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Do You Know In Which Country Rubén Blades Start his Tour?

The United States Will Be The First Country Where The Panamanian Artist Will Present Salswing Tour!

Rubén Blades with blue hat on stage — Rubén Blades will be recognized as “Person of the Year” at the Latin Grammys on November 17th in sin city, Las Vegas (Nevada)

The multifaceted artist and political activist, Rubén Blades, announced his return to the American stage with his friend and fellow countryman Roberto Delgado & Big Band, starting next November 20^th.

The Salsero icon announced the beginning of his tour through his official Facebook account: “We are very happy to be able to work and get in touch with our audience again, after almost two years without being able to do so. With the Roberto Delgado Big Band, an orchestra of 20 musicians that is sounding better, we are eager and want to share our latest album Salswing!, and the usual songs… Please, don’t stop getting vaccinated”.

There are eight cities that the living Salsa legend will visit in North America, starting on November 20^th in Oakland (CA), Los Angeles (CA), Atlanta (GA), Miami (FL), passing through Boston (MA), and New York (NY) on November 28^th and December 2^nd respectively, and having as a special guest the extraordinary American actress, singer, and wife of Blades, Luba Manson who will be showing the repertoire of her Jazz album Triangle released in October 2020.

Rubén Blades with black hat and Luba Mason with white shirt — Rubén Blades and Luba Manson have been married since 2006

Later, Salswing Tour! & the Roberto Delgado Big Band will present their penultimate concert this year on Friday, December 3^rd in Washington (DC), and will close this magnificent tour on Sunday, December 5^th on the southwest shore of Lake Michigan at the mighty Arena Arie Crown Theater in Chicago (IL).

Regarding this great 2021 tour, Nelson Albareda, CEO of Loud And Live, the company in charge of carrying out this series of concerts and those of Latin stars such as Carlos Vives, Juanes, Farruko, among many others, commented: “It is an honor for us working with a Latin icon, who has inspired generations through his salsa music and long artistic career. Rubén Blades is not only a great artist but also a great ambassador, and activist for our Latin community”.

The prestigious Panamanian songwriter will show for the first time the eleven songs of his most recent album “Salswing!” title that also gives the name to the tour.

Digital album cover Salswing! in red background and yellow letters — “Music is a universal gift, and from Panama, we renew our contribution with this album, SALSWING!”. Rubén Blades

Salswing! has 11 tracks including, Mambo Gil, Cobarde, Canto Niche, and Ya No Me Duele, the latter written by Jeremy Bosch and Rubén Blades with arrangement by Tom Kubis. Salswing! was recorded in collaboration with the record’s bassist and musical producer, Roberto Delgado, and his band made up of 20 talented Panamanian musicians, and it was released on the digital market on April 15^th, 2021.

“Although the connection between Jazz and Salsa has been historically documented, much remains to be described and recognized. The combinations and collaborations between musicians of these genres have been numerous over the years and include figures of the stature of Mario Bauza & Dizzy Gillespie, Machito & Charlie Parker, Luis Russell, and Louis Armstrong. With this record production, I try to continue that relationship, verifying that art does not have a nationality but rather represents a spirit that transcends races, geographies, and languages”. It is extracted from his official page.

Rubén Blades has been performing with Roberto Delgado & Bing Band for ten years in the most prestigious stages around the world. In these eight concerts, there will be a historical tour of recognition of the Latin origins of jazz as well as the influences of the son, Afro-Caribbean music, and swing. In addition to including the hits always chanted by the crowd in any corner of the planet.

You Can Keep Reading: Meet The Amazing Fasching Jazz Club In Sweden

Who Is Roberto Delgado?

Roberto Delgado dressed in black holding a Grammy in his hand — Roberto Delgado and his Orchestra along with Rubén Blades won a Grammy for Best Latin Tropical Album in 2018

Roberto Delgado was born in the capital of the Chiriquí province in western Panama on June 27^th, 1961. This prodigious artist has developed in the musical environment as a Producer, Singer, Bassist, and Arranger.

His upward career began with his studies at the prestigious Conservatory of Music of Fine Arts in Mexico City (Mexico) and later at the Golden West College of Huntington Beach California (United States).

With more than 40 years of experience, Roberto has been a member of ten Panamanian groups counting the Salsa singer orchestra, Roberto Blades (1992) and he is currently the director of his big band made up of 20 musicians and with whom he has shared the stage since 1996 together with the master Rubén Blades.

In the enormous list of famous artists that Delgado has accompanied in productions and tours in addition to the Blades brothers are Cheo Feliciano, Celia Cruz, Gilberto Santa Rosa, Ismael Miranda, Andy Montañez, Tito Nieves, La India, Víctor Manuelle, José Alberto “El Canario”, Luigie Texidor, Maelo Ruiz, Charlie Aponte, Joan Manuel Serrat, Carlos Vives, and many more.

The conductor together with Rubén Blades has performed on the major international stages, including Madison Square Garden (New York), Hollywood Bowl (Los Angeles), Shepherd’s Bush (London), Poble Espanyol de Barcelona (Spain), numerous Latin American auditoriums, and acclaimed festivals in Europe and the Caribbean.

Also, this duo has three Latin Grammys (2015, 2017) and two Grammys for Best Traditional Tropical Latin Album in 2016 and 2018.

Currently, Roberto Delgado (60 years old) and Rubén Blades (73 years old) continue to transgress the barriers that will be the first Latin artists touring Salswing! in the middle of the pandemic throughout the North American territory.

An important fact to attend the Rubén Blades and Roberto Delgado & Big Band concert series in Los Angeles County is mandatory to wear masks. At the moment, mandatory vaccination in the United States only applies to public employees and workers of large companies.

David Morales “The Captain Of Salsa”

Erika Muñoz, official administrator of the portal “Se Armó la Rumba en México”, www.SalsaGoogle.com and International Salsa Magazine present the Puerto Rican David Morales.

Born in San Juan, Puerto Rico. Son of a seamstress and a furniture upholsterer. He began his studies at the Federico Asenjo and Albert Einstein School in Barrio Obrero where he grew up.

He graduated from Juan Ponce de Leon High School in San Jose and then entered the University of Puerto Rico completing his Bachelor’s Degree in accounting, through a scholarship that ironically he won through an audition he performed in the UPR choir.

At the age of 11 he began working delivering newspapers and years later he worked selling household products. Since he was a child he had two great ambitions: to be a singer and to be an airline pilot. At the age of ten he was already singing the songs of the orchestras of the moment such as Willie Colón and Héctor Lavoe, Ismael Miranda, Raphy Leavitt (RIP) and his Orquesta La Selecta, Roberto Roena and his Apollo Sound, Oscar D’León’s La Dimensión Latina and Oscar D’León’s La Dimensión Latina.

Dimensión Latina de Oscar D’León and Jimmy Urbina’s Orquesta Revolución 70 among others.

The first time he saw an orchestra perform in person was Orquesta Revolución 70, who sang at the Placita Barceló in Barrio Obrero and while singing their hit song Soy de Borinquén, David was fascinated by the music and discovered that his desire was to become a salsa singer someday. It was precise with Revolución 70 that David years later would be initiated into music as a singer.

She graduated from Juan Ponce de León High School in San José and then entered the University of Puerto Rico completing her Bachelor's degree in accounting, through a scholarship that she ironically earned through an audition she performed in the UPR choir. — David Morales “The Captain Of Salsa”

Maestro Jimmy Urbina, director of Revolución 70 was preparing to record an album and it was in this way that Maestro Mario Ortiz (RIP) recommended him for the orchestra. After auditioning as a singer David joined the group and recorded an album where he sang 5 songs of the production along with singers Dino Guy and Angelo Pacheco.

During his artistic career, one of the orchestras that most captivated and inspired David was Raphy Leavitt’s Orquesta La Selecta.

With him, David had the opportunity to sing and from that moment on, the maestro became his mentor and they created a friendship that lasted forever.

In 1982 David had to give up music because he entered the military service where he achieved his dream of becoming a helicopter and airplane pilot. At the end of the 80’s he returned to Puerto Rico and returned to music, singing with the orchestras of Tommy Olivencia, Conjunto Chaney, Omar Alfanno, Manolo Lezcano, Aldo Mata, José Nogueras and Paquito Acosta. He was also a singer in the orchestras of Willie Rosario, Roberto Roena y Su Apollo Sound, Orquesta La Solución, and Orquesta Costa Brava, where he had the opportunity to record the production “A Pico y Pala”. During this same period the producer and arranger, maestro Carlos “Cuto” Soto baptizes David Morales as “El Piloto”.

David Morales as “El Piloto de la Salsa” (The Salsa Pilot), becoming known by that name within the salsa scene. David Morales had the opportunity to travel to many places around the world to sing with several famous orchestras within the genre.

He has also had the opportunity to sing as a guest with orchestras of the stature of El Gran Combo de Puerto Rico, Oscar D’León, El Gran Combo de Puerto Rico, Tito Nieves, Don Perignon and La Corporación Latina, among others.

David Morales "El The Captain Of Salsa" Born in San Juan, Puerto Rico — David Morales “El The Captain Of Salsa” Born in San Juan, Puerto Rico

After the passage of Hurricane María, in September 2017 David was invited to participate in the recording “Entre Amigos in the recording of “Entre Amigos Después de la Tempestad” with Luis González El Tsunami de la Salsa and Nino Segarra; production that took place together with several singers of trajectory in Nino’s recording studio.

Recently he has just recorded his first album as a soloist, under the direction of pianist, composer, and arranger, maestro Pedro Bermudez, who was David’s partner for many years in Willie Rosario’s orchestra. This production is quite varied, as it includes classic salsa, romantic salsa, boleros, and Cuban salsa, respecting the traditions of the masters and founding fathers of the salsa genre.

All the songs are oriented to the dancer.

There are compositions by Pedro Bermúdez, Ángel Santos, Peter Velázquez, Pablo Milanés, Gloria González, Jimmy Sánchez and Osvaldo Noel, Yturvides Vilchez and Michel Puche.

The arrangers are Pedro Bermúdez, Tommy Villariny, Ramón Sánchez, Carlos Torres,

Tito Rivera and Cuto Soto. It also features the participation of José Alberto “El Canario” as a guest singer in the song titled “El Piloto y El Canario”.

Thanks to all who made possible this record production which was always inspired for the dancer.

Enjoy!!!!

Facebook: David Morales-El Capitán de la Salsa

[email protected]

s[email protected]

Phone: 5529778401

Article of Interest: Chevy “El Pitirre De La Salsa”

By: Erika Muñoz from “Se Armó la Rumba en México”

Ray Barretto Giant Force y A Conguero’s Conguero

Finalists in the 23rd edition of the Latino Book Awards, October 2021.

In Puerto Rico this past September 17, 2021, Bella Martinez announced that two of the publications produced in 2020 under the imprint ‘Be more by BME’ are in the finals of the International Latino Book Awards, the most important award for Latino cultural focus in the United States. The awards ceremony for the 23rd edition of the International Latino Book Awards will be held on October 16 and 17, 2021. It will be virtual via www.LatinoBookAwards.org. Finalists are from the United States, Puerto Rico, and 19 other countries.

Positive Impact

The awards are produced by Empowering Latino Futures (ELF), a non-profit organization established in 1997 by Edward James Olmos and Kirk Whisler. Other ELF programs include the Latino Book and Family Festival. The International Society of Latino Authors.

‘Education Begins in the Home’ has provided books to more than 155,000 young readers. 182,000 students have utilized the Latino and American Indian Scholarship Directory. More than 80 episodes of the Latino Reads Podcast have aired. ELF programs have reached more than one million people. 350 volunteers annually donate more than 14,000 hours of service.

Sponsors of this effort are AALES, AARP, American Library Association, Atria Publishing, Book Expo America, California State University System, California State University Dominguez Hills, California State University San Bernardino, Entravision, Independent Book Publishers Association, Las Comadres para las Americas, Libros Publishing, Los Angeles City College, Los Angeles Community College District, MAAC, MAOF, MiraCosta College, Piping Industry Progress & Education Trust Fund, REFORMA, Scholastic Books and Visa. ELF has recently received grants from Amazon, LULAC, SDGE, and SBA.

Availability

Both books are available through the links below: Ray Barretto, Giant Force or A Conguero’s Conguero, A Memoir of Jimmie Morales as told to Bella Martinez.

Since 2016, ‘Be more by BME’ has been offering solutions focused on cultural dissemination through literature.

‘Be more by BME’, A Conguero’s Conguero, and Ray Barretto, Giant Force are trademarks of ”Be more by BME’ in the U.S. and other countries.

The names and brands of the companies and products mentioned herein are trademarks of their respective owners.

For more information, press only:

Bella Martinez

7874248868

[email protected]

For more information about the books:

bellamartinezescribe.com

Bella Martínez was born in Puerto Rico. She is a graduate of Natural Sciences from the University of Puerto Rico, Rio Piedras Campus.

She lived in the state of North Dakota as a member of the United States Air Force. She completed her master’s degree in Health Services Administration and Quantitative Methods at Central Michigan University, Mount Pleasant, Michigan.

In 2016 she published Schizophrenic: Imaginary Episodes of a Different Life. In 2020 she wrote Insurrecta: Schizophrenic Chronicles of an Untamed Life from Scriba Editions NYC.

She maintains contact with her followers through the blog La Vida es Bella, atrévete a vivirla. Her mission is to inspire Spanish-speaking people around the world to live life to the fullest. Her writings have been published in several international literary anthologies, among them: Divina, la Mujer en veinte voces by Ediciones Scriba NYC -awarded at the International Latino Book Awards 2019, in Los Angeles, California- and in several editions of the poetry collection Siglema 575, of minimalist poetry, Ediciones Scriba NYC.

If you would like to learn more about Bella, you can do so by visiting Bellamartinezescribe.com or through her pages on Instagram, Facebook, Twitter, YouTube, and Pinterest.

Articles of Interest:

Jimmie Morales a conguero for the history of Afro-Caribbean music

Bella Martínez: Amazon

By: Bella Martinez “The Irreverent Salsa Writer”

Puerto Rico

Eliel Rivero, “The Shaman of the Trombone”

The versatility, trajectory, and professionalism of this musician and composer, born in the capital of Venezuela, make him one of the most important and sought-after salsa bastions in the country.

This time comes to Salsa Escrita “La Columna Salsera de Barquisimeto”, the outstanding trombonist Eliel Rivero Rivas, who was born on April 3, 1961, and already has an artistic life with more than 40 years; for this and many reasons, we bring to our readers a complete review about “El Chamán del Trombón”, as he is jokingly nicknamed by his musical friends.

Eliel, welcome to the salsa column, which is currently dedicated to providing information on the happenings of Afro-Caribbean music and therefore also projects and makes known nationally and globally the musical talent here.

Thank you very much Professor Carlos Colmenárez, for giving me this opportunity to share with you and all the regular readers of your prestigious Salsa Escrita “La Columna Salsera de Barquisimeto”, and to spread my career.

To begin with, we want to know how were your beginnings in music? -My life was surrounded by music since I was a child since my grandfather Pablo Emilio Rivas was the first tuba player of the Symphonic Orchestra of Venezuela, besides that in the family gatherings we listened from symphonic music to the most emblematic Caribbean artists of the moment, and so on, until I lived in Los Frailes de Catia, Macapaya sector, there was “La Dimensión Latina” and I was captivated by a cover where the trombone was shown, I think it was Dimensión Latina 76, and since that time I said, I would like to learn to play that instrument, but I did not do it because it was so expensive to buy one. Until one day Rodrigo Mendoza, who had just joined Dimensión Latina and who lived in front of my house, heard me playing a trombone solo of the song “Yo tenía una mujer” by Roberto Roena in a meeting that we often had and he told me: start studying that instrument.

The versatility, trajectory and professionalism of this musician and composer, born in the capital of Venezuela, make him one of the most important and sought-after salsa bastions in the country. — Eliel Rivero, “The Shaman of the Trombone”

From then on my musical career began, I was able to buy a trombone and thus began this beautiful story that I enjoy to this day, thanks to the support of my family. I began to have contact with many musicians in the area, among them, Johán Muñoz, a brother sent to me by God, Antonio Acevedo “Toñito”, son of maestro Dugarte, trombonist of the Sinfónica Venezuela and Alberto Crespo, who also lived in Los Cuatro Vientos de los Frailes.

We all followed the trajectory of orchestras and musicians that rehearsed in the area such as “La Banda y su Salsa Joven”, “La Renovación”, we followed the steps of Alejandro Pérez Palma, Faustino González, Enrique Blanco “El Bachaco”, César Monjes “Albóndiga”, José Antonio Rojas “Rojitas”, Nené and Taíto Piñango and many more. From that moment I began to take my course as a trombonist with seriousness and professionalism until today.

Eliel, where did you study music and with whom? My friend Carlos, I studied theory and solfeggio at the Musical Association of the Federal District with maestros Daniel Contramaestre and Daniel Milano.

I continued my training at the “Simón Bolívar” Conservatory of Music, directed by maestro José Antonio Abreu, and at the “José Ángel Lamas” music school, under the guidance of professors Ángelo Pagliuca, Tiero Pezutti, Antonio Estévez, Erick Colón, among others.

I continued my professional and work training with the “Simón Bolívar” Symphony Orchestra for 40 years, sharing with different masters of national and international music.

At the same time, I had the opportunity to participate as an active or guest musician in national and international orchestras of the salsa genre.

Now that you mention the salsa genre, with which orchestras and vocalists have you participated? Professor, at the national level, apart from the Simón Bolívar Symphony, Municipal Symphony, Venezuelan Symphony and Caracas Philharmonic, I have been on stage with: Bailatino, Oscar D’León, El Pavo Frank, Mariana, Marianella, Andy Durán, Cheo Navarro con Tributo, la Banda Sigilosa, Orlando Poleo, Hildemaro, Alfredo Naranjo y su Guajeo, Silva y Guerra, Saxomanía, Trina Medina, Orlando Watussi, Magia Caribeña, Moisés Daubaterre with Grupo Mango, Bacheo, Servando y Florentino, Naty y su Orquesta, La Negramenta, El Trabuco Venezolano, La Nueva Parranda, Canelita Medina, Javier Plaza, Guarará, among other participations to which I have been invited.

And as for international artists and groups, which ones have you worked with? My friend Carlos, I have had the honor of accompanying: Gilberto Santa Rosa, Celia Cruz, Justo Betancourt, Nino Segarra, Eddie Santiago, Willie González, Roberto Lugo, Ismael Miranda, Maelo Ruiz, Cheo Feliciano, Paquito de Rivera, Andy Montañez and in relation to artists outside the salsa genre: Rafael, Andrea Bocelli and José Luis Rodríguez “El Puma”.

Excellent and admirable career Eliel, now, what can you tell us about who you have recorded with? Indeed Carlos, I have made recordings with the Simon Bolivar Orchestra, Música Latinoamericana, Bailatino, El Pavo Frank, Naty y su Orquesta, Victor Quintana, Rumberos del Callejon, Bacheo, Un Solo Pueblo, Trina Medina, Saxomania, La Dimension Latina with Joseito Rodriguez, La Negramenta, Orlando Poleo, Carlos Julio “El Oso”, Juan Pablo Barrios, Víctor Cardona y su Máquina de la Salsa, Gilberto Santa Rosa con la Sinfónica Venezuela, Cheo Navarro y su Orquesta Tributo, Francisco Requena, Oscar Dudamel, Otilio Galíndez, Luisito Quintero, among others.

Eliel, what can you tell us about your facet as a composer? I started when I was 13 years old and I have written songs for the following artists: Orquesta Los Satélites de Cheché Mendoza with the song “Sufrí por ti” on the LP Di Corazón, I have also written compositions for the Sabadonga orchestra, Oscar Dudamel, Victor Quintana and most for the Bailatino group, of which the hit “Bailatino llegó” was versioned and recorded by the Hispanic Orchestra of Harlem (SHD) of New York under the name “Baila Latino” on the CD “Viva la Tradición”, Grammy award-winning album.

World Artistic Tours? I have performed in Italy, France, Spain, Japan, Germany, Argentina, Colombia, Chile, Switzerland, England, Holland, USA, Mexico, Australia, Cuba, Dominican Republic, and Peru.

Eliel Rivero is one of the most important and sought-after salsa bastions in the country.

At present, what do you do besides being with different orchestras?

Well, Professor Carlos, I am currently involved in pedagogical activities with the trombone, doing master classes and I am a frequent guest in the “Orquesta Nuevo Mundo” of Bogota, directed by Alejandro Orellana, covering symphonic salsa and permanently in the trombone and composer with the group Bailatino.

By the way, how did Cheo Navarro ask you to be part of the staff of musicians of Bailatino y Tributo? In fact, my friend Carlos, that was one night when we were in block 6 of 23 de Enero in Caracas, we greeted each other and he told me that he wanted to make a band to cure us playing the salsa that fed our lives, such as Palmieri, Libre, Mon Rivera, Típica 73, Bobby Rodríguez and others.

And I told him to count on me and since at that time I was playing with Johán Muñoz with Ajoporro of Grupo Mango in private parties, Cheo told me: “Tell Johán if he wants to participate in this project” and the affirmation was not long in coming. As for “Tributo”, the same thing happened, Cheo wanted to record emblematic songs that nurtured his career, and of course, we gave him our support since those of us who recorded in that project are from “Bailatino”.

Eliel Rivero performing pedagogical activities with the trombone.

Finally, what are your social networks? My social networks are Eliel Bailatino on Facebook and eliel_bailatino on Instagram. Concluding, we want to know why that nickname “El Chamán”. Ha, ha, ha, ha, my friend Carlos, that epithet was given to me by my great friends of the “Negramenta” Orchestra. Let me tell you Eliel that for me and for “Salsa Escrita” it was a privilege to have you as a special guest in this issue and from “International Salsa Magazine”, we wish you the best of the best and of course, keep on giving it up with pure tastiness…!

Thank you very much Professor Carlos Colmenárez for this opportunity that you give me and I take this opportunity to send my greetings to the great number of salseros in the city of Barquisimeto and congratulate you for this praiseworthy work of supporting and projecting the musical talent of Venezuela and the world.

Remember not to leave your house…! Until next time and let’s keep on salsing!

Article of Interest: Written Salsa, Barquisimeto’s Salsa Column presents Pamir Guánchez

Photos: courtesy Lisbeth Weffe

Salsoteca Lavoe returns with events and fun 2021

One of our contacts mentions that on April 14 a fashion arrived in Quito. We will talk about a space that came to fill the great void in the salsa dancers of this beautiful capital, an alternative that became fashion, a fashion that became custom and custom has become culture, not to mention Lavoe the site of Salsa meeting in Ecuador. This great Salsoteca has the perfect atmosphere for lovers of good salsa and bachata, a context armed with paintings of the most important Latin Caribbean music in the world, many of them autographed during their visit to this dance palace. Well-toned colors for incredible freshness, first-class attention that makes you the main artist of the night, we are talking about a 100% safe environment full of friendly people ready to give you a fascinating moment.

The Lavoe Salsoteca is located at Iñaquito and United Nations 170517 Quito, Ecuador.

Photo of the Salsoteca Lavoe — Photo of the stage of the Salsoteca Lavoe

It is known and visited for being one of the most visited tropical discos and nightclubs in the whole country, there you can count on special events during the year, concerts, talks, great festivals of orchestras and dance schools during 3 months of the year, closing with the great anniversary party where we can enjoy the best rumba of the year, but with the Covid-19 pandemic they had to close their doors for the safety of all, however there were online activities with the participation of DJs, soloists and musical groups, there were even live in the parking lot of Lavoe but each one inside their own cars.

After being inactive in the premises for a year (2020) due to the Covid-19 pandemic, the Lavoe Salsoteca opens its doors again on September 9 (2021) with new regulations to comply with in order to protect ourselves and in turn enjoy a pleasant social moment where everyone can listen to live music, dance and taste food and liquors; So if you plan to go to the Salsoteca, you have to take into account the following rules without mentioning the biosecurity rules:

Identity Card
Vaccination card (full dose)
Use of KN95 or surgical mask
Fill out the health form upon admission

With its new Lavoe motto “La Magia Regreso” opening on Thursdays from 7:00 p.m. to 11:00 p.m., on Fridays and Saturdays from 7:00 p.m. to 12:00 p.m., the Cover has a cost of $ 10 that includes a drink ( They recommend booking to ensure your space).

Collash of dancers at the Salsoteca Lavoe — Dancers at the Salsoteca Lavoe

And on Tuesdays there will be Salsa and Bachata workshops, all you have to do to integrate is to comply with the regulations, reserve your place through their website , if you like and pay the cover On that day, which has a cost of $ 6, the workshop is free, not to mention that the consumption of beer has a 2×3 promotion until 9 at night.

If you want to know more (its events, classes or renting the premises) you can obtain more information through:

WebSite: salsotecalavoe
Facebook: @SalsotecaLavoeQuito
Instagram: @salsotecalavoe
Teléfono: +593 99 321 0464
Correo: [email protected]