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Search Results for: Grammy Award

Israel “Cachao” López, a Cuban musician and composer, has been hailed as “the Inventor of Mambo”

Born in Havana on September 14, 1918, and passing away in Coral Gables, Miami, on March 22, 2008, Israel “Cachao” López, often known simply as “Cachao,” was a Cuban musician and composer.

Israel Cachao López musico y compositor cubano, ha sido definido como el Inventor del Mambo
Israel Cachao López musico y compositor cubano, ha sido definido como el Inventor del Mambo

He became a legend in Cuban music with his masterful handling of the double bass and was renowned for his performances in mambo and Latin jazz.

His talent earned him two Grammy Awards (in 1995 and 2005), a Latin Grammy in 2003, an honorary doctorate from Berklee College of Music, and a star on the Hollywood Walk of Fame.

He has been described as “the inventor of mambo” and is considered a master of descarga (live improvisations).

He began by playing various instruments until he settled on the double bass, which allowed him, as a teenager, to join the Havana Philharmonic Orchestra, where his father and older brother also played.

“Cachao” left Cuba in 1962 with a long list of successes and stated in a 2007 interview that if it weren’t for his compatriot and colleague Dámaso Pérez Prado, “mambo would not have been heard worldwide.”

Israel Cachao López nacido en La Habana, un 14 de septiembre de 1918 y falleció en Coral Gables un 22 de marzo de 2008 en Miami
Israel Cachao López nacido en La Habana, un 14 de septiembre de 1918 y falleció en Coral Gables un 22 de marzo de 2008 en Miami

His first stop was Madrid, where he stayed for a year before emigrating to the United States. In the U.S., he resided in New York City, Las Vegas, and Miami.

López also played acoustic bass with his brother, the multi-instrumentalist Orestes López. They literally composed over 3,000 songs together and were highly influential in Cuban music from the 1930s to the 1950s.

They created the “nuevo ritmo” (new rhythm) in the late 1930s, which transformed the danzón by introducing African rhythms into Cuban music, ultimately leading to mambo.

He won several Grammy Awards for both his own work and his contributions to albums by Latin music stars, including Gloria Estefan. In 1995, he won a Grammy for Master Sessions Volume 1.

In 2003, he won a Latin Grammy for Best Traditional Tropical Latin Album alongside Bebo Valdés and Patato for El Arte Del Sabor. He won another Grammy in 2005 for his work ¡Ahora Sí!

His nephew, Orlando “Cachaíto” López, became one of the pillars of the famous Buena Vista Social Club.

Cachao performed with artists such as Tito Puente, and his music has been featured in films like The Birdcage and the soundtrack of the video game Grand Theft Auto: Vice City.

The Actor Andy Garcia produced a documentary titled Cachao… “Como Su Ritmo No Hay Dos” in 1993 about his music. He also shared stages with Celia Cruz and her husband Pedro Knight, as well as with trombonist Generoso Jiménez.

Leyendas de Nuestra Musica Latina Pacheco, Puente y Cachao
Leyendas de Nuestra Musica Latina Pacheco, Puente y Cachao

His last musical collaboration was with Gloria and Emilio Estefan on the singer’s album titled 90 Millas.

López passed away on the morning of March 22, 2008, in Coral Gables, Florida, at the age of 89, due to complications following kidney failure.

Cachao y Su Ritmo Caliente – Monte Adentro (2000)

Tracks:

  1. Monte Adentro (Cógele el golpe) (A. Castillo Jr.)
  2. Goza Mi Trompeta (O. Estivill)
  3. Guajeo de Saxos (E. Peñaver)
  4. Estudio en Trompeta (I. López)
  5. Gozar Timbero (O. Estivill)
  6. Trombón Criollo (O. Portillo)
  7. Malanga Amarilla (S. Contreras)
  8. Controversia de Metales (I. López)
  9. Descarga Cubana (O. Estivill)
  10. Pamparana (A. López)
  11. Sorpresa de Flauta (O. Estivill)
  12. Oye Mi Tres Montuno (A. Echevarria)
  13. La Floresta (O. López)
  14. Avance Juvenil (B. López)
  15. Redención (O. López)
  16. Descarga Mambo (D.P.) 

Musicians:

  • Israel López “Cachao” (Double Bass)
  • Guillermo Barreto (Timbales)
  • Tata Güines (Tumbadora)
  • Rojelio “Yeyo” Iglesias (Bongos)
  • Gustavo Tamayo (Güiro)
  • Alejandro “El Negro” Vivar (Trumpet)
  • Armando Armenteros (Trumpet)
  • Generoso “El Tojo” Jiménez (Trombone)
  • Oreste López (Piano)
  • Enemelio Jiménez (Alto Sax)
  • Emilio Peñalver (Tenor Sax)
  • Virgilio Lisama (Baritone Sax)
  • Richard Egües (Flute)
  • Niño Rivera (Tres)
  • Roliyo y Reyes (Chorus)

Recorded in Havana, 1957-1958

Cachao y Su Ritmo Caliente - Monte Adentro (2000)
Cachao y Su Ritmo Caliente – Monte Adentro (2000)

 

The tradition of being musicians comes from grandparents and great-grandparents, all the Cachaos are musicians.

By:

Dj. Augusto Felibertt

L’Òstia Latin Jazz

Also Read: Israel “Cachao” Lopez Sobrado in fame and respect in the seventies was dedicated to maintain the tradition at the highest level

Miguel Zenón is widely regarded as one of the most innovative and influential saxophonists and composers of his generation

“Miguel Zenón, this young musician and composer, is simultaneously re-establishing the artistic, cultural, and social tradition of jazz while creating an entirely new jazz language for the 21st century.”

Miguel Zenón is widely considered one of the most innovative and influential saxophonists and composers of his generation.
Miguel Zenón is widely considered one of the most innovative and influential saxophonists and composers of his generation.

Born and raised in San Juan, Puerto Rico, Zenón has released seventeen recordings as a leader, including his most recent, the Grammy-nominated Golden City (2024), and the Grammy-winning album El Arte Del Bolero Vol. 2 (2023).

He has collaborated with luminaries such as The SFJAZZ Collective, Charlie Haden, Fred Hersch, Kenny Werner, David Sánchez, Danilo Pérez, The Village Vanguard Orchestra, Kurt Elling, Joey Calderazzo, Steve Coleman, Ray Barreto, Andy Montañez, Jerry Gonzalez & The Fort Apache Band, The Mingus Big Band, and Bobby Hutcherson.

Zenón is a Grammy Award winner, a Guggenheim Fellow, a MacArthur Fellow, and a recipient of the Doris Duke Artist Award.

He also holds an honorary Doctorate of Arts from the Universidad del Sagrado Corazón.

Widely considered one of the most innovative and influential saxophonists and composers of his generation, he has also developed a unique voice as a conceptualist, focusing his efforts on perfecting an excellent blend of jazz and its many musical influences.

enón ha lanzado diecisiete grabaciones como líder
enón ha lanzado diecisiete grabaciones como líder

Zenón has released numerous albums as a bandleader and has appeared on over 100 recordings as a sideman.

Música de las Américas: A Masterpiece

With Música de las Américas, Puerto Rican saxophonist Miguel Zenón has created his finest album to date since his professional debut twenty-two years ago.

On this album, Zenón is accompanied by the same combo he has worked with on his recent projects, notably Venezuelan pianist Luis Perdomo, with the addition of some high-caliber percussion reinforcements from his native Puerto Rico.

He has worked with luminaries such as The SFJAZZ Collective, Charlie Haden, Fred Hersch, Kenny Werner, David Sánchez, Danilo Pérez, The Village Vanguard Orchestra, Kurt Elling, Joey Calderazz
He has worked with luminaries such as The SFJAZZ Collective, Charlie Haden, Fred Hersch, Kenny Werner, David Sánchez, Danilo Pérez, The Village Vanguard Orchestra, Kurt Elling, Joey Calderazz

Música de las Américas presents a very appealing balance across its eight tracks, weaving classic Latin jazz with more modern jazz forms, venturing into the turbulent waters of free jazz when necessary (as heard in ‘Venas Abiertas’), and incorporating traditional music from his homeland.

Zenón’s compositions aim to reflect the dynamism and complexity of indigenous American cultures (‘Taínos y Caribes,’ which opens the album), as well as their encounters with Europeans and the resulting historical implications, exemplified by tracks like ‘Imperios.’

As Miguel Zenón himself has stated, “the music on the new album is inspired by the history of the American continent, not only before European colonization but also by what has happened since.”

Música de las Américas serves as a kind of manifesto for Zenón’s concept of America as a continent.

This new musical offering from the alto saxophonist, born in San Juan, Puerto Rico, in 1976, was conceived during the pandemic (does anyone remember that there was a pandemic in 2020 and 2021 originating in the People’s Republic of China that caused thousands of deaths?). The book ‘Venas Abiertas’ by Uruguayan writer Eduardo Galeano, who passed away in 2015 and was a prominent figure of the Latin American left, played a significant role in its development.

Zenon Nacido y criado en San Juan, Puerto Rico
Zenon Nacido y criado en San Juan, Puerto Rico

Zenón has been featured in publications such as The New York Times, The Wall Street Journal, The Los Angeles Times, The Boston Globe, and The Chicago Tribune. He also topped the Jazz Artist of the Year and Alto Saxophonist of the Year categories in the 2014 JazzTimes Critics’ Poll and was selected as Alto Saxophonist of the Year by the Jazz Journalists Association in 2015, 2018, 2019, and 2020 (when he was also recognized as Arranger of the Year). In 2023, he was recognized by the same organization as Composer of the Year.

As a composer, he has received commissions from SFJAZZ, NYO Jazz, The New York State Council on the Arts, Chamber Music America, Logan Center for The Arts, The Hyde Park Jazz Festival, The John Simon Guggenheim Foundation, MIT, Spektral Quartet, Miller Theater, The Hewlett Foundation, Peak Performances, PRISM Quartet, and many of his colleagues. Zenón has given hundreds of lectures and masterclasses at institutions worldwide and is a faculty member of MIT’s Music and Theater Arts Department, as well as the current Visiting Scholar for the Jazz Harmony and Composition Department at Berklee College of Music.

Ultimately, Música de Las Américas is the product of Zenón’s intellectual curiosity to learn more about the history of America (the continent) and translate that history into music (distritojazz).

Miguel Zenón – Música De Las Américas (2022)

Tracks:

  1. Tainos y Caribes
  2. Navegando (Las Estrellas Nos Guían)
  3. Opresión y Revolución
  4. Imperios
  5. Venas Abiertas
  6. Bámbula
  7. América, El Continente
  8. Antillano

Musicians:

  • Miguel Zenón (Alto Saxophone)
  • Luis Perdomo (Piano)
  • Hans Glawischnig (Bass)
  • Henry Cole (Drums)

Guest Musicians:

  • Los Pleneros de La Cresta (Emil Martinez, Edwin “Wechin” Aviles, Joshuan Ocasio, Joseph Ocasio, and Jeyluix Ocasio) (Panderos, percussion, and vocals on #2)
  • Paoli Mejías (Percussion #3)
  • Víctor Emmanuelli (Barril de bomba #6)
  • Daniel Díaz (Congas #8)

Recorded at Big Orange Sheep, Brooklyn, New York, March 21-22, 2022.

Miguel Zenón - Música De Las Américas (2022)
Miguel Zenón – Música De Las Américas (2022)

Zenón lives in New York City with his wife, Elga, and their daughter.

By:

Miguel Zenón

Dj. Augusto Felibertt

L’Òstia Latin Jazz

Also Read: Luis Perdomo, one of the most diligent jazz pianists in New York

David Atanacio Percussionist, Composer and Singer Unveils a New Sound

David Atanacio, grounded in the values of honesty, integrity, loyalty, responsibility, and respect, appears to be an individual of strong moral and ethical character. He is someone who can be fully trusted, a faithful and committed friend and colleague who always tells the truth and acts with righteousness.

His sense of responsibility ensures he fulfills his commitments, while his respect makes him a considerate, open person capable of building harmonious relationships. Together, these values suggest a dependable, upright, and kind personality, making him a positive and admired presence.

Born in New York City and raised in Puerto Rico, specifically in the municipalities of Bayamón and Cataño, David Atanacio has cultivated a unique musical identity rooted in a powerful fusion of Cuban rumba, flamenco rumba, and Afro-Caribbean influences.

David Atanacio Percussionist, Composer and Singer
David Atanacio Percussionist, Composer and Singer

In 1993, he began his musical journey as a bongo player for his uncle’s “Grupo Típico,” later joining a local orchestra as a conguero in 1996. In 1997, he was presented with the opportunity to become a singer, marking a turning point in his musical destiny.

Recruited to co-found “Grupo Folclórico Yuba Iré,” it was with this group that he began to perfect his mastery of rhythms like La Bomba, La Plena, El Guaguancó, El Yambú, and more. During this same period, David Atanacio discovered his talent for composing and began writing his first songs, including one titled “Lo que dice el Tambor” (What the Drum Says).

He was recommended to work with the “Orquesta Abran Paso” from Puerto Rico, with whom he accompanied luminaries such as Ismael Miranda, Adalberto Santiago, Junior “Hommy” González (RIP), Larry Harlow (RIP), among others.

He then received a call from the Puerto Rican Maestro “Paoli Mejías,” percussionist for “Carlos Santana’s” group, who invited him to be part of his first musical project, “Mi Tambor.” On this album, David’s song “Lo Que Dice el Tambor” was recorded, appearing as Track No. 7. The album was nominated for “Best Latin Jazz Album” at the Latin Grammys in 2004.

David Atanacio: Percussionist, Composer, and Singer Unveils a New Sound

David Atanacio: Percussionist, Composer, and Singer Unveils a New Sound

In 2003, the King of Rhythm, Mr. Afinque “Don Willie Rosario,” invited David to join the front line of his orchestra, where he remained until 2005. After leaving Willie Rosario’s Orchestra, David decided to move with his family to Tampa, Florida.

Even in his new home, David never lost touch with his roots. One day, he received a call to contribute background vocals to the production “Sobrevolando” by the acclaimed Puerto Rican group “Cultura Profética” (2019). This production earned them the Latin Grammy for “Best Alternative Album” in 2020 and a nomination for “Best Latin Rock or Alternative Album” at the 2020 Grammy Awards.

David Atanacio is a “Sonero de Calle” (Street Sonero), with ample talent and ability to succeed. He is a percussionist, composer, and possesses the added artistry of the “Soneo del Guaguancó” (Guaguancó vocal improvisation).

Atanacio is now releasing his musical proposal, “David Atanacio & Champán D’ Barrio,” featuring aged salsa and plenty of flavor.

David Atanacio & Champán D' Barrio
David Atanacio & Champán D’ Barrio

The album contains ten tracks, eight of which are his original compositions. The production features special guest Herman Olivera, who performs a duet with David on a meticulously crafted song titled “De la Vieja Escuela” (From the Old School). The first single from this project, “Lo que dice el Tambor,” is hitting the airwaves, now presented under his orchestrated concept, “David Atanacio & Champán D’ Barrio.”

The Puerto Rican sonero recently released his latest single, “No Me Llores Más” (Don’t Cry For Me Anymore), a masterfully interwoven piece that pays homage to the musical genres that have shaped his artistic journey. The song perfectly fuses Cuban rumba, guaguancó, Spanish flamenco rumba, and son.

More than just a song, No Me Llores Más is a deeply personal sonic exploration that honors the genres that have influenced David Atanacio since his beginnings.
More than just a song, No Me Llores Más is a deeply personal sonic exploration that honors the genres that have influenced David Atanacio since his beginnings.

More than just a song, “No Me Llores Más” is a deeply personal sonic exploration that honors the genres that have influenced David Atanacio since his beginnings. Rhythms such as trova, décimas, aguinaldo, bomba, and plena have profoundly impacted his musical development, adding unique nuances to his artistic expression and reaffirming his commitment to the cultural heritage of his homeland and the Caribbean.

“No Me Llores Más” Credits:

  • Lyrics, Music, and Lead Vocals: David Atanacio
  • Background Vocals: Herman Olivera Jr. & Adriel González
  • Musical Arrangement: Carlos García
  • Piano: Yassel Puppo
  • Bass: Kevin Pagan
  • Trombone Solo: Carloscar Cepero
  • Percussion: Diego Centeno
  • Spanish Guitar: Alex García Potia

With an exquisite arrangement by Carlos García and impeccable execution by top-tier musicians, “No Me Llores Más” marks a new chapter in David Atanacio’s career. It’s where tradition and vanguard embrace to the rhythm of the drum, the guitar, and pure emotion.

This track will be available on all digital platforms starting June 14, 2025.

The rumba lives, the son renews, and David Atanacio’s voice celebrates it!

Press Contact: David Atanacio [email protected] 813-569-9581

Reference: Luis Rojas

Also Read: Herman Olivera the sonero of the 21st century

Maite Hontele

Europe / Holland

Maite Hontele. The perfect mix between Latin flavor and European roots

Maite Hontele
Maite Hontele

A girl with passion and talent, nominated for a Latin Grammy Award in the category Best Salsa Album, trumpeter Maite Hontelé is transforming the role of women in music. People in America, Europe and Asia have witnessed her magical talent and the way she performs on stage. Born in Holland, but Colombian in her heart, Maite’s music is a perfect mix of European elegance and tropical joy, which is reflected in her 4 albums:

Llegó la Mona, Mujer Sonora, Déjame Así, and Te Voy a Querer, the last two edited in vinyl.

Maite Hontele in concert
Maite Hontele in concert

Also known as ‘Mujer Sonora, Maite has collaborated with artists such as Rubén Blades, Buena Vista Social Club, Chocquibtown, Oscar D´ León, among others, all of them lured by her style. Immersed in Latin American music from her earliest years, she went on to study at the conservatory in Rotterdam, specializing in jazz, salsa, flamenco and Brazilian music.

She was also invited to take part in Buena Vista Social Club’s European tour.

She arrived in Medellín following her heart and her trumpet, releasing one record after another and touring internationally with her salsa band. Perhaps inevitably, she quickly made a name for herself in Colombia through her exploration of salsa in its many forms.

Maite Hontele - Flyers
Maite Hontele – Flyers

Oscar D´ León says “She is the best in the world, what a delight! The ways she plays is extraordinary, outstanding!”

Her next step in Europe: Fiestas de la Virgen del Pino TEROR, SPAIN – 5TH OF SEPTEMBER Stay with us four further information about the European tour! For further information https://www.facebook.com/fansmaitehontele/

Fidelis Studio

Latin America / Venezuela / Caracas

The Fidelis studio is located in Caracas Venezuela, Urb. El Cafetal, El Morao street, Qta. Tere, is an excellent recording studio, where national and international artists and groups created their records; An example of this, Maracaibo 15, Billo’s, Los Melodicos, Salserin, Los Adolentes, Oscar D’ León…, the Latin Dimension recorded 8 of its 20 albums.

Fidelis Studio - Photo 1
Fidelis Studio – Photo 1

Currently those in charge of the study are Javier and Francisco González, who succeed their father Antonio José González “Gonzalito” founder of the Study in 1952 with great professionalism; who, despite being a professional photographer, had the inspiration and musical taste that led him and his friend “Toro” to go to the United States where he studied audio, upon arriving in Venezuela he was recognized as the pioneer of Recording Engineering since he did not This race exists to date in Venezuela.

Fidelis Studio - Photo 2
Fidelis Studio – Photo 2

Javier and Francisco González narrate how the recording of music was at that time, where it was recorded on a “Reel” tape where the channels were previously mixed in the matrix and then passed to the “Stamper” which is a metal disc where it was kept. the information to the factory and later this information was transferred to the acetate disc through electromagnetism.

Fidelis Studio - Photo 3 of Reel Tape
Fidelis Studio – Photo 3 of Reel Tape

As the years went by, recording equipment was modernized, going from “vinyl” to analog cassettes, and now it is digitized to CD’s, and digital formats such as FLAC, mp3… to send over the internet through a computer and with this new technology the artist has higher quality and content capacity than the 33 ½ rpm LP disc to record their songs.

Fidelis Studio - Photo 4 sound program
Fidelis Studio – Photo 4 sound program

Now if the artist wishes to transfer an acetate disc or tape that he had, to a current digital format, the studio is able to make the transition without losing the quality of the music recorded on it.

The current recording equipment has 72 channels, usually 24 are used. With each channel the instrument or voice of the artist(s) is recorded, and with the program they are unified, adjusting the appropriate volume levels where the artist or group listens to it and sees if it is to their liking or not, having the ability to modify it.

Fidelis Studio - Photo 5 - instruments and sound program
Fidelis Studio – Photo 5 – instruments and sound program

The studio and especially the room where the singers or members of a band or orchestra are placed has been designed in such a way that the sound that is produced has no alterations such as echo, making the sound that is generated the most pure possible.

They also make recordings both inside and outside the studio, since they have the right equipment (portable studio, headphones, microphones, amplifiers, recorder, among others), so that there would be no difference in the recording either inside the Fidelis Studio or in the outside.

Fidelis Studio - Photo 6
Fidelis Studio – Photo 6
Fidelis Studio - Photo 7
Fidelis Studio – Photo 7

And they tell us that their experiences over the years have been very lively, fun and interesting at the time of making the recordings since each singer or band has their own personality when playing and producing their music, whatever the genre they play, that in the studio all types of music are recorded today.

Fidelis Studio - Photo 8
Fidelis Studio – Photo 8
Fidelis Studio - Photo 9
Fidelis Studio – Photo 9

The most significant artist for the studio and especially for “Gonzalito” according to his children was Alfredo Sadel whose voice ranged from opera to the popular rhythm of Venezuela, later it was Simón Díaz, Mauricio Torrealba… although they are all very important.

Fidelis Studio - Photo 10
Fidelis Studio – Photo 10
Fidelis Studio - Photo 11
Fidelis Studio – Photo 11

The Grammy Awards are a distinction given by the National Academy of Recording Arts and Sciences to recognize an especially outstanding achievement of the music industry to a specific artist, obtaining this award is a great honor since an extensive study is carried out to the CD where sound engineers, producers and other specialists participate to determine the physical and sound quality of the CD created and to participate in this award you must register in the academy to participate.

Fidelis Studio - Photo 12
Fidelis Studio – Photo 12

The Studio currently has 2 Latin Grammy Awards:

1st Recording “Treasures of Venezuelan Music” with Ilan Chester (2010).

2nd Recording “Maria Teresa Chacin Canta Cuentos” with María Teresa Chacín (2012).

Fidelis Studio - Photo 13
Fidelis Studio – Photo 13
Fidelis Studio - Photo 14
Fidelis Studio – Photo 14

Where the team that makes up this renowned recording studio feels proud and happy for the work they are doing.

It should be noted that despite the situation in the country, they continue to provide the best service to singers and musical groups, whether national or international, being a strong competition for other recording studios in other countries, in relation to cost / quality. .

Fidelis Studio - Photo 15
Fidelis Studio – Photo 15

My person who had the opportunity to visit and interview its members, see, know and appreciate the type of study that is Fidelis I can say that the following:

“There are many recording studios in Caracas, Venezuela, but if you want your songs to be recorded with excellent audio quality in a recognized center, don’t think twice and choose them, they are the best”

Fidelis Studio - Photo 16
Fidelis Studio – Photo 16

For more information:

  • WebSite: http://fidelis.com.ve/
  • Teléfono: +58-212-9860722
Fidelis Studio Flyers
Fidelis Studio Flyers
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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.