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Search Results for: Festival

Australia and New Zealand / March 2025

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Directory of Australian and New Zealand nightclubs

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AUSTRALIA

Azuquita
Azuquita Entertainment & Productions
Sydney NSW, Australia 2000

Bachata ConeXión
Bachata ConeXión
497-499 Queensberry St
North Melbourne VIC 3051, Carlton, Australia 3053

Uruguayan Club
Club Uruguayo de Sydney
56 – 62 Whithford Rd Hinchinbrook
NSW, Australia 2168

El Giza
El Giza Lounge & Bar
152 Lygon Street
Carlton VIC 3053, Australia

La Bodega
La Bodega
12 Fitzroy street St
Kilda VIC, Australia 3182

Noun
Noun Green Square
355 Botany Road Zetland
NSW, Australia 2017

Pachanga
Pachanga
380 Russell St
Melbourne VIC, Australia 3000

The Collaroy
The Collaroy
1064 Pittwater Road Collaroy Beach
NSW, Australia 2097

The Mustang Pub
The Mustang Bar
46 Lake Street Northbridge
Western Australia, WA, Australia 6003

The Night Cat stage
The Night Cat
137-141 Johnston St, Fitzroy
Melbourne VIC, Australia 3065

Urban Salsa
Urban Salsa
Level 1, Suite 1, 136 Victoria Rd North Parramatta
NSW, Australia 2151

Vodka Temple
Vodka Temple
162 Lygon Street
Carlton VIC, Australia 3053

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NEW ZEALAND

El Barrio
El Barrio Latino Bar
35 Dixon Street
Wellington, New Zealand
+64 4-333 0261
Karina Bernales present

MARCH 2025

FESTIVALS

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AUSTRALIA
AWARE 03-25

AWAKE Festival

Mar 14 / 17 2025

Ibis Hotel
333 Murray St.
Perth, Australia WA 6000

From $ 272.13

Asia / March 2025

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Directory of Asian nightclubs

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HONG KONG

Graffiti LKFGraffiti LKF
G/F, 17-18 Lan Kwai Fong, Central
Central, Hong Kong
Solar LKFSOLAR LKF
Central 2nd Floor, Ho Lee Commercial Building, 38-44 D’Aguilqr Street, Lang Kwai Fong Central
HKI Hong Kong
Sole Mio RestaurantSole Mio
Upper Ground Floor, 51 Elgin Street, Soho
Central Hong Kong, Hong Kong

ISRAEL

Havana Music Club
Havana Music Club
Yigal Alon St 126
Tel Aviv-Yafo, Israel
+972 3-562-3456

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JAPAN

Egoland
Egoland Bar Akihabara
Chiyoda City, Kanda Sakumacho, 4 7-3 2F
Tokyo, Japan
Bar MirageBar Mirage
5F VORT Roppongi Briller, 3-14-14 Roppongi, Minato-ku
Tokyo 106-0032, Japan
+03-5860-6946
FiestaFiesta Latin Spot Bar
3F, 1 Chome-14-6 Kabukicho, Shinjuku City
Tokyo 160-0021, Japan
+81 90-1086-2878
El Cafe Latino TokyoEl Cafe Latino

3 Chome-15-24 Roppongi, Minato City
Tokyo 106-0032, Japan
+81 3-3402-8989

Latin Club Leon
Latin Club Leon
5-17-6 B1 Shinjuku, Shinjuku-ku
Tokyo 160-0022, Japan

La Tropi Azabu
La Tropi Azabu
3F Roppongi Azelea Bldf. 1-3-6 Nishi-Azabu, Minato-ku
Tokyo1060031, Japan

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THAILAND

bAFROS lOUNGE
Bafros
Sugar Club Complex Sukhumvit Soi 11
Bangkok 10110, Thailand
+66 63 039 8700

Havana Social Cocktail Bar
Havana Social
1/1 Sukhumvit Rd. Soi 11
Bangkok, Thailand
+66 2 821 6111

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VIETNAM

La Habanera Vietnam
La Habanera
Basement 81 xuân diệu Tay Ho
Hanoi 100000, Vietnam
+84 35 320 7220

La Pachanga Saigon
La Pachanga Club Saigon
3rd Floor, 39A Co Bac Street, Cau Ong Lanh Ward, District 1
Ho Chi Minh City 700000, Vietnam
+84 93 855 79 21
Karina Bernales present

MARCH 2025

FESTIVALS

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VIETNAM
Vietnam International Latin Festival 03-25

Vietnam International Latin Festival

Mar 27 / 30 2025

VCCI Tower
Dao Duy Anh St.
Hanoi, Viet Nam

From $ 175

Europe / March 2025

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Directory of European nightclubs

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CZECHIA

La Macumba 2024
La Macumba
Štefánikova 230/7 150 00
Prague, Czech Republic

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FRANCE

Canela
Canela Club Latino Paris
77 Rue du Faubourg du temple 75010
Paris, France

Cuba Compagnie
Cuba Compagnie Café
48 BD Beaumarchais 75011
Paris, France

Cubana
Cubana Café
47 rue Vavin 75006
Paris, France

La Pachanga
La Pachanga Officiel
8, rue vandamme 75014
Paris, France

La Peña
La Peña Saint Germain
3 passage de la Petite Boucherie 75006
Paris, France

Balajo
Le Balajo
9 rue de Lappe 75011
Paris, France

Pachamama
Pachamama PARIS
46 rue du Faubourg Saint Antoine 75012
Paris, France

Selsero
Salseroparis
9 Rue du Petit Pont, 75005
Paris, France

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GERMANY

Cascadas
Cascadas
Ferdinandstr. 12
20095 Hamburg-Mitte, Germany

Havanna
Havanna Berlin
Hauptstr. 30
10827 Berlin-Schöneberg, Germany
La Macumba - The Real Latin Club in Hamburgs
La Macumba – The Real Latin Club in Hamburgs
Adenauerallee 3 20097
Hamburg, Germany

Latin Palace Changó
Latin Palace Changó
Münchener Strasse 57
60329 Frankfurt, Germany

SODA
Soda Club Berlin
Schönhauser Allee 36
10435 Berlin, Germany

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MALTA

Bario Latino Malta venue
Barrio Latino Malta
Ghar il Lembi Street SLM1562 Sliema
Central Region, Malta

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POLAND

Teatro Cubano
Teatro Cubano Warsaw
ul. Aleksandra Fredry 6 00-097 /> Warsaw, Poland

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SPAIN

ACM City
ACM CitY
Carrer Can Pallarès 2, Cerdanyola del Vallès
08290 Barcelona, Spain

Antilla
Antilla Barcelona
C/ d’Aragó, 141
08015 Barcelona, Spain

Azucar
Azúcar SalsaDisco
Calle de Atocha, 107
28012 Madrid, Spain

Disco Bar Cuba Live
Cuba Live
Ramón y cajal número 2
07011 Palma de Mallorca, Spain

El Son
Discoteca El Son
C. de la Victoria, 6
28012 Madrid, Spain

Prisma Discoteca
Discoteca Prisma
C. de Alcalá, 192
28028 Madrid, Spain

Discoteca El Edén Boliviano
El Edén Boliviano
Carrer Gremi de Tintorers, 49A
07009 Palma, Illes Balears, Spain

Mojito
Mojito Club
Rosselló, 217
08008 Barcelona, Spain

Morena
Morena Barcelona
calle 11 num.29
08860 Castelldefels, Spain
Que Chimba
Qué Chimba
Av. del Vallès, 117
08223 Terrassa, Barcelona, Spain
Sala Olvido Madrid
Sala Olvido
C/ Olvido 15
28026 Madrid, Spain
Seven Dance
Seven Dance (Dio Club)
Carrer del Perill 10
08012 Barcelona, Spain

The Host Madrid
The Host
C/ Ferraz nº 38
28008 Madrid, Spain
+34 918 05 36 48

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UNITED KINGDOM

Salsa Soho
Bar Salsa Soho
96 Charing Cross Rd
WC2H 0JG London, UK

Salsa Temple
Bar Salsa Temple
Victoria Embankment, Temple
WC2R 2PH London, UK

Juju's
JUJU’s Bar & Stage
Ely’s Yard 15 Hanbury Street
E1 6QR London, UK

Revolucion de Cuba
Revolucion de Cuba Leeds
64-68 Call Lane
LS1 6DT Leeds, UK

LightHouse
The LightHouse Bar & Club
62 Rivington Street
EC2A 3AY London, UK
 

 

 

 

 

 

Karina Bernales present

MARCH 2025

FESTIVALS

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AUSTRIA
Kizomba 03-25

Kizbomba Vienna Festival

Mar 21 / 24 2025

Best Western Smart
Nordring 4
Vosendorf, Austria 2334

From €77.72

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FRANCE
PALC 03-25

Paris Afro Latin Congress

Mar 21 / 24 2025

Paris Marriott Charles de Gaulle Airport
Zone Hoteliere, 5 All. du Verger
Roissy-en-France, France 95700

From € 70

I Will Dance Festival 03-25

I Will Dance Festival

Mar 13 / 17 2025

Clarion Suites Senart Hotel Paris Sud
12 Trait d’Union
Lieusaint, France 77127

From: € 91.19

Lion Kings Weekend 03-25

Lion Kings Week

Mar 28 / 31 2025

Shine Académie
10 Rue d’Arsonval
Chassieu, France 69680

From € 56,41

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GERMANY
WSDC 03-25

Euro Dance Festival

Mar 04 / 09 2025

Europa-Park
Europa-Park-Strase 2
Rust, Germany 77977

From € 590

Latin Fusion 03-25

Latin Fusion

Mar 14 / 17 2025

Conexión Dance School
Am Industriehof 7
Frankfurt, Germany 60487

From € 149

Berlin Salsa Fest 03-25

Berlin Salsa Festival

Mar 14 / 16 2025

Gaststätte Tegeler Seeterrassen
Wilkestr. 1-5
Berlin, Germany 13507

From € 139

One Day 03-25

One Day Congress

Mar 22 / 23 2025

Kaiser-Joseph-Straße
Freiburg im Breisgau
Freiburg , Germany 79098

Full Pass 105€

Munich Bachata Day

Munich Bachata Day

Mar 15 / 15 2025

Kunstlabor 2
Dachauer Str. 90
Munich, Germany 80335

From € 55

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ITALY
World Salsa Meeting 03-25

World Salsa Meeting

Mar 14 / 16 2025

Tower Genova Airport
Hotel & Conference Center
Via Pionieri e Aviatori d’Italia, 44
Genova, Italy 16154

From € 100

Karama 03-25

KARMA International Festival

Mar 14 / 16 2025

Klass Hotel
Ss Adriatica 16 km 371
Castelfidardo AN, Italy 60022

From € 140

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LITHUANIA
Dinastia 03-25

Dinastia World Dance Congress

Mar 13 / 16 2025

Radisson Blu Hotel Lietuva
Konstitucijos pr. 20
Vilnius, Lithuania 09308

From €140

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POLAND
El Sol 03-25

El Sol Festival Spring Edition

Mar 07 / 10 2025

Sound Garden Hotel
Żwirki i Wigury 18
Warsaw, Poland 02-092

From € 109

WoW 2025

World of Women

Mar 14 / 16 2025

Olympik Hotels Prague
Sokolovská 138
Prague, Poland 186 76

Meet Up 03-25

Warsaw Bachata Meet Up

Mar 21 / 23 2025

Warszawski Dom Technika NOT
Ulica Tadeusza Czackiego 3/5
Warsaw , Poland 00-043

From € 66

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PORTUGAL
Setubailas 03-25

Setubailas Bachata Festival

Mar 07 / 09 2025

Hotel do Mar
R. Gen. Humberto Delgado
Sesimbra, Portugal 2970-628

From € 63

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ROMANIA
SAF 03-25

Salsa Addicted Festival

Mar 13 / 17 2025

Hotel Boavista
Aleea F. C. Ripensia 7/A
Timisoara, Romania 300575

From € 130

Carpathian 03-25

Carpathian Latino Fest

Mar 14 / 16 2025

Ramada by Wyndham
Scuarul Mircea cel Batran, Nr. 2
Ramnicu Valcea, Romania 240480

From € 65

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Cluj Kizomba Festival

Mar 27 / 31 2025

Grand Hotel Napoca
Str. Octavian Goga nr.1
Cluj-Napoca, Romania 400698

From: € 100

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BCN Sensual Family Weekend

Mar 04 / 09 2025

Meliá Lloret de Mar
Av. Vila de Tossa, 27
Lloret de Mar
Gerona, Spain 17310

From € 135

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Bachatasia Sevilla Sensual Congress

Mar 06 / 09 2025

Hotel Vértice Sevilla Aljarafe
Av. República Argentina, 1
Sevilla, Spain 41930

From € 50

Life 03-25

Life Malaga Latin Congress

Mar 14 / 16 2025

Holiday World Polynesia
Rotonda de los Elefantes, Av. del Sol, 195
Benalmadena, Spain 29630

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KIM Madrid

Mar 14 / 16 2025

Hotel Isla de la Garena
C. Galileo Galilei, 18
Lloret de Mar, Spain 28806

From € 60

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Fever Bachata Zaragoza

Mar 14 / 16 2025

Hotel Diagonal Plaza Zaragoza
Avenida Diagonal Plaza, 30
Zaragoza, Spain 50197

From € 80

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Istanbul Dance Festival

Mar 19 / 24 2025

Hilton Istanbul Bomonti
Silahşör Caddesi 42
Istanbul, Turkey 34384

From € 150

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UNITED KINGDOM
Salsa On The Edge 03-25

Salsa On The Edge

Mar 21 / 24 2025

Ocean View Hotel
1-5 Park Road
Shanklin, United Kingdom PO37 6

Full Pass £ 250

 

How freelance musicians are viewed today

For several decades now, the exclusivity of the musicians in orchestras was forgotten, so now it is very common to see artists playing with many groups at the same time without being seen as traitors, as well as in the past. To know a little more about this interesting and important subject, we wanted to count with the views of our friends, Uruguayan bandleader, percussionist and singer Edgardo Cambón and Venezuelan bandleader and singer Omar Ledezma Jr., who have offered us their vision of things in the following lines of this article. 

Percussionist Edgardo Cambon
This is bandleader and percussionist Edgardo Cambon, with whom we talked in this opportunity

Freelance musicians according to Cambon and Ledezma

Before continuing, we believe it appropriate to define what a freelance musician is. In the words of Omar Ledezma, a freelancer in music is a concept of work in which the artist divides himself equally among many projects in which he participates and how well he organizes his time to strike the needed balance in all his professional activities.

Nowadays, there are many musicians who offer their work under this modality, so that they are not completely tied to any specific orchestra and can play with anyone who proposes them.

This is also the case for those who work this way, but at the same time, have their own project. This is the situation of Edgardo Cambón, who, having his own orchestra, has a very limited time for hiring and rehearsals, so he makes it very clear to those who invite him to play that his priority is his own group. 

The musician has even played with four or five orchestras at the same time, but always putting his project on top of everything else and notifying in advance if he will be able to play with any of them. 

Problems with dates and schedules

Many of these musicians constantly face conflicts with dates and schedules, so it is up to them to choose carefully which event takes precedence over another.

Edgardo has said that he is accustomed to notifying in advance, either two weeks or a month, so that the orchestra can replace him on time. There are certain events for which it is usually more complicated to find replacements, such as large festivals, so the Uruguayan also takes into account the size and importance of the performance, so that his absence does not cause a setback or damage to the group in question. 

In his role as a bandleader, he offers his musicians a list of possible replacements who can cover them the day of conflict. 

bandleader Omar Ledezma
Bandleader and percussionist Omar Ledezma Jr. also offers his view concerning freelance musicians

Meanwhile, Omar Ledezma, as well as a bandleader, says he always tries to provide his musicians with the greatest flexibility and possible replacements on hand to prevent those absences from causing problems.

What has caused the termination of exclusivity for musicians?

In the 70s, it was not seemly for a musician play for several orchestras, especially if he was the lead singer in a specific group, as public opinion took it as an abandonment of one orchestra for another. A lot of water has flowed under the bridge and this situation has cardinally changed for several reasons. 

One of them is that a big orchestra like Ray Barretto’s had the economic capacity to demand exclusivity, since it was a time when there was much more work. As there are fewer spaces for live music, it is the musician who must decide for himself to which project he gives precedence over another.

In addition, there are also many musicians who have a regular 9-5pm job, so they just have time for one orchestra and nothing else, so they do not have the possibility to accept more offers.

According to Edgardo, what changed was the economy of music and full-time artists’ need to work in six or more orchestras in order to make ends meet. Not to mention that there is less work and many bands have reduced their size, to the point that most groups do not have more than five members.

Edgardo Cambon playing
Musician Edgardo Cambon playing live some years ago

Original music 

When questioned about a possible decline in quality and lack of originality in the Latin music scene, Edgardo commented that this was not necessarily linked to freelance musicians, but to many orchestras’ fear of playing their own repertoire and their insistence on playing the hits that everyone knows. Otherwise, their owners and musicians think that nobody would want to go to their events.

In addition to that, many promoters, radio stations and media in general tend to be wary of supporting emerging bands’ original music, but the same old hits, except for some reggaeton artists or more trendier genres today.

What does a musician take into account when choosing one orchestra or another?

In addition to the economic factor, which as we said is very important, musicians also take into account how much they like the music played an orchestra and how much they have fun and enjoy being with a certain group.

On the side of bandleaders, there are two key factors to consider when keeping or firing a musician in their project and are responsibility and discipline. If a rehearsal or activity is already scheduled, it is necessary to always arrive on time and fulfill the commitment optimally. When these details are missing, things between musical directors and artists start to get tense, which can lead to an unpleasant work environment.

In the case of Omar Ledezma, as a musician, he always hopes to receive the music in advance so he can properly prepare for the performance, rehearsal or recording he attends, since one of the things he most dislikes in his project is when one of his musicians is not ready for the event. Therefore, he always does everything he can to prevent this from happening to him and to make a good impression with his performance.

The Venezuelan artist also emphasized that musicians have to be very aware of what they are capable of and be clear about what genres they are comfortable with, which will also help them make a better decision when it comes to staying or not in an orchestra.

Omar Ledezma playing
Omar Ledezma Jr. playing live some years ago

Conclusions

One of the things that Eduardo highlighted at the end of his participation is that, although the circumstances are not always ideal, the good musician always strives to give his best to the audience at every opportunity and with any orchestra. He stressed that music is what makes him most happy and that everything he has gained was thanks to it, which he dreamed since he was a teenager and he fully fulfilled it.

He also expressed that he can spend many hours in front of a computer working as a musician, but in front of an audience, his energy changes completely and he becomes a person who only enjoys what he does and wants the same for others.

For his part, Omar Ledezma Jr. said that each project has its time and opportunity. In his case, he is very clear about what he does and will do with each of his short and medium-term projects, whether it is a concert, a recording, a promotion, a music video, among other things. Being clear about what he wants in each project and organizing himself well are key for everything to go as well as it should be.

Read also: Peruvian singer Laura Bravo and her multiple projects in the Bay Area

Continues in the spanish repertoire “The Colonel has no one to write to him” by Gabriel Garcia Marquez

North America / USA / New York

During this month of March, the super theatrical production “The Colonel has no one to write to him” by Gabriel Garcia Marquez, continues in the Spanish Repertoire, the only company to present plays entirely in Spanish since 1968, subtitled in English, in New York City.

Gabriel Garcia Marquez
Gabriel Garcia Marquez

“The Colonel has no one to write to him” is under the direction of Colombian director Jorge Alí Triana and has a leading cast of wonderful Latin American theater, film and television actors such as: the first Colombian actor, Germán Jaramillo incarnating the Colonel and the first Cuban actress on the New York scene, Zulema Clares, playing the Colonel’s selfless wife. This play is an adaptation by Jorge Alí Triana and his daughter Verónica Triana to the novel published in 1961 by the Nobel Prize for Literature (1982) and world-renowned Colombian writer, Gabriel García Márquez.

The story of this theatrical piece focuses on the life of a retired colonel, who fought in the Colombian Civil War and since then has longed for his retirement pension, delayed for 15 years due to the country’s bureaucracy.

The Colonel has no one to write to him - Gabriel Garcia Marquez
The Colonel has no one to write to him – Gabriel Garcia Marquez

The thoughtful colonel lives with his unconditional wife in a situation of poverty and they only have a fighting rooster, the product of the inheritance of their deceased son, Agustín. The bird becomes, then, a possible salvation from his misery, since he questions whether or not to sell it to be able to eat, while every Friday he waits for the postman, who yells at him: “Nothing for the colonel.” Nobody writes to the colonel.”

According to statements made by director Jorge Alí Triana for the news outlet Efe, the play “The Colonel has no one to write to him”: “It is a play about dignity, about hope. Every transcendental work of art has a great metaphor and here is that of our peoples who have waited their whole lives with great hope that their situation will change”.

While for the actor Germán Jaramillo, the personification of the colonel has been quite a challenge. “Entering a character like the colonel is like entering the universe of Shakespeare… It is a very beautiful fable but it is also the story of power, old age, decrepitude and political struggle. And this character (the Colonel) in García Márquez’s perspective, which is also universal, achieves that greatness”. (Statements to an international media).

The bird and The Colonel has no one to write to him - Gabriel Garcia Marquez
The bird and The Colonel has no one to write to him – Gabriel Garcia Marquez

The play concentrates the action in the dialogues, maintains the atmosphere of the time and has a dramatic language.

 

Gabriel Garcia Marquez (Writter):

 

Gabriel García Márquez was born in Aracataca (Colombia) on March 6, 1927. He studied law at the National University of Colombia, but abandoned it to devote himself to journalism and literature.

In 1955, he published “The Leaf Storm”, his first novel. In 1961, he settled in Mexico City. That same year he published “The colonel has no one to write to him” and the following year “Big Mama’s funerals”. In 1967, he had “One Hundred Years of Solitude” published in Buenos Aires, the work that consecrated him worldwide. In 1972, he won the Rómulo Gallegos Prize and in 1982, the Nobel Prize for Literature.

Other of his great works are: “The Autumn of the Patriarch” (1975), “Chronicle of a Death Foretold” (1981), “Love in the Time of Cholera” (1985) and “News of a Kidnapping” (1996) . His memoirs were published in 2002 under the title “Living to tell the story.” On Thursday, April 17, 2014, at the age of 87, he died in Mexico City, being one of the most recognized, admired and influential authors of Latin American literature and culture.

 

JORGE ALI TRIANA (DIRECTOR):

Jorge Alí Triana was born in Colombia and is considered one of the most distinguished film and theater directors in Latin America. He studied film and theater at the Higher Academy of Arts in Prague. He is the founder of the Popular Theater of Bogotá. His films have been presented at the most important film festivals in the world such as Cannes, Sundance, Berlin, London and Mar del Plata.

His theatrical credits include “Chronicle of a Death Foretold”, “The Goat Party”, “Don Quixote”, “Blind Date”, among many others, for Repertoire Español. Triana has collaborated with Gabriel García Márquez in several film and theater projects, among them: “Time to die” and “Oedipus Alcalde”, the latter selected to be presented at the Cannes Festival in 1996.

Some of the recognitions that he has in his have are: 3 ACE Awards for Best Director; a Tucán Award for best film for “Time to die”, the Ombú de Oro and Ombú de Plata awards at the Mar del Plata Festival, both for his film “Bolívar Soy Yo!”, among others. Triana directs in Repertorio since 1992 and currently presides over her own production company “Dramax”, where she makes the TV series “Comando Elite” for the RCN – Colombia network.

Jorge Alí Triana
Jorge Alí Triana

GERMAN JARAMILLO (ACTOR):

Germán Jaramillo was born in Manizales, Colombia. His performances as an actor earned him awards as the best actor of the year in Colombia on several occasions. He starred in the film “La virgen de los sicarios” (2000), with which he obtained international nominations and awards.

He is also known for his performances in “Paraíso Travel” (2008) and the famous series “Narcos” (2015). Jaramillo is co-founder of ID Studio Theater in New York, of which he is the Artistic Director. He is also co-founder of the Teatro Libre de Bogotá (1973) and its Actors Training School (1988), where he worked as a resident actor, producer and director for almost 30 years with more than 40 productions. His credits in Repertoire Español include: “Blind Date”, “Bad Grass Never Dies”, “Aunt Julia and the Writer” and “Burundanga”.

German Jaramillo and Zulema Clares
German Jaramillo and Zulema Clares

ZULEMA CLARES (ACTRESS):

Born in Cuba and graduated from the National School of Art in Havana in the careers of Choral Direction and Theater Direction. She has worked in theater, film and television as an actress, playwright and director. She was the founder of the Argos Teatro de Cuba group in 1996 and soon after became one of the most acclaimed actresses on the Cuban scene for her performances in classics by Strindberg, Brecht and Calderón de La Barca, among others. She worked as an acting and directing teacher at the National School of Theater in Cuba.

His film credits include the leading roles in “The Nights of Constantinople”, “Three Times Two” (Silver Zenith, debut film, Montreal 2004) and “Long Distance”. He currently resides in New York and is part of the Spanish Repertory company of actors. His credits with the company include “La fiesta del chivo”, “La casa de Bernarda Alba”, “En el nombre de Salomé”, among many others.

 

Functions:

▪ Friday, March 02: 8:00 pm

▪ Saturday, March 03: 8:00 pm

▪ Sunday, March 04: 3:00pm

▪ Thursday, March 08: 7:00 pm

▪ Saturday, March 10: 3:00pm

▪ Friday, March 16: 11:00am and 8:00pm

▪ Thursday, March 22: 7:00pm

General Admission

▪ $30.00

logo repertorio - Gabriel Garcia Marquez
logo repertorio – Gabriel Garcia Marquez

Address: Spanish Repertoire. 138 East 27th Street, New York, NY 10016

 

“The colonel has no one to write to him.” An adaptation of the novel by Gabriel García Márquez as part of the 50th Anniversary of Spanish Repertory.

Do not miss it!!!

The bird and The Colonel has no one to write to him - Gabriel Garcia Marquez
The bird and The Colonel has no one to write to him – Gabriel Garcia Marquez

For more information visit: https://repertorio.nyc or follow them on Facebook: https://www.facebook.com/repertorionyc/

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.