From the 23 de Enero neighborhood of Caracas to Cologne – Germany

October 4, 1952: Javier Ernesto Plaza Castillo was born in the Tiro al Blanco area of the Sarría neighborhood in Caracas, Venezuela. He is a musician, percussionist, singer, and composer.

Javier Plaza is a great and veteran Venezuelan sonero that was trained in the 23 de Enero parish.

He started his professional career as a member of groups such as Rumbón 10, Sexteto Juventud, and Enrique “Culebra” Iriarte y Su Orquesta. It was “Culebra” who allowed him to be one of the singers of the orchestra.

He participated in records from different groups such as José Rosario y Sus Soneros, Federico y Su Combo, and El Clan de Victor.

Javier visited Cali to promote his album “Con Sabor a Coco” and had the opportunity to listen to his live music accompanied by the Coimbre Orchestra formed by young musicians from Cali at the Baile Swing Latino Academy in March 2011. Without a doubt, it was a unique experience, Javier demonstrated that he is a true sonero.

In the early ’80s, Plaza created his band called Orquesta Café in the company of Joe Ruiz and Carlos Espósito, making possible the recording of one of his most important songs.

Sometime later, he participated in the group called Combo Ventú established in Paris.

In Europe, he participated in different groups and collaborated in recordings and performances of other artists.

Thanks to the performances with the Combo Ventú group, the Conexión Latina Orquesta’s director, contacted him, he has continued to remain in this orchestra for 18 years, being now the most ancient musician of the group.

He has also participated in groups such as: Kimbiza, La Charanga Nueva de Alfredo Cutuflá, pianist Francisco Zumaqué, Salsamanía, César “Chino” Pérez and Gerardo Rosales. All this without dropping his responsibilities to the Conexión Latina orchestra.

Thanks to the orchestra, he has had the opportunity to accompany international figures in Latin music such as Luis Perico Ortiz, Ismael Miranda, Adalberto Santiago, and Camilo Azuquita, among others.

Since 1992, Javier Plaza has been managing his personal project, which is the Son-Risa Orchestra. Additional to that, he has performed two productions titled “Libre Soy” and “Mi Música” and most of the songs of his authorship.

Javier Plaza is one of the most recognized Venezuelan percussionists in Europe, with a career spanning more than 20 years in the salsa and Latin music industry. Do you want to know more about him? Here are the details.

While growing up, music was one of the most important things, and practiced different instruments with friends and family. Among those friends were future stars such as Bitervo Plaza, José “Cheo” Navarro, and Alfredo “Cutuflá” Franchesqui.

In the mid-’70s, his career took off when he joined different Latin bands such as Rumbón 10, Sexteto Juventud, and Enrique “Culebra” Iriarte, and his orchestra; this allows him to open the doors to a new recording market from the hand of producer Víctor Mendoza.

After many years, Alfredo Cutuflá invited him to join the Combo Ventú group in Paris with other Venezuelan musicians.

This is when Plaza started a career in Europe playing with different bands and in projects by other artists.

Thanks to the Combo Ventu group’s connections, the Conexion Latina orchestra’s manager offered him to join the group in Munich, Germany, and from that moment he has been in this band for 18 years.

Currently, he is still in Germany, working on his project that is the salsa band Son-Risa and his mission is to spread the Venezuelan flavor throughout Europe.

 

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Mercadonegro Orchestra was created in Europe.

Mercadonegro Created at the end of 2000 with influences of Salsa Dura thanks to their experiences working with artists such as Celia Cruz, Alfredo de la Fe, Cheo Feliciano, Tito Nieves, many more.

Mercadonegro has managed to create a new style in the salsa music genre. Its musicians come from different parts of Latin America and each bring their own tendencies, Peru, Colombia, Cuba, Venezuela, Italy and Brazil are musically mixed and give rise to the unique style and sonority of the Mercadonegro Orchestra.

Thanks to their meeting with violinist Alfredo de la Fe, they participated in prestigious concerts, such as Ronnie Scott in London, New Morning in Paris, Istanbul Jazz Festival, Pavarotti and Friends (Modena, Italy), Montreux Jazz Festival (Switzerland), Fiesta (Rome, Italy), Bal de la Rose (Monte Carlo), Monaco, Athens (Greece), sharing the stage with Carlos Santana, Metálica, Buenavista Social Club, etc.

They had the opportunity to work for three consecutive years with the queen of salsa Celia Cruz, and have accompanied artists such as Cheo Feliciano, La India, José Alberto ”el canario”, Albita Rodríguez, Willie Chirino, Ray Sepúlveda, Willie González, Andy Montañez, Adalberto Santiago, Richie Ray, and others.

Mercadonegro is part of the New York Salsa all Stars project with Giovanni Hidalgo, Jimmy Bosch, José Alberto “El Canario”, Dave Valentin, Frankie Morales.

They participated in the recording of the album “Latitudes” by Alfredo de la Fé and then they made their own productions. The group stands out for the energy they exude in their compositions and performances, and it is also worth mentioning their good taste and adoration for their idol: Eddie Palmieri.

Conducting this dozen of professional musicians requires the character that César Correa fortunately has, as well as a rigidity well applied to the service of the music.

Surely, we are before a group of talents that already contributes significantly with its quality, to the internationalization of Latin music.

Mercadonegro is undoubtedly one of the best salsa groups that can be found in Europe.

The Mercadonegro project was born when three Latin-American musicians, emigrants in Europe for love, met with Bibomusic’s producer.

The four friends, strongly feeling the emotions, the problems of the emigrants, the legacy of their Latin culture, have kept their musical heart in Latin America.

They therefore decided to spread throughout the world the sounds of these countries, together with new beats and vibes, expressive of their own style and of the new musical and life experiences they were making abroad. On this basis they created Mercadonegro.

The group was named Mercadonegro not to forget the roots and the legacy of Afro-American music, and also to describe the difficult pattern, for a group of young and almost unknown musicians, to become popular and appreciated worldwide, starting from an unexpected location for Latin-American music, and with a young and independent label, Bibomusic.

The musical founders of Mercadonegro are: José Armando Miranda, born in La Habana, Cuba, the lead singer and the author of many of the songs of Mercadonegro. Cesar Correa, the son of two well-known Peruvian musicians, was born  in Trujillo, Peru.

Cesar play piano and keyboards as only few masters in the world can do.

Rodrigo Rodríguez was born in Cartagena de Indias, Colombia’s most Caribbean town. Rodrigo, who sings, plays timbales and much other percussion, writes, like Armando, some of the most successful songs of the group, and is a very versatile artist and showman.

MERCADONEGRO, thanks to its great live performances, has rapidly become the most interesting new act in high quality Latin music, starring at the most important jazz, Latin and world music festivals, like “Umbria Jazz” in Perugia, “Fiesta” in Rome, “Latinoamericando Expo” in Milano, Afro-Pfingsten Winterthur, Montreux Jazz, “Lugano Estival Jazz” in Switzerland, “Vic Fenzensac”, “Paris Jazz Festival”, “Marseilles Féte de la Ville” in France, “Red Sea Jazz Festival” in Israel, “Rotskild” in Denmark, Rotterdam Carnival in Holland, North Sea Jazz Festival etc. often with TV live coverage.

On this basis they created MERCADONEGRO, a band who therein has become the orchestra of choice for the main Salsa Festivals and Congresses worldwide, a band who was called in 2009 to make the opening concert of the most important Latin Festival of the world, the Latinoamericando Expo in Milano.

The group was named MERCADONEGRO not to forget the roots and the legacy of Afro-American music, and also to describe the difficult pattern, for a group of young and almost unknown musicians, to become popular and appreciated worldwide, starting from Switzerland, an unexpected location for Latin-American music.

MERCADONEGRO, thanks to its great live performances, has rapidly become the most interesting new act in high quality Latin music, starring at the most important jazz, Latin and world music festivals, like “Umbria Jazz” in Perugia, “Fiesta” in Rome, “Latinoamericando Expo” in Milano, Afro-Pfingsten Winterthur, Montreux Jazz, “Lugano Estival Jazz” in Switzerland, “Vic Fenzensac”, “Paris Jazz Festival”, “Marseilles Féte de la Ville” in France, “Red Sea Jazz Festival” in Israel, “Rotskild” in Denmark, Rotterdam Carnival in Holland, North Sea Jazz Festival etc. often with TV live coverage.

Members

Aismar Simón – Piano

Armando Miranda – lead vocal

Rodrigo Rodríguez – timbales & voc

Eduardo ” Dudu” Penz- Bajo

lisbel acosta – trombón

Humberto Amesquita – trombón – director

Giancarlo Ciminelli – trompeta

Oscar Cordero – trompeta

Amik Guerra – trompeta

Edwin Sanz – congas

Walter Rebatta – bongo & campana

Josbel Rodriguez – voc

José Mendoza – Ingeniero de sonido

Eddie Villanueva – Tour Manager

Mercadonegro Salsa

BOOKING:
[email protected]
www.mercadonegro.ch
Tel : +41 78 883 31 96
Tel : +41 78 973 21 83

 

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“Music has made me a more complete person, it’s part of who I am, I think I would be a miserable person without music, it’s a tremendous art, a language I feel very comfortable with”.

A well known percussionist, he is considered one of the most Swinging timbaleros in the world, possessing a particular style that has allowed him to leave a distinctive touch in the groups where he has participated, as far as the interpretation of the timbal is concerned.

Born to Puerto Rican parents in New York’s Harlem Latino, Ralph is a self-taught musician who learned the trade by listening to his brother’s records and the music of his idols in nightclubs, where he used to sneak in when he was 16.

His first experiences with professional Latin music took place in Puerto Rico, where he had the opportunity to share the stage with renowned bands such as La Terrífica, El Gran Combo, and La Sonora Ponceña, among others, for three years.

He then returns to New York where he begins to play with local groups. In 1978 he met the maestro Ray Barretto, with whom he began a fruitful and productive working relationship that would result in five extraordinary record productions.

This particular percussionist considers that music is an important part of his life, so much so that he has stated that “Music has made me a more complete person, it is part of who I am, I think I would be a miserable person without music, it is a tremendous art, a language with which I feel very comfortable”.

Ralph has recorded with important figures of the show, such as: David Byrne, Paul Simon, Harry Belafonte, Earl Klugh, Juan Luis Guerra, Cachao, Celia Cruz and Yomo Toro, although he is mostly recognized for his musical relationship with Ruben Blades and Seis del Solar, a group of which he was part for 13 years, recording and performing internationally.

His musical contributions have also been fundamental. Although he does not consider himself a composer, he has composed for some salsa singers.

He also wrote a rap that he sang on a record by Seis del Solar; the song is entitled “Entrégate”. In addition, in Timbalaye’s first recording, he wrote the lyrics for “Raza Cósmica”. He has also contributed to the group’s arrangements. He even participated in the recording of two Latin jazz albums made by Seis del Solar.

He is currently one of the most sought-after musicians and has continued to work on commercials and soundtracks for film and television.

His charisma allowed him to develop an unexpected career as an actor: he performed in The Mambo Kings playing the role of Pito Fernández.

He has also participated in films and documentaries, Cachao, Como Mi Ritmo No Hay Dos, with Andy García, The Roots of Rhythm with Harry Belafonte and The Life and Times of Rubén Blades.

In 1996 he participated with Tito Puente in the show Master Timbaleros, presented in New York. This historic concert was the culmination of 26 years of dedication, practice and love for music. Puente noted on that occasion:

“Ralph is a star of the future who has never forgotten his Latin roots. His group is a marvel.

This valuable percussionist began to feel the need to record something in his own style, taking care of what is his premise in his musical work: “I have always said that one should play with the same quality in front of 10 or 5,000 people.

When the sound is perfect, there is a lot of rapport and you kind of rise six inches off the floor when that happens. I think that’s called swinging with intensity.

Hence his next step was the founding of the group “Timbalaye”, a septet with a strong big band sound.

The group combines contemporary Latin jazz with various tropical rhythms: timba, songo and traditional Afro-Cuban rhythms, bomba, cha cha chá and son montuno.

Their innovative sound has allowed the group to perform weekly in New York. In October 1997, Ralph and company performed with >Batacumbele> in a historic concert at Hostos College.

Among their most recent projects is a recording at the Birdland for a compilation to be released by RCA Records.

Among its members are Oriente López from the Afro-Cuba group, Arturo Ortiz from Rubén Blades and Juan Carlos Salas from the famous Venezuelan group Guaco. Timbalaye is considered the most select band in Latin Jazz.

This talented percussionist considers that his priority is to know that the public will be satisfied with what they have heard: That is my mission, to bring joy to the people.

 

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Percussionist, Singer, Singer-Songwriter, Producer and Leader is Hawaii’s Best Selling Latin Artist

Rolando Sanchez, percussionist-singer-songwriter-producer, leader of Hawaii’s first longest recording Latin recording artist.

In this Site you will experience the history and achievements of this musical Family called “SALSA HAWAII” for over 20-years, performing, recording, touring and just sharing the love and ALOHA of our Latin Music Wolrdwide.

With CDs sold Worldwide and the number of awards and accolades from press, government, musical organizations, community organizations, locally, nationally and Internationally.

HONOLULU TROPICAL Celebrating 20 years of Latin Music in Hawaii Rolando Sanchez Salsa Hawaii Singer, Songwriter, Percussionist (timbales-congas-bongos- drums) Recording Artist, and Producer. Born in Masaya, Nicaragua, to a musical, artistic family; his father, an accomplished songwriter, pianist, and singer.

His mother also played piano and sang as with most of his immediate family.

His musical influence began at a very young age playing drums with neighborhood kids emanating the music of the time (i.e.: Beatles, Trini Lopez, Paul Anka, etc.).

In his early teens he began listening to more Latin music styles, which formed the basis for his music today. The bands that influenced him at the time were Tito Puente, Celia Cruz, Billo’s Caracas Boys, Sonora Matanzera, Sonora Santanera, Daniel Santos, and a Nicaraguan band Los Satelites del Ritmo.

In the late 60s, the family relocated to San Francisco, California where he grew up and truly realized that music was to be his life. The music scene in the Bay Area at this time was very diverse. He delved in all the different styles.

During that time, Latin music was beginning to blossom and all kinds of Latin-style bands such as The Aliens, Latin Bloods, Los Beamers, Bandido, Unidad 77, and Limbo began to play in and around the Bay Area.

Cesar’s Club was THE place to be to experience the best Latin musicians (Pete and Coke Escovedo, Roger Glenn, Luis Gazca, Pablo Telles, Victor Pantoja, Francisco Aguabella, Carmelo Garcia) performing live.

That’s when Rolando realized his passion for Latin music and particularly Timbales.

Then it happened! Santana Band came out and proved to be the biggest inspiration for all Latin musicians in the Bay Area (the world) including Rolando. It seemed that Latin bands were coming out of the woodwork: Azteca, Malo, Sapo,Dakila, and Salsa De Berkeley to name a few. He played with different bands in San Francisco’s Latin music scene and shortly thereafter, decided it was time to start his own band called SOLAR; they played a mixture of Latin rock and Latin jazz fusion.

Rolando and his brother Mario (still playing congas with Bay Area bands) were alsosome of the guys hanging out at Dolores Park in the Mission District playing congas and timbales along with such notables as Raul Rekow, Karl Perazzo, Chepito Areas, Carlos Badia, John Santos, and many other well-known Bay Area Latin percussion artists of today.

His band gained popularity and started playing the circuit where he met and befriended such artists as Pete and Sheila E. and Master Armando Peraza who helped develop his affinity for percussions.

While playing in the Bay Area, SOLAR was billed with bands like Azteca, Azuquita, Sapo, Cal Tjader, Cesar’s All-Star Band, Willie Bobo, and others.After their break-up, he formed the band SUNSMOKE together with his uncle, Freddie Velasquez, who had just returned to the Bay Area from touring the country with the Phil Driscoll Band. SUNSMOKE quickly became well-known in the Bay Area and they toured the west coast and Canada where they opened for blues master B.B. King and performed at the Canadian Rock Festival with bands from all over the world.

After a couple of very busy years, including recording some demos for major record labels, they broke up and Rolando spent some time in Los Angeles checking out the music scene there.

Upon returning to the Bay Area, he joined MESSIAH, one of the hottest Funk/Gospel/Rock/Disco bands. Their single, “Get up on Your Feet and Dance”, became a hit in the International disco scene. MESSIAH then went on to Japan where they enjoyed instant success and toured for 4 months. Shortly after their return, the band broke up and THE ROLANDO SANCHEZ BAND was born. Composing and writing his own material, Rolando released his first single cassette with two original songs, “She’s the Lady” and “Cold Hearted Woman”.

She’s the Lady” was made into a music video shown on local stations on both east and west coasts at the very beginning of the MTV movement.

It featured some of the Bay Area’s finest musicians including vocalist Jo Baker (Elvin Bishop Band). After being in the Bay Area for nearly 20 years, Rolando felt the need for a change of pace in his life.

In 1984, he visited his sister in Hawaii and the rest, as they say, is history.

Not long after arriving in Honolulu, Rolando decided to make it his home and the place where he would throw his musical fate to the wind.

His very first musical engagement in Honolulu was at the Waikiki Shell with one of Hawaii’s hottest singer/songwriters of that year, Mr.

Audy Kimura, in celebration of 25 Years of Statehood. This made it all the more clear to him that he was in the right place.

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