
Search Results for: Latin Dance
Orange County (OC) Salsa with Esteban Conde
North America / USA / California
Salsa dance classes in Orange County by Esteban Conde, no partner or experience needed. Weekly and weekend Salsa and Bachata classes at the Costa Mesa dance studio. Salsa classes and dance instruction will give you the tools to learn how to dance salsa in no time.

The goal is to help you go from classes to dancing fast! And you will not only learn how to dance, but make great friends, increase your confidence and add joy to your life. Come give these salsa and bachata classes a try!
Salsa, Bachata, Salsa Parties and Events
- Saturday Salsa Class: Every Sat 4:40pm-5:30pm Come and learn how to dance SALSA and have fun! This class teaches the basics and new moves each week. Don’t miss it Beginner level, no partner needed at 2980 Mcclintock way ste a and b, Costa Mesa, 92626. $15
- Monday & Thursday Salsa: Class Every Monday and Thursday evening are the nights for Salsa classes. No partner or experience needed. Fun and Friendly atmosphere! Class starts at 8pm. No reservation needed. Each class is $15, with discounted prices for packages and monthly membership options. Come check us out!
- Monday and Thursday Bachata Class: OC Salsa Studio, 2980 McClintock way, Costa Mesa. Bachata Class 7-8 every Monday and Thursday, rain or shine. Beginner level class, no partner, registration or experience needed. $15, this class covers basics and steps and specializes for those with 0 experience and new to dancing altogether.

“I’ve always loved latin music and wished I could dance. Deciding to give it a try, i tried a free class with Esteban and crew at OC SALSA. What a pleasant surprise to feel so comfortable and welcome with a group I didn’t know, doing something I had never done. It was fun, great exercise, and I couldn’t wait for the next session. I was hooked because the instructors and atmosphere make it so easy to learn, you get plenty of personal attention, and can learn at your own pace”.
“Nice people, high quality instruction, and very reasonable cost. If you want to try, improve, or perfect latin dance, this is the place for you!” Student Testimonial
OC Salsa at 2980 McClintock way # A & B, Costa Mesa, 92626 2980 McClintock Way, Costa Mesa, CA 92626, EE. UU. Call On: 949-813-0412 [email protected] http://estebanconde.com
Joel Salsa NY
North America / USA / New York
Joel Salsa NY is a Latin dance school based in New York City, that offers different levels of Salsa On2 classes – Beginner, Intermediate, & Advanced. All of their dance instructors are professional and the Salsa group classes are taught not only with the numbers, but Joel Salsa NY goes deeper into the Salsa music to give you a better understanding of how to feel the rhythm and interpret it into your steps and partner work.
Owners and founders of Joel Salsa NY are Joel Dominguez & Maria Palmieri, They are the most sought after NYC Salsa instructors known for their unique style of dancing and teaching methods. They are known world wide as experts in musicality, technique, leading & following and helping dancers around the world reach their professional dance goals.

Salsa Classes
- Salsa Bootcamp – 8-Weeks Beginner Course (Level 1 & 2)
Tuesday or Thursday
The Salsa Absolute Beginner Bootcamp is for the student with little to no experience of Salsa and wants to learn the Fundamentals, Salsa Turn Patterns, Musicality and more. The course is 8-weeks, once per week, and is split into 2 parts/levels. It’s the perfect course to get you ready for the dance floor.
- Salsa – Shines & Turn Techniques (Level 3)
Monday & Wednesday @ 6:30pm
Salsa Level 3 is for the student who is very comfortable with the tools, timing and turn patterns from the Bootcamp course or who has at least 4 months dancing Salsa On2 style. In this level of Salsa, you should have a good foundation and understanding of Salsa timing, know how to lead or follow inside and outside turns and variations of these turns.
- Salsa – Styling & Turn Patterns (Level 4)
Monday @ 7:30pm
This class is the highest level in Salsa On2 and is designed for the Intermediate/Adv level student, instructor or performer who wants to master their tools and techniques and to understand what it takes to be fluid on the dance floor.
For more information go to https://joelsalsa.com
Burju Pérez
North America / USA / Boston
Burju Pérez. From Dance to the Fashion Industry
Turkey is considered one of the countries with the most successful traders in the world and with a big musical influence of the Islamic and Western culture, well, from this country come the wonderful professional salsa dancer Burju Pérez, an entrepreneur who fused the tempo with the comfort and fashion of footwear.

Born in Turkey but arrived from 2 years old to Boston, Massachusetts. From very young, Burju began in the world of rhythmic gymnastics and dance. “My parents say I danced before I walked, or at least I started them both at the same time. I always had a wiggle and a bop”, said Burju for an American media.
Over the years, she learned other rhythms such as: Hip hop, Jazz and classical. Once at the university, she really dabbled in Latin dance, there a dance group was formed and she met her current husband Víctor, whose roots from Puerto Rico and who by that time was already an expert in Salsa dancing.

Once associated both personally and professionally, Burju and Víctor embarked on their way to conquer the most important congresses and festivals in the country as qualified Salsa dancers, starting with the nation’s largest annual convention, LA SALSA FEST, which for that time was only made in two cities of the world: one in San Juan (Puerto Rico – original headquarters) and the other in Los Angeles, (US).
Russia, China, Japan, Turkey, Lithuania, Germany and all Western Europe were also witnesses to the rage of the audience that generated this duo on the dance floor, who stepped on the best stages, generating great respect in the salsa community for being a couple of high competitive range.

Burju during the decade of the 90s began to add her identity to the attire, painting his shoes and creating her own style. By 2003, this regular salsa girl from the stages of Boston and New York had the opportunity to belong to Juan Matos’ Fogarate Dance Project, which was held every weekend in New York. For the same period, Matos came up with another project, this time in Italy and Turkey and for which he had no partner dance so Burju was the ideal candidate to make this tour with him for a month, working full time.
Burju Shoes

Once in Milan, this choreographer and professional dancer began to create her own project, an idea that would satisfy the needs of the dancers, simply a hybrid between dance and fashion, was the creation of Burju Shoes. In Milan, where I was based for the project, there is this very high fashion and lots of people not wearing dance shoes when they dance.
I was like, “Oh, I’m not trying to be left out.” So when I was social dancing I was rocking these hot fashion shoes I bought there, but every night I was nearly crying because I was in so much pain. That’s when I was like, OH MAN! I want to combine fashion with comfort for dance shoes. She explained in an interview.
Burju Shoes (created in December 2010) are the perfect combination between the avant-garden design, contrast of colors, versatility and comfort, made to highlight the distinctive beauty in each dress and coziness when dancing.
Burju decided to create this company in his home, Boston, a very welcoming place where the scenes and the Latino community has grown exponentially.

When I first started my business, I asked a lot of ladies that were well known (in the dance and salsa world) to help me with a collective push with the brand. These girls not only endorsed it, but became part of the brand and helped with the designs. I even named shoes after them!, said she. I had my own following, but it was so wonderful to have all these girls supporting me and spreading the word.
When I felt weak, I had people to lean on who were not just friends but collaborators in the scene… I’m so grateful for the love and support here. She added. The Burju Shoes business was the change in the footwear industry’s perception for the ladies. The belief for years that the beauty of the shoe was synonymous with pain and tiredness of the feet was in the past.

Burju Shoes offer you elegant shoes that you can use to do your dailies and go to work, they are also perfect for a dinner, cocktail and especially for a night of total fun and a lot of Latin dance.
Burju also cared about brides, and created a wide selection for them for that special day.
Burju thanks to his experience as a professional dancer with 14 years of career, travel and in addition to her creative intuition, she has created great innovative designs in each shoe, which are flexible for the comfort of the user and functional for each occasion.

The construction of each pair of shoes is derived from custom made patterns, high-end manufacturing and high quality materials: satins, leathers, sparkle, faux animal prints and other synthetic or man-made materials.
For the outer soles, the options of suede (more traditional for dance shoes) to the street sole which is great for indoor and outdoor use. I think people appreciate that we put a higher standard on presentation… At the end of the day, selling is not my main mission. But I will educate you and help you find what’s right for you, and help you feel good about yourself. I think this draws people in, said
Even though I don’t dance as much as I used to (since I got pregnant four years ago), and went the fashion and entrepreneur route, I’m still connected to this dance scene through my work and like giving back to the community… I want to show people that arts and business can function together. Burju Perez

Charlie Haden was an extraordinary double bassist and composer who was a key figure in the history of modern jazz.
Double bassist and composer extraordinaire, Charlie Haden (Shenandoah, Iowa, August 6, 1937 – Los Angeles, California, July 11, 2014).
Charlie Haden began his professional activity in 1959 with Ornette Coleman’s quartet, a key figure in the history of modern jazz, and very soon began to investigate in that direction that Coleman initiated known as free jazz.
In that context, Charlie Haden participated in the recording baptism of that movement with the album recorded on May 22, 1959 for the Atlantic label and entitled: “The Shape of Jazz to Come” with the invaluable collaboration of Don Cherry, another incomparable musician and leader together with Coleman of that revolutionary musical movement that still lasts today.

Charlie Haden in 1960 participated with another double bass player, Scott LaFaro in an operatic manifesto entitled: “Free Jazz” of whom both were distinguished representatives in their instrument.
In 1964 he worked with Denny Zeitin’s trio and in 1966 he returned with Ornette Coleman while expanding his performance area with collaborations left and right.
In these areas he stood out for his participation in the work, studio and recording meetings of the “Jazz Composer’s Orchestra” and in 1969 he was finally able to realize a wish he had been pursuing for years: to record his first album under his own name with the Liberation Music Orchestra.
With original arrangements by Carla Bley, the music of the Liberation also stood out for the political character of the songs, being the first time that, in that context, a jazz group echoed the popular songs alluding to the Republican side of the Spanish Civil War.
After the album recorded by Impulse in 1976 entitled: “Song for Che” in homage to Ernesto Che Guevara, Charlie Haden formed with Don Cherry, the quartet “Old and New Dreams” with which he toured throughout Europe, Asia and North America. At the end of the eighties, Charlie Haden elaborates a new musical discourse within the framework of his new formation entitled “Quartet West”.
The founding album of this new discourse was an extraordinary album generically entitled “Quartet West”, a musical manifesto of great beauty and one of the essential albums of contemporary jazz. From 1990 onwards, Charlie Haden explores more intimate jazz universes, introducing the duo format into his discourse.

In this context, the musician explores himself in the composition and his relaxation together with the other protagonist discovers us a music of great inventiveness, clean in the execution and approached from a purely instrumental point of view.
This is how on Thursday, November 14, 2002, Charlie Haden appears in Seville at the Central Theater with the master of the guitar, Jim Hall to offer a portentous concert, full of sensitivity, art and talent.
Fortunately Apoloybaco was present that magical night in Seville and Charlie Haden is still making music of the highest level. ~ (apoloybaco)
Charlie Haden teams up again with the young Cuban pianist Gonzalo Rubalcaba in this melancholic and relaxing album. Ignacio Berroa on drums and percussion completes the main trio.
Special guests include tenor saxophonists Joe Lovano and David Sánchez, violinist Federico Britos Ruiz and guitarist Pat Metheny (one track only).

Rubalcaba contributes orchestrations on two tracks, both of which omit drums and percussion. Haden’s intention is to explore the bolero, a distinctive Latin dance rhythm that Ignacio Berroa accentuates with a soft, subtle snare drum roll, played with brushes, that begins on the “y” of the first beat of the measure and ends on the second.
This rhythm is perfect for a slow dance and, in fact, the whole album is very romantic, with bittersweet melodies and lilting cadences.
The only problem is that Berroa’s bolero figure is present on almost every track, perhaps what you would expect from a bolero album, but there is no getting around the fact that the music sounds pretty much the same on every track.
(To be fair, Berroa is not the only one guilty of uniformity.) Most of the songs, except for two Haden originals and one by Rubalcaba, are Cuban and Mexican standards, and they are beauties. Haden’s reluctance to mess with them is understandable.

But the arrangements, always straightforward, fade too easily into the background.
Nocturne may be the best music for a candlelit dinner party, but Haden and his guests are capable of much more. David R. Adler.
Charlie Haden – Nocturne (2001)
Temas:
01. En La Orilla Del Mundo (At The Edge Of The World) (Martin Rojas)
02. Noche De Ronda (Night Of Wandering) (Maria Teresa Lara)
03. Nocturnal (Sabre Marroquin/José Mojica)
04. Moonlight (Claro De Luna) (Charlie Haden)
05. Yo Sin Ti (Me Without You) (Arturo Castro)
06. No Te Empeñes Mas (Don’t Try Anymore) (Marta Valdès)
07. Transparence (Gonzalo Rubalcaba)
08. El Ciego (The Blind) (Armando Manzanero)
09. Nightfall (Charlie Haden)
10. Tres Palabras (Three Words) (Osvaldo Farrès)
11. Contigo En La Distancia·En Nosotros (With You In The Distance·In Us) (Cèsar Portillo De La Luz/Tania Castellanos)
Músicos:
Charlie Haden (Bajo)
Gonzalo Rubalcaba (Piano, Orquestación)
Ignacio Berroa (Percusión, Batería)
Joe Lovano (Saxo tenor en temas #1, #4, #7, #11)
David Sánchez (Saxo tenor en temas #6, #10)
Pat Metheny (Guitarra acústica en tema #2)
Federico Ruiz (Violín en temas #1, #5, #8)
Grabado del 27 al 31 de agosto de 2000 en Criteria / The Hit Factory Studios, Miami, FL.

Research Sources:
Also Read: Andy Gonzalez started as a musician at the age of 13 in the Latin Jazz Quintet in New York



