dance salsa, I cook, I write and I dare to face whatever life brings me.

My mission is to inspire Spanish-speaking people around the world to dare to live a unique life because as I titled my blog: “La vida es bella…. Dare to live it”; I believe that life is to be lived the way you want it to be lived, doing good without looking out for others. I invite you to take a look at my blog .

I post about dance, music, beauty, fashion, vegan cooking, literature and everything else I can think of. Well, at least that’s the intention.

As for my narrative; and according to my great friend of always, Dr. Lopez Feliciano: “Through humor, and the narrative of the transgenerational transmission of the tribe, core values such as freedom, truth, integrity and fidelity are exposed.

The schizophrenic chronicles unveil an imaginary world in which cats, heifers, lice, mice are personified; and shoes, brooms, cars, keys and paper dolls are animated. The approach to reality is fantastic spun with ideas of references that are only experienced by an untamed life.”

And I say, “I expose in my memoirs through wacky stories and mocking the harsh daily reality of an ordinary routine; visiting stamps of my memories and nostalgically longing for the peasant activities of my ancestors whom I remember daily. You can’t help but fall in love with my picturesque narrative…”

The memories of Jimmie Morales comes to us from the pen of Puerto Rican writer Bella Martínez. In this new proposal by Martinez, she herself reported that: “it details the memoirs of the conga player who made his way into the world of salsa to become one of the most influential percussionists in the genre he has dedicated his life.”

The official launch of this daring text in which the author stresses the importance of our music and the influence that Puerto Rican performers have had throughout the history of salsa beyond our shores was on Thursday 19 November 19 2020.

This launch coincided with Puerto Rican’s Day. The list of contributors Bella counted on during drafting included the maestro Willie Rosario, who wrote the prologue, and the most prolific soloist of commercial salsa: Gilberto Santa Rosa, who wrote the introduction and the back-cover text. The virtual presentation of Un conguero para la historia was sponsored and streamed through the Instituto de Cultura Puertorriqueña.

The text is available in paper form through the following links:

Amazon.com – Global:

Un conguero para la historia: Las memorias de Jimmie Morales (Paperback).

Walmart.com:

Un conguero para la historia, Las memorias de Jimmie Morales (Hardcover).

The book is also available at:  – Fundación Nacional para la Cultura Popular, Old San Juan – Puerto Rico.

– El Candil Library, Ponce – Puerto Rico

– Laberinto Library, Old San Juan – Puerto Rico

– Pure Sound, Bayamón – Puerto Rico

– RZayas Music, Juana Días – Puerto Rico

– The Bookmark, San Patricio Plaza – Puerto Rico

In the following text, fro-Antillean music researcher and Colombian journalist Robert Téllez Moreno, who is a biographer of Ray Barretto and Willie Rosario, summarizes what the reader will find in the memoirs that the conga player Jimmie Morales shares with his followers through the voice of Bella Martínez:

Percussionist Jimmie Morales was born in Bridgeport, Connecticut. The son of Puerto Rican parents and owner of a natural talent, he developed an interest in music when as a child he listened to groups such as The Beatles and The Rolling Stones.

As from 1967, Jimmie and his family settled in Puerto Rico, from where his connection with Afro-Caribbean music emerged, after having listened to various Cuban, Puerto Rican and New York conga players such as Ray Barretto, Patato Valdez, Candido Camero, Mongo Santamaria, Johnny ‘Dandy’ Rodriguez, Milton Cardona and Eddie Montalvo, among others.

His first approach to the instrument occurred when his neighbor, Rubén Beltrán allowed him to play congas at his home. Later, he joined the youth group ‘La Justicia’ , with which he began to work permanently, while having his own instrument given away by his father.

After three years of work with ‘La Justicia’, Jimmie Morales joined Beto Tirado’s ‘La Predilecta’, in which he remained until he joined Tito Allen’s orchestra to work as a conga player until 1978, when he received an invitation from the maestro Willie Rosario, ‘Míster Afinque’, to join his orchestra in place of Papo Pepín.

According to Jimmie Morales, during those eight consecutive years, he lived his most formative stage, and what he considers his “formal training in the music industry”. This happened when he was a member of Willie Rosario’s orchestra, which was one of the greatest institutions of the salsa movement.

With Willie Rosario’s orchestra Jimmie Morales participated in the productions: ‘El Rey del ritmo’, ‘El de a 20 de Willie’, ‘The Portrait of a Salsa Man’, ‘Atízame el fogón’, ‘The Salsa Machine’, ‘Nuevos Horizontes’, ‘Afincando’ and ‘Nueva Cosecha’.

In 1986, Jimmie Morales joined Gilberto Santa Rosa’s nascent orchestra ‘El Caballero de la Salsa’, participating in multiple recordings and traveling the world.

At the same time, Morales began an impressive career as a top-level studio musician. He received credit for hundreds of recordings of such artists as: Lalo Rodríguez, Oscar León, Paquito Guzmán, Eddie Santiago, David Pabón, Héctor Tricoche, Edgard Joel, Marvin Santiago, Tito Rojas, Rey Ruiz, Ismael Miranda and Frankie Ruiz, the latter, with this latter he participated in all his solo albums.

As an accompanying musician, Jimmie Morales has appeared as an accompanying musician on hundred of recordings of great figures such as: Willie Colón, Ismael Miranda, Juan Luis Guerra, Tito Nieves and Jerry Rivera, among many others.

In 2010, as a leader of his own proyect, Jimmie Morales released ‘El Tumbao’ with the songs “Píntate Los Labios María” popularized by Cuban guitarist of the Buena Vista Social Club Elíades Ochoa and arranged Louis Cruz, who was Ray Barretto’s pianist in the 70s. The recording also includs “The Continental”, a jazz standard, arranged by seasoned José Madera, who was percussionist and arranger for Tito Puente’s orchestra for more than 30 years.

Recently, Jimmie Morales has contributed with his talent to the recordings: ’40… y contando en vivo desde Puerto Rico’ by Gilberto Santa Rosa, an album that captures one of the most emotional nights of the recent tour of the ‘Caballero de la Salsa’ and ‘Opus’, the eighth album by singer Marc Anthony, and recorded at Art House Society and Criteria Studios in Miami under the direction of multi-Grammy Award winning pianist and producer Sergio George.

Jimmie Morales, continues his commitment to music, from the area of pedagogy, sharing his experience and knowledge through workshops and clinics provided to young people from different countries, who have a genuine interest in music.

Bella Martínez: Amazon

 

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