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Katherinne Motta better known as DJ Katha Motta, salsa vinyl collector.

With her good musical taste, her great energy, exuberant beauty and sympathy, she has been infecting the hearts of salseros in Latin America, North America, Europe and Asia with her good taste in music.

On this occasion, the pages of International Salsa Magazine / www.SalsaGoogle.com are graced by our very special guest, the beautiful Katherinne Motta better known as DJ Katha Motta, collector of salsa vinyls, who has been infecting us with her good musical taste, her great energy, exuberant beauty and sympathy to the salsa hearts in Latin America, North America, Europe and Asia.

Born on December 1st in Bogota – Colombia and based in Miami, Florida in the United States, she has been doing an admirable job with her professionalism, talent, original style, versatility, sympathy, connection with the music lovers, dancers and followers; being some of the reasons to be with you today in the only salsa magazine in the world.

Welcome DJ Katha Motta to our edition of the month, for us, it is a satisfaction to talk with you…

Thank you very much Carlos, for your invitation and taking me into account for this interview so I can share and publicize my work as a DJ through International Salsa Magazine and wwwsalsagoogle.com, with all those beautiful and rumbera people, who are your faithful followers and readers around the world.

has been infecting salsa hearts in Latin America, North America, Europe and Asia with her good musical taste, great energy, exuberant beauty and sympathy. — Katherinne Motta better known as DJ Katha Motta

Very well Katha, tell us how were your beginnings in this professional DJ career?

Friend Carlos Colmenárez, well let me tell you that I started on August 26, 2017, in the city of Asheville North Carolina as a professional DJ and I have been participating since then in 5 states of the country, also in Peru in events and concerts of music lovers and collectors, but lately I have been developing my work in Atlanta GA, city that has given me affection to this day.

Excellent, by the way Katha, before continuing with the musical part; tell us if you have any hobbies or do you dedicate yourself to other things?

Yes, Carlos I am passionate about martial arts, photography, the natural environment, sharing with family, obviously dancing and somehow I have learned to value art and life…!

I fell in love with salsa after being locked in the genres of rock, ballads and some heavy metal. — At the age of 18, I only frequented salsa places because it brought me joy.

Your taste for salsa begins since when Katha?

My love for salsa began at the age of 16 when I started to enjoy family parties and I realized that the salsa genre called my attention more than the others. At the age of 18 I only frequented salsa places because it generated joy, feeling and flavor.

Does that give us to understand that you fell in love with salsa?

Yes, yes my friend Carlos, I fell in love with salsa after being locked in the genres of rock, ballads and some heavy metal, although, I still carry these genres in my heart I stayed with salsa because it is a genre that you can enjoy with a glass of wine, dancing, it is too versatile which for me makes the perfect combination. I think I am a proof that it is possible to be a passionate salsa dancer at an adult age.

And weren’t you influenced by your parents or friends to have that taste for salsa?

I remember that since I was a little girl I have been very curious about music, I remember that since I was a child I would take the tape recorder and the cassettes that my parents had recorded from the radio and I would write the names and artists in a notebook.

Very good DJ Katha and as for your taste for vinyls what can you tell us?

Prof. Carlos, when I started working, I started buying CDS and some vinyls, I demanded much more in my work as a DJ because I always want to give the best of me, I also enjoy learning and finding exquisite tunes from collections that are not very well known. Currently I keep buying vinyl for the love of music, the thirst to learn, enjoy the contact of the needle and the vinyl is magical and it is also satisfying to support new artists. I think it is important to have the habit of giving that value to what we are so passionate about and contribute to the genre.

Which of the rhythms or styles of salsa are your favorites?

It is difficult to find favorites in this genre, when you fall in love with many artists who left their mark and continue to do so, but I think my personal taste is more for son montuno, guajiras and when I program for the dance floor I really like guaguancó, timba and salsa dura.

I have had the honor of alternating with: Chamaco Rivera, Bobby Valentín, Roberto Lugo, Roberto Blades, Papo Cocote, Andrecito Carabali — Katherinne Motta better known as DJ Katha Motta

DJ Katha Motta, we want to know in which places have you been working lately?

Well, let me tell you Carlos that I have been working and making all the dancers in the following cities enjoy:

Asheville NC, Charlotte NC, Greensboro NC Atlanta GA, Athen GA, Greenville SC, Pompano Beach FL, Margaret Fl, Los Angeles CA, Dallas TX, Knoxville TN and many, many more, and as for places where I have participated in vinyl collectors meetings, Orlando FL and Lima Peru.

By the way DJ Katha Motta, with which figures of our Afro-Caribbean music, have you shared the stage?

Carlos, I have had the honor of playing with: Chamaco Rivera, Bobby Valentin, Roberto Lugo, Roberto Blades among others, dear friend.

Perfect, Katha, can you tell us, what have been your latest and upcoming DJ sets for events?

Let me tell you Carlos, that on May 8th I was at the ”Mother’s Day weekend edition” (Noche caliente Latin Night) in Dunwoody, GA; last April 10th at the (Salsa al parque Miami number 3) in Hialeah Fl, May 29th at the ”Rumba salsera” event in Pembroke Pines Fl, among others…and I will be ”Celebrating fathers day” on Saturday June 26th in Greenville SC, alternating with Roberto Blades.

Your social networks Katha, so that music lovers and dancers can follow you?

You can find me as :FanPage Facebook: DjKathaMotta.Facebook Personal: KathaMotta.

Instagram:DjKathaMotta.Youtube:DjKathaMotta.https://Youtube.com/channel/UCSmpDKa1HyMcC4KsBVUpMtA. Twitter: Dj KathaMotta @djKathaMotta.

Thank you very much Dj Katha Motta for accepting our invitation to international salsa Magazine, www.Salsagoogle.com, for us it has been a great honor to have you as a guest and we hope you continue with such professionalism and dedication to the salsa genre and enjoy your “temotas” as you rightly present them in your work and transmissions. We send you a big kiss and a virtual hug with many blessings.

Thank you very much, my friend Carlos Colmenárez, you are a sun…! Let me tell you that the honor is mine and you have selected me to be with you in the “only salsa magazine in the world…!” I would also like to thank all your editors and directors for this high privilege. I will always be at your disposal to share experiences, good salsa and sincere friendship. With love and appreciation your friend Dj Katha Motta…!

By: Carlos Colmenárez Correspondent in Venezuela

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Mel Martinez I come from Puerto Rico and Puerto Rico is Salsero

Totally agree with the premise that Mel Martínez establishes in this song of his authorship. Yes, Puerto Rico is the same as saying: “Yo soy salsero”.

Long live the music! Know that this implies shouting:

“Long live the musicians, so they can keep making it”.

The song starts off timidly and it seems that the arrangement asks the listener for his opinion on what he thinks of what is the first single of what will be his next musical production in a segment that presents a transcript of that “what do you think of Cholito”.

From there it pivots into a melodic design that reminds me of a segment of “I like Christmas that tastes like Puerto Rico” The shyness of the theme lasts approximately ten seconds.

Then the arrangement takes a turn that suggests that in Puerto Rico it’s Christmas all year round.

The lyrics of the song assures that all salsa-loving countries have their flavor and their flag; defined by other rhythms, highlighting the native rhythms of Colombia, Dominican Republic, Argentina and Peru. But Mel comes from Puerto Rico and asserts on behalf of all Puerto Rican salseros that: “In Puerto Rico the sun is boiling and that’s where Caliente salsa comes from”.

The song starts off timidly and it seems that the arrangement asks the listener for his opinion on what he thinks of what is the first single of what will be his next musical production in a segment that presents a transposition of that "what do you think of Cholito". — Mel Martinez The essence of family and Music

Evidently salsa is our pride. We are all Mel in terms of his love for salsa, the shout of pride, the flavor and the flag”.

And speaking of flavor and flag, it is clear that still “Aníbal Vázquez as a dancer, Giovanni Hidalgo hitting a leather, Tite Curet’s songs and Sammy Marrero’s feeling” are as valid as their first day in salsa performances.

New York’s emblematic nightclubs, all of them already disappeared, stand out in the lyric.

The mention of El Corso, Latin Quarter and the unforgettable Copacabana filled me with nostalgia and joy for having been lucky enough to have been part of that history. In Puerto Rico we have also been part of the history of salsa as it was spun in Lomas del Sol, El Coabey -which has been sustained against all odds- and El Tropicana.

The groups of Luis “Perico” Ortiz, El Gran Combo, Willie Rosario, Bobby Valentín, Tommy Olivencia, La Ponceña, Roena, Mulenze and Chaney star in the list of orchestras born in our soil and that Mel includes in the lyrics of the theme. Costa Brava, Puerto Rican Power, Canayón, Mario Ortiz, Don Perignon and La Solución complete the list of outstanding orchestras in sound and category.

The patron saint festivities and the dancers arrive at the theme at the climax of the mambo, through the pregones in the voice of our favorite for several decades.

From Fajardo to Mayaguez, passing through Bayamón and Carolina, Cataño and Dorado Mel assures that our 100 x 35 and its inhabitants are salseros by birth.

The lyrics of Mel’s song are so great that it secured mention of the dancers who every year try out for National Salsa Day, which until 2020 was exclusive to Puerto Rico.

If you haven’t heard this song, I dare you to listen to it without getting stuck to it:

I don’t know where you’re from

But I love my land

I come from Puerto Rico

and Puerto Rico is salsa.

I can tell you that the choruses are deluxe. The coros feature Luisito Carrión, Lalo Rodríguez and Carlos García; the same Carlos García who composes, arranges, sings and dances, all while masterfully dominating behind his piano.

As Mel states in this beautiful composition, which is also patriotically historical: we were born salseros.

I add by way of an intimately personal opinion that no human being is prepared to face the battle of life without the encouragement that music gives us.

I conclude by recommending you not to miss the correspondence between Pedro Perez’s bass and Emanuel Navarro’s timbal at the end of the song.

For those who doubt that musicians give us music even when it seems that the musical theme has already closed.

What is left for me to say? Long live the music! Know that this implies shouting: “Long live the musicians, so that they keep on making it”. Ah! And that we are still salseros.

Facebook: Mel Martinez

By: Bella Martinez “The Irreverent Salsa Writer”

Puerto Rico

Website: Bella Martinez Escribe

Legendary and Unavoidable Cheo Navarro Bravo Rumbero and his Orchestra de Moda

The first name of the great “Cheo” is José Natalio Navarro Barreto

José “Cheo” Navarro was born in San Agustín parish, Caracas, Venezuela on April 19, 1952. While still a child, his family moved to La Cañada de Jesús and later the 23 de Enero parish, the family Navarro Barreto settled in block 6 of the Monte Piedad sector where he spent his adolescence. The first name of the great “Cheo” is José Natalio Navarro Barreto.

The name and the musical activity of “Cheo Navarro” is substantial and unavoidable for salsa made in Caracas. This percussionist and bandleader has always been at the heart of Caribbean music in such a manner that we will always find a reference to him in various salsa phenomena of the country.

The name and musical activity of "Cheo Navarro" substantial and inevitable for salsa made in Caracas. — Cheo Navarro Legendary and Inevitable Bravo Rumbero and his Fashionable Orchestra

It was from the year 1971 when he got involved with the orchestra of Tito Rodriguez in such a way that he never wanted to do anything else but play like those folks (since he did it by beating every book, container and pot lid he could find at home with pencils and sticks), eventually joining other fans of music to found the group Mango (he was 21 years old at the time). He won the respect of those in the know by performing with that group, where he contended with the best in Caribbean music at that time.

In addition to founding orchestras that are already part of our musical and sentimental history (Mango, Sensación, Bailatino and now Cheo Navarro and his Orquesta Tributo), he played and composed for other leading orchestras such as the Sexteto Juventud, Federico y su Combo Latino, El Trabuco Venezolano, La Crítica de Oscar de León, the Orquesta Renovación, Coco y su Sabor Matancero, and Naty y su Orquesta; He has also collaborated with the orchestras of Orlando Castillo “Orlando Watussi””, Alfredo Naranjo Carvajal and his Guafeo, and “Pavo” Frank. As for the international soneo, he has played with Jhonny Pacheco, Ismael Miranda Carrero, Andy Montañez, Cheo Feliciano, Héctor Lavoe, Daniel Santos, Pete “Conde” Rodríguez and a plethora that is no longer necessary and, maybe, impossible to list in full.

“Bravo Rumbero“

Is probably his most important composition and the song the salseros of lineage and also those who were not necessarily salseros remember the most, but they had their sense of hearing working just fine, during the 70s and 80s.

The music industry has not been as generous as it should have been with this gentleman. Precisely with him, who has made an effort to pay homage to the gods of his musical devotion. — Cheo Navarro in Block 6 of January 23 appreciates it with reverent generosity.

He is much loved in Block 6 of the 23 de Enero parish they appreciate him with the same reverent generosity

with which the poor towns pay tribute to their genuine icons: He is the illustrious neighbor who has made and makes them dance and, in time, he is the simple man of the people whose stature is found in the work and not in vanity.

The music industry has not been as generous as it should have been with this gentleman. With him, who has been making great efforts to pay homage to the gods of his musical devotion. The sonorities of his orchestral works are a lasting tribute to the giants of flavor.

He is the illustrious neighbor who has put them and puts them to dance and in passing, is the simple man of the people whose stature is in the work and not in vanity — Cheo Navarro Bravo Rumbero and his Orquesta de Moda

The fame that, using payola and other resources, has managed to raise up other names in this business and in history. But being face to face, musician to musician, with anyone, Cheo Navarro qualifies to be one of those fundamental icons who are worthy of being pleasantly remembered, rooted in his people and in urban culture.

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Quinteto D’Amore Cultivating traditional Cuban music worldwide

Quinteto D’Amore of Havana – Cuba

Quinteto D’Amore was founded in 2000 within an acoustical format; cultivating traditional Cuban music, although in its repertoire, you can find international songs; and made various presentations both domestic and international.

All these years, different musicians have integrated the group, but two years ago, it has been renewed and is now composed of Bass, Tres, Violin, bongo, minor percussion and soloist.

They are characterized for combining music, voices, and choreography in some of their songs, filling those who can enjoy their show with joy and energy.

Quinteto D'Amore Cultivating traditional Cuban music worldwide. — Quinteto D’Amore of Havana – Cuba

Yasney (violin): Graduated from Higher Institute of Art with a specialty in Violin (ISA). Member of the UNEAC, she joined the National Symphony Orchestra of Cuba, participated in recordings of leading groups and soundtracks, as well as in the CD “Mi Querido Pablo II” with Pablo Milanés and his guests: Milton Nacimiento, Lucecita Benítez,

Fito Páez, Joaquín Sabina, Alberto Cortes, and at the concert offered at the National Auditorium in Mexico City.

He has made numerous tours and concerts with the band “Mambo Así”, the group “Sol y Arena”, “Piel Morena”, among others, through various countries such as Moscow, Spain, Thailand, Hong Kong, Saint Martin Island and Guadeloupe, Italy, and Angola. Yasney joined D’Amore in May 2014.

Quinteto D’Amore

Yonel (three/four Cuban guitar) I began my career in music when I was six by learning to play the guitar. Since then, I used to sing some songs and to accompany others like my brother. AI was seven when I started at the school of arts in Santiago.

In Cuba, I studied violin for about three years and, in time, I started to learn about other instruments such as the piano and the percussion to reach the bass with which I played with the group Son Chévere de Matanzas for several years.

Then I came to Havana and started playing the tres until I made it into a CUATRO, adding a couple more strings and it is the instrument with which I currently work in Quinteto D’Amore.

Evelyn (soloist) began to study music since choildhood, taking piano and musical theory lessons. At the age of 11, she received her first award as a solo singer given by the pioneers’ organization and took dance lessons at the National Ballet School in Havana and contemporary dance workshops, integrating various dance companies and performing in the 2nd Tropicana Show. She is a mid-level graduate from micro operator. She studied at the School for Art Instructors.

As a singer, she started her professional career by joining several groups such as: Lady Salsa Mix, Cuban Salsa Orchestra, Las canelas, Ketlman Ferrer and his orchestra, etc. She is currently the lead singer of Quinteto D’Amore.

In all these years different musicians have integrated the group, currently two years ago the group has been renewed and is composed of Bass, Tres, Violin, bongo, minor percussion and soloist. They are characterized by combining music, voices and choreography in some of their songs, filling with joy and energy those who can enjoy their show. — Quinteto D’Amore was founded in 2000 with an acoustic format.

Orley (Bass): He studied bass and contrabass, he began his musical career in Ciego de Avila as part of different groups of small and great format such as: Eclipse Orchestra, Conjunto Campesino “Campo Lindo”, etc. Later on, he joined groups in Havana such as Septeto Tradición, the group of the singer Leyanis Lopez with whom he travelled to France (Paris) under the record label “Luz Africa”. From 2007 to 2011, he was on the Orchestra of Maykel Blanco Y Su Salsa Mayor with whom he made several international tours in Italy, Sweden, Denmark, Germany, Poland, Switzerland, Belgium, and Peru, and participated in the recording of his 2 albums. From 2011 to 2013, he joined the groups like “Amor y el Son”, Pepitín y su CumBachá”, and Habana Midic with whom performed in Egypt, Jordan, Tunisia and Lebanon. Orey joined D’Amore in May 2014.

Daymé (Director, tres and bongo): Graduated of Telecommunications and Electronics engineering at the “José Antonio Echeverría” Higher Polytechnic Institute and at the intermediate level in music in the specialty of “Tres”. She belonged to the amateur artistic movement for 14 years, participated in international festivals, integrated several groups of small format with which she performed in Cuba in the “Dos Gardenias” complex, La Bodeguita del Medio, the Floridita Restaurant and various hotels, Outside of Cuba, she has fulfilled several contracts in Jamaica, Qatar, Arab Emirates (Abu Dhabi, Dubai and Al Ain), Jordan, Egypt, Japan, Spain, Turkey and China. She is currently the bongo player and director of Quinteto D’Amore.

Maria Carla (2nd violin) began her music studies at the “Alejandro García Caturla Conservatory” where she acquited basic secondary education and the 7th year of violin.

In 2006, she entered the “Amadeo Roldán Conservatory” to continue his studies to reach the ipper secondary level of violin. During her time as a student, she was part of the orchestras of the respective schools and participated in meetings, competitions and concerts as both instrumentalist and vocalist in choirs.

Upon her graduation, she taught in the province of Pinar del Río and gave classes at the Vocational School of Art in the same city for two years.

Since 2010, she is part of the National Symphony Orchestra of Cuba by working simultaneously with various classical and popular music groups such as “La Camerata del Son”, “Ensemble Alternativo”, “Quinteto D Amore”, “Orquesta Panorama”, and “Quinteto Doble Sabor”.

María Carla has also participated in several events and festivals: Encuentro Nacional de Orquestas Sinfónica, Feria Internacional Cubadisco, Encuentro de Coros, Festival América Canta, Festival de Música Contemporánea, Festival de Jóvenes Pianista, Festival del Danzón, Feria Internacional del Libro de La Habana as well as in several recordings and phonograms with artists such as José María and Sergio Vitier, Toni Pinelli, Rafael Guedes, and Aldo López-Gavilán.

She has also accompanied renowned soloists such as pianists Lang Lang, Chucho Valdés, Frank Fernández, Aldo López Gavilán, singer Omara Portuondo, violinists Ryu Goto, Francesco Manara, clarinetist Keisuke Wakao, and guitarist Joaquín Clerch.

He has worked under the baton of conductors such as Yoshikazu Fukumura, Marin Alsop, Francesco Belli.

Quinteto D’Amore Repertoire

Latin/English Recent Hits

Havana – Camila Cabello

Someone Like You – Adele

Don’t You Remember – Adele

Unbreak My Heart – Tony Braxton

Rehab – Amy Winehouse

Whenever Whatever – Shakira

Dancing – Enrique Iglesias,

Lambada – Kapma,

Macarena – Los del Rio,

Mambo No 5 – Lou Bega,

Nossa Nossa – Miechl Telo

Yo Tengo Tu Love – Si7e

Solo Quiero Darte Un Beso – Prince Royce

Despacito – Luis Fonsi & Daddy Yankee

English Pop, Rock, Blues, Jazz, R&B

Stand By Me – Ben E. King

Yesterday – The Beatles

Only You (And You Alone) – The Platters

New York New York – Frank Sinatra, Liza Minelli

Misty – Errol Garner & Johnny Burke / Johnny Mathis

Girl From Ipanema – Pery Ribeiro, Frank Sinatra

Flying To The Moon – Frank Sinatra, Doris Day, Tony Bennett, Diana Krall

Summertime – Ella Fitzgerald, Janis Joplin, Billie Holiday …

Autum Leaves – Nat King Cole, Andrea Bocleli, Eric Clapton …

My Way – Jacques Revaux, Paul Anka / Claude Francois, Frank Sinatra, Elvis Presley

I Just Called To Say I love you – Stevie Wonder

Somewhere Over the Rainbown – Harold Arlen and Yip Harburg / Judy Garland, Israel

For Ever And Ever – Demis Roussos

Hotel California – Eagles …

Cuban/Latin Salsa, Son, Rumba, Cumbia, Bolero

El Yerbero Moderno – Celia Cruz,

Quimbara – Celia Cruz

Life is a Carnival – Celia Cruz

Idilio – Wilie Colon

El Carretero – Buena Vista Social Club

El Cuarto De Tula – Buena Vista Social Club

The Discreet Kisses – Compay Segundo

Chan chan – Compay Segundo

Hasta Siempre, Comandante – Carlos Puebla

Maridos Majaderos – Perdro Luis Ferrer

Yolanda – Pablo Milanés

Volveré – Diego Verdaguer

Montón de Estrellas – Polo Montañez

Cariñito – Los Hijos del Sol

Oye Como Va – Tito Puente / Carlos Santana

Nel blu dipinto di blu (Volare) – Dean Martin …

Capullo de Aleli – Cateano Veloso

Dos Gardenias – Daniel Santos, Buena Vista Social Club

La Flor Pálida – Polo Montanez / Marc Anthony

Perfidia – Alberto Domínguez / Los Panchos, Perez Prado, Nat King Cole, Ben E. King,

Luis Miguel

Guantanamera – Celia Cruz, Compay Segundo, Tito Puente, Joan Baez

Lágrimas Negras – Trio Matamorros, Omara Portuondo, Celia Cruz, Compay

Segundo/Cesária Évora

Moliendo Café – Jose Manzo Perroni / Mario Suárez, Xiomara Alfaro, Ricardo

Montaner

El Manisero – Rita Montaner, Antonio Machin, Mistinguett, Louis Armstrong

Historia de un amor – Carlos Eleta Almaran, Guadalupe Pineda

Besame Mucho – Consuelo Velasquez / Los Panchos, Pedro Infante, Louis Armstrong,

Andrea Bocelli

Quizás Quizás Quizás – Osvaldo Farres / Bobby Capo, Celia Cruz, Nat King Cole

El cumbanchero – Rafael Hernandez / Tito Puente

Que Será, Será – Jay Livingston and Ray Evans / Connie Francis, Natalie Cole

Pink Cherry – Los Tecolines

www.quintetodamore.com

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Sonora Ponceña and her 1982 álbum “Determination”

A production that placed “Yambeque” on its first song

Enrique Arsenio Lucca Quiñones (Ponce, Puerto Rico, April 10, 1946), known as Papo Lucca, is a pianist and multi-instrumentalist of salsa and Latin jazz.

An arranger and virtuoso of his instrument, he was co-founder with his father, Enrique “Quique” Lucca Caraballo, of La Sonora Ponceña. He has also performed and recorded with the Fania All-Stars, Willie Colón, Celia Cruz, Johnny Pacheco, Bobby Valentin, Ismael Quintana, Gloria Estefan, Adalberto Santiago, Andy Montañez, Pablo Milanés and Rubén Blades.

La Sonora Ponceña is a Puerto Rican orchestra of Afro-Caribbean music founded by “Quique” Lucca in 1954.

Directed by the son of “Quique”, Papo Lucca, it is one of the most important groups of the musical genre

This time we highlight the album “Determination” from 1982, a production that placed “Yambeque” on its first song

Sonora de Ponce, Papo Lucca, Los Gigantes del Sur, Determination — Sonora Ponceña and their 1982 album “Determination”.

A melody from Regla de Ocha to the orishas that brings a rumba within its particular style of salsa and excelling in a solo he “little” Johnny Rivero and the interpretation “Toñito” Ledee.

On the song “Soledad,” it was Yolanda Rivera‘s turn, along with Miguelito Ortiz and Toñito Ledee, where they sing about loneliness and its peculiarities and dangers.

In “Creo en ti,” the arrangement of the ninths and suspended chords on the trumpet harmonies stood out, very well complemented by Yolanda Rivera’s interpretation of this bolero.

The song “Herida cerrada en falso”, lyrics and interpretation provided by Toñito Ledee, where we enjoy the vocal style of this great singer.

The melody that followed on this album was “Date cuenta“: a call to young people who go around playing with hearts.

In “Si la ven”, where the piano solo turned the main line of the melody into a Classical Music Minuet and where we enjoyed the harmonies that were used in the trumpets and flute horn by Juancito Torres.

In “Joldo” Maestro Papo Lucca makes Jazz taking this melody to a more accentuated Latin plane.

In “Aunque te quiero” Songo with Salsa was employed for a sense of harmony and dance-driving, where this melody reflects the heart of the true and full romantic lover, who regrets the love that does not return to him.

In this production we have wanted specially to detail that we counted on Enrique Quique Lucca like Musical Director; to Enrique Papo Lucca like Producer, Arranger, choir and piano; vocalists to Yolanda Rivera, Miguelito Ortiz and Toñito Ledee; in the choir to Edwin Rosas and like guest also in choirs Mr. Adalberto Santiago.

We were fortunate and honored to have lyrics by Adalberto Alvarez, Jose A. Mendez, Toñito Ledee, Francisco Alvarado, Roberto Anglero, Joseito Gonzalez and one with DRA.

This album continued to mark the musical line that we brought and continued to have the privilege of the favor and acceptance of each of our fans, who to this day continue to fully enjoy each of the melodies present in this production.

We say goodbye to you and thank you for your attention, and we will return soon with another release for all of you.

Facebook: Sonora Ponceña

Yambeque

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