• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • Home
  • Previous editions
    • 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
      • ISM May 2019
      • ISM April 2019
      • ISM March 2019
      • ISM February 2019
      • ISM January 2019
    • 2018
      • ISM December 2018
      • ISM November 2018
      • ISM October 2018
      • ISM September 2018
      • ISM August 2018
      • ISM July 2018
      • ISM June 2018
      • ISM May 2018
      • ISM April 2018
      • ISM March 2018
      • ISM February 2018
      • ISM January 2018
    • 2017
      • ISM December 2017
      • ISM November 2017
      • ISM October 2017
      • ISM September 2017
      • ISM August 2017
      • ISM July 2017
      • ISM June 2017
      • ISM May 2017
      • ISM April 2017
  • Download Salsa App
    • Android
    • Apple
  • Spanish

Search Results for: Grammy

Daniel Santacruz wins a GRAMMY®

“Larimar” gave Daniel his first Latin Grammy®

The Dominican singer made history by winning his first Latin Grammy® for his album “Larimar”, in honor of a stone that it’s used in jewelry and can be found in his country. The album has eleven tracks, and it was released in the middle of the year.

After several nominations, 2020 was his year! Also as a historical event, he shared the first place with the merenguero singer Eddy Herrera, who was nominated in the same category. Both obtained the valued award filling the Dominican people with huge pride. In fact, on their Instagram profiles they uploaded a picture celebrating.

Two Dominican Winners
Both Dominicans won the Latin Grammy in the same category.

Santacruz was nominated with his brother Manny Cruz, but on this occasion, Daniel was the lucky one. However, he didn’t hesitate to dedicate this award to him, and the rest of their family; he thanked his wife, his mother, his fans, his manager, and each of his team members.

The Grammy winner for “Best Merengue or Bachata Album”, shared a video on his Instagram Profile where he looked happy and excited. The comments of his followers were immediate, it got more than forty thousand views, and a large number of congratulations.

I’m grateful to God, to the Recording Academy, and to all those responsible for participating in this important production, that represents the sacrifices of a career and efforts of many years”, said the artist.

Santacruz was one of the artists who performed in the show. He sang to the beat of his single “Larimar”, from Dominican Republic. A band of musicians accompanied him, as well as the stunning blue sea of his country.

Larimar was the production that made him a Latin Grammy® winner, and it’s his seven production. Santacruz was also the general producer, however he had a great team of professionals who adjusted all the details. The production was in charged of Ambiorix Francisco, Israel “Mayinbito” y Richy Rojas, mastering by Andrei Fossari, and mixing by Allan Leschorn, Esbin Ramírez y Richy Rojas.

A little bit about Daniel Santacruz

The singer was born in the United States but grew up in Dominican Republic, since childhood he felt a natural inclination for music. Although, he had said that he regrets not having taken piano classes with his grandmother Zulema Victoria.

She was always pushing me to the music ‘Come to teach you music theory'”, recuerda.

Daniel Santacruz
Daniel won her first Latin Grammy.

But nevertheless, this didn’t deprive him of his abilities in the music area. He acquired his first musical interests on the island. Since very young he was interested on the songs of Juan Luis Guerra, Wilfrido Vargas y Luis Miguel.

We won a Latin GRAMMY®!!! Thank you very much to all the Academy Members to take into consideration my album #LARIMAR, that was made with all the heart and feels. This year the #merengue and the #bachata win double as well I shared this triumph with my beloved and admired brother @eddy_herrera with his album #ahora. I shared this joy with my entire work team and with all the artists, musicians, engineers, and producers that participated with me! THANK YOUUUUUUU @latingrammys”, he expressed on his social media.

For the next year he is preparing surprises and new collaborations with colleagues of the industry. Santacruz’s career is just starting, his successes won’t stop since he is so talented and has so much energy. Congratulations, Daniel!

Home

That’s how the Latin Grammys were

The 21st edition of the Latin Grammy

As expected, due to the global pandemic situation that hit us this year, the awarding of the 21st edition of the Latin Grammy was held online. In this way, neither the public nor the red carpet had participation this year. Some creatives recreated them in their homes and took the opportunity to take their respective photography.

The gala was held in the city of Miami with headquarters in other cities in Latin America. Several of the artists’ participations were also carried out under this modality.

The musical presentations were opened by the J Balvin show, one of the great favorites of the night. Who also broke a Guinness record for more nominations, surpassing the title obtained by Calle 13 in 2011. To receive his gramophone, he was dressed in black and then appeared in white. He interpreted the song “Rojo” and dedicated it to those who have had to fight against the COVID-19 virus. Balvin has recognized that this situation has affected him seriously and he has been immersed in depressive pictures.

“My heart is crying,” Balvin commented.

To the surprise of many, his heart actually turned the color of blood. His suit was dyed through some internal mechanism but leaving a large red stain on Balvin’s suit. Really, it seemed like his chest was bleeding incessantly.

J Balvin bled in the stage of the Latin Grammys

“Music humanizes us” was the theme of this year’s meeting. With the singer’s presentation, many were stunned and very sensitive. What did you think of his form of expression?
Natalia Jiménez paid tribute to Julio Iglesias, while the great Hector Lavoe also received recognition. Ricardo Montaner, Ivy Queen and Rauw Alejandro led the tribute.

Jesús Navarro, Ricardo Montaner, Victor Manuelle, Ivy Queen and Rauw Alejandro gave life to the song ‘El Cantante”’ in homage to Héctor Lavoe. Each of the interpreters, from their respective rhythms, created a perfect harmony and joined in a very emotional show. They quickly went viral and comments on social media grew by leaps and bounds. The spectators were pleased by a presentation that moved fibers.

Winners of the night

Natalia Lafourcade, Alejandro Sanz, René Residente, Mike Bahía, Ricky Martín, Caminlo, Rosalía, Bad Bunny, J Balvin, Ozuna, Carlos Vives, Grupo Niche, Eddy Herrera and Daniel Santacruz were the winners of the night. The winners’ social networks were filled with videos of celebration and appreciation. A different night but full of many emotions!

In the Mejor Canción Tropical category, singer-songwriter Carlos Vives shone with his song “Canción para Rubén Blades”, in which Blades participated as a composer. Vives was excited, he did not hesitate to thank Rubén Blades for his support.
“This award with Rubén, congratulations to all the nominees, all the participants, Kany a very big kiss, thank you Sony, thank my entire team, our producers, the artists, Andrés Leal, thank you,” he said in the middle of happiness.

In his social networks he also wanted to dedicate his award to La Academia, his country, his people, each of his followers, his wife and his entire production team. He was also shown celebrating from home, together with family and friends.

In the Mejor Álbum de Salsa category, Grupo Niche shone. Album 40 is a tribute to the group’s musical trajectory. It is the first Latin Grammy that Colombian salseros receive, after having been nominated twice, in 2001 and in 2016.

“We have won the @LatinGRAMMYs for best salsa album for ’40’ our most recent musical production. With great emotion we say to you: Salseros and Nichistas of the world, infinite Thanks! Long live Latin music, salsa, long live the teacher # JairoVarela and long live Colombia!”, They expressed on their Twitter account.

The winning album was recorded for almost a year in studios in Miami, Cali and Puerto Rico. They wanted to maintain the musical guidelines of Jairo Varela and thus remember his roots, without losing his essence.

As Mejor álbum de Merengue/Bachata we have two winners, two Dominicans. A historical event that both celebrate with great fury. Eddy Herrera and Daniel Santacruz were the lucky ones. They tied in one of the closest categories!

Two Dominican Winners
Both Dominicans won the Latin Grammy in the same category

Eddy Herrera has a long history in the genre, known as “El Galán del Merengue”. The followers of his career also celebrated this achievement, being the singer’s first Latin Grammy. “Eddy Herrera Ahora” contains some of his most recent songs.

“It is an immense joy that I also want to share with all my followers and lovers of my performances. Thank you for supporting me throughout these years where you have been faithful to my musical productions ”, he expressed.

The Dominican did not hide his happiness and dedicated himself to thanking those who have supported him during so many years of journey.

“I am extremely grateful to the entire production team, as well as my fans, who are always the impetus to keep going. To achieve this magnificent product, we had, as in other opportunities, the dedication of one hundred percent of our great team, who gave themselves with the charisma, vocation and professionalism of always, an essential symbol of our artistic productions ”, said Eddy Herrera.

For his part, Daniel Santacruz will fondly remember the day that “Larimar” made him the recipient of his first Academy Award. After several nominations, his long-awaited moment finally arrived. In fact, his brother Manny Cruz was also among the nominees.

Even though he was born in the United States, he is of Dominican descent and grew up on its streets. He learned about its culture, its influences and is very proud of its roots.
“Grateful to God, to the Recording Academy and to all those responsible for participating in this important production that represents the sacrifice of many years of career and effort,” expressed the artist.

Santacruz was also part of the singers who entertained the meeting. He appeared from Boca Chica, Dominican Republic to the rhythm of “Larimar”, the promotional song for his album.
The young Dominican posted a video on his Instagram account where he is very happy. He thanked his family, wife, mother and his brother Manny Cruz. To its engineers, musicians, fans and manager. As well as his country, the people who listen and dance bachata, merengue and all his followers. Long live the Dominican Republic!

The event was one of total innovation and, surely, it will become a starting point for other awards. Of course, the dedication and effort on the part of the organization cannot be denied; as well as the artists involved, all left their hearts on stage and showed that better times are to come. So be it!

International Salsa Magazine Celebrates 2020 Latin Grammy Nominees

North America / United States

Latin Grammy Awards

The Latin Grammy Awards were created to honor Spanish-speaking artists. They are awarded by the Latin Academy of Recording Arts & Sciences, created from the National Academy of Recording Arts & Sciences, an American organization specializing in music and production in general. The Latin version was broadcast for the first time in 2000, through the CBS network.

The Academy was founded by Michael Greene and Mauricio Abaroa. The first Grammy ceremony was held in 1959. 41 years later the Latin version was inaugurated. They are not awarded by popularity but by the number of votes received by members of the academy.

The award for excellence in Latin recording achievements is a gramophone. Its base is red and the gramophone is gold. For its part, the statuette of “Awards for Musical Excellence” has a copper-colored gramophone. As you might imagine, its creation goes through a long process, it is composed of a zinc alloy and is plated in 24-karat gold.

Latin Grammy Nominees were announced recently
The Latin Grammy 2020 Edition will be soon

The ceremony is held annually in the United States, in the third week of November. The locations have varied through the years between Los Angeles, Miami, New York, Houston, Las Vegas for the last nine years and in 2020 is returning to Miami, at the American Airlines Arena.

The presenters have been a true parade of stars: Jennifer López, Gloria Estefan, Antonio Banderas, Lucero, Eugenio Derbez, Patricia Manterola and Ricky Martin, among others. In this opportunity, the honor will go to the Dominican Carlos de la Mota and the Polish, nationalized in Mexico, Ludwika Paleta.

On September 29, the names of the candidates for the awards were announced.

Among the nominees are:

Best Salsa Album

40 Años De Power
Luisito Ayala y La Puerto Rican Power
Record Label: Musical Productions, Inc.

Tentaciones Vol. 1
Charlie Cruz
Record Label: Get Crazy Note, LLC

40
Grupo Niche
Record Label: PPM USA

Memorias De Navidad
Víctor Manuelle
Record Label: Sony Music Entertainment US Latin LLC

Un Gallo Para La Historia
Tito Rojas
Record Label: J&N Records, LLC

Some of these nominees belong to JN Music Group, J&N Records and Musical Productions Disquera, a company that for more than thirty years has been in charge of producing Latin music for the whole world. Tito Rojas and Luisito Ayala and La Puerto Rican Power have received the support of the record company and their directors are very proud of their representatives.

The emblematic band Puerto Rican Power
Pure energy of Puerto Rican Power

Puerto Rican Power was born in the 70s by the hand of its founder Jesús Castro. Later Luis Ayala, assumed the role of director and trumpeter of the band. They became known quickly, thanks to the participation they had with greats of the show such as Ismael Miranda, Cheo Feliciano, Héctor Lavoe, among others. The group has mixed the roots of Puerto Rican folklore with its great performance on stage; becoming known in the United States and Latin America. This is his first Latin Grammy nomination.

Charlie Cruz, a Dominican salsa singer, also competes in this category. He has collaborated with greats of the genre such as Tito Nieves. Cruz is proud to be Latino and to work with his heart. He thanked his producer, work team and members of the academy for their support in reaching his nomination.

For its part, Grupo Niche is enjoying its third nomination for the Awards. They proudly represent their home country, Colombia. 40, his latest production, refers to the number of years since his birth. The album was recorded between Puerto Rico, Cali and Miami.

Victor Manuelle participates with his album “Memorias De Navidad”, he sought to rescue the traditions of the Christmas season and remember two loved ones. In early 2018, he lost his father Victor Manuel Ruiz and last year his younger brother, Héctor Gustavo.

To finish the round of nominees, we find Tito Rojas, known for his salsa songs. He began his artistic career in the early 70s. He has more than thirty record productions (one with La Puerto Rican Power). Rojas thanked through his social networks for the support of his career.

Best Merengue and / or Bachata Album

The Genetics Of Bachata
José Manuel Calderón
Record Label: Baile Records

Bailando Contigo
Manny Cruz
Record Label: Manny Cruz / La Oreja Media Group, Inc

Los Conquistadores
Grupo Manía
Record Label: Mania Music, Inc.

Ahora
Eddy Herrera
Record Label: Intermusic

Larimar
Daniel Santacruz
Record Label: Penluis Music

Thanks to Diario Libre, we could know that Latin Grammy Awards were evaluating the possibility of eliminating this category. This, due to the lack of submitted proposals. This warning activated the exponents of the genre. The academy received around 40 applications. The competition is very close between artists with a long history and young people who have come to give a new air to the genre.

José Manuel Calderón is considered the pioneer of bachata. Most of his hits are his own and he has also dabbled in merengue. The artist is very happy with this recognition for so many years of experience. He considers it “a great blessing.”

Manny Cruz receives his fourth Grammys nomination in two different categories. “Bailando Contigo” is the singer’s second album and it took him more than a year to produce. The Dominican was very happy and sent his thanks through his Instagram account. He became the Dominican with the most Latin Grammy nominations.

For its part, Grupo Manía celebrates its tenth nomination. The Puerto Rican singers released their album “Los Conquistadores” to celebrate their twenty-five years of artistic career.

Eddy Herrera, renowned merengue singer, has been nominated for the fifth time and, within the framework of his virtual concert, he expressed his happiness.
“Being nominated in normal times is wonderful, but being nominated within this world of the pandemic is doubly great. This has fallen from my soul, from heaven, “he said.

Daniel Santacruz, has his eighth Latin Grammy nomination for his album “Larimar”, his seventh musical production. The artist was in charge of all the elaboration of the disc that counts on eleven subjects.

Best Tropical Song

Among the 5 nominees are:
Imaginarme Sin Ti
Elvis Crespo & Maribel Vega, songwriters (Elvis Crespo y Manny Cruz)
Record Label: Flash Music

Quédate
Paula Arenas, Debi Nova & Juan Pablo Vega, songwriters (Debi Nova & Pedro Capó)
Record Label: Sony Music Entertainment US Latin LLC

Y Basta Ya
Pavel Nuñez, songwriter (Pavel Nuñez)
Reco Grrd Label: La Oreja Media Group, Inc

Tropical Music is present in the Latin Grammy
Manny Cruz and Elvis Crespo

Elvis Crespo by the hand of his wife and manager Maribel Vega and the composition of Manny Cruz, received a nomination for the album “Imaginarme Sin Ti”. The promotional theme was dedicated to Crespo’s daughter. The singer thanked through his social networks and made special mention of his label and the singer Manny Cruz.

Debi Nova, a Costa Rican singer-songwriter, bet on romantic bachata and had the collaboration of Paula Arenas and Juan Pablo Vega. The promotional theme of the album talks about taking advantage of time with our loved ones.

We finished the round with the Dominican Pavel Núñez, a young man who has surprised with the amount of Sovereign Awards obtained, a total of eleven; took advantage of the global pandemic to make music. With his album “Y Basta Ya” he adds his third nomination for Los Premios.

The 21st edition of the Latin Grammy will be held on November 19, in the city of Miami. Although it is an achievement to be on the coveted list, everyone wants to be recognized.

Who will be the winners?

Home

La Nota Band showcases the best of Venezuelan talent

We are proud to introduce the talented Venezuelans Rebeca Rodríguez and Armando Montiel, who are members of the group La Nota Band, which we will talk about in the following lines.

After thanking us and clarifying that they are both partners and share the direction of the band, they proceeded to tell us a bit about their origins, professions, band, and current careers.

Rebeca and Armando in 2018
Rebeca Rodriguez and Armando Montiel at the Latin Grammys 2018

Rebeca and Armando’s beginnings in music

Armando began his story by telling us that, in his case, he has always loved music and enjoyed listening to it live. In his native city of Maracaibo, there were many street concerts featuring national and international artists, which sparked his interest in joining his school’s marching band between the third and fourth grade. This, in turn, led him to participate in some intercollegiate gaita festivals, which are very popular in many cities of the South American country. 

This love for music took shape when the young man moved to Caracas and began his percussion lessons to finally have more formal training in this art. However, his parents made him promise to study a “real” career and then do whatever he wished for. He did so and studied civil engineering at Nueva Esparta University, but he has never practiced it, as music has always been his profession.

Rebeca also loved music, and from an early age, was always reciting poems, learning songs, and singing them at full blast. Then, as she grew up, she slowly built her career and made decisions based on that goal. Just as Armando, she participated in her school’s gaita festivals and took singing and dancing lessons, which led her to join bands in Caracas and become a backup singer for great artists.

Like Armando, she also studied a university degree, but in her case it was social communication at Andrés Bello Catholic University. She does not practice it either, although she does use her knowledge in favor of her artistic career.

Armando playing live
Venezuelan percussionist Armando Montiel playing live

Groups prior to La Nota Band

Armando said with a laugh that he could not mention all the bands and artists he has worked with because there are too many, but the most important ones were Ricardo Montaner, Chino y Nacho, Víctor Muñoz, Elvis Crespo, Guaco, Treo, Mermelada Bunch, and a few others. 

Meanwhile, Rebeca pointed out that they met playing for Son Bubalú in Caracas and continued to share experiences in a certain way. While Armando was Chino y Nacho’s percussionist, Rebeca was hired as their backup singer, so they continued to live together and grow as artists in the same environments.

Their professional relationship developed at such a level that they ended up moving to the United States together in 2014 to take advantage of some work opportunities that arose. Among the artists they were able to play with in the United States are Gloria Estefan, Wisin y Yandel, Daddy Yankee, Luis Enrique, José Alberto “El Canario,” and many more. 

Already in the year 2016, both realized that they loved collaborating with music greats, but also wanted to start their own business so they would not have to rely on what others wanted for them. That is when La Nota Band was born, with support from family and friends who were willing to help them on this new path.

Rebeca and Yandel
Puerto Rican singer Yandel and Rebeca Rodriguez at the Premios Lo Nuestro gala

The beginning of La Nota Band

In addition to being on their own, another thing Rebeca and Armando wanted to do was to offer employment to other musicians who were in the same situation as them years ago. This was the case of Armando’s twin brother, who was about to go to the United States and also devoted himself to music on percussion. Then, he bought a drum set so he could become the band’s drummer and his brother could take his place as a percussionist.

From the beginning, they have always focused on pleasing both Anglo-Saxon and Latin audiences, so they have been working to fill their repertoire with songs in both English and Spanish in order to enliven events where the two cultures come together.

What they have learned from the artists they have worked with

Of all the great artists Rebeca and Armando have been fortunate enough to work with, there are a number of things they have learned and applied to their own careers. One of these was the use of playback, as it is an extremely common and necessary resource in modern music. There are also other elements used to increase the sound quality of their performances.

Similarly, the discipline, professionalism, and perseverance necessary to manage this business are things they have seen in other artists and that have helped them get the place they want in the industry, which they also expect to achieve. 

The Venezuelan musicians always keep their eyes and ears open to capture what can work for them and apply it to their own project.

La Nota Band and Chino y Nacho
Part of La Nota Band with Chino y Nacho at the Premios Lo Nuestro gala 2016

Dreams fulfilled

Among the many dreams come true thanks to music, Rebeca and Armando appreciate being able to travel regularly to many countries, even if their professional activities prevent them from sightseeing as they would like. This is something they would not have accomplished with other kinds of work, which they are enormously grateful for.

In addition to that, they are pleased to have been able to perform on big and famous stages such as Crypto.com Arena, formerly known as Staples Center, and Madison Square Garden in New York, something they never would have thought possible in their early years in Venezuela.

And last but not least, their talent and hard work have also led them to perform in important award ceremonies such as the Latin Grammys, Premios Juventud, and Premios Lo Nuestro.

Read also: Colombian dancer and instructor Camila Cepeda takes salsa caleña to Canada

Brian Lynch is known for his versatility, excelling in Jazz (primarily post-bop and hard bop) and notably in Latin Jazz

Brian Lynch is a top-tier jazz trumpet, flugelhorn player, and arranger, highly respected for his work in both traditional jazz and his fusion with Afro-Cuban and Latin rhythms.

Lynch has been on the jazz scene for the better part of the last three decades. He is known primarily for his work as a sideman for many of the top musicians in jazz and as co-leader of a major Latin ensemble alongside Eddie Palmieri. For a long time, he has championed the music of the great trumpet players who preceded him.

Brian Lynch is a top-notch jazz trumpeter, flugelhorn player, and arranger
Brian Lynch is a top-notch jazz trumpeter, flugelhorn player, and arranger

On this album, which is a natural follow-up to his 2000 album, Tribute to the Trumpet Masters, Lynch pays homage to the works of some of the most prominent, yet undeservedly unknown, jazz trumpeters, such as Joe Gordon, Claudio Roditi, Tommy Turrentine, Louis Smith, Idrees Sulieman, Charles Tolliver, and Kamal Adilifu (also known as Charles Sullivan).

Some of the tributes consist of performing compositions by these artists. In other cases, Lynch performs a tune he composed in the artist’s honor. In all cases, Lynch and his team, which includes Vincent Herring and Alex Hoffman on saxes and Rob Schneiderman on piano, are more than up to the task. They make each of the honorees proud.

Lynch ha estado en la escena del jazz durante la mayor parte de las últimas tres décadas
Lynch ha estado en la escena del jazz durante la mayor parte de las últimas tres décadas

While there isn’t a single bad track on the album, standouts include Gordon’s “Terra Firma Irma,” which moves along to the potent beat of Pete Van Nostrand, along with excellent solos from all three horn players; Turrentine’s “Big Red” and Sulieman’s “Saturday Afternoon at Four,” both part of a treasure trove of unreleased compositions that were part of the Turrentine and Sulieman estates and that Lynch was able to tap into for these sessions; the hard bop of Tolliver’s “Household of Saud” (again, Van Nostrand’s drumming blew me away) and Lynch’s “RoditiSamba,” a tribute to the Brazilian master.

In short, Unsung Heroes is Brian Lynch’s best album as a leader in his long career. The musical mastery is top-notch, the compositions are always interesting, and the backstory of the whole project is a compelling history lesson for jazz trumpet fans who want to dig deeper than Miles, Diz, and Satchmo. The best news is that there’s more where that came from: this is only Volume 1 of the project; Volumes 2 and 3 are currently available online as downloads.

Paying tribute to the unsung masters of the jazz trumpet is a natural project for trumpeter and flugelhorn player Brian Lynch (the original text mentioned “Bryan Lynch” in this section, it is assumed to be a typo), who has been immersed in the hard-bop lineage since he was part of Horace Silver’s band in the 1980s.

He is accompanied by a mid-sized group that includes Vincent Herring on alto saxophone, Alex Hoffman on tenor saxophone, Rob Schneiderman on piano, David Wong on bass, Pete Van Nostrand on drums, and Vicente “Little Johnny” Rivero on congas.

Herman Olivera El Sonero del Siglo XXI voz líder de La Perfecta II de Eddie Palmieri, Dj. Augusto Felibertt y Brian Lynch un trompetista de jazz ganador de varios premios Grammy.
Herman Olivera El Sonero del Siglo XXI voz líder de La Perfecta II de Eddie Palmieri, Dj. Augusto Felibertt y Brian Lynch un trompetista de jazz ganador de varios premios Grammy.

Moving through rhythms ranging from ballads to riffs and Latin jazz, the band masterfully navigates the material with solo and ensemble passages executed with great fluidity. The title suggests that there may be more installments in this series, and hard-bop fans will certainly hope so. Lynch has a wealth of material to draw inspiration from and a talented band with which to make an indelible mark.

Brian Lynch – Unsung Heroes Vol. 1 (2011)

Brian Lynch - Unsung Heroes Vol. 1 (2011)
Brian Lynch – Unsung Heroes Vol. 1 (2011)

Tracks:

  1. Terra Firma Irma
  2. I Could Never Forget You
  3. Further Arrivals
  4. Saturday Afternoon At Four
  5. Household Of Saud
  6. Roditisamba
  7. Big Red
  8. Unsung Blues
  9. Wetu

Musicians: Brian Lynch (Trumpet, Flugelhorn) Vincent Herring (Alto Sax) Alex Hoffman (Tenor Sax) Rob Schneiderman (Piano) David Wong (Bass) Pete Van Nostrand (Drums) Little Johnny Rivero (Congas 1-3, 1-6, 3-5)

Recorded October 12-13, 2008 and December 22, 2009 at Knoop.

Also Read: Oskar Cartaya “My Music, My Friends, My Time” Featured collaborations with illustrious friends such as Eddie Palmieri, Giovanni Hidalgo, Dave Valentin, and Justo Almario

  • « Go to Previous Page
  • Page 1
  • Page 2
  • Page 3
  • Page 4
  • Interim pages omitted …
  • Page 50
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.