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Search Results for: Jazz

John Narváez and Elizabeth Rojas from Salsamania

John and Liz from Salsamania  

Between days 23 and 25 March, 2023, the San Francisco Salsa Festival took place, which brought together some of the cream of The Bay Area Latin music scene. One of those attending this great event was the main editor of International Salsa Magazine, Mr. Eduardo Guilarte.   

On site, he had the opportunity to share with other guests and some of the organizers such as Elizabeth Rojas, affectionately known as Liz, and John Narváez. We had the chance to talk with both dance professionals to know more about their beginnings, festivals and projects. Do not miss it!  

John and Elizabeth
Colombian dancers John Narváez and Elizabeth Rojas

Beginnings   

After several attempts to schedule a meeting with John and Liz, we finally managed to talk with these Colombian dancers and entrepreneurs, who began by thanking us for the contact and the opportunity to promote their passion for salsa and the community they represent.   

This love they have for the aforementioned musical genre has much to do with their roots. Both were born in Colombia and left the country when they were 12 years old (they are the same age) because of the violent situation caused by the guerrilla that existed in those years.   

Although those were hard times, John says these were very nice years from which he has fond memories. He remembers almost all his family members singing or playing an instrument, while he was the only dancer. All this influenced him in such a way that Latin music remains his north after so many years.  

Moving to the United States 

Since the social situation did not allow them to live in their country, they decided to move to the United States and apply for political asylum. At the beginning, it was not easy and the focus was on working hard to get ahead in this new country and to learn English. However, all that changed over time. 

With the arrival of economic and family stability, priorities changed. John comments that his interest in music and dance perked back up due to the family gatherings that his relatives celebrated such as birthdays, quinceañeras, weddings, among others. 

Although at the time dancing was not considered a serious profession, both John and Liz began to practice it at amateur level. Once they turned 21, they started going to the most popular salsa clubs, but it was all for recreational purposes. It was years later before they began to analyze all the technical and historical part of dancing to understand it better and take it more seriously.  

John, Liz, and Barbara
John and Liz with Barbara on Despierta América

Dancing as a profession 

John and Liz started to take dancing seriously in 1999. They both attended a three-day salsa event in Los Angeles, but what they did not know is that this was the first world salsa congress in America.   

This gave them the opportunity to share with the best salsa dancers in the world and they saw such impressive things that they were inspired to return next year with a well-established dance team with which they could participate fully in these activities. 

Being full of motivation, they decided to create Salsamania Dance Company and performed with their team at the festival. They started doing the same thing every year, which helped them gain experience and evolve their styles. 

After earning the trust of the festival organizers thanks to their talent and professionalism, they were given the opportunity to start teaching salsa workshops at the aforementioned congress. This is how little by little John and Liz began to build the reputation and credibility they have today.   

 In 2004, it got to a point where John took the important decision to quit his job to devote himself to dancing and Liz was quick to do the same. His resignation came with the opportunity to take a three-month trip to Hong Kong to teach salsa in a community where people did not dance it. 

They managed to build a community from nothing, since at that time, Hong Kong was not a place where people listened to salsa. However, everything went well and the dancers managed to seamlessly connect with the local audience. As John rightly said, ”salsa is a universal language and you don’t have to speak that language to feel the music”. 

On returning to the Bay Area, they began to practice dancing as a profession in the United States. 

On this point, Liz commented that her parents became very upset with her when she quit her job because of dancing, but today, they admit that it was the right decision and support her totally.  

Liz and John dancing
Liz and John during a social dance in Boston

Salsamania Dance Company 

Liz told us that it was difficult to create Salsamania Dance Company because it requires a lot of discipline and healthy coexistance between different types of personalities to create a group like this and keep it together. Fortunately, John is an industrial psychologist, so he helped to prevent these aspects to be a problem. 

Basically, Liz is responsible for the company’s management and John is the one who takes care of the human part of all the staff. 

They started the whole process like any regular company and drew up the contracts for all those who were going to work with them, making Salsamania a much more established, structured and serious project in the eyes of everyone else. Today, it is one of the largest companies in the Bay Area.   

They also took it a step further and built a salsa academic program with a thoroughness and detail that has not been seen in other projects of this kind.   

San Francisco Salsa Festival  

San Francisco Salsa Festival is one of the biggest salsa events in California and the United States in general and we were fortunate to have representation there with our editor Eduardo Guilarte.  

It began to be celebrated in 2008 with the support of international salsa promoter Albert Torres, who was a fundamental piece in the development of the festival and talent recruitment for an event of this size, as there were many things John and Liz had to learn. That is why they are both incredibly grateful for what the congress organizer did for them back then.  

To recruit artists, the dancers only require candidates to be good teachers, to share with the salsa community and to put on a good show for the audience. 

They also often invite colleagues they have known for years and some recommended to whom they give them the opportunity to shine and make themselves known during those days. 

Every year, they look for dancers, dance instructors, DJs and live orchestras. For Liz and John, the thing about live bands is very important, as they are concerned that there are so many clubs and venues that no longer hire these talents. This year, they focused on local bands that play on Thursdays and Fridays in San Francisco and were very happy with the results.  

It is expected that the next San Francisco Salsa Festival is scheduled between days 22 and 24 March, 2024 at the same venue, which is the Marriott Waterfront Hotel.   

The orchestras hired to perform for next year are Cabanijazz, The Latin Rhythm Boys and Orquesta Boyacán. The dancing couples are Alex and Judy from Colombia, Colombians Felipe from Colombia and Kathe and Mauricio and Danny from Mexico.   

John, Liz, and Oscar D’ León
John and Liz with Venezuelan singer Oscar D’ León

Difficulties in the pandemic 

As dancing is an activity with a lot of physical contact and closeness, we were curious to know how they lived the pandemic and what they did to keep their project afloat in this situation. 

Though they admit that those months were not easy, they have always been very disciplined with their money and had enough to resist as long as possible without working.   

They tried to make up for lost time by teaching classes via Zoom as did most of their colleagues and designing new choreographies to apply when they went back to their usual activities. 

In addition to this, both had not spent time with their respective families in a long time, so they also took advantage of the absence of work to reunite with their loved ones and take up those important contacts that were lost due to stress and routine. 

Read also: Here we have Salseros With Attitude 

Son del Monte

North America / United Stated / New York

Son del Monte, Something more than a “Charanga”

It was one of those nights of meeting with friends, those friends with whom you share the same musical preferences among other things, you know, of those gatherings where only you and your friends can spend hours discussing the best songs of Héctor Lavoe or remembering the best hits of the Fania, and in which there is no other way to end the evening than with the deities that brings the good Salsa music from a live band to close the night with a flourish.

Son del Monte
Son del Monte from New York

And so that was, when with the hours passed we came across one of these charming Latin clubs that fill the streets  and every day prevail more in the city of New York, where, of course, they offered Live Salsa. Eureka! If you allow me to say it … It was the perfect place to “Echarnos un Pie” (colloquial term that we usually give in some Latin countries when we refer to dance).

Upon entering, the characteristic sound of the band wrapped up the entire venue, no doubt, captivated us. It was the harmony of an orchestra that played the typical Cuban music: “La Charanga“, which had its maximum exposure in the 20th century. We were all enthralled or if you want to say “delighted”, it was the mixture of wind instruments with percussion instruments but especially with the string instrument that most caught our attention, the Violin.

When we asked for the name of the orchestra, they told us: “Son del Monte”. It’s the ideal name for an orchestra of 12 Latin musicians who project their virtuosity before an audience eager for Caribbean Music that bathes the senses and awakens the joy of living.

Son del Monte
Son del Monte

Son Del Monte is a band based in New York City that presents unique tunes from various artists. This orchestra was born from the musical director and timbalero, Manny Rivera whose aspiration was to create a Charanga band with a hard New York sound that paid homage to the orchestras of the 60s, 70s and 80s. “Our music is captivating for the listeners and dancers. Fans from all over the world have come to love Son Del Monte: Una Charanga Con Algo Más and our incredible musical swing”, said Manny Rivera.

This band that combines the typical sound of Cuba with the mixture of flute, violins and trombones with three singers that create a distinctive harmony of three parts, have performed in so popular Salsa venues, such as: Maryland Live Casino, the Baltimore´s Latino Festival, the boardwalk of Coney Island, SOB’s, Empire City Casino in Yonkers, Gonzalez y Gonzalez, La Marqueta, the Latina Hats Society, Industry City, Harlem Mist, among other recognized Salsa venues.

The members of this Charanga orchestra with “Sabor” and electrifying sound are: Mauricio Smith Jr. (Flute), Eric Roberto Salazar and David Rimelis (Violins), Michael Pallas, Juanga Lakunza and Charlie Garcia (Trombones), Eli Rivera (Piano), Bert Castro (Bass), Joe Gonzalez (Conga), Manuel Rivera (Timbales / Musical Director / Leader) and Luis Ayala, Armando Jiménez Sonji and Luis Soto (Singers).

Since the beginning of this year (2019), Son del Monte has been working on their record proposal for the Latin market with unpublished themes, rhythmic and unique sound – contemporary. To date they already have two singles: “Rumba Omelenko” and “Vengo de Nueva York” availables in: CD Baby, Deezer, iTunes, Apple Music, and Spotify. Likewise, the song “Herman” is in the process of recording. So, get ready because this Charanga orchestra promises their CD ended with great compositions for the public later this year.

Undeniable, the acceptance of Son del Monte has been so extensive on the part of New Yorkers and all who are Salsa lovers that they were recently awarded with the TANAE Digital Media Award for Band of the Year 2018, giving recognition to an arduous musical performance, but above all of great cultural value that keeps alive our Latin idiosyncrasy.

Son del monte - Premios Tanae
Son del monte – Premios Tanae

Manuel Rivera (Musical Director / Manager/  Timbales):

Manuel Rivera, have been a professional musician for more than 40 years and now Son Del Monte’s Leader/ Musical Director.  His musical career started playing Bongo in a Latin Workshop band which eventually became Orchestra Yambu.  Yambu was known for its Latin Jazz style and Disco Hit “Sunny”, his first recording.  Subsequently, I joined the original Charanga Orchestra Sublime of New York City, doubling up on Bongo and Timbales. He recorded on Sublime’s first two albums in 1977 and 1979.

In 2001, he rejoined Orchestra Sublime now known as “Sonsublime”. Manuel recorded on Sonsublime’s Gran Reserva and Bailando Con Sonsublime, their latest CDs. He studied various folkloric rhythms, Bata drums and sight reading at the Harbor’s Conservatory of Music in El Barrio in New York City under the guidance of the Master Louie Bauzo.

Manuel Rivera has performed with the Bassist: William Millan, of the original Conjunto Saoco, singers: Henry Fiol, Ray Ramos, and Luis Ayala.  Also, he performed with Yerason and the MTG All Stars Orchestra under the direction of Hector Leguillow, Joe Quijano at Lincoln Center and other various artists throughout his musical career.

 

Next Shows:

Monday, Jult 15TH   

Venue: Cunanele Restaurant and Lounge. 1 Route 46 W, Totowa, NJ 07512

Saturday, August 17TH   

Venue: La Placita de la Marqueta.  North trains between 111th and 112th Streets in East Harlem, “El Barrio” and uptown Manhattan, NY.

 

For more information, please visit:

https://www.SONDELMONTE.com

Or Follow them for their Social Channel:

https://www.facebook.com/MRSONDELMONTE/

Roberto Quintero

North America / United Stated / New York

Roberto Quintero, The Master in the Congas, Bongo & Timbales NY

Roberto Quintero was born in Caracas, Venezuela, surrounded by Afro-Venezuelan and Afro-Cuban rhythms and music.

Roberto Quintero
Roberto Quintero – New York

His father, a respected composer, singer and percussionist, tutored and encouraged Roberto Quintero on percussion throughout his adolescent years.

Roberto Quintero comes from a long line of outstanding musicians, including his Uncle Carlos Nene Quintero and cousin Luisito Quintero.

Roberto Quintero and his congas
Roberto Quintero and his congas

Roberto Quintero studied at the Conservatory of Music in Caracas, Venezuela and Sinfonica Orchestra Juvenil from Venezuela.

Besides his skillful Congas work, Roberto is also well known for his work on Bongos, Drum set, Djembe, Timbales and a wide variety of assorted percussion instruments.

He (Roberto Quintero) has played with Dave Samuels, Dave Weckl, Chicago, Gato Barbieri, David Sanchez, Roy Hargrove, David Sancious, Eddie Palmieri, Jack DeJohnette, Roy Haney, Marc Anthony, Timbalaye, Celia Cruz and countless other high-profile music acts in all genres, from symphonic to Jazz, Latin Jazz and Latin House.

Roberto Quintero
Roberto Quintero

Chile Directory 2023

Club Havana
Club Havana
Punta Arenas Boliviana 499, Punta Arenas, Chile
+56 9 6673 7008

Pub Dejavu
Dejavu Pub
Punta Arenas Maipu 403, Punta Arenas, Chile
+56 9 7976 4121

Amanda
Club Amanda
Embajador Doussinague 1767 / Local 0027D, Santiago, Chile
+56 2 3223 0000

Havana Salsa
Havana Salsa
Dominica 142, Santiago, Chile
+56 2 2777 5829

Murano
Murano
Las Condes 14950, 7710041 Lo Barnechea, Santiago Región Metropolitana, Chile
+56 918 27 63 43

Thelonious's
Thelonious
Bombero Núñez 336, Barrio Bellavista, Santiago, Chile
+562 2735-7962

GazGaz
Gazgaz Club Valdivia
Camilo Henriquez 436 5090000 Ciudad de Valdivía, Chile
+56 9 9088 8598

 

Bolivia Directory 2023

El Cortijo
Av. Pando esq. Juan Capriles 0 Cochabamba, Bolivia

JazzStop
Pedro Blanco #364, Cochabamba, Bolivia

Mandarina Lounge
Pasaje Portales 0591 Cochabamba, Bolivia

 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.