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Search Results for: Jazz

Pianist Fadi Gaziri Debuts In Salsa Music With Cuba Classic

A Studio Album That Reflects The Multicultural Sound Of Western Europe And Latin America

Cuba Classic album cover with colored houses and a red car
Cuba Classic was released in August 2021

The son of medical parents and the grandson of a passionate pianist, Fadi Gaziri ventures into the Salsa world with the album Cuba Classic, independent record production in collaboration with his German colleague and great friend Fritz Wengler.

Cuba Classic fuses the incredible universe of emotions that classical music transmits with the passion, conventional melodies of Jazz, and the rhythmic base of the Caribbean that characterizes Latin culture.

“Arranging classical pieces to fit a Salsa vibe was surprisingly easy… The melodies can be rhythmically changed to suit the Latin vibe while keeping authenticity…” Voiced by the talented British pianist.

This masterpiece with hybrid two-language titles strikes a perfect balance between the original title of a classic work and the sensation of the indicated awakening of a Latin melody. “I always liked Salsa for its quality to make people dance, so naturally and with such confidence.

As for the music itself, I love the colorful brass arrangements and Latin percussion. It’s a lot of fun to listen to and to play… ”. Fadi indicated.

The 13 songs on the album are El Capo (Zarathustra, R. Strauss), 5 Sinfonía De Salsa (Beethoven’s 5th Symphony). “I had a lot of fun with this one. …The Reorganization, the phrasing, using repetitions, increases, and the complete brass arrangement to make it sound like a proper Cuban track”. Fadi added recalling his experience with the production of this theme.

The next track on the album is Mambo Loco Nórdico (Grieg’s Piano Concerto in LA minor), resembling Havana at its turbulent peak and with great determination. Continues, the fourth track Mambo Austriaco (Mozart – Symphony No. 40 and Eine Kleine Nachtmusik), and the exquisite mix of Calipso Alemán (Beethoven’s Symphony 9).

In addition, you will also find in Mambo Classic: G-String Bossa (Air on a G string, JS Bach), Salsa Húngara (Brahms Hungarian Rhapsody) thought for the Latin ballroom dance competition tracks, due to the grace of the exuberant exposure of the horns.

Funeral De Che Guevara (Liszt, Hungarian Rhapsody in C sharp minor), Havanera (Carmen Bizet) is another of the themes that stand out on this album. “It was inspired by the character of Che Guevara and his revolutionary spirit. Along, with a trumpet blast from Mariachi… Fernando’s lyrics and voice also add to the overall feeling”. Gaziri commented to us.

Rumba Rusa (Swan Lake, Tchaikovsky), La Toccata Loca (Bach Toccata in D minor), Green Leaves (traditional Greensleeves), and finally the piece Lambada A La Luz De La Luna (Moonlight Sonata by Beethoven) beginning with the funeral march played with a trumpet solo intervened with a joyous lambada, ending in a Latin urban sound.

Fadi’s main idea with Mambo Classic is to simplify the music on this album for use in schools across the country and have children perform it by simply playing percussion with the backing tracks.

Similarly, Gazziri hopes to present this record production live in 2021 on the big stages of Berlin and the rest of Europe.

Why The Fusion Of Latin Rhythm With Classical Music?

Fadi Gaziri in black and white playing the piano
Fadi Gaziri can handle musical instruments alongside cinematographic elements, folk, and ambient electronic sounds

This talented artist since his return to Hamburg in 2017 has been involved in teaching music to children and teenagers in schools in this port city located in northern Germany.

Gaziri showed signs of concern every day as he observed his students’ reluctance to learn classical music, a feeling already developed as a famed behavior among young people today. But why don’t German students like to learn about their cultural heritage? The main reasons that Fadi realized were that his students were not motivated to continue with their studies due to the complexity of the music and the difficult handling of the instruments that did not allow them to master them quickly.

Realizing this, Gaziri began to devise the fusion of the Latin genre with classical music and thus seek to reverse the discouragement of his students. “I wanted children to learn classical music in a fun and interactive way. Something that would not take long to learn and that could involve all participants, regardless of their age, nationality, or musical ability. Most schools have Latin percussion that sits on the shelves and is rarely used.

So, I thought it would be a great idea to put in some classic melodies and accompany them with this Latin percussion. Wouldn’t it be fun and a good learning experience at the same time? Fadi told us.

Currently, this prodigious pianist is evaluating the possibility of continuing to teach in German schools full-time by 2022.

  • You Can Also Read: Mozart & Mambo

The Story Of Fadi Gaziri

Fadi Gaziri in his recording studio with pianos around
Fadi Gaziri played the piano first time at the North Pole in August 2021

Fadi Gaziri is a natural music producer and composer for audiovisual media, film, and theater. He was born in Moscow and began his musical studies of piano and violin at the famous Gnessin Music Academy.

At age 12, he moved to Sweden with his family and later to England (1998) where he continued his musical training.

This extraordinary producer studied Music Composition, Piano, and Languages ​​at Durham University in 2004 graduating with great honors and passing his ABRSM piano exams with distinction. Two years later he entered Bournemouth University to study for a Master’s in Film Composition.

That same year (2006) Fadi moved to Hamburg and started working on music for commercials, films, and sound branding. At the same time, he began touring the Netherlands, Sweden, Norway, and Germany accelerating his musical career.

In 2014 Fadi released his first solo album titled Northern Lights, a mix of cinematic and folk sounds that he combines with electronic texture. He used his technological knowledge to loop while playing piano, violin, and adding subtle voices that he performed himself.

Over the next three years, Gaziri released his second EP “The Jump”, founded a music supervision company, and has been dealing with song placement, and licensing for film and television ever since. He assumed a permanent position as an in-house music producer at TUi Cruises in Berlin and composed, and arranged music for more than ten theatrical productions performed on board the ships.

Do You Know In Which Country Rubén Blades Start his Tour?

The United States Will Be The First Country Where The Panamanian Artist Will Present Salswing Tour!

Rubén Blades with blue hat on stage
Rubén Blades will be recognized as “Person of the Year” at the Latin Grammys on November 17th in sin city, Las Vegas (Nevada)

The multifaceted artist and political activist, Rubén Blades, announced his return to the American stage with his friend and fellow countryman Roberto Delgado & Big Band, starting next November 20th.

The Salsero icon announced the beginning of his tour through his official Facebook account: “We are very happy to be able to work and get in touch with our audience again, after almost two years without being able to do so. With the Roberto Delgado Big Band, an orchestra of 20 musicians that is sounding better, we are eager and want to share our latest album Salswing!, and the usual songs… Please, don’t stop getting vaccinated”.

There are eight cities that the living Salsa legend will visit in North America, starting on November 20th in Oakland (CA), Los Angeles (CA), Atlanta (GA), Miami (FL), passing through Boston (MA), and New York (NY) on November 28th and December 2nd respectively, and having as a special guest the extraordinary American actress, singer, and wife of Blades, Luba Manson who will be showing the repertoire of her Jazz album Triangle released in October 2020.

Rubén Blades with black hat and Luba Mason with white shirt
Rubén Blades and Luba Manson have been married since 2006

Later, Salswing Tour! & the Roberto Delgado Big Band will present their penultimate concert this year on Friday, December 3rd in Washington (DC), and will close this magnificent tour on Sunday, December 5th on the southwest shore of Lake Michigan at the mighty Arena Arie Crown Theater in Chicago (IL).

Regarding this great 2021 tour, Nelson Albareda, CEO of Loud And Live, the company in charge of carrying out this series of concerts and those of Latin stars such as Carlos Vives, Juanes, Farruko, among many others, commented: “It is an honor for us working with a Latin icon, who has inspired generations through his salsa music and long artistic career. Rubén Blades is not only a great artist but also a great ambassador, and activist for our Latin community”.

The prestigious Panamanian songwriter will show for the first time the eleven songs of his most recent album “Salswing!” title that also gives the name to the tour.

Digital album cover Salswing! in red background and yellow letters
“Music is a universal gift, and from Panama, we renew our contribution with this album, SALSWING!”. Rubén Blades

Salswing! has 11 tracks including, Mambo Gil, Cobarde, Canto Niche, and Ya No Me Duele, the latter written by Jeremy Bosch and Rubén Blades with arrangement by Tom Kubis. Salswing! was recorded in collaboration with the record’s bassist and musical producer, Roberto Delgado, and his band made up of 20 talented Panamanian musicians, and it was released on the digital market on April 15th, 2021.

“Although the connection between Jazz and Salsa has been historically documented, much remains to be described and recognized. The combinations and collaborations between musicians of these genres have been numerous over the years and include figures of the stature of Mario Bauza & Dizzy Gillespie, Machito & Charlie Parker, Luis Russell, and Louis Armstrong. With this record production, I try to continue that relationship, verifying that art does not have a nationality but rather represents a spirit that transcends races, geographies, and languages”. It is extracted from his official page.

Rubén Blades has been performing with Roberto Delgado & Bing Band for ten years in the most prestigious stages around the world. In these eight concerts, there will be a historical tour of recognition of the Latin origins of jazz as well as the influences of the son, Afro-Caribbean music, and swing. In addition to including the hits always chanted by the crowd in any corner of the planet.

  • You Can Keep Reading: Meet The Amazing Fasching Jazz Club In Sweden

Who Is Roberto Delgado?

Roberto Delgado dressed in black holding a Grammy in his hand
Roberto Delgado and his Orchestra along with Rubén Blades won a Grammy for Best Latin Tropical Album in 2018

Roberto Delgado was born in the capital of the Chiriquí province in western Panama on June 27th, 1961. This prodigious artist has developed in the musical environment as a Producer, Singer, Bassist, and Arranger.

His upward career began with his studies at the prestigious Conservatory of Music of Fine Arts in Mexico City (Mexico) and later at the Golden West College of Huntington Beach California (United States).

With more than 40 years of experience, Roberto has been a member of ten Panamanian groups counting the Salsa singer orchestra, Roberto Blades (1992) and he is currently the director of his big band made up of 20 musicians and with whom he has shared the stage since 1996 together with the master Rubén Blades.

In the enormous list of famous artists that Delgado has accompanied in productions and tours in addition to the Blades brothers are Cheo Feliciano, Celia Cruz, Gilberto Santa Rosa, Ismael Miranda, Andy Montañez, Tito Nieves, La India, Víctor Manuelle, José Alberto “El Canario”, Luigie Texidor, Maelo Ruiz, Charlie Aponte, Joan Manuel Serrat, Carlos Vives, and many more.

The conductor together with Rubén Blades has performed on the major international stages, including Madison Square Garden (New York), Hollywood Bowl (Los Angeles), Shepherd’s Bush (London), Poble Espanyol de Barcelona (Spain), numerous Latin American auditoriums, and acclaimed festivals in Europe and the Caribbean.

Also, this duo has three Latin Grammys (2015, 2017) and two Grammys for Best Traditional Tropical Latin Album in 2016 and 2018.

Currently, Roberto Delgado (60 years old) and Rubén Blades (73 years old) continue to transgress the barriers that will be the first Latin artists touring Salswing! in the middle of the pandemic throughout the North American territory.

An important fact to attend the Rubén Blades and Roberto Delgado & Big Band concert series in Los Angeles County is mandatory to wear masks. At the moment, mandatory vaccination in the United States only applies to public employees and workers of large companies.

El barrio where it all began continues to welcome us with good salsa

Bella Martinez and International Salsa Magazine by the hand of www.SalsaGoogle.com. “Salsa has always been that rainbow that shines immediately at the end of the storm”.

During my most recent visit to the north, after the fury of the flooding associated with storm Ida allowed me to arrive in New York, I made my way to El Barrio’s ArtSpace to enjoy a night of salsa.  Salsa has always been that rainbow that shimmers immediately when the storm subsides.

I entered the venue with the artist who is the subject of my upcoming book: Henry Knowles, also known as the “World Salsa DJ”.  We identified ourselves to the checkpoint girl at the entrance, not before presenting our COVID 19 vaccination card and after receiving a good amount of hand sanitizer.  Henry had to fulfill his artistic commitment for the evening, so I put my belongings away to free myself a little and be able to socialize with the crowd behind my mask.

Once admitted to the venue, I completed the regulatory round of recognition, which I took the opportunity to say hello to several acquaintances I had not seen for a long time.  I realized that I am honing my skills to recognize my people just by identifying their eyes.  I reflected on this detail while I was making the rounds, at the same time that the music caught my attention because of the tasty repertoire.  To my surprise, the song “Mejor Que la medicine” by my beloved Víctor García y su Sonora Sanjuanera was playing, which I never imagined I would hear outside of Puerto Rico, in that environment full of connoisseurs.  I registered the DJ in front of the dance floor.  I realized it was my first time listening to the musical selection of Joe Gonzalez, better known as DJ Paz.  I approached him and let him know that his repertoire was “bravo”.

During my most recent visit to the north, after the fury of the flooding associated with storm Ida allowed me to arrive in New York, I made my way to El Barrio's Art Space to enjoy a night of salsa. Salsa has always been that rainbow that shimmers immediately when the storm subsides.
Bella Martinez and Henry Knowles, also known as the “World Salsa DJ”.

I had gone to listen to Henry Knowles, whom I admire beyond his ability as a DJ, for his musical management and cultural diligence.  Henry has been a promoter of our Afro-Antillean culture since 1977.  During his artistic career, in addition to DJing, he has been a promoter, producer, and artist manager; successfully working with Ralph Mercado Management (RMM), Sony BMG Music, and Dave Maldonado Entertainment.

The purpose of my visit that night at El Barrio’s Art Space was to set the scene with Henry in the neighborhood, where Knowles himself began the story that I am transforming into my next book.   The idea of this next literary proposal is to share it with anyone who wants to read a story of self-improvement and a lot of salsa.  It is guaranteed that these lyrics will catch the interest of all Afro-Antillean music lovers.

While I was discovering details, which you will be able to read, later on, I had several surprises.  But that’s another story, which I’ll tell you later.

We identified ourselves to the control girl at the entrance, but not before presenting our COVID 19 vaccination card and after receiving a good amount of hand sanitizer. Henry had to fulfill his artistic commitment for the night, so I put my belongings away to free myself a bit and be able to socialize with the crowd behind my mask.
Henry Knowles, also known as the “World Salsa DJ”.

Since 1999, Izzy Rodriguez has focused on the promotion of events where salsa stars, and early on in what was his recently launched event promotion career, Izzy became the most loyal promoter of salsa events on New York soil.  As a relevant fact, Izzy had started in salsa long before committing himself to event promotion.  Let’s just say that he fell in love with salsa through dancing, becoming one of the most outstanding artists of the great Eddie Torres’ corps de ballet.  At the age of 16, Izzy managed to apply his formal training in ballet and jazz to combine it with his love for salsa.  While still a teenager, he achieved professional dancer status in the highly competitive Nuyorican salsa scene.  That fact, in fact, should not come as a surprise since Izzy is the son of a dancer from the Palladium era: Vivian Saldaña.  In his case, one could say that dancing comes to Izzy from the salsa genes he inherited from his progenitor and his maternal grandmother.

Since 1980, when Henry Knowles and Izzy Rodriguez met at Club Epoca, this dynamic duo has been a winning duo.  I attribute the success of this duo to the passion they share for the salsa sound, which they both support from their own spaces.

As a bonus, I managed to give a bear hug to my dear Luisito Salgado, better known as DJ Louie Love.  As a curious fact, DJ Louie Love was the DJ that several years ago I hired and moved from New York to Puerto Rico to entertain the agape on the occasion of the nuptials of my princess, not only because he is a great DJ.  He is also one of my favorite people.

I affirm that the turnout depends on the quality of the artists who share their talent.  And this night in reference could be summarized in a meeting of salsa connoisseurs, where DJs had no room to invent; a meeting of DJs in the New York neighborhood where Henry began his successful career as a disseminator of our culture around the world, plus a dance floor adorned with celebrities, among which I managed to highlight Debbie Mercado, daughter of salsa manager and creator of Ralph Mercado Management; Denisse, daughter of the ever-remembered mambo dancer Cuban Pete; Gucci designer Dapper Dan and New York-based Puerto Rican politician Adam Clayton Powel, Jr:  Adam Clayton Powel, Jr.

I conclude that we are still in salsa.  Fortunately, the alchemy that was given to gestate what is still known today as salsa is still alive and well in the same neighborhood where it all began.

Long live Salsa!

By: Bella Martinez “The Irreverent Salsa Writer”
Puerto Rico

Bella Martinez led a pretty fun life
Bella Martinez,

WebSite: Bella Martinez

Article of Interest: Mel Martinez I come from Puerto Rico and Puerto Rico is Salsero

Maestro Mario Ortiz Jr. Living legend of Latin music, a musician out of series

Then professionally with Tito Allen and Gunda Merced (Salsa Fever).

In 1977 he started with his father at the Caribe Hilton Hotel accompanying local and international figures.

In 1979 with Willie Rosario with whom he recorded 3 albums.  He directed the album Nuevo Horizontes which featured Gilberto Santa Rosa and Tony Vega.

In 1984 he started with Mario Ortiz y Su Orquesta with whom he recorded six albums.

Mario Ortiz Jr. studied at the University of Miami in Coral Gables, Florida where he earned his bachelor’s and master’s degrees in music.

Mario Ortiz Jr. studied at the University of Miami in Coral Gables, Florida where he earned his bachelor's and master's degrees in music. From 1991 - 1994 he traveled extensively with Juan Luis Guerra.
Mario Ortiz All Star Band

From 1991 – 1994 he traveled extensively with Juan Luis Guerra.

Mario Jr. has participated in recordings for Gilberto Santa Rosa, Tony Vega, Oscar de Leon, Ismael Miranda, Cheo Feliciano, Tommy Olivencia, Andy Montañez, and Willie Chirino among others.  He has accompanied artists such as Juan Gabriel, Raphael, Donna Summers, Gloria Estefan, Rocio Durcal, Julio Iglesias, José Luis Rodríguez, Frank Valli, Vic Damone, among other international artists.

His albums 45 Aniversario (2010), 50 Aniversario (2014), and 55 Aniversario (2019) have been nominated for a Latin Grammy.  For the past 23 years, he has worked in the public school system as a music teacher in Miami, Florida.

The late musician Mario Ortiz opened the doors of the artistic world to figures such as salsa singer Gilberto Santa Rosa. His contributions as musical director, instrumentalist, and arranger marked the careers of many artists, who did not hesitate to donate their talent for the making of the album Mario Ortiz All-Star Band, as a tribute to his 45 years of career.

Mario Ortiz, the son, summoned musicians and singers who shared with his father at a time when salsa was at its peak in the 1960s and 1970s.

The musician also managed to bring together Cheo Feliciano, Tony Vega, Gilberto Santa Rosa, Ismael Miranda, Richie Ray, Bobby Cruz, Roberto Roena, Andy Montañez, Elías Lopés and others in this record production.

“We recorded a tribute album, based on my father’s 1963 orchestra. Everyone told me that this group was ahead of its time. Some time ago, Gilberto gave me the LP On the Road (the orchestra’s first album), and that inspired me to make the record.

The first person I called was Elías Lopés and he told me to call everybody and that I would be surprised. And so it was because everyone was willing”, explained Mario Ortiz, son, in a press conference, attended by about twenty artists who recalled the times of the 60s and 70s.

The creator of the project said that the album contains 16 songs and an introduction featuring the original music of the All-Star Band, which became the first Puerto Rican orchestra to play at the Palladium in New York, where figures such as Tito Puente, Tito Rodríguez, and Frank “Machito” Grillo performed.

She mentioned that in the last track of the album, El Cid, she “played” the trumpet with her father thanks to technological advances.

Musical director Elías López and singers Gilberto Santa Rosa and Cheo Feliciano agreed that this production served as a pretext to recall anecdotes they lived together with the musician, who died on November 4, 1999.

“He was the only artist I have ever seen doing arrangements without piano and listening to other music on the other side. He had the virtue of concentrating and producing something well in advance,” said Elías Lopés.

“I had the joy of knowing Mario for a long time because he and Marito used to pick me up to go to school. I have always said that he is my dad in music…He told me to study because the music was a hobby, but when he realized my interest, he gave me that first opportunity,” commented El Caballero de la Salsa, adding that Mario Ortiz “was an outstanding musician and represents the heart of the career of many of us”.

Mario Ortiz, son, summoned musicians and singers who shared with his father at a time when salsa was at its peak in the 1960s and 1970s.
Mario Ortiz Jr.

Mario Ortiz All Star Band includes songs such as Chinita, with Gilberto Santa Rosa; Se acabó el bembé, with Ismael Miranda; Rumberito, with Bobby Cruz and Roberto Roena, and others.

Source: Primera Hora, Puerto Rico. By: Jaime Torres Torres

At the age of 64, trumpeter Mario Ortiz was a man brimming with health and life. Death took him by surprise on November 4, 1999.

Thus came down the curtain on one of the most brilliant careers in Puerto Rican salsa and jazz.

His wake was attended by practically all the musicians of the country to bid farewell to the virtuoso trumpet player, accomplished arranger, and experienced orchestra conductor.

His son Mario Jr. inherited part of his arrangements because the maestro was so generous that he gave his music to his friends and colleagues. To commemorate his memory on the 10th anniversary of his passing, Mario Jr. celebrates his father’s contribution to salsa and Latin jazz with the historic recording “Tribute”.

“I was able to transcribe the arrangements that I didn’t have and thus confirmed what the musicians at the wake were saying in terms of his music being ahead of its time. With the help of Lenny Prieto, Ernesto Sánchez, and Tito Rivera I was able to decipher what Papi did in terms of harmonics and rhythm,” said Mario Jr.

In “Tribute” Mario Jr. recorded without alterations the orchestrations and arrangements of “A quitarse”, “Yaré yaré”, “Chinita”, “Move”, “Se acabó el bembé”, “Mambo infierno”, “Güiro y pandereta”, “El soplo”, “Rumberito”, “Que bonito es Puerto Rico”, “Maina” and others.

“What I did to make them sound more harmonically updated was to extend the duration with more participation of the singers and with additional solos and moñas,” he explained.

Coining the name “All Star Band”, as his father’s group was known during the 1960s, Mario Jr. brought together a core of the most respected soneros and instrumentalists in salsa.

On “Tribute”, arguably the Afro-Antillean music album of the year, Cheo Feliciano, Andy Montañez, Gilberto Santa Rosa, Ismael Miranda, Adalberto Santiago, Tony Vega, Chico Rivera, Pedro Brull, Tito Allen, Primi Cruz, Anthony Cruz, Ismaelito Rivera and Bobby Cruz joined their talents.

And, representing the musicians, he recruited as soloists Papo Lucca, Bobby Valentín, Richie Ray, Elías López, Roberto Roena, and others.

None of the artists were paid, out of respect for Mario’s memory and in reciprocation of their friendship.

“It’s incredible. Elías was the first one I told to do this. He was so happy that he suggested I call everyone who knew Mario. And Gilbertito quickly said yes because his first recording was with Papi.”

The presentation of “Tribute”, in honor of the forty-fifth anniversary of the founding of the All-Stars Band, was held yesterday at the Alquimia Bistro Restaurant in Condado.

The album, a Zamora Music Group production, will be distributed by Sony Music. The first single is titled “Chinita” and is performed by Gilberto Santa Rosa.

“Sony is interested in my project because Gilbertito interceded on my behalf. He wanted to release it with his label Camínalo, but he thought it would have more possibilities with a multinational”.

Mario Ortiz y Su Orquesta "Ritmo Y Sabor" 1985
Mario Ortiz y Su Orquesta “Ritmo Y Sabor” 1985

Source: https://www.radioelsalsero.com/2009/09/se-viene-la-mario-ortiz-all-stars-band.html

Articles of Interest: Celso Clemente Torres is considered one of the best sounding bongos in the world

By: Diana Marie International Salsa Magazine Correspondent

Tribute to Jerry Gerónimo García and other things to come

Ray Carrion & The Latin AllStars at the tribute to event promoter Jerry Geronimo Garcia 

Poster for the tribute to Gerónimo García
Poster for the tribute to Jerry Gerónimo García

On September 12 this year, the steak house Steve’s Steak House & Seafood House meat restaurant put on its finest to receive the tribute to the great event promoter Jerry Geronimo Garcia, who is highly respected in the entertainment industry. Garcia has been in charge of hosting all kinds of concerts and musical events at the aforementioned venue, so the place presented a tribute to both this important figure for the restaurant and his family. 

The celebration of the life and legacy of this promoter was highlighted by the presence of the noted musician and event organizer Ray Carrion & The Latin AllStars. Both Carrion and his band once again showed how talented they are on stage, letting us see their gratitude to the promoter for each and every one of the artists and groups he made famous by keeping them in mind for any of the performances planned for the restaurant.   

Garcia gave many the opportunity they needed to shine on stage when no one else would. As the promotional poster indicates, it was time for him to be compensated for what he has done for so many people. 

This is Ersi Arvisu
Ersi Arvisu performing

Conversation with Ray Carrión about this and other upcoming projects 

During a telephone conversation with Carrion, he said he was honored to be part of the event and highlighted the great role that Jerry has had in the emergence of new generations of Latin music artists in recent years. He also spoke of other projects to be undertaken for the coming months. One of them is a concert entitled Ladies Rule, which will feature a group of famous female performers whose talent will vibrate the audience at the VFW Hall Post 1944. 

Among the stars who will be present that night, one in particular stands out and that is Ersi Arvisu, the leader of the group El Chicano. This rock group has also mixed their work with jazz, R&B and Latin rhythms of East Los Angeles, which is why they have always been well-loved and well received by the Latino community in the aforementioned city. That is why there is no doubt that the public will open its arms to her in this and all the presentations that are to come. 

The concert will also have the participation of other great talents such as Brittany Nicole, Elvia Cadena, Nira, and DJ Arlene Soulera. It was reported that Nira will be sharing the stage with Ray Carrion & The Latin AllStars at the same time to perform a common song. 

It was also announced that the general admission will be $40 and the VIP ticket will be $50. It is important to note that returns will not be accepted because the sale of tickets is final, so attendees are asked to plan accordingly in order to avoid any inconvenience at the gates of the show.   

This is Ray Carrion
Ray Carrion with his guitar

For more information about this and other events related to Carrion and his band, please visit his website www.carrionevents.com or call 323-895-2836. 

By: Bryan “scorpio” Astrachan correspondent of International Salsa magazine Los Ángeles, California

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.