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Search Results for: Jazz

Gabrielito Y La Verdad giving everything in Los Angeles and beyond

Gabriel González from the group Gabrielito Y La Verdad has been kind enough to speak exclusively with International Salsa Magazine and me, Karina García, about his beginnings, bands, and current career. The composer, actor, and musician gave us some of his time to address the most important issues concerning his successful career and everything that surrounds it, for which we are extremely grateful.

Gabriel performing at the museum
Composer, percussionist, singer, and actor Gabriel Gonzalez playing live at the Los Angeles County Museum of Art

How Gabriel started to become interested in music 

Gabriel was born and raised in Los Angeles, where he took his first steps towards what would become his lifelong vocation. Since his parents were Mexican immigrants, it was not uncommon for him to listen to rancheras, huapango, boleros, son jalisciense, and other genres typical of that country.

He liked music so much that he began participating in contests at “El Mercadito,” a place located east of Los Angeles, where amateur concerts and all kinds of musical events were held. After his father sang there several times, he told him he wanted to do the same, and that is how he began entertaining wider audiences with his voice.

Years later, after his passion for music was being shaped and getting more serious, he contacted his uncle, who was a promoter, and took him with him to Mexico to get some acting work in movies. This means that his artistic career was not just limited to singing but also to acting, but at some point, both areas would end up mixing. 

It should be noted that his work as an actor made him stay in Mexico for several years, so he shared with many great actors of the time who were also singers, such as Yolanda del Río, Federico Villa, David Reynoso, Lucha Villa, and many more. 

Upon returning to California, he experienced a significant culture impact. He realized that he was not Mexican enough for Mexicans nor American enough for Americans. This double identity made it much easier for him to cross cultural and musical boundaries, so from playing ranchera, huapango, and son jalisciense, he was given a chance to play other styles such as son montuno, which for Gabriel is the basis of salsa and much of Latin music. 

Gabrielito at the Vibrato Grill And Jazz
Gabrielito Y La Verdad performing at the Vibrato Grill And Jazz

Gabriel’s professional beginnings in music

Gabriel tells us that, during a huge part of his career, he worked as a solo artist, but he went on to collaborate with several groups and one of them was the Mexican band Quetzal, which specializes in playing Chicano rock and son jarocho. His sister Martha González was the lead singer, so he was able to work with them on and off for about 20 years. He describes his time with Quetzal as a very nice period in which he learned a lot and was even blessed to win a Grammy, but everything has an end, so he went ahead and worked with many other bands in the Los Angeles salsa scene.

In fact, today he is a member of Boogaloo Assassins and has been playing with them since 2015, while also having his own project, which he named Gabrielito Y La Verdad.

Gabrielito Y La Verdad

After all experience gained so far, Gabriel decided to form his own group Gabrielito Y La Verdad, with which he had his first big hit “Oye Muñeca,” released around 2019. Since the project began, the artist has had the same keyboardist and pianist, but the rest of the musicians have come and gone over the years, as it is not easy to maintain a cohesive musical group for a long time.

In fact, he usually has a list of musicians he can call, and their presence at an event depends almost entirely on their availability and ability to read sheet music. Gabriel often works with the same musicians Jimmy Bosch uses, so when the Puerto Rican travels to Los Angeles, Gabriel knows he can count on them if an event comes up. He also often uses some of Jerry Rivera’s musicians and those of many other exponents of the genre.

Gabriel with Oscar Hernandez
Gabriel Gonzalez and bandleader and pianist Oscar Hernandez

Facets additional to singing

In addition to being a singer and film actor, Gabriel has also participated in commercials and done a little musical theater, since the condition of being an artist forces you to learn a little about everything. Being still very young, he participated in the film ”Mojado de Nacimiento” alongside La Sonora Santanera.

One of those memorable experiences was his participation in the second national tour of the musical ”In The Heights” with Lin-Manuel Miranda. It was during this tour that Gabriel learned that he had won a Grammy with the band Quetzal. The news came during a bus trip, making it clear that he experienced several of these facets at the same time without any problems.

More recently, he has served as composer of several of Gabrielito Y La Verdad’s songs in collaboration with pianist Matt Amper, who is also actively involved in the creation of the group’s original songs. 

Collaborations with other artists

Gabriel has shared the stage and collaborated with big names in the industry like Bruno Mars, “El Divo de Juarez” Juan Gabriel, Los Van Van, Silk Sonic, and many others. Similarly, during his acting career, Gabriel also met many great actors of the time with whom he shot scenes during the day, and at night, did voice-overs at the studios, and went out singing.

All this led him to share the stage with Aida Cuevas, Rosenda Bernal, Los Lobos, and Lalo Guerrero. While still with Quetzal, he opened for Aerosmith, Taj Mahal, and others. 

Gabriel Gonzalez and Richie Perez
New York’s singer Hector ”Pichie” Perez and Gabriel Gonzalez

Read also: Creator of Afro-Rican Jazz William Cepeda talks about this subgenre

Kadenza Dance School

Latin America / Argentina/ Buenos Aires

Kadenza Dance School is a dance academy located in Buenos Aires, Argentina. They don’t just teach people the steps of a musical rhythm; they demonstrate through their teaching that dancing nourishes the spirit of those who practice it. Not only that, but dance also allows for a connection with emotions, giving students more freedom for their spirit or soul.

KADENZA is a school geared toward students of all ages and with different goals, whether they wish to pursue a professional path or use dance as a form of recreation or therapy. All their students and teachers benefit from a comfortable reception area, spacious studios equipped with mirrors, barres, wooden floors, high-quality sound systems, and Wi-Fi throughout the studio. In short, it’s an ideal place to learn with passion, as the atmosphere is full of joy, respect, and good vibes, where one can enjoy what they love to do most… which is dancing.

Kadenza Dance School - Danza Jazz
Kadenza Dance School – Danza Jazz

They also state that they are seriously committed to the quality of instruction, where qualified professors and instructors give their best in every class. This ensures their students incorporate the essentials of each technique and develop the maximum potential of their learning in the rhythms chosen by the student.

The Directors: Yamila Larraura and Juan Pablo Villar

The School’s Directors are Yamila Larraura and Juan Pablo Villar, who mention that, “Anyone can open an Academy, but few are the ones that make a difference.”

If we want to know more about the history of these two directors, we can start with Yamila Larraura, who was born in Argentina. Since she was a child, she began listening to Afro-Latin music thanks to her father, “Jorge Washington Larraura,” who was of Uruguayan origin. When she was 14, she went on vacation to Villa Gesell with her parents and a friend of theirs. It was on this trip that her interest in Salsa was awakened, as she went to a place near the beach that played Salsa music and offered classes in the afternoon with all the people from the beach.

One of the songs heard back then was “El Muerto se fue de Rumba” by the group “Las Sabrosas Zarigüellas,” which was very catchy for everyone who heard it. After her vacation, she decided to enroll in Salsa classes, where her teachers were Pablo Demaro and Kimena Puente.

As for Juan Pablo Villar, during his youth, he worked as a waiter in a bar and took theater classes, which also included lessons in national folklore and Latin rhythms (Salsa). This was his first contact with dance, and from that moment, he developed an interest in it. One day, a person came to the bar and mentioned that they taught classes in a studio, asking if they could leave flyers at the bar for people who wanted to dance. Knowing this, Juan Pablo Villar decided to go to the Salsa classes taught by Professor Pablo Demaro.

Kadenza Dance School - Social
Kadenza Dance School – Social

They explain that the Salsa classes back then were in a Cuban style, which featured fairly simple movements and figures. It was in these very classes that the future directors of KADENZA, Juan Pablo Villar and Yamila Larraura, first met.

The Journey to Kadenza

To gain a better experience, and to teach and give classes, they had to learn new techniques. They decided to seek out the best teachers in Argentina, who at that time were from the “Escuela de Mambo en Dos,” led by teachers Liz Paredes and Carlos Aragón, until they moved to Italy in 2007.

Afterward, they formed a dance group with their colleagues called “Combo Bayres,” during which time they toured the country and performed on various stages. In 2007, Liz Paredes and Carlos Aragón returned from Italy and formed the “Compañía Mambo en Dos,” where Yamila Larraura and Juan Pablo Villar joined the project. They gained great experience in the artistic world, traveling to different Argentine cities like Mar del Plata, Rosario, among others.

They also had the opportunity to travel abroad, attending the Salsa Congress in Uruguay, and later going to the United States, to New York City, to present at the Salsa Congress where they met great dance legends like Eddie Torres. Another great experience they had was the honor of being the official dancers for the famous Venezuelan Salsa singer “Oscar D’León” and the Dominican Salsero José Alberto, also known as “El Canario.” By 2010, they left the Mambo en Dos company to start their own school.

The academy’s beginning went without a name for a year, simply referred to as Pablo and Yamila’s school, but they were always looking for a name that would identify the essence they wished to convey. They eventually came up with “Cadenza,” which in Italian means “style of free rhythms.” To make the name more original, they changed it to “KADENZA,” feeling proud of their choice.

Kadenza Dance School - Mambo, Salsa, Bachata, Tango, Urbano, Arabe
Kadenza Dance School – Mambo, Salsa, Bachata, Tango, Urbano, Arabe

Contact Information

For more information, contact them at:

  • Website: http://www.kadenza.com.ar
  • Facebook:escueladebaile
  • Phones: 5354-0957 / 15-3331-7875
  • Email: [email protected]
  • Google Plus: https://plus.google.com/106664874547676369685
  • Youtube: https://www.youtube.com/channel/UC-he58RYqrJwoxoH8OID3ZA

 

Jeremy Bosch Releases New Single “¿A dónde iré?”

The renowned musician, vocalist, composer, and arranger, Jeremy Bosch, has announced the release of his new single, “¿A dónde iré?” (Where Will I Go?). The song is the first promotional cut from his upcoming album, scheduled for release in October of this year.

“¿A dónde iré?” was written by Bosch, who is also a virtuoso flutist. For the lyrics, he drew inspiration from Psalm 139. In a press release, Jeremy commented on his inspiration, “This song was born from a moment of introspection and gratitude. I wanted to capture how God finds and accompanies us everywhere, even when we don’t perceive Him. I hope that those who listen can feel that closeness and trust in Him.”

The lyrics “combine biblical verses with Jeremy’s personal experience, intertwining his life’s testimony with the spiritual richness of scripture,” according to the artist’s team.

With this composition, the talented salsa artist whose work spans various musical genres seeks to invite listeners “to reflect on the presence of God (…) and the intimacy of a relationship with Him, through an authentic and moving musical expression.”

Jeremy Bosch lanza su nuevo sencillo “¿A dónde iré
Jeremy Bosch lanza su nuevo sencillo “¿A dónde iré

Jeremy Bosch’s commitment to this production is evident. He is the composer of both the lyrics and melody, as well as the arranger, producer, vocalist, and background vocalist, in addition to playing the flute. The song features Álex “Apolo” Ayala on bass, interacting with Gabriel Chakarji on piano. Marcos Torres is on congas and minor percussion, and Marcos López is on timbales and bongos. The trumpets were handled by “Maneco” Ruiz and Jesús Ricardo. Doug Beavers played the trombone and Mario Castro the tenor saxophone. Edmar Castañeda is on harp, Roman Lajara on guitars and banjo, while Ali Bello played the violins, Samuel Marchan the violas, and Mara Navas the cellos.

About the Artist

Jeremy Bosch is a proud Puerto Rican. He was born in Ponce and raised in Las Piedras. He is a 2013 graduate of Berklee College of Music, with a degree in Jazz Composition.

Jeremy was the singer and flutist for the Spanish Harlem Orchestra from 2015, when director Óscar Hernández recruited him to replace Ray De La Paz, until early 2025, when he left SHO to focus on his solo career. In 2016, his compositions earned him recognition as a great writer, with the album Hecho a mano by Buena Vibra Sextet, released through Salsaneo Records. In 2020, while reviewing Pequeño Johnny Rivero’s album Golpe duro, I came across Jeremy’s credit as a background vocalist on the record. At that point, we already identified him as one of the new, promising salsa artists to watch. In Puerto Rico, in addition to his solo career, he is associated with the contemporary percussionist and orchestra director Pete Perignon, with whom he collaborated on the single ‘Sería una pena’ (2020).

Previously, Jeremy had the good sense to venture into a tribute to another notable Ponce native: Cheo Feliciano. The work, published under the title Prefacio, was recorded live at the Dizzy Club in New York. For this feat, he shared the stage with special guests such as Óscar Hernández, Johnny “Dandy” Rodríguez, and Nelson González. On that occasion, he stood out among compositions by Tite Curet Alonso, such as ‘Si por mí llueve,’ ‘Pa’ que afinquen,’ and ‘Los entierros’—to name a few—with arrangements by vibraphonist Felipe Fournier.

JB con flauta El reconocido músico, vocalista, compositor y arreglista Jeremy Bosch
JB con flauta El reconocido músico, vocalista, compositor y arreglista Jeremy Bosch

Another notable production from his distinguished career allowed him to share the studio with Luis Enrique and Alain Pérez for the production of Prólogo hoy. This was followed by Epílogo, an Afro-Caribbean music album. Jeremy doesn’t want to be associated solely with salsa. In fact, his musical journey has been bold and varied, experimenting with “salsa mixed, produced, and arranged from a more synthesized and minimalist perspective,” as he described in an interview for the National Foundation for Popular Culture of Puerto Rico.

From his corner, this artist who has chosen to get to work—overcoming the temptation to complain—invites “a reconciliation between generations” for a healthy coexistence to enrich and diversify the contemporary musical talent pool.

Bella Martinez Puerto Rico

 

 

 

Also Read: Long live music! Repeat after me: “Long live the musicians so they can keep making it”. And I add: “Long live SALSA”.

Roberto “Bobby” Rodríguez was a master of the Baby Bass and was instrumental in its popularization within Latin music

Roberto “Bobby” Rodríguez “Big Daddy” (1927-2002) was a renowned bassist and a key figure in Latin jazz and salsa. He was known for playing both the upright bass and electric bass.

Roberto Bobby Rodriguez was a master of Baby Bass and played a decisive role in its popularization within Latin music
Roberto Bobby Rodriguez was a master of Baby Bass and played a decisive role in its popularization within Latin music

He worked with legendary artists and bands such as Charlie Parker, Dizzy Gillespie, Machito, Tito Puente, and The Alegre All Stars. Born in Tampa, Florida, to Cuban parents, he is often associated with the Baby Bass, a type of electric upright bass.

The Baby Bass is a specific type of electric upright bass developed by the Ampeg company. It has a distinctive sound and is very popular in Latin music, especially salsa.

Many famous bassists in the genre, including Roberto “Bobby” Rodríguez “Big Daddy,” are known for playing this instrument. With its deep, percussive tone, the Baby Bass helped define the sound of salsa music.

In summary, the connection between Roberto “Bobby” Rodríguez and the Baby Bass is that the famous bassist, Roberto “Bobby” Rodríguez “Big Daddy,” was a master of the instrument and was instrumental in its popularization within Latin music.

“Big Daddy’s” Career and Legacy.

The son of Cuban and Puerto Rican parents, Roberto “Bobby” Rodríguez “Big Daddy” was born in Tampa, Florida, on May 2, 1927. His talent left a lasting mark on the performance of both the upright bass and the electric bass.

He began his career in New York at the age of 17 with Machito and His Afro-Cubans, where he replaced Julio Andino. He participated in recordings with Chico O’Farrill, Dizzy Gillespie, Cal Tjader, Eddie Palmieri, Willie Bobo, Mongo Santamaría, Joe Cuba, Eric Dolphy, the Alegre All Stars, and Tito Rodríguez. His most important and enduring collaboration, however, was with Tito Puente.

Rodríguez’s involvement with Puente’s band resulted in a catalog of countless tumbao basslines. He occasionally had the opportunity to lead the band with a solo, loaded with highly creative melodic improvisations.

On the 1990 album, Goza mi Timbal, the track “Ode to Cachao” features a large number of Bobby Rodríguez’s solos. In addition to being a tribute to Israel López, this track is a showcase of “Big Daddy’s” immense virtues and is considered one of the most unforgettable solos in Latin jazz. This partnership remained active from the 1950s to the 1990s.

Roberto Bobby Rodriguez Big Daddy was born in Tampa, Florida, on May 2, 1927
Roberto Bobby Rodriguez Big Daddy was born in Tampa, Florida, on May 2, 1927

The nickname “Dedo Gordo” (Fat Finger) was given to him for his way of playing the electric bass, with a thick sound—something that in American musical circles is called a “groove.” According to experts, his technique was meant to emulate the sound of the Ampeg Baby Bass.

One characteristic he was always recognized for was his unique ability to play the clave rhythm with his foot while performing on the bass. His musical experience always made him seem like a contributor with a jazzy style.

On July 29, 2002, after a life full of resounding successes and an impressive legacy, Bobby Rodríguez passed away in New York.

Ambiguities with the Name Roberto “Bobby” Rodríguez.

The name “Bobby Rodríguez” has been used by several artists within the universe of Caribbean music.

One common source of confusion is the flutist, clarinetist, and saxophonist from Manhattan, Robert “Bobby” Rodríguez, who founded the group “La Compañía.” His date of birth has not been confirmed.

Another point of confusion is the common misconception that “Big Daddy” began his career with the Marcano Quartet. The truth is that the quartet featured Félix Manuel Rodríguez, who, in the early stages of his career at age 17, also went by the name “Bobby Rodríguez.” He would later adopt his famous stage name, Bobby Capó.

A third artistic namesake is Dr. Bobby Rodríguez, a trumpet player born in Los Angeles, California, who is also a teacher and author of the book, ABC’s of Brass Warm-Up. He has been nominated for a Grammy and has received awards as an educator.

Roberto Bobby Rodríguez Big Daddy (1927-2002)
Roberto Bobby Rodríguez Big Daddy (1927-2002)

The list of names similar to Roberto “Bobby” Rodríguez becomes much longer if you search for homonyms of his given name. For example, there is Roberto (Reimundo) Rodríguez, a trumpet player from Cienfuegos, Cuba. He co-founded the orchestra Los Jóvenes Estrellas de Cuba and became a member of the Fania All Stars. He also appears in the documentary Nuestra Cosa Latina. In 1982, he founded the group Los Rodríguez with his sons, Roberto Jr. and Willie.

His son, Roberto Rodríguez Jr., is another homonym we encounter in these musical paths.

Continuing with more homonyms, there’s the Cuban trumpet player Roberto Luis Rodríguez, who is the father of the currently famous trumpet player Roberto Juan Rodríguez, also Cuban, but who moved with his Jewish family to Miami at the age of nine. He has played with top artists such as Joe Jackson, Julio Iglesias, and Paul Simon.

 By: Diego Aranda (Audiokat)

Dj. Augusto Felibertt

Los Mejores Salseros del Mundo

Also Read: Bobby Valentín, the King of the Bass in the Fania All-Stars Machine – The Mind of a Master

Sammy Figueroa is an exceptional percussionist known for his versatility and for playing in a multitude of musical styles

Sammy Figueroa, a percussionist with an excellent career.

Sammy Figueroa was born in the Bronx, New York, in 1948. He is the son of bolero singer Charlie Figueroa, whom he never knew, as his father passed away at the age of 32.

Sammy moved to Puerto Rico as a child to live with his grandparents and escape the Bronx’s gang violence.

Sammy Figueroa is an excellent percussionist who has stood out for his versatility, playing in a multitude of musical styles
Sammy Figueroa is an excellent percussionist who has stood out for his versatility, playing in a multitude of musical styles

At 18, he started his professional career with bassist Bobby Valentín’s band. Throughout his career, he has stood out for his versatility, playing in a multitude of musical styles and contributing to nearly 400 albums, ten of which are platinum.

He has collaborated with major pop artists like David Bowie, Chaka Khan, and Mariah Carey, as well as with distinguished jazz musicians such as Miles Davis, Sonny Rollins, Quincy Jones, and George Benson. In 1977, he became a founding member of the Latin rock fusion group Raíces.

In 2001, Sammy Figueroa moved to South Florida and formed his own group, Sammy Figueroa and His Latin Jazz Explosion. His albums And Sammy Walked In and The Magician were nominated for a Grammy for Best Latin Jazz Album.

Sammy Figueroa, a percussionist with an excellent career

Sammy Figueroa, a percussionist with an excellent career

His 2023 album, Searching for a Memory / Busco Tu Recuerdo, is a tribute to his father. The project, produced by his wife, Rachel Faro, with whom he has also co-produced other albums, allowed Sammy to reconcile with his father’s legacy. On this album,

Sammy sings on a record for the first time and transforms his father’s classic boleros into modern Latin jazz arrangements. The album was nominated for a Latin Grammy in the “Best Jazz/Latin Jazz Album” category.

Sammy Figueroa has received numerous awards, including two Percussionist of the Year awards from the National Academy of Recording Arts and Sciences (NARAS), two Drummie Awards for Best Hand Percussion, and a Best Percussionist award from the Jazz Journalists Association.

Discovered by jazz flutist Herbie Mann, Figueroa became a well-known session and studio musician, touring and recording with The Brecker Brothers, Average White Band, Morrissey – Mullen, The Mahavishnu Orchestra John McLaughlin, and Miles Davis.

He has also appeared with Blondie, Sonny Rollins, David Sanborn, Quincy Jones, Dave Grusin, George Benson, Chet Baker, Stanley Clarke, Grover Washington Jr., Al Jarreau, Lena Horne, Joe Williams, Mark Murphy, Mike Mainieri, Néstor Torres, Chico O’Farrill, Mike Stern, Chuck Loeb, Bobby Watson, Dave Valentin, Arturo Sandoval, Paquito D’Rivera, Rubén Blades, Eddie Palmieri, Bobby Valentín, Tania Maria, Mariah Carey, James Taylor, Dr. John, Mick Jagger, David Bowie, Celine Dion, Blues Traveler, Natalie Merchant, David Lee Roth, Hall & Oates, Joe Cocker, Rickie Lee Jones, Annie Lennox, Whitney Houston, Anita Baker, Grace Jones, James Ingram, Diana Ross, Roberta Flack, Aretha Franklin, and many others.

Some of the R&B hits he is featured on include Sister Sledge’s “We Are Family,” Luther Vandross’s “The Night I Fell In Love,” and Ashford & Simpson’s “Solid (as a rock),” as well as most of Nile Rodgers and Bernard Edwards’ hits on the Chic and Sister Sledge record labels.

Michel Camilo wrote the song “And Sammy Walked In” in his honor, and it was also recorded by Giovanni Hidalgo. Two of his CDs, And Sammy Walked In and The Magician, have been nominated for Grammy Awards in the “Best Latin Jazz Album” category. Figueroa hosts a Latin jazz show on WDNA-FM in Miami, Florida.

Sammy Figueroa was born in the Bronx, New York, in 1948
Sammy Figueroa was born in the Bronx, New York, in 1948

If you’re not very familiar with Sammy Figueroa’s work, you can try an experiment with this album: listen closely to see if you can guess what his instrument is. In a medium-sized combo, what instrument seems to take center stage? The answer: it’s impossible to guess, which says something about Figueroa’s maturity as a leader.

It’s also surprising to see how pared down his forces really are this sextet sounds like a big band. (Spoiler alert: he’s a percussionist.) It also says something about him that the term “Explosion” is a misnomer for his band. There are no pyrotechnics, no crazy tempos, and no wildly layered rhythms here.

But there are some very impressive horn arrangements (check out “Cha Cha Pa’ Ti” and the lovely “Cuco y Olga”), along with some of the sweetest, most tender ballads to appear on a jazz album of any genre in recent years (“Queen from the South” and “Zuliana” are the best examples).

For a percussionist acting as a bandleader, giving this kind of sustained, loving attention to compositions that only make a tenuous use of his talent is further proof of Figueroa’s taste and maturity. Let’s hope Figueroa keeps going in this vein. Rick Anderson.

Sammy Figueroa & His Latin Jazz Explosion – Urban Nature (2011).

Sammy Figueroa & His Latin Jazz Explosion - Urban Nature (2011)
Sammy Figueroa & His Latin Jazz Explosion – Urban Nature (2011)

Tracks:

  1. Gufillo (Silvano Monasterios)
  2. Urban Nature (Gabriel Vivas)
  3. Latin What? (Michael Orta)
  4. Zuliana (Silvano Monasterios)
  5. 7th Door From The Left (Silvano Monasterios)
  6. Cuco y Olga (Nicholas Martines)
  7. Cha Cha Pa’ Ti (Gabriel Vivas)
  8. Queen From The South (Silvano Monasterios)
  9. Funny Talk (Gabriel Vivas)

Musicians:

  • Sammy Figueroa (Percussion)
  • Silvano Monasterios (Piano)
  • Gabriel Vivas (Acoustic bass)
  • John Michalak (Sax)
  • Alexander Pope Norris (Trumpet)
  • Nomar Negroni (Drums)

Guest Musicians:

  • Ed Calle (Sax)
  • Mike Orta (Piano)
  • José Gregorio Hernández (Percussion)

Website: Sammy Figueroa

By:

Dj. Augusto Felibertt

L’Òstia Latin Jazz

Also Read: Carlos “Nene” Quintero comes from a family of musical prodigie

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.