Search Results for: King of Mambo

EUROPE / November 2023

FRANCE	DIRECTORY OF NIGHTCLUBS
Salsabor Paris 31 rue Chapon 75003 Paris, France +33 1 42 71 61 61	salseroparis 9 Rue du Petit Pont, 75005 Paris, France +33 6 50 16 74 76	La Peña Saint Germain 3 passage de la Petite Boucherie 75006 Paris, France +33 1 46 33 19 89
Cubana Café 47 rue Vavin 75006 Paris, France +33 1 40 46 80 81	Canela Club Latino Paris 77 Rue du Faubourg du temple 75010 Paris, France + 33 6 46 78 28 35	Le Balajo 9 rue de Lappe 75011 Paris, France + 33 01 47 00 07 87
La Pachanga Officiel 8, rue vandamme 75014 Paris, France +33 1 40 47 63 69	Pachamama PARIS 46 rue du Faubourg Saint Antoine 75012 Paris, France +33 1 55 78 10 00	Cuba Compagnie Café 48 BD Beaumarchais 75011 Paris, France +33 1 48 06 07 11
	O’Sullivans Backstage By The Mill 92 Boulevard de Clichy 75018 Paris, France +33 1 53 09 08 49
GERMANY	DIRECTORY OF NIGHTCLUBS
Clärchens Ballhaus Auguststraße 24 10117 Berlin, Germany +49 30 555785440	Havanna Berlin Hauptstr. 30 10827 Berlin-Schöneberg, Germany 49 30 78899655	Soda Club Berlin Schönhauser Allee 36 10435 Berlin, Germany +49 30 44056071
Zapatissimo Dance School Kolonnenstrasse 29 10829 Berlin, Germany +49 176 20470772	Brotfabrik Frankfurt Bachmannstr. 2-4 60488 Frankfurt, Germany +49 69 24790800	Latin Palace Changó Münchener Strasse 57 60329 Frankfurt, Germany +49 69 27220807
	Cascadas Ferdinandstr. 12 20095 Hamburg-Mitte, Germany
SPAIN	DIRECTORY OF NIGHTCLUBS

ACM CitY Carrer Can Pallarès, 2, 08290 Cerdanyola del Vallès Barcelona, Spain +34 675 30 26 64	Antilla Barcelona C/ d’Aragó, 141 08015 Barcelona, Spain +34 610 90 05 58	Mojito Club Rosselló, 217 08008 Barcelona, Spain +34 654 20 10 06
Morena Barcelona calle 11 num.29 08860 Castelldefels, Spain +34 691 46 57 72	¡Qué Chimba! Av. del Vallès, 117, 08223 Terrassa Barcelona, Spain	Seven Dance (Dio Club) Carrer del Perill 10 08012 Barcelona, Spain +34 934 51 61 18
Azúcar SalsaDisco Calle de Atocha, 107 28012 Madrid, Spain +34 639 64 29 06	Discoteca El Son C. de la Victoria, 6, 28012 Madrid, Spain +34 671 05 67 91	Discoteca Prisma C. de Alcalá, 192, 28028 Madrid, Spain +34 638 92 16 98
Sala Olvido C/ Olvido 15 28026 Madrid, Spain +34 619 22 29 19	The Host C/ Ferraz nº 38 28008 Madrid, Spain +34 918 05 36 48	Cuba Live Ramón y cajal número 2 07011 Palma de Mallorca, Spain +34 618 86 78 20
	El Edén Boliviano Carrer Gremi de Tintorers, 49A, 07009 Palma, Illes Balears, Spain +34 676 64 68 26
UNITED KINGDOM	DIRECTORY OF NIGHTCLUBS

Rosies Birmingham 259-262 Broad St B1 2HF Birmingham, UK +44 121 632 4936	Revolucion de Cuba Leeds 64-68 Call Lane LS1 6DT Leeds, UK +44 113 350 6556	All Stars Salsa Fridays 122 Oakleigh Road North N20 9EZ London, UK +44 7956 941172
Bar Salsa Soho 96 Charing Cross Rd WC2H 0JG London, UK +44 20 7379 3277	Bar Salsa Temple Victoria Embankment, Temple WC2R 2PH London, UK +44 20 7395 3690	Earl’s Court Salsa & Bachata Club Earl’s Court Salsa & Bachata, St Philips Church, Upper Grand Hall, Earls Court Road W86QH Earl’s Court, UK +44 7831 715368
JUJU’s Bar & Stage Ely’s Yard 15 Hanbury Street E1 6QR London, UK 020 7770 6109	The LightHouse Bar & Club 62 Rivington Street EC2A 3AY London, UK +44 20 3325 9745	Wimbledon Salsa & Bachata Club Drake House, 44 ST George Road, SW19 4ED Wimbledon, UK +44 7831 715368

NOVEMBER 2023 FESTIVALS
FRANCE		Providance Afro latin Festival Nov 24 2023 – Nov 26 2023 Résidence Club Odalys Les Océanides 395 Bd Plage de l’Argentière Londe-les-Maures, France, 83250
HUNGARY		All Stars Festival Nov 02 2023 – Nov 06 2023 The Aquincum Hotel Árpád fejedelem útja 94, Budapest, Hungary, H-1036
IRELAND		Carnaval Dance Festival Nov 17 2023 – Nov 19 2023 Liffey Trust Studios, 117-126 Sheriff Street Upper, North Dock Dublin, Ireland, D01 HW96
ITALY		A Toda Cuba Festival Nov 17 2023 – Nov 19 2023 Hotel Delta Florence Via Vittorio Emanuele 3 Florence, Italy, 50041
POLAND		El Sol Salsa Festival Nov 09 2023 – Nov 13 2023 MCK International Congres Center in Katowice Plac Sławika i Antalla 1 Katowice, Poland, 40-163
RUMANIA		Transilvania Salsa Fest Nov 16 2023 – Nov 19 2023 Grand Hotel Napoca Str. Octavian Goga nr.1. Cluj-Napoca , Romania, 400698
SPAIN		Shine Mambo Madrid Nov 24 2023 – Nov 26 2023 La Princesa Sercotel Hotel Ctra, M-506, Km. 9 Madrid, Spain, 28921

Mario Bauza

North America / United States / New York

Mario Bauza, Pioneer of Afro-Cuban jazz in New York, Clarinetist, saxophonist, trumpeter and arranger

Mario Bauzá (Havana, April 28, 1911 – Manhattan, July 11, 1993) was a Cuban saxophonist, clarinetist, trumpeter, arranger and composer.

Known above all for having been the musical director of the Machito orchestra (of whom he was also a brother-in-law), he was a pioneer of what is now known as Afro-Cuban jazz.

Mario Bauza The Legendary Mambo King — Mario Bauza Pioneer of Afro-Cuban jazz in New York

Bauzá played the clarinet in the Havana Philharmonic Orchestra. However, after traveling to New York in 1927 with the Antonio María Romeu orchestra, he was so impressed by the Big Bands of Paul Whiteman, Fletcher Henderson and Tommy Dorsey, and by the Harlem music revues, that in 1930 he decided to emigrate definitively to USA.

During the trip, he became friends with Antonio Machín. Mario Bauzá would return on the same boat in which Don Aspiazu’s orchestra was travelling, who immediately began the arrangements to record El manisero.

Upon arriving in New York, Bauzá went to live in Harlem with his cousin, the trumpeter René Endreira. Bauzá began playing the saxophone at house parties with pianist Lucky Roberts and began to absorb African-American culture.

Mario Bauza — Pioneer of Afro-Cuban jazz in New York

Between 1930 and 1931, he was a trumpeter in the Antonio Machín quartet and made important recordings with this group in New York City. Anecdotally, it is said that he had learned to play the trumpet in just two weeks.

His first jobs were with the orchestras of Cass Carr, Noble Sissle and Sam Wooding.

In 1933 he entered Chick Webb’s orchestra as first trumpet, where he ended up as music director. He then worked with Don Redman and Fletcher Henderson, eventually landing Cab Calloway.

Being in that band, Mario brought the young trumpeter Dizzy Gillespie to the orchestra.

Bauzá married Estela Gutiérrez, sister of Francisco Raúl Gutiérrez Grillo, known as Machito.

On December 3, 1940, he debuted with Machito at the Park Plaza, a dance hall, with the Afro-Cubans, later working for almost four years at the La Conga club.

Bauzá works for Machito as artistic director, taking care of the arrangements and hiring the musicians.

The style of the Afro-Cubans mixes the son montuno of Cuba with features of swing bands.

Mario Bauzá Pioneer of Afro-Cuban jazz in New York

Thanks to this, musicians like Dizzy Gillespie or James Moody introduced Afro-Cuban rhythms into jazz, starting in 1947.

He became interested in jazz when he heard Frankie Trumbauer play the saxophone performing Rhapsody in blue with the Paul Whiteman orchestra.

In the forties, Mario will develop the sound of Afro-Cuban jazz. His work as a clarinetist, trumpeter, saxophonist and arranger in the Machito orchestra constitutes one of the main pillars in the emergence and development of that Cuban genre.

Tempo Latino: Creating Connections Through Music

An Interview with Eric, Founder of Europe’s Premier Latin Music Festival

On the last week-end of July, a festival celebrates Latin and Afro-Cuban music and brings thousands of music lovers to a small town in France. Eric, the festival’s creator, shares its origins, inspirations, and evolution.

Eric Duffau showing a photo of Compay Segundo

Since its inception in 1994, the Tempo Latino festival has welcomed incredible artists to this small town in the Southwest of France.

Creating a Musical Oasis in Vic-Fezensac

Having lived across France, Eric settled in Vic-Fezensac, where he felt the need to create something beyond work. His passion for Latin and Afro-Cuban music led him to start Tempo Latino, aiming to provide what he missed – concerts of these genres.

A Journey of Music and Discovery

Eric’s radio inspiration and his love for vibrant rhythms ignited the idea for a music festival. He yearned to introduce others to the music he cherished, giving birth to Tempo Latino in 1994. The inaugural edition featured Fatal Mambo and Mambomania, attracting 2,800 attendees. Now the festival attracts over 10,000 people.

Eric’s selection process for artists is fueled by genuine connections, resulting in a diverse lineup that weaves different styles into a harmonious experience. His curation creates unique narratives each night. Pairing artists with contrasting energies, like Lila Downs and Cimafunk, creates a captivating tapestry that reflects the festival’s essence. Eric’s journey involves tireless pursuit and strong artist relationships. From Bernard Lavilliers to Excelencia, his commitment to music’s magic and meaningful collaborations remains steadfast.

A Melodic Journey Unfolds

The festival’s theme guides its trajectory, from Africa’s heart to New York’s energy. Lavilliers’ Paris and the Caribbean’s vibrancy unite through music, creating a diverse yet cohesive experience.

In a digital era, Tempo Latino reminds us of music’s power to unite. Eric’s dedication and knack for blending genres into harmonious narratives continue to resonate.

Tempo Latino: 28 Years of Latin Rhythms, Community, and Artistry

The charm of Vic-Fezensac, a small town in France, transforms every year as over fifty thousand people gather for the renowned Tempo Latino Festival. In an exclusive interview, Eric, the festival’s creator, discusses the intricacies of managing such an event in a local community and the relationship it shares with the town.

Mural for the entrance of the 2023 Festival, by Martin, a local graffiti artist.

Martin, the local graffiti artist, putting the final touches on the entrance mural.

Local Community and Involvement

Eric sheds light on the local engagement, emphasizing that while not everyone participates, the festival is supported by some local partners. What brings him contentment is the transformation he witnesses each year as the town welcomes an eclectic crowd of festival-goers. The festival’s vibrant audience, composed of diverse backgrounds, gives life to the town’s streets and squares in ways that were once unimaginable.

Eric reminisces about the support he received from the former mayor, Jean Arnaud, whose open-mindedness and appreciation for the festival’s diverse attendees left a mark. Jean Arnaud’s encouragement and acknowledgment of the festival’s contribution to cultural diversity added an emotional connection between the festival and the town.

Fostering Relationships with Artists

Eric’s dedication to music and fostering connections with artists has been at the heart of the festival’s growth. He shares anecdotes about musicians like Oscar D’Léon and Celia Cruz, who have left an indelible mark on the festival’s history. These relationships, he emphasizes, are more than business; they’re rooted in mutual respect and genuine affection.

Overcoming Challenges

Throughout its 28 editions, the festival has faced numerous challenges, both financial and logistical. Eric reflects on early deficits, weather-related disruptions, and organizational intricacies. Each year’s success has hinged on meeting these challenges head-on, often pushing the festival to its limits.

The Ever-Evolving Vision

Eric’s vision for the festival’s future remains unwavering – bringing together people from diverse backgrounds through music. He acknowledges the changing landscape of music and dance styles, highlighting the importance of maintaining a balance between cultural integrity and evolving tastes.

Looking Ahead

With the 30^th edition approaching, Eric envisions continued growth while staying true to the festival’s roots. He expresses his desire to bring acclaimed artists like La India and Carlos Santana to the stage, continuing the legacy of diverse and passionate musical experiences.

In the grand tapestry of the Tempo Latino Festival, Eric’s passion, dedication, and genuine relationships have woven together a cultural masterpiece. The festival remains a beacon of unity, showcasing the power of music to transcend boundaries and create shared experiences. As the festival moves towards its next milestone, it stands as a testament to Eric’s unwavering commitment and the enduring magic of Latin and Afro-Cuban rhythms.

Mark your calendar and plan your trip for the 2024 Tempo Latino on the last weekend of July 25 to 28, 2024.

Visit for more information

Latin music Festival in Germany August 2023

Berlin Salsa Marathon

Aug 11 2023 – Aug 14 2023

https://www.berlinsalsamarathon.com/

https://www.facebook.com/photo/?fbid=1371329693007998&set=a.508891677907567

Gaststätte Tegeler- Seeterrassen Restaurant

Wilkestraße 1, Berlin, Germany, 13507

Description

Berlin Salsa Marathon offers 44 hours of social dancing with 250 Salsa addicts, All this over a single summer weekend, focused purely on social dancing (There’ll be no shows or workshops):

Live music by Seven4Mambo
DJ Playing: Dmitri, Patrick El Classico, Martina, Bettina & Flori
Food and drinks included with pass

Cost Pass: € 129

Frankfurt Salsa Marathon

Aug 17 2023 – Aug 20 2023

https://www.edancefever.de/fsm-2023-1
https://www.facebook.com/events/2168755349962673

EDanceFever Hotel

Frankfurter Strasse 121, Dreieich, Germany 63303

Description

42th “SOCIAL DANCING“ Salsa-EVENT!! Be part of our first FRANKFURT SALSA MARATHON!! We are proud to present you our first edition at EDanceFever and cordially invite you to this spectacular 42-hour with Salsa Dura, Guaguanco, Son Montuno, Cha-Cha- Cha, Descargas, Guaracha and Pachanga will be played by a diverse, talented and famous group of DJs (Kamal SalsaDura, Medicus, Papi, Aimé & Michelle) in alternation. Our new oak parquet floor, new professional cocktail bar, as well as the new entire harmonious furnishings ensure an absolute feel-good atmosphere in our exclusive dance school.
We offer you free wardrobe, free parking with more than 300 parking spaces.

Cost From: 129 to 149 €

Bailamos! Salsa Festival Chemnitz

Aug 18 2023 – Aug 20 2023

https://www.bailamos-chemnitz.de/

https://www.facebook.com/profile.php?id=100078300960288

Subbotnik

Address: Vettersstraße 34a, Chemnitz, Germany, 09126

Description

Bailamos! Salsa, Bachata, Kizomba und Tango Argentino and Salsa Festival Chemnitz offers workshops & parties.

Cost Pass: from € 40

Berlin Salsa Congress

Aug 24 2023 – Aug 27 2023

https://berlinsalsacongress.co/

https://www.facebook.com/events/1275046049933316

Groundplan Tempodrom

Mockernstrabe 10, Berlin, Germany, 10963

Description

The 22th edition of Berlin Salsa Congress offers workshops, performances and social dancing with national and international performers, instructors and dj’s.

Cost Pass: from € 164

Israel “Cachao” Lopez Sobrado in fame and respect in the seventies was dedicated to maintain the tradition at the highest level

“Cachao Dos” for the year 1977.

It will be enough to mention the name of this celebrity to open a whole range of creativity and genius embodied in what is considered a cult discography.

Since 1931, the year in which he started musically as a member of the Havana Philharmonic Orchestra, the precocious Israel would give a foretaste of the talent he had and that, as time went by, would be consummated hand in hand with his right-hand man and musical accomplice, Orestes “Macho” López, his older brother.

Certainly, music was impregnated in the DNA of the López family, a generating machine of musicians by tradition, something that Lázara Cachao, Israel’s niece and daughter of his deceased younger brother Orlando “Cachaito” Lopez, reaffirms: “The tradition of being musicians comes from the grandparents and great-great-grandparents, all the Cachao are musicians”.

Regarding his transcendence, he and his older brother Orestes are said to be the creators of the Mambo, a rhythmic variation of the Danzón and a genuine musical expression that would mark a before and after in Latin music.

However, and as it is known, this contribution would change its clothing and would reach worldwide popularity when it reached the hands of another “inventor” born in Matanzas, Cuba, named Dámaso Pérez Prado, who as it is known, gave it another treatment and musical twist reaching surprising popularity.

“Cachao”, after a 31-year stay with the Havana Philharmonic Orchestra, decided to leave Cuba, settling for many years in New York City.

As it is understandable, his presence in this city was more than important for the musical guild and music fans.

He was nothing less than one of the managers and protagonist of the famous Jam Sessions recorded by the Panart whose presence was capitalized among many others by Tito Puente, Tito Rodríguez and Eddie Palmieri.

From the first one we could say, a whole school, a musician with a deep knowledge of his double bass and creator of his own style, bow in hand, and as a prolific composer, with approximately three thousand compositions together with his brother “Macho” López.

The years in New York were musically very good for Israel Lopez as well as in Las Vegas and finally Miami, where he lived until his last days.

Making a discography of him is quite a task and a challenge. However, after his arrival, I remember with great pleasure his collaboration for the album Latin Explosion by Joe Cain and his orchestra in 1964, where among others, Listen dos Trompetas and Mungo, Mungo Baby stand out.

Esta es mi Orquesta, theme/performance of Tito Rodriguez’s musicians emulating what Stan Kent and his Big Band did, or those performances as special guest in the famous Descargas at The Village Gate Live and Tico All Stars, among many others.

In the seventies, Cachao, with his fame and respect, dedicated himself to maintain the tradition at a supreme level, and from that period, punctually 1977, Cachao will present two epic works, the first one entitled Cachao y su Descarga Vol. 1 and then Cachao Dos, both recorded for Salsoul Records under the production of René López and Andy Kaufman.

The latter contains only a total of five tracks, but they are well fulfilled in their purpose of maintaining a fierce defense of the rhythms that Gran Cachao has been proclaiming for years.

This album, like everything else recorded by the double bass player, is genuine and of supreme quality, something that is due to Israel’s responsible and dynamic character, something that the leader Julio Castro can attest to, having not only known him personally but also having worked with his orchestra La Única, which arrived in NYC for a prolonged stay of a little more than half a year.

Repertory

Ko Wo Ko Wo: (Guiro): Julito Collazo

Israel “Cachao” López: Contrabajo

Julito Collazo: Vocal, Chekere, Conga

Mario Muñoz “Papaito”: Campana

Diane Cardona: Coro

Marcelino Guerra: Coro

Héctor “El flaco” Hernández: Coro

Zunny López: Coro

Frankie Rodríguez: Coro

Fela Wiles: Coro

Jóvenes del Ritmo: (Danzón): Israel López

Israel “Cachao” López: Contrabajo

Julián Cabrera: Congas

Gonzalo Fernández: Flauta de Madera

Oswaldo “Chihuahua” Martínez: Timbales

Charlie Palmieri: Piano

Rolando Valdés: Guiro

Cuerdas:

“Pupi” Legarreta: Violín

Alfredo de la Fe: Violín

Eddie Drenon: Violín

Yoko Matsuo: Violín

Carl Héctor: Violín

Patricia Dixon: Cello

Centro San Agustín: (Danzón-Cha): Israel López

Israel “Cachao” López: Contrabajo

Carlos “Patato” Valdés: Congas

Gonzalo Fernández: Flauta de Madera

Lino Frío: Piano

Rolando Valdés: Guiro

Nelson González: Tres

Mario Muñoz “Papaito”: Percusión

Alejandro “El negro” Vivar: Trompeta

Alfredo “Chocolate” Armenteros: Trompeta

Rafael “Felo” Barrios: Coro

Roberto Torres: Coro

Trombón Melancólico: (Descarga): Israel López

Israel “Cachao” López: Contrabajo

Manny Oquendo: Timbales

Charlie Palmieri: Piano

Barry Rogers: Trombón

José Rodríguez: Trombón

Andy González: Campana

Frankie Rodríguez: Percusión

Gene Golden: Percusión

Milton Cardona: Percusión

Rafael “Felo” Barrios: Coro

Roberto Torres: Coro

Chambelona (Popurrí de Congas): Neri Cabrera

Israel “Cachao” López: Contrabajo

Julito Collazo: Bombo

Lino Frías: Piano

Mario “Papaito” Muñoz: Percusión

Oswaldo “Chihuahua” Martínez: Percusión

Virgilio Martí: Percusión

Eugenio “Totico” Arango: Coro

Rafael “Felo” Barrios: Coro

Cachao

Search Results for: King of Mambo

Providance Afro latin Festival

All Stars Festival

Carnaval Dance Festival

A Toda Cuba Festival

El Sol Salsa Festival

Transilvania Salsa Fest

Shine Mambo Madrid

Mario Bauza, Pioneer of Afro-Cuban jazz in New York, Clarinetist, saxophonist, trumpeter and arranger

An Interview with Eric, Founder of Europe’s Premier Latin Music Festival

Creating a Musical Oasis in Vic-Fezensac

A Journey of Music and Discovery

A Melodic Journey Unfolds

Tempo Latino: 28 Years of Latin Rhythms, Community, and Artistry

Local Community and Involvement

Fostering Relationships with Artists

Overcoming Challenges

The Ever-Evolving Vision

Looking Ahead

Berlin Salsa Marathon

Gaststätte Tegeler- Seeterrassen Restaurant

Description

Frankfurt Salsa Marathon

EDanceFever Hotel

Description

Bailamos! Salsa Festival Chemnitz

Subbotnik

Description

Berlin Salsa Congress

Groundplan Tempodrom

Description

“Cachao Dos” for the year 1977.

He was nothing less than one of the managers and protagonist of the famous Jam Sessions recorded by the Panart whose presence was capitalized among many others by Tito Puente, Tito Rodríguez and Eddie Palmieri.

Esta es mi Orquesta, theme/performance of Tito Rodriguez’s musicians emulating what Stan Kent and his Big Band did, or those performances as special guest in the famous Descargas at The Village Gate Live and Tico All Stars, among many others.