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Search Results for: Jazz

Mike Arroyo the guitarist Using Jazz to praise God

Mike Arroyo 40/20 The Concert (The past July 19, 2021, San Juan, Puerto Rico)

Using Jazz to praise God, guitarist Mike Arroyo performed yesterday, Sunday, July 18, 2021 at the René Marqués Hall of the Centro de Bellas Artes in Santurce.  As Mike himself said in front of a packed hall, yesterday’s concert became a dream come true.

At 4:50 p.m. the first call was heard over the loudspeaker.  Seven minutes later, the second call was heard at full volume, which interrupted the public’s excitement as they began to settle into their seats.  Five minutes after the scheduled time, the third and last call was heard; which immediately gave way to the greeting of the moderator already on stage, but not before opening the show with the usual invocation.  It became clear that although the concert honored Mike Arroyo’s career, during that time the guitarist has dedicated himself body and soul to praise God.

The title 40/20 originates from the 40 years since Mike Arroyo acquired his first electric guitar, an Ovation Thunderhead® that had belonged to the tres player Nelson Gonzalez.

At 4:50 p.m. the first call was heard over the loudspeaker. Seven minutes later, the second call, which interrupted the public's excitement as they began to settle into their seats, was heard at full volume.

Mike Arroyo 40/20 The Concert

The acquisition of the guitar is still an enigma difficult to explain in earthly terms.  Thus life, this shocking story, which in 1981 transformed the lives of Mike Arroyo and Nelson Gonzalez paved a path that 20 years later would see Mike’s first Jazz album, Straigth To Heaven (2001) see the light of day.  It would be good to bring up the guitar transaction for discussion, but not before exposing the provenance of the guitar.

Shortly before the transaction described here, Nelson Gonzalez lost his house with all the belongings in it due to a fire.  To Nelson’s surprise, the guitar, which later passed into Mike’s hands, was not only the only item to survive the fire, but remained intact.  That fact alone is incredible, but in the face of a structure that was totally destroyed it looks even more dramatic.  Nelson took the surviving item – his guitar – into storage.  However, the custodian of the guitar decided to dispose of it as payment in exchange for a service.  That third person who received the guitar as payment for that service, must have understood that the guitar had not been acquired in a lawful manner, so he sold it for $140.00 to a young Mike; who had to commit himself to pay small amounts until the agreed amount was paid off.

Shortly thereafter, already in the process of normalizing his life after that same fire that had spared the guitar, Nelson returned to reclaim the guitar from whoever had deposited it.  Since the custodian of the guitar no longer had it with him, Nelson set about the task of locating it. Nelson received information about the whereabouts of the guitar itself, which at that moment became – unsuspectingly – the link between the two musicians.  Nelson went to Mike Arroyo’s home where he saw with his own eyes the effort the young man had made to get his hands on that guitar.

The respectable Arroyo family explained, the young musician pleaded and Nelson Gonzalez decided to part with the guitar, the only material object that had survived the destruction of the Gonzalez home, to give it to Mike.  At that moment, Nelson became Mike’s musical godfather and the guitar became the divine plan that made Mike a pioneer in Sacred Jazz, a Latin rhythm of light and spiritual tonalities.  The surprise of the night was the presentation of Nelson Gonzalez with Mike Arroyo, eternally united by the musical instrument that was also the instrument of that divine plan that remains intact.

At that time, Nelson became Mike's musical godfather and the guitar became the divine plan that made Mike a pioneer in Sacred Jazz.
Nelson González y Mike Arroyo

Mike is recognized in the music scene as a pioneer and precursor of “Christian Jazz” with 6 record productions and two video DVD productions. In 2017 he innovated the stages by performing a concert in the traditional format of “Jazz Organ Trio” being Brian Charette and Vince Ector the international guest musicians of that event that took place at the Conservatory of Music of Puerto Rico.

Aware of the need to strengthen us as a people, through his “Jazz with a spiritual touch”; just as 40 years ago Nelson gave Mike that magical instrument, yesterday Mike gave the public a masterful concert, presented by BCC (Breñas Community Church).  It should be noted that BCC is the church where Mike has been pastor for 15 years.

The select group of accompanying musicians included the Puerto Rican piano: Luis Marín, Gabriel Rodríguez, Jimmy Rivera, Héctor Matos on drums, José Nelson Ramírez, Tommy Lee on tumbadoras and Giovanny Rodríguez.
Piano of Puerto Rico: Luis Marín, Gabriel Rodríguez, Jimmy Rivera, Héctor Matos on drums, José Nelson Ramírez, Tommy Lee on tumbadoras and Giovanny Rodríguez.

The select group of accompanying musicians included the piano of Puerto Rico: Luis Marín, Gabriel Rodríguez, Jimmy Rivera, Héctor Matos on drums, José Nelson Ramírez, Tommy Lee on tumbadoras and Giovanny Rodríguez in his first performance with his former teacher -Luis Marín-.   I imagine that no one will be surprised if it is stated that Luis Marín’s chords were gravitating towards salsa, while Tommy Lee prophesied in correspondence on the leather of the tumbadoras.  Also singing were: Yanira Torres, Gilda González, Janet Hernández, Alma Galarza and Vanessa Rosado.

Photos: Miguel Rojas Candelario ©.

During these 40 years Mike has stood out musically with Christian groups and singers such as Renovación Cristiana, Abba Padre, Manuel Román among others and several recordings. He has participated with the Symphony Orchestra of PR, a Symphony Orchestra in the Dominican Republic, The Quique Talavera Orchestra in the Chucho Avellanet Show accompanying other singers such as Ismael Miranda, Braulio, Tito Rojas among others, The Pijuán Orchestra, where besides the Sextet, he also accompanied Danny Rivera and Wilkins. Mike also had the joy of dedicating a piece with his guitar to his favorite artist Jose Feliciano when he came to celebrate his 50th artistic anniversary in Puerto Rico. With his guitar he has participated in International Jazz Concerts and Festivals (PR, NY, Chicago, Curacao, among others) and has also performed in Germany.

Mike is also a musician/pastor of the Breñas Community Church (BCC) IDDPM.I. in Vega Alta for 15 years and Chaplain of the Police of PR. He is also a Music Teacher in his academy “Mike Arroyo Music” in his hometown of Vega Baja and is a Biomedical Engineer in Clinical Laboratories and Hospitals.

“Mike Arroyo 40/20 El Concierto” was dedicated to his graduating class of Lino Padrón Rivera High School of Vega Baja 1983 and to his “Padrino Musical” Nelson González.

Article of Interest: Tito Rodríguez, Jr. “The Palladium legacy lives on”

By: Bella Martinez “La Escritora Irreverente de La Salsa”

Puerto Rico

Bella Martinez
Website: Bella Martinez Home

2nd Annual Bay Area Latin Jazz Festival brings news

Castro Valley will be the scene of the best jazz event you can find

After so many months of confinement due to the pandemic, which has ravaged the world, Castro Valley, California, will become the scene of a spectacular event that will make jazz and music lovers in general very happy. It turns out that, later this month, the second edition of the Annual Bay Area Latin Jazz Festival will take place, whose surprises will blow attendees out of water. 

This is the logo of the Bay Area Latin Jazz Festival
The logo of the Bay Area Latin Jazz Festival

In this new edition, the event is expected to be an important contribution to jazz as a musical genre, but it will not be the only musical style that attendees will enjoy, as organizers have made every effort to make the festival as varied and diverse as possible. This means that there is a planned special emphasis on the Latin American and Caribbean influences that have made this genre what we know today, so the mixture of cultures that will be present there will be unbelievable. 

The space destined for sales positions and counters will include businesses, food sales, handicrafts, community organizations, among many other things. However, the main attraction will be the great group of artists who have been invited to the Annual Bay Area Latin Jazz Festival, among which we can include Oscar Hernandez and his quintet Alma Libre, Bobi Cespedes, Carlos Rosario, Ricky’s Grupo Afro-Nativo, Rene Escovedo Latin Jazz Ensemble and much more. In addition, the festival will be attended by broadcaster Luis Medina, who kindly spoke with us and provided us with all this valuable information. 

Mr. Medina from KPFA Radio’s Con Sabor and WorldSalsaRadio.com’s Sabiduria Con Tumbao will be the master of ceremonies for the event and DJ during breaks, which will allow those who attend to see Luis in one of his most exciting musical facets. 

This is Luis Medina
Luis Medina, Master Of Ceremonies, DJ and musicologist

Montuno Productions and its role in this

Montuno Productions will be the entertainment services provider that will organize this great festival, which guarantees that it will be a success. It must be remembered that this corporation specializes in offering all kinds of services related to Latin music, including promotion, marketing, representation of artists of various genres, assistance in obtaining tickets, website creation and many other things. Without a doubt, this provider is highly reliable and respected in the industry, so it is a fact that its work will not disappoint. 

One of the great achievements of Montuno Productions in this time has been the coming together of local small businesses, community organizations and music lovers in one place to create a positive contribution to arts, economy and culture. Benefits to the community, attendees and music lovers will be incalculable. 

As for the place, this Latin jazz festival is expected to take place at Rowell Ranch, Castro Valley, California. It is a lovely area surrounded by hills whose access by motorway is quite easy for those who wish to go by car. The place is quite accessible for those coming from Livermore, Dublin and Pleasanton. Those coming from Hayward can be there in just 10 minutes.   

With respect to entry costs, this event is a very economical option for those who do not want to spend too much, but want to have a lot of fun. General admission has a value of $30, but can amount to $35 for those who bring their vehicle.   

 

Stage at the Bay Area Latin Jazz Festival
Stage at the Bay Area Latin Jazz Festival in the last edition

Link to the event’s website: https://www.facebook.com/events/rowell-ranch/2nd-annual-bay-area-latin-jazz-festival/595551574740975/  

  

Cost of tickets:  

General admission: $30  

Parking: $5

 

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The best jazz and cuts of meat at Willie’s Steak House

What is Willie’s Steak House

Willie’s Steak House is one of those places where The Bronx visitors have to go, whether tourists or local residents. This spectacular restaurant with live music has absolutely everything anyone may need to have a nice and lovely time in the company of friends and relatives. The best of cuts of steak mixed with live jazz result in a heady combination that is hard to ignore.

This restaurant specializing in meat offers an impressive menu to be enjoyed by all those who visit at its facility to take their minds off of the routine and the health situation in the world during the last year and a half. In its wide catalogue of options, we can find pork leg, crispy chicken, flame-broiled, pork chop, among many other dishes. As for the side dishes, there are also various options that can be included such as rice with pigeon peas, fried yucca, hash browns, potato chips and much more.

Although the food is wonderful and one of the biggest attractions of the place, we cannot ignore the fact that this space also includes the best jazz that can be found across the Bronx and its surroundings. In addition, it is also very common to invite groups from Puerto Rico to play the guitar, mostly on Saturday. However, the place is not only limited to these musical styles to harmonize the environment for diners, but further has been responsible for bringing artists linked to all kinds of genres and instruments that can make an evening a great opportunity to enjoy the best Latin music.

Image of the ar and the tables at Willie's Steak House
Bar and tables at Willie’s Steak House

The best music and food in the same place

The owners and those responsible for handling the advertising side are always announcing new events and shows suitable for the whole family, primarily related to music. In fact, last month the return of Live Salsa Wednesdays was announced with a different live singer or orchestra each week. This had been suspended indefinitely after the pandemic broke out in New York and other American cities. This was big news for regular customers of the restaurant, who cannot wait to see a live show again after all this time.

Against that background, it is safe to assume that the place provides facilities for private parties, banquets and all kinds of meetings and social events just by contacting the staff of the restaurant to make the necessary reservations. If that is the case, all one has to go into the web portal www.williessteakhousebronx.com, go to the Contact section, leave a comment with the required information or call (718) 822-9697.

As far as open hours are concerned, the place runs on Mondays between 4 p.m. and 12 midnight, Wednesdays and Thursdays from 12 noon to 2 a.m., Fridays and Saturdays from 12 noon to 3 a.m. and Sundays from 12 noon to 12 midnight.

So any of our readers who want to enjoy an exquisite cut of meat with the side dishes from the Island of Enchantment and listen to the best Latin music bands and orchestras, they only have go to Willie’s Steak House to spend a time they will never forget.

Imagen of some tables at Willie's Steak House
Some tables at Willie’s Steak House

Website: www.williessteakhousebronx.com

 

Phone: (718) 822-9697

 

Opening hours:

Monday and Tuesday: from 4:00 p.m. to 12 midnight.

Wednesday and Thursday: from 12:00 noon to 2:00 a.m.

Friday and Saturday: from 12 noon to 3:00 a.m.

Sunday: from 12:00 noon to 12:00 midnight

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Johnny “Dandy” Rodríguez Jr. Growing Up in Latin Dance Music and Jazz

Johnny “Dandy” Rodriguez Jr. is a salsa legend and world-renown, pioneering bongocero.

His “Dream Team” is currently regarded as the hottest salsa “conjunto” performing In New York City.

It is rare, and ever increasingly so, that a musician would spend a lifetime in a band. But percussionist Johnny “Dandy” Rodríguez Jr. who was a teenager when he was allowed to sit in with the Tito Puente Orchestra and be an apprentice for a few months before earning a place in its rhythm section, was also there at the end, playing alongside Puente until his death, after a concert on May 31st, 2000.

“I went from being a kid, coming into the band as a 16-year-old to being the man running the band at the end,” said Rodríguez, 70, in a conversation from his home in Las Vegas.

Johnny "Dandy" Rodriguez Jr. Growing up in Latin dance and jazz music
Johnny “Dandy” Rodríguez Jr.

Between that beginning and end, Rodríguez also contributed, in prolonged stints, to the sound of the Tito Rodríguez Orchestra, Ray Barretto, his own band, Típica ‘73, and more.

The son of Johnny “La Vaca” Rodríguez Sr., a respected percussionist who also played with the Puente and Rodríguez orchestras, “Dandy” Rodríguez is one of those essential musicians who have created and shaped the sound of contemporary Latin Jazz yet are little known by the public at large.

"When they called me to talk about the concert I thought it was a great idea," Rodriguez says.
Johnny “Dandy” Rodríguez Jr. y Pedro Bermúdez en New York

While some of the great players in Duke Ellington or Count Basie bands have long been recognized for their contributions, their counterparts in the Latin orchestras, for the most part, have not.  Rodriguez will be honored by Arturo O’Farrill & the Afro Latin Jazz Orchestra in their concert “Tribute to the Great Sidemen of Latin Jazz” alongside Sonny Bravo, Ray Santos, Papo Vázquez, Reynaldo Jorge, José Madera, Joe González, and Bobby Porcelli at Symphony Space, in New York City, January 29th and 30th.

“When they called me about the concert I thought it was such a great idea,” says Rodriguez.

Johnny Rodríguez
Johnny “Dandy” Rodriguez Jr. is a salsa legend and a world-renowned pioneer bongocero.

“Usually people just know the name of the bandleader and it’s fine,” he says. “But they must remember that there is a good team behind that leader which makes him look so much better.

There’s a way of playing that music that makes it sound the way they wrote it and the way they wanted it and these guys knew it and they knew how to do it.”

Rodríguez grew up in Spanish Harlem, Manhattan, in a house with “a great music collection, a good, what was then called, hi-fi system and always full of musicians,” he recalls.

“It was great but I was interested in baseball, in stickball. I didn’t get involved with music until later, but the music was always in the background, in my house.” By the time he was in junior high, Rodríguez played bongos, congas, timbales, and set drums and, as he puts it, “started to get into it.”

“Remember, I lived in El Barrio and back in those days, in that area, there was a lot of music in the air.

There would be speakers outside the furniture store or the bodega or the record shop, and music would be playing. This shop would be playing this radio station, the butcher would have another, so walking one block you’d be hearing three different pieces of music. It was an environment full of music.”

During the first two decades of the new century, the musical work of maestro Johnny Rodriguez continued; thus, his musical imprint has remained in other publications with The Latin-Jazz Coalition, Frankie Morales, Eddie Palmieri, Gilberto Santa Rosa, George Delgado, Victor Manuelle, Rick Arroyo, Orestes Vilató, Mitch Frohman, Cita Rodriguez, Doug Beaver, Adalberto Santiago and Jeremy Bosch.

In addition, special mention must be made of the participation of maestro Johnny Rodríguez with a group called The Latin Giants Of Jazz, in the best style of the classic Big Bands, made up of great teachers, among them, some of the former members of the band of maestro Tito Puente; with this group they have released four albums; this project gave rise to another band called The Mambo Legends, who recorded the album titled: Watch Out! ¡Ten Cuidao!

John Rodriguez is, without any doubt, one of the most prolific percussionists in the world of Latin music called Salsa; the nickname “Dandy” goes back to his childhood, when the car in which he was taken was bought in a warehouse or a store called “Dandy”, and people said: look how cute the “Dandy”, and from there he kept that nickname. In music he is better known as Johnny instead of John.

In the (year 2022) the experienced Johnny Rodriguez had three or four groups with which he is playing, among them Dandy Rodriguez and his Dream Team, and at the same time he teaches percussion classes over the Internet. He is part of the true legends of Latin music, not to mention that his talent has also been reflected in recordings for other musical genres such as: Electronic, Folk Rock, Folk, World & Country, Funk / Soul, Heavy Metal, Jazz, Stage & Screen, Jazz-Funk, Merengue and Pop.

In his very extensive artistic career, the master Johnny Rodriguez took part in historical and iconic recordings of our musical culture, some of these albums have been worthy of awards such as the Grammy Award, among which are:

Homenaje a Beny Moré – Year 1978.
On Broadway – 1983
El Rey: Tito Puente & His Latin Ensemble – Year 1984
Mambo Diablo – 1985
Goza Mi Timbal – Year 1990
Mambo Birdland – Year 1999
Masterpiece / Masterpiece Tito Puente & Eddie Palmieri – Year 2000.

“In 2008, Johhny entrusted LP’s Research and Development Department with the design of the John “Dandy” Rodriguez Jr. bongoes in the Legends series. John is proud that these drums, which bear his name, feature such outstanding sound and visual characteristics.”

He died on August 17, 2024 in New York City of a stroke.

 

Facebook: John Rodriguez(Dandy)

Article of Interest: José Madera Timbal de Machito and his Afro-Cubans, Tito Puente, Mambo Legends Orchestra and Fania Record Co.

Johnny "Dandy" Rodríguez Jr. y Frankie "El Sonero del Barrio" Vázquez
Johnny “Dandy” Rodríguez Jr. y Frankie “El Sonero del Barrio” Vázquez

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Manuel “Pancho” Montañez Drummer and Jazz Professor

First group in which he participated “All Skaleno”

Manuel “Pancho” Montanez. (Caracas, 1978), at the age of 14 he began to study drums privately with Professor José Antonio Mato. From 1996 to 2005 he studied drums with Professor Andrés Briceño.

In 1998 he began his studies at the “Escuela Superior de Música José Ángel Lamas” where he completed the first two years of Theory and Solfeggio and the first and second year of Academic Percussion under the tutelage of Professor Jorge Dayoub; also in the same year he entered the School of Arts of the Universidad Central de Venezuela, studying at that institution until 2000. In this date he was accepted at the University Institute of Musical Studies (IUDEM, currently UNEARTE), to study academic percussion at the university level under the direction of Professor Edgar Saume and in 2006 he developed in more depth the studies of the drums in the chair of Jazz at the same institution.

Manuel "Pancho" Montañez. (Caracas, 1978)
Pancho Montañez Drummer and Jazz Professor

As a performer he has made several presentations in most of the national territory and abroad (Argentina, England, Mexico, Aruba, Germany, Japan, Hungary, Austria, Switzerland, Spain, Holland, Belgium) accompanying bands, singers and musicians in general of different genres (Victor Castillo, Nene Quintero, Biela da Costa, Natalia Barahona, Desorden Público, Mágica Mystery Band, Gonzalo Micó, etc.), and is a permanent member of the groups Jungla Boulevard and El Arca.

He teaches Academic Percussion and Drums at the Sistema de Orquestas Infantiles y Juveniles de Venezuela (San Antonio de los Altos), where he also founded the San Antonio Big Band Jazz, with young people between 9 and 17 years old with the intention of generating a seedbed of young jazz players.

In 2015 he published his first album titled IMPROVISTO. He is accompanied in this recording by Heriberto Rojas (Bass), Jesús Azócar (Piano) and Juanma Trujillo (Guitar), and has the special participation of the master Gerry Weil (Fender Rhodes) in the song “Problemas Paralelos”; together with Horacio Blanco they make “Moscas”, an original song by Desorden Público and with José Alejandro Delgado he performs a duet of voice and drums on a poem entitled “Mi nombre es…”.

In 1998 he began his studies at the "Escuela Superior de Música José Ángel Lamas" where he completed the first two years of Theory and Solfeggio and the first and second years of Academic Percussion.
Pancho Montañez Drummer and Jazz Professor

He is currently pursuing his PhD studies at the University of Valencia, after having completed his Master’s studies at Berklee College of Music, Valencia Campus, in the “Master in Contemporary Performance” program, in Valencia, Spain.

Discography

2001 – Horacero – Superllanero – Radiopirata Records

2003 – Desorden Público – Aniversario 18 años (live), Teatro Teresa Carreño, Buenos Aires, Argentina.

2006 – Horacero – Fusil – Radio Pirata Records

2006 – Horacero – Unplugged – New Bands Foundation

2007 – Jungla Boulevard – Jungla Boulevard – Independiente

2008 – El Arca – Buen Viaje – Independent

2008 – Horacero – Desde Cero (1998-2008) – Sonico Subte Record

2009 – Jungla Boulevard – SurRealistas Productions

2011 – Andres Lasso – Sin Otro Sentido – Sonografica

2011 – Samuel Nexans – Samuel Nexans – BabyMusic

2012 – Various – My Independence a Flower – Cendis

2012 – José Alejandro Delgado – Rueda Libre – Independiente

2015 – Pancho Montañez – Improvisto – MMM Productions

2016 – José Alejandro Delgado – Something – Independent

2021 YEYA – Album YEYA – Valencia, Spain. February, 2021 – Jazztone Studios

Mix and master by Ricardo Osorno & Sebastian Laverde.

Personal:

Pancho Montañez: Drums/Comp.

Roberto Quintero: Percussion

Ricardo Osorno: Bass

Sebastian LaVerde: Vibes

Dani Orts: Piano/Keys

Pancho Montañez uses MasterWork Cymbals, CODE Dumheads & Collision Drumsticks

Roberto Quintero uses Gon Bops Percussion, Sabian Cymbals

YEYA https://youtu.be/qEilvwRI5gE

Bateristas Venezuela: https://bateristasvenezuela.wordpress.com/manuel_pancho_montanez/

WedSite de Pancho Montañez

https://panchomontanez.com/

Canal YouTube: Pancho Montañez

https://www.youtube.com/channel/UCT9JEx9adiwGB_JbqFqdTjw/featured

Improvisto: https://panchomontanez.bandcamp.com

Pancho Montañez Drummer and Jazz Professor
Pancho Montañez Drummer and Jazz Professor
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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.