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Latin jazz and mambo trumpeter Jonathan Powell and his great collaborations
Trumpeter Jonathan Powell is one of the many examples that show how much so many American artists have looked at Latin music over the last few years, so this is a great opportunity to know one of the many stories about what our heritage has achieved in this country.

Instruments that caught Jonathan’s attention
An important fact to remember is that Jonathan’s parents were musicians. His father played the electric bass and his mother played the cello, so he obviously has a lot of talent to get from. However, his interest in music turned to a slightly different way.
The instrument through which the artist is best known today is the trumpet due to his great skill at handling it, but it is not the only instrument he has learned to play. He also plays the trombone, the tuba and other bass instruments, but does not have the same fascination with them as with the trumpet.
His interest in music began when he was in high school and became part of a few student bands, resulting in more than 30 years of musical career.
Jonathan’s academic training
Most of what Jonathan has got to learn comes from the experience he has gained through his work, although he does not devalue formal music education. In fact, he attended the North Carolina School of the Arts and studied with that institution’s best teachers in the area of classical music.
When he turned 19, he made the decision to move to New York, where he has lived ever since. While there, he did not care as much about further studying music, but gaining as much experience as he could through practice.

Interest in Latin music
Although Jonathan’s interest in music began with the classical genre, his move to Florida made him seek other horizons. In Florida, he and his brother Jeremy began to make contact with radio stations that played Latin genres and this led them to meet the Garcia-Herreros brothers, Juan and Victor, who are two very experienced musicians in Latin jazz, but also in Latin music in general. The boys returned to Florida after studying at Berklee College of Music and started a band with Jonathan and Jeremy until they had to move to New York.
When Jonathan graduated from high school and also moved to New York, he was reunited with Juan and Victor who offered him to join their orchestra La Creación, with which he played every weekend for several years. This would be what the young musician would describe as his first real experience in the world of music, leading him to participate in the orchestra La Excelencia and to play with Arturo O’Farrill and Eddie Palmieri.
Learning from other great artists
Just as Jonathan has played with O’Farrill and Palmieri, he has also been able to share the stage with Miguel Zenón, Tito Puente Jr, Oscar Hernández from the Spanish Harlem Orchestra, Israel Tanenbaum and many others.
Despite not having received much academic training, the opportunity to have played with the aforementioned music stars and many more really taught him many things that he would not have learnt in any educational institution. He assures that from whom he learned the most was Maestro Palmieri, since the legendary pianist is very generous when it comes to sharing his knowledge with whoever needs it, thanks to his extensive experience in this rich world.
‘‘Palmieri has been around since the fifties and sixties and has played with the most important artists of his generation, so he has a lot to teach. People have no idea how much he knows and how deep his knowledge on music is,” said the trumpeter about one of his great living inspirations.
However, as a trumpet player, another of his great inspirations was Puerto Rican arranger, composer and producer Juancito Torres for the way he played, since he considers it very special and unique compared to many other musicians.

Nu Shanga
Eager to manage his own musical group, Jonathan gives the public a very interesting proposal which he baptized Nu Sangha, inspired by Tibetan language, since these two words together mean ”new community”. With this group, he had much more freedom when choosing how he wanted to address each rhythm and wanted to give a much more modern approach to the type of jazz he had been playing through electronic elements few times used before.
In the case of Nu Sangha, he enjoyed everything he did professionally and was able to experiment with everything he had learned so far in creative ways, leading him to release the albums ”Transcend” and ”Beacons of Light”.
Mambo Jazz Party
In Jonathan’s own words, Mambo Jazz Party, the artist’s most recent musical work, the entire process of recording it took more than 10 years, since that was the time taken to create all the music that appears in the record material. He started the creation in 2014 and it was not until 2022 that Jonathan added the final details such as some missing vocals, but he assures that all the time spent on the album was worth it.
On the album, we can find Jimmy Bosch, guitarist Nir Felder, flutist Itai Kriss, pianist Manuel Valera, vocalist Ariadne Trujillo, singer Anthony Almonte and many other great artists who embellish this creation.
In other interviews, Jonathan has described this album as a mix of traditional salsa and Latin jazz elements, electronic sounds and a lot of spiritualism, which can summarize very well what this musical work represents for Jonathan Powell.

Virgilio Martí was an excellent rumbero and composer of the classic “Cuba Linda” where he was vocalist and percussionist in Grupo Folklorico Experimental Newyorkino
Virgilio Martí, born in 1919 in Havana, Cuba.

Fine Rumbero, Singer, Composer, Arranger, Percussionist, Actor and Orchestra Director well known since the late 40’s, especially as a guaguancó singer.
He began touring the world in 1949 and met his later wife in 1960 in Peru.
That same year, he settled in New York, participating in the local scene. He participated in the LP “Patato y Totico” in 1967, he also participated with his brother Eloy Martí in a Quintet accompanied by Gene Golden for the year 1979.
Israel López (Cachao), Arsenio Rodríguez, Héctor Cadavieco, Francisco Valdés, Papaíto, Tony Mayari and Mario Cadavieco also worked on that album.
He participated in the “Grupo Folklórico Experimental Newyorkino” where he was their vocalist and percussionist in 1975. During his stay with them, he composed the song “Cuba Linda”.
Another work of Martí of great remembrance is the album titled: “Saludando A Los Rumberos” published by the Caimán label in the early 80’s and in which the Cuban acts as vocalist and main star.

In it Martí is involved with talents such as: Tony Cofresí, Andy and Jerry González, Yomo Toro, Paquito Pastor, Ray Romero, Claudio Roditti and Ignacio Berroa, among others.
“Iya Modapue” is in itself a guaguancó with open rumba, being at the same time the favorite number of the ‘Grupo Folklórico’, and even the first groove to be recorded.
The levels of experimentation and the freedom to unload several rhythms in a single musical performance are the factors producing the attraction of the musicians for “Iya Modupue” (which means Thank You Mother).
The vocal part is in the hands of Virgilio Martí. The trumpet of “Chocolate” Armenteros, the trombones of José Rodríguez and Reinaldo Jorge, the flute of Gonzalo Fernández and the percussion of Frankie Rodríguez stand out.
“Se Me Olvidó” a bolero by Lolita de la Colina but adapted in guaguancó to the style of the Grupo Folklórico, which, by the way, turned out to be the piece of greatest radio diffusion in the tropical environment and therefore, the one that would open the doors to the group.
The song was interpreted by Virgilio Martí, who also plays the congas. In “Se Me Olvidó”, the violin of Cuban Alfredo de la Fe, the quinto of Julito Collazo, the street redoblante of Jerry González and a Mexican marimba played by Andy González in counterpoint to the notes of the double bass, also played by Andy, stand out. Here it is worth mentioning that Alfredo de la Fe is a virtuoso violinist and among his many performances, I remember his work with Eddie Palmieri, Larry Harlow (the wonderful Jew), the Fania All-Stars and the avant-garde Típica 73.
In the early 80’s he formed a band with brothers Andy and Jerry González, and percussionist Ignacio Berroa.
It is worth mentioning Virgilio Martí’s 1985 performance in the film by Cuban filmmaker León Ichaso entitled “Crossover Dreams” (Sueños truncados).
In it, the Havana native plays the role of “Cheo Babalú” and vocalizes the song “Llora Timbero”.
In that film production made in New York City, he also participates with actor Rubén Blades, who plays the role of “Rudy Veloz”, where they sing the song “Todos Vuelven”.
In 1990, he contributed to the “Soundtrack” of the movie Azucar Amarga.
He maintained a great skill in converting songs from other genres into rumba arrangements.
We can mention the adaptation of the theme of the Brazilian composer Jorge Ben, “Más Que Nada” in which he appears on the LP with Patato and Totico.
Martí died on October 17, 1995.
Virgilio Marti – Guaguanco (1979)
Tracks:
- Amanecer (Armando Manzanero)
- Todos vuelven (Rafael Otero)
- A tus pies (D.R.) (Agustin Lara)
- My childhood (Laureano Martinez)
- Saluting the rumberos (Manolo Albo)
- I’m going to divide it (R. Livi)
- Acanapon (D.R.)
- The little handkerchief (D.R.)
- Que susto (Virgilio Marti)
- Odiame (Rafael Otero)

Information realized (June 1, 2024)
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Contributor: Dj. Augusto Felibertt (International Salsa Magazine)
Asia / December 2024
Luis Medina
Norte America / USA / San Francisco
Luis Medina, Con Sabor
During his tenure as the KPFA 94.1 FM Music Director, Luis Medina was a staunch advocate for the station music programs. His vast knowledge of different genres of music kept the music programming strong and relevant.
Through his direction, the station was recognized as a leader in innovative World Music programs that bolstered the genre’s popularity in the market. He also expanded the diversity of voices on-air by placing more women, Latinos and people of color as program hosts and producers.
Luis raised the visibility of the radio station through successful event sponsorships, including contract negotiation, live event marketing and promotion with the following partners: Live Nation, Another Planet Entertainment, SF Jazz, San Francisco Jazz Festival, Yoshi’s Jazz Clubs, Cal Performances, Monterey Jazz Festival, Stern Grove Festival, SF Flamenco Society, La Bohemia Productions, Slims/Great American Music Hall, Bimbos 365 Club and others.
Luis has tirelessly contributed to the station’s on-air fundraising campaigns as well as voice overs for public service announcements and in-house station promotions. He currently continues to work behind the scenes as music consultant for the station.

In his radio program Con Sabor, he has interviewed hundreds of renowned artists and musicians. His interview with the legendary Israel Lopez “Cachao” is featured in the PBS documentary film “Cachao, Uno Mas” produced by actor/producer/director Andy Garcia.
Luis was Entertainment Director for MECA (Mission Economic and Cultural Association) from 1986-1998. He managed the Cinco De Mayo, Carnaval San Francisco and the 24th Street Festival De Las Americas events during his tenure, coordinating programming for up to 3 simultaneous stages. He featured varied music from Rock to Brazilian to Salsa, as well as DJs and entertainment.
He was also an Entertainment Consultant and Director for SFCAT (San Francisco Cultural Arts and Traditions) from 2011 to 2012, which was organizing the SF Carnaval.
Other events and clients he has worked with include The San Francisco Giants, the Oakland Museum, the NFL Super Bowl Party, U.S. Navy Fleet Week Events, Cultural Music Productions, A.S.R.P. Productions, Terry Pimsleur & Associates, Salsa Dulce Productions, ARAM Productions and San Francisco State University.
Awards
- The Armando Peraza Award for community service to the Latin and Music community, Voices Of Latin Rock Autism Awareness Benefit, 2012
- Certificate Of Honor, City & County Of San Francisco for many contributions to Latin Music in radio and media as Music Director and Radio Producer/Host 2010.
- Certificate Of Recognition, California Legislature Assembly for contributions to Latin Music through his work as radio host, producer and DJ 2010.
- Achievement in Outstanding Lifetime Service in Radio – Western Region Puerto Rican Council 2008
- Achievement In Latin Music Promotion-Lifetime Award-San Francisco Salsa Congress 2001
- Espíritu De La Música Latina Award of the Marta Martinez Fund for Radio Programming excellence and positive contribution to the Northern California Latino Community, Marin County Foundation 1999
All this information was provided from Luis Medina official website http://luisemedina.com/
































