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Search Results for: Latin Music

Samuel Quinto Feitosa is a Brazilian virtuoso jazz and classical pianist

Samuel Quinto Feitosa, FRSA (born September 5, 1973) is a Brazilian jazz, pop, gospel and classical pianist, as well as music producer, composer, arranger, educator and writer living in Portugal since 2004.

Quinto grew up in Salvador, where he developed his art mainly with the piano. Samuel Quinto was born in Belém, Pará, but grew up in Salvador, Bahia.

Samuel Quinto Feitosa is a Brazilian virtuoso jazz and classical pianist.
Samuel Quinto Feitosa is a Brazilian virtuoso jazz and classical pianist.

Since the age of seven, he developed his musical talent by virtue of the contact with the piano through the gospel, accompanied by the Baptist Church that he studied during his childhood with his family in Salvador.

Then Samuel took the first steps on the piano in the family home, always without accompanying teachers, and developed his piano skills learning also, as self-taught, harmony, reading and writing music and orchestration, musical composition, arrangements for the church choir, which begins to play as a pianist at the age of 12 years. In Europe.

Samuel Quinto released his first CD “Latin Jazz Thrill” in 2007, in Portugal, with trio formation (Bass, Piano and Drums), which formed the core of his repertoire in various festivals and concerts during the years 2007 and 2008 in Portugal.

During his 2008 tour he performed in cities such as Hamburg, Berlin, Cologne, Heilbronn, Liège and Limoges; in addition to a special concert held in Salvador in collaboration with the Catholic University of Salvador in June 2008. His compositions are used at the University of Porto (ESMAE) in the Jazz degree, as study material in the training of Jazz students.

The second CD entitled “Salsa ‘n Jazz”, containing eight original compositions by Samuel Quinto, and the standard Stella by Starlight, is released in June 2009 with a concert in the city of Porto, and the concomitant launch of his new tour.

Samuel Quinto Trío Salsa'N Jazz (2009)
Samuel Quinto Trío Salsa’N Jazz (2009)

Even more extensive, which passed through Belgium, Germany, Portugal, Spain, France, Luxembourg, Netherlands and England. In this second work, Samuel was accompanied by another Brazilian, classically trained, Marcos Borges on bass and Manuel Santiesteban, Cuban, graduated in drums in Havana, Cuba.

He founded the first Latin Jazz course at the North Jazz School, Porto – first professional Jazz school accredited in Portugal and one in the Iberian Peninsula to have the Professional Jazz Instrumentalist course until then.

Besides being invited to be the artistic director of one of the most traditional Portuguese jazz clubs, Si bemol.

Samuel has also been invited to conduct workshops in the field of Jazz, Latin Jazz Composition and Arranging both in Brazil and Europe. But his musical talent is not only to jazz, after having been a pianist of the corps de ballet, he began to develop the scholar side of his music.

Inspired by great composers such as Beethoven, Mozart, Bach, Tchaikovsky, Brahms and others, he began compositions to accompany ballet in performances, as well as for orchestra and choir. _ (allaboutjazz)

There is something about Brazilian-born pianist Samuel Quinto that strikes a vibrant chord in the inner ear. Perhaps it has to do with his wonderful grasp of the joy that abounds in the Brazilian northeast.

His sense of “joy”. Perhaps it also has to do with his mature approach, his wonderful use of dynamics, his expression and his innate ability to allow the tonal center of his music to shine.

He has an exquisite ear and his hands are independently controlled by his mind, which separates melody and harmony when necessary.

Quinto, as a result, makes his fingers tingle on the keys, rumble and guffaw and cry with chords from which he wrings laughter and sadness and pure joy.

In Salsa’ N Jazz he plays with a primal hypnotic rhythm that calls to the roots of his music, which reach all the way to deepest Africa, through the folk corners of Brazil and Spain, which means the Mediterranean nooks and crannies of the Middle East, India and Europe.

Samuel Quinto Feitosa is a virtuoso pianist.
Samuel Quinto Feitosa is a virtuoso pianist.

The result is a discotheque where these cultures converge in a point of ignition that warms the blood of the soul. His playing is muscular and intuitive and smacks of an artist who likes to invent on the fly, to constantly evolve.

The starting point of Quinto’s playing is also a deeply symbiotic relationship with forro music in all its vibrant splendor-baiao, xote and arrasta-pe-all elegantly captured and sparkling as his fingers touch ebony and ivory.

The most joyous and memorable display of this is her rendition of Victor Young’s “Stella by Starlight,” which gets a rousing liner treatment and reaches its climax as the song’s choruses unfold.

It is worth mentioning that on this song – as on the others on this album – Brazilian bassist Marcos Borges and Cuban drummer Manuel Santiesteban shine with their wonderful interplay.

Samuel Quinto is also an accomplished composer and demonstrates maturity and a sense of adventure with the rhythmic variety he presents here in a rumba, “Quinto’s Rhumba” which, by the way, is played in a deliciously choppy style reminiscent of Thelonious Monk.

“Jaci” is an exciting, danceable song that crosses Cuban rhythms with a touch of Brazil.

“Bolero To Preta,” an affectionate semblance of the pianist’s mother, suggests that the pianist has a lot of inner clave.

“Ficou No Meio” is simply a marvelous forro that becomes dizzying as Quinto, Borges and Santiesteban gloriously rumba in harmony and rhythm.

Santiesteban gloriously ruminate the harmony and rhythm.

“Voo Da Andorinha” is a chorinho that, quite simply, reveals Quinto’s “Alma de Nordeste”. And “Isabel (Para Voce)” is a beautiful ballad that shimmers and shines as its emotive tonal colors begin to unfold.

“Salsa’ N Jazz” is an emblematic song that captures everything unforgettable about this album: a pianist with the ability to dazzle in silence while the right hand flies exotically and the left constantly invents harmony and rhythm.

Here is a very promising pianist, who brings with him his rich Brazilian tradition and, indeed, all of Latin America, a new and exciting musical landscape. _

Raul D’Gama Rose

                                                             Samuel Quinto Trio – Salsa’N Jazz (2009).

Musicians:

Samuel Quinto (Piano)

Marcos Borges (Bass)

Manuel Santiesteban (Drums)

Information provided (September 16, 2023)

Samuel Quinto

Samuel Quinto Feitosa  (Neuroscientist and Musician)

Orquesta la Identidad is one of the most nationally and internationally recognized groups in the salsa genre

Omara Portuondo announces world tour

Latin America / Cuba / La Habana

Cuban singer Omara Portuondo will embark on a world tour in April that will take her to places in the United States and Europe in a first stage, the artist announced at a press conference.

Omara Portuondo
Omara Portuondo

“Omara es Cuba” gives its name to the tour that will start on the 19th at the Regent Theater in the city of Los Angeles, and has concerts scheduled in New York, Chicago, Holland, Hungary, Singapore, South Korea, Canada and France . Among other countries, in some of which it will be presented for the last time.

Omara Portuondo
Omara Portuondo

For the month of November, the Bride of Feeling, as the artist is also known, has planned performances in South America on stages in Argentina, Chile and Uruguay.

The tour, which will last until 2020, will close this year with a great concert on the island.

For the occasion, the Cuban diva will be accompanied by talented musicians: pianist Roberto Fonseca, Andrés Coayo (percussion), Ruly Herrera on drums and bassist Yandy Martínez.

Omara Portuondo
Omara Portuondo

Fonseca stated that it is an honor to share the stage with Portuondo, whom she considers a universal singer who has gone through all styles but always maintaining her Cuban identity.

The repertoire of the tour will include classics performed by the artist throughout his career, including some from his time at the Buena Vista Social Club, an “all-star” project of which Portuondo was the main voice since its creation in 1997.

Omara Portuondo
Omara Portuondo

The 88-year-old artist is one of the most successful and beloved Cuban singers in Cuba, her discography includes thirty titles and she has recorded with the most notable Cuban and foreign artists.

Awarded the National Music Award (2006), she was also awarded a Latin Grammy for Best Contemporary Tropical Album in 2009 for her album “Gracias”.

Gira USA de Omara Portuondo 2019
Gira USA de Omara Portuondo 2019

Cubarumba Tataguines in memoriam International Festival in its second edition.

Latin America / Cuba / La Habana

The National Center for Popular Music invites you to participate in the Cubarumba Tataguines in memoriam International Festival in its second edition.

It will be held in Havana from June 28-30, 2019. With the aim of Honoring the memory of Tata güines, Stimulating the artistic creation of rumba groups from the community, encouraging children’s projects based on the folkloric and musical genre, highlight the social value of the rumba as intangible heritage of humanity.

Asocosalsa Cuba
Asocosalsa Cuba

Likewise, to carry out a national and international workshop based on the pedagogical need to strengthen cultural nationality by art students in Cuba on the basis of the figure of tata güines, the fundamental foundation that promoted the proclamation of Rumba as Intangible Heritage of Humanity. . With this goal we urge all young people, students who wish to participate in the Festival through the following themes:

Themes:

  1. Cultural educational practices
  2. Potential value of transformation of the percussive theory of Tata güines.
  3. Main factors that slow down or facilitate the descending of the Rumba genre as a percussion modality.
  4. Ethical and aesthetic values ​​promoted by the practice of percussion
  5. Challenges to perfect percussive techniques
  6. Creation and promotion of Cuban art
  7. Young rumbero, possibility of cultural advancement. Harvested experiences and challenges for the present and immediate future.
  8. Others

The venue will take place at the Turf Night Club

General program:

Press conference

Thursday, June 13, 2019

Venue: El Turf Night Club

Address: F Street between Calzada and Quinta Vedado

Time: 2pm

Participation: Press-Radio-Television-Guests

Duration: 1h

toast to daddy

Place House Museum Tata güines

TIME: 3 PM

Event schedule:

Thursday, June 27

  • 8:00 Opening Gala Avellaneda Hall of the National Theater

Cast Subject to change

  • Tata guines Jr.
  • Makuta Flow
  • Rumbansoc
  • Ronald and his Rumbera explosion
  • Denis and his swing
  • Vania Borges
  • Iannna Wobble

Friday, June 28

Venue: Club Noturno El Turf

  • 9:00 Inaugural Conference
  • 10:00 Recess
  • 10:30 Percussion and dance workshops
  • 12:30 Demonstration group
  • 1:30 Visit Tata Guines House Museum
  • 2:00 Lunch

Cultural

Devil Tun Tun: 4pm to 6pm.

Show Woman in the rumba

Omini Bata-Rumba Morena

  • 6:30 a.m. to 8 p.m. Tataguines/Ochareo Group
  • 10-2am Venue: Club Norturno El Turf Shows with rumba groups

Explosion Rumbera/Rumbavila/Rumbansoc/

Saturday, June 29

Venue: Club Noturno El Turf

  • 9:00 Inaugural Conference
  • 10:00 Recess
  • 10:30 Percussion and dance workshops
  • 12:30 Demonstration group
  • 2:00 Lunch

Cultural

  • 3:00 Clave de Rumba folkloric ensemble / children’s project.
  • 8pm-2am Venue: El Turf Timbalaye Nightclub /Rumberos de Cuba/Rumbansoc/ Tata güines

Sunday, June 30

Venue: El Turf Night Club

  • 9:00 Report of the event. Delivery of Certificates.
  • 10:00 Recess
  • 10:30 Symposium Asocosalsa Cuba
  • 5:00 Cinema Avenue Closing Gala
  • 10:00 Final reception.

Festival Project

Event Organizing Committee:

Víctor Rodríguez García: Executive Director

Arturo Soto Martínez: Chairman of the Event

Suset Núñez Vázquez: CNMP Events Coordinator

Osorio García Rule: CNMP Events Department

Brigitte Oliva: General Producer

Principal Cubarumba
Principal Cubarumba

Company National Center for Popular Music

INTRODUCTION

The Cubarumba 2019 Tata güines in memoriam project is a previous interactive festival that consists of pedagogical, competitive, sociocultural moments that will transfer original Cuban music, through percussion and dance workshops, interaction with the community, as well as shows of this genre, intangible heritage of the humanity, the evident and permanent need to rescue Cuban roots, and the representation of the name Tata güines, a national and international figure. Following this trilogy as a cultural line, the president of the festival Arturo Soto Martínez advocates for this event.

Carrying out research, it is verified that this festival has a high tourist level, which causes a useful strategy to penetrate tourists about our idiosyncrasy and traditions, in addition to giving an unforgettable moment to all those who are present at that moment.

If we observe the social gaze, we realize the motivation of society in general since we encourage in the community a hope of cultural revival, a festival of inclusion in all senses since people of all ages and disabilities participate. Achieving a mutual interaction that achieves as a result an inclusion of this musical genre in daily life and in the tastes of all the people who enjoy it.

It is emphasized that times are changing, however it is important to take actions so that the celebrations of our origin are not forgotten, it is about looking for very frequent actions that work with everyday life, exclusivity, professionalism and good taste that keep this celebration alive. choice for youth not only in our country but around the world

For all the above, the need for this culturally artistic project becomes evident, specifically in these places where a large foreign crowd is concentrated, since it is unaware of Cuban culture. Relying on the battle of ideas that we have daily for the rejection of national identity, this project that settles the roots, that remembers the past, that discloses our present and that above all that is written increases love is evident, permanent and necessary. for Cuban culture.

DEVELOPING

  • Goals:
    • Honor the memory of Tata güines
    • Stimulate the artistic creation of rumba groups from the community
    • Encourage children’s projects based on the folkloric and musical genre.
    • Highlight the social value of the rumba as intangible heritage of humanity

Themes:

  1. Cultural educational practices
  2. Potential value of transformation of the percussive theory of Tata güines.
  3. Main factors that slow down or facilitate the descending of the Rumba genre as a form of percussion.
  4. Ethical and aesthetic values ​​promoted by the practice of percussion
  5. Challenges to perfect percussive techniques
  6. Creation and promotion of Cuban art
  7. Young rumbero, possibility of cultural advancement. Harvested experiences and challenges for the present and immediate future.
  8. Others

PARTICIPATION METHOD

  • Delegates
  • Student
  • Musicians
  • Guests

REGISTRATION FEES: DELEGATES

Foreigners………………50 cuc includes participation in the event, certificate and/or credits.

Cubans …………………….250 cup includes food, participation, certification and/or credits

Cuban students ……………..125 cup includes food, participation, certification and/or credits

PROJECT OBJECTIVES

GENERAL OBJECTIVE

Carry out an international rumba festival based on the artistic value of the figure of tata güines in the world on the basis of the Rumba proclamation as Intangible Heritage of Humanity

Goals:

  • Honor the memory of Tata güines
  • Stimulate the artistic creation of rumba groups from the community
  • Encourage children’s projects based on the folkloric and musical genre.
  • Highlight the social value of the rumba as intangible heritage of humanity
Specific Objectives Actions Indicators Participants Responsible
Honor the memory of Tata güines Hold the Cubarumba Tataguines Festival in memoriam Conciliation Company, Sponsors, Organizing Committee Event Leader
Stimulate the artistic creation of rumba groups from the community Theoretical-practical dance and percussion workshops, presentation of youth groups in event activities Conciliation with Artex, Egrem. Cuban and foreign population Org Committee
Encourage children’s projects based on the folkloric and musical genre.

 

Activity in the National Folkloric Ensemble of Cuba, headquarters for the socialization of children’s projects Address of Palenque, Production Org Committee Event Leader
Highlight the social value of the rumba as intangible heritage of humanity Activity the woman in the rumba, the longest rumba, the rumba and its youth, the rumba does include you Group Directors Production Event Leader

 

Tata Guines No 1
Tata Guines No 1

Beneficiary population:

Directly, the population that benefits is Cuban and foreign, since in some way the project is aimed at educating, including, transforming the culture of these times that affects this population.

For this, their full participation is needed, in the first order the attention that is very important, then the interest in dance and percussion and the decline that forms the taste for this musical genre.

Also highlighting the importance of the social inclusion of people with disabilities, we can mention that the festival has the honor of promoting groups with different disabilities. Example of the incursion of culture in Cuba.

 

Danilo y Orquesta Universal in one and only performance this month at Flamingo Conference Resort and Spa

North America / USA / California / Santa Rosa

Danilo y Orquesta Universal: Prepare to an evening in the company of the best Hard Salsa and practice this tropical dance with multiples dance lessons for all levels

Enjoy the experience and connection with Salseros of the San Francisco Bay Area in the Saturday Night Live Salsa organized by Santa Rosa Salsa located in the spaces of Flamingo Conference Resort and Spa, which has achieved its fame for the Latin Live entertainment it offers.

Date: Saturday, June 8th

Cost: $15 (Includes dance lessons)

Show: 9:30PM

Salsa Lessons: 7:00PM & 8:00PM (No partner or experience necessary)

Danilo y Orquesta Universal
Danilo y Orquesta Universal

Bio: When Danilo Paiz was a child, his grandfather took him to the rehearsals of his Big Band era Jazz group. His grandfather, Francisco Perez, known in Nicaragua as Pancho Perez, was the director and saxophonist of both his own groups, “The Black Cats” and “La Centroamericana”. These bands played the music of Benny Goodman, Glen Miller, Perez Prado, Artie Shaw and other music of the ’50s.

This early exposure to Jazz gave Danilo a strong foundation for his composing skills and in his unique and original vocal style.

In his extensive musical career, this compositor has played with talent and internationally known musicians, such as: Ray Baretto, Ruben Blades, Mary Wilson of the Supremes, Benny Velarde and his Super Combo, Ray Obiedo, Dave Valentin, among others.

Danilo demonstrates some of his best work on bongo and vocals on the Ruben Blades’ CD titled “Ruben Blades and Son del Solar, Live!”. More about his Biography as well as Event Dates through http://www.danilo-y-universal.com

Join Danilo y Orquesta Universal for a night of Salsa Dura!

Purchase your Tickets NOW at:

https://www.eventbrite.com/e/DANILO-Y-ORQUESTA-UNIVERSAL-AT-THE-FLAMINGO-june-8-2019-tickets-60293323955

 

The Flamingo Conference Resort and Spa Details:

Venue: The Flamingo Conference Resort and Spa. 2777 4th St. Santa Rosa, CA 95405

Phone: (707) 545-8530

Age: +21 with ID

FULL BAR | DRESS TO IMPRESS | FREE PARKING

Website: www.SantaRosaSalsa.com

Arranger, composer and pianist Carlos Ordiano

Carlos Ordiano is a talented arranger, pianist and composer who has given us the honor of talking to us and telling us a bit about his career.   

Carlos was born in Southern California and was raised in a family of Latino parents who have always loved the music of their roots, which led the artist to be continuously exposed to these rhythms from an early age. 

With a consolidated career, his specialty is Latin jazz piano and he has a long list of collaborations with big names in the California music industry.  

pianist Carlos Ordiano
This is arranger, composer and pianist Carlos Ordiano

Carlos’ beginnings in music 

After thanking the invitation to this interview, Carlos told us a little bit about how his interest in music began since he was a child. He told us that no one in his family was engaged in music professionally, but one day an uncle of his gave him a toy piano when he was five years old.   

He loved the gift so much he told his father he wanted to devote himself to music as a young child, which led him to hire a piano instructor for his son so that he could learn to play the instrument as soon as possible. The problem was that the child only learned by watching his instructor’s hands, so he never learned to read music. The day came when the teacher gave up and told Carlos’ father to find someone else, since he could do nothing for the boy. 

After that disappointment, Carlos stopped playing for a year until he resumed his interest in music and again took piano lessons, obtaining much better results than the last time.   

During his learning process, he played a little bit bass and trumpet, but no instrument ever became as important as the piano.   

His brothers Ruben and Oscar were also taking music lessons in parallel and decided to follow the path of music like Carlos. Ruben is a bass player and Oscar is a guitarist.  

When he was 19, he went to study recording engineering at Golden West College, but he found this career very boring, so he decided to learn to read and compose music, since he did not have much experience with these areas yet. This is how he started playing in a Latin jazz band in which he learned a lot more about music in general and got a lot of support from the band leader and, of course, from his parents.  

Carlos Ordiano on stage
Carlos Ordiano performing live on stage

Groups 

Carlos has participated in several groups from various genres and the first one was formed by him and his uncles when he was a child. The music they made consisted of cumbias and rancheras back then. 

When he arrived at school, he began to focus his attention on Latin jazz, salsa, son montuno and other Latin genres, which led him to participate in groups based on these rhythms. In fact, he also began to be a replacement in several salsa groups when a member was missing. This is how he gained the experience he needed to work with other artists and orchestras in different areas. 

Such is the case of the jazz-funk group Modern Time, with which he plays in a small Californian club every Wednesday and Sunday. From time to time, he also plays with his brother Rubén in Santa Ana and, on these occasions, they call themselves The Ordiano Brothers.   

Another important group he became involved with was La Santa Cecilia. La Marisoul, their lead singer, had a big band project and wanted his friend Carlos to arrange some of their new songs, which gave a unique touch to the chords of each piece of music.   

Carlos Ordiano and La Marisoul
La Marisoul from La Santa Cecilia performing with Carlos Ordiano

Santa Ana Community College  

As for his time at Santa Ana Community College, Carlos confesses that he was not a very good student, since he had no interest in subjects such as English or mathematics. He was only interested in music and that is what he focused all his attention on. This caused him to take a long time to graduate and obtain the academic degree he was opting for.   

After searching many institutes, he finally obtained a scholarship at Cal State Long Beach College thanks to which he studied things like orchestration for big bands and small groups. During his studies at this school, he only had to pay for parking and textbooks he needed. His stay at this school helped him create many important connections in the industry until finally graduating in 2010 and earning his bachelor’s degree in jazz piano. 

To clinch the matter, Carlos has pointed out that the academic part is important to have more specialized vocabulary in music and build links with other colleagues, but at the end of the day, this is not necessary for a musician to be good. In fact, he said that many of the musicians he most admires do not have any formal academic training, so it is not strictly necessary to have a university degree in that field. 

Read also: Large projects of Mexican pianist and composer Irving Flores 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.