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Search Results for: Latin Music

Medusa Pop Band delights its fans with a pretty interesting mix of rhythms

Medusa Pop Band is a group based in the city of Calgary, Canada, that is mainly focused on the Spanish language and Latin rhythms of the 80s and 90s, so it has some very particular characteristics that distinguish it from other bands that can be found in the aforementioned country.  

As we found everything about the Medusa Pop Band very interesting, we contacted its manager to talk to some of its members and know a little more about the band. This is how we have managed to have a wonderful conversation with Lorena Galindo, Eduardo Infante and Willy García, who talked a bit about their beginnings, styles and future projects.   

Medusa’s members
Medusa Pop Band from right to left: bass player Eduardo Infante, drummer Cristian Gonzalez, keyboardist Lee Que Long, lead singer Lorena Galindo, guitarist Kalvin Ma, and percussionist Willy Garcia

Musical backgrounds of the current members of Medusa Pop Band 

As is the case with most bands like this, its members have already been part of other groups until they met and came together to do completely new things. This is how Lorena, vocalist and founding member of the group, who has been working with versatile music for more than 40 years, explains that she had the idea to create this project just two years ago. She even worked with the famous actress and singer Lucero and belongs to the musicians’ union in Mexico City.   

In Eduardo’s case, he has more than 25 years of experience in rock in his home country Mexico, until he decided to move to Canada to try his luck. That was when he met Lorena and was invited to join Medusa Pop Band as the lead bass player.   

On the other hand, Willy has five years of experience in music, so he would be the one who has the least time in this world, which does not diminish the importance of the role he plays. He was in a group called De Cajón, but when receiving the proposal of Medusa Pop Band, he decided that this was what he was looking for and accepted to be the percussionist and be in charge of ”embellishing” the songs, as he himself describes it. 

How Medusa Pop Band was created 

Eduardo heavily emphasizes that the one who started the whole project and put together the team is Lorena, and subsequently, the rest of the team joined his idea. In his case, he saw an advertisement on the internet saying that a group was looking for new members and he was postulated to be part of Medusa. He mentions that what attracted him to this proposal was the style of pop handled by the group and the possibility of playing the bass, which he loved being able to do since he had always played the guitar and it represented a challenge for him. 

Willy commented that he lived very near to Lorena’s home and they already had a friendship for a long time. When he found out that Lorena was also a musician, he was invited to rehearse with the rest of the band and loved the kind of music he listened to and professionalism of the musicians there, so he stayed with them.  

With regard to the name of the band, Lorena explains that she had always wanted to do something with the famous figure from Greek mythology Medusa, in addition there was a nightclub called 

Medusa in Mexico City the singer liked a lot, so it all added up to being the name chosen for her band. In the end, the word ‘‘pop” was added because of the main genre on which the group bases its discography. 

Medusa Pop Band performing
Medusa Pop Band performing live in Calgary, Canada

Why choose Canada to establish Medusa Pop Band? 

‘‘We have chosen Canada to establish the band basically because we all live here and it was in this country that we all met. There was no way for Medusa Pop Band to be born in any other country but this one” said Lorena about the reasons why to establish the band in this country.  

On this, Willy added that the diversity of nationalities in the group has been a great advantage for them in Calgary, as that has allowed each member to bring their own essence to the music they are doing. ‘‘It’s very important for us to have more diversity in the rhythms we choose to make more people happy and please a wider audience. I think Canada is an excellent country for that” said the percussionist. 

Receptivity of the Canadian public towards Medusa Pop Band’s Spanish-language music  

Eduardo has said that the reception from the Canadian public towards them has been warm and has come from less to more. In fact, he commented that the amount of assistants to their shows has been growing exponentially and every day the band are gaining more and more fans at the local level.  

”Currently, we only have music in Spanish because we are focused on the Latin American and Spanish-speaking community, but we also have a musical amalgam of different countries and cultures, which makes Medusa Pop Band even more magical. We are always looking to please all types of audiences” Eduardo continued explaining. 

Lorena also added that she and her bandmates have found that many Canadians love Spanish, to the point that they have learned that many fans have started taking Spanish classes to understand their lyrics, which makes them extremely happy and motivates them to keep creating more and better music.   

 

Medusa Pop Band rehearsing
Medusa Pop Band rehearsing for a show

Challenges Medusa Pop Band has had to face 

Eduardo took the floor again to affirm that one of the biggest challenges facing the band has been finding Spanish-speaking musicians because there are not many in Calgary and the vast majority of them already have their own projects and bands, so getting the necessary elements for the group has not been an easy task. 

To these words, Willy adds that the hardest thing to find are singers who speak Spanish, so he is glad Lorena handles that part. Faced with these challenges, he ended up by saying that the support of their families has been fundamental in order to move forward, and like any other band, its members spend many hours rehearsing each day of the week. That is why the understanding of their partners and children has made it much easier for them to follow this difficult path to the success they have achieved. 

Nationalities in Medusa Pop Band 

One of the most interesting things about Medusa Pop Band is that its members come from very diverse countries like Mexico, Peru, Colombia, Vietnam and China. This makes the group have elements with a variety of musical cultures so diverse that it could complicate the picture when agreeing to work on their music. 

What Willy has to say about this is that the Latin musicians have a certain ”feeling” to play the music, while the Asians have a completely different one, so guitarist Kalvin Ma and keyboardist Lee Que Long have gone the extra mile to engage with the rest of the team and play their instruments as is required. 

In this regard, Lorena stressed that both Calvin and Lee have done a great job all these years and their contribution to the group has been immeasurable, since they also propose techniques and add different sounds to those already known. 

What has made things difficult for the aforementioned musicians is the language, as they do not speak Spanish and the rest of the band can only communicate with them in English, but that is no impediment to fulfill their role to the fullest. 

Lorena from Medusa Pop Band
Lorena Galindo is the founder and lead singer of Medusa Pop Band

What makes them call themselves an eighties and nineties band? 

Once again, Lorena took the floor to explain that the group describes itself as an eighties and nineties band because many fans of their work who are contemporaries with them, but that does not stop them from playing music of all kinds and all eras, either from the 80s or this same year. What they seek is to make different arrangements so that their covers sound different than their original versions. 

It can be said that the age group that most often follows them goes from 18 to 50 years old, giving Medusa Pop Band a huge range of action. Additionally, the word ”pop” is too general and gives them the possibility to choose from a large range of genres and rhythms that captivate an ever wider audience. 

Read also: Venezuelan businesswoman Joanna Torres is an example to follow 

Venezuelan businesswoman Joanna Torres is an example to follow

There are many Venezuelans who, due to the economic and political crisis that has affected their country in recent years, have had to set off for new horizons and leave their homeland to look for a better future for themselves and their family. Such is the case of the businesswoman and founder of Arepas Latin Cuisine Joanna Torres, with whom we had the pleasure of conversing with recently. 

This talented young woman has a fascinating history of success and is a true inspiration to any Latino wanting to open paths in the United States or anywhere else in the world. That is why, from International Salsa Magazine, we decided to contact her and share her journey in the land of opportunities.  

Businesswoman Joanna Torres
Venezuelan businesswoman and founder of Arepas Latin Cuisine Joanna Torres

Arrival in San Jose   

The first American city where Joanna arrived was Miami and her goal was to do a master’s degree, since she had studied her undergraduate career in Venezuela. Once there, she realized that she had a lot of trouble learning to speak English and there were few opportunities to practice it, since all with whom she interacted with spoke Spanish. 

It was then when a friend suggested the idea of moving with her to the city of San Jose, where it would make it easier for her to learn the language and spend time with people who spoke it all the time.  

How Joanna began to conceive the idea of becoming a businesswoman 

Two years after Joanna arrived in San Jose, she began working in a clinic and, together with her experience in administration and accounting, she learned everything she could about medical coding and the way medical procedures were coded. This gave her enough experience to dare to open his own medical consulting firm which has more than 22 years of operation and a total of 150 employees in Venezuela. 

The entire staff of the consulting firm residing in the South American country speaks English and takes care of serving all customers in the United States. Joanna even took it upon herself to provide her workers with their own fiber optic internet by contacting some telecommunications engineers, since this service in Venezuela is extremely poor. 

Since the medical consulting firm gave her the necessary experience as a businesswoman, she decided to expand into another area she was very passionate about: cooking. Joanna had been wanting to start a food truck in parallel to her current company for some time and saw the opportunity to do so through a friend and former college classmate who owned restaurants and food businesses. She proposed to Joanna to buy one of her restaurants and partner with her, which she finally accepted and that is how the first Arepa Latin Cuisine restaurant was born.   

Joanna and her team
Joanna Torres and part of her team in San Jose

Reducing failure possibilities for Arepas Latin Cuisine 

Joanna was aware that the possibilities of failure of her idea were high, but she told us that her extensive knowledge of finance was fundamental to overcome all obstacles. 

She was always clear that she had to look for ways to generate more income within the same company. That is why she and her staff have been responsible for providing lunch to employees from technology companies, making food for events such as birthdays or weddings, organizing pop-ups (temporary restaurants created to promote new menus and specific events) in order to innovate and always earn a stable income in the corporation. 

The businesswoman points out that she always tries to innovate, and with regard to this, she said ”I have invented some taco-arepas with which I use arepa flour to make the tacos and give them a different touch, so it would be a combination of both dishes. I always try to innovate and do different things to surprise people and keep them from getting bored”. 

”At the San Francisco headquarters, we have chosen the strong liquor license to start offering Venezuelan typical drinks and rum such as Diplomático or Ron Santa Teresa. We are also doing some remodeling in the place to make it much more pleasing to the eye” she continued. 

In addition, both the San Jose and San Francisco headquarters offer live music for diners to enjoy good Latin music while tasting their food. There is also a dance floor for those who wish to move to the rhythm of the orchestra of that day.   

Joana’s grandmother as an inspiration to create Arepas Latin Cuisine 

After taking the required steps, the first Arepas Latin Cuisine restaurant headquarters were opened in October 2021, but it was not easy. This was an effort made over many years in which Joanna did her best to be able to reach that point. 

The beginning of everything was her grandmother, with whom the Venezuelan learned everything she knows about cooking. She was a cook, a cooking teacher and taught cookery courses and workshops to support her 12 children because she was widowed at a very young age. Joanna tells us that, at that time, she and her children made ground corn arepas to sell to markets and restaurants. 

All this made her an inspiration to Joanna and led her to learn to cook since she was just nine. As a child, she knew that cooking would be important in her life. 

Lots of secrets that Joanna learned from her, such as the way in which the dough has to be kneaded, the difference between making homemade arepas and arepas to sell, the amounts of ingredients to be used, the way to prepare the fillings for the dishes, among other things.   

Joanna and her grandmother
Joanna Torres posing next to her grandmother, who sadly passed away on April 1, 2023

Reception to Venezuelan food in San Jose 

Joanna ensures that her recipes have been a boom in California, since there was no authentic Venezuelan food in San Jose, so her project was a pioneer in this area.   

The reception her food has got with Americans, Chinese, Indians, Vietnamese and many other nationalities has been truly amazing because dishes from Arepas Latin Cuisine, besides being extremely delicious, were something that has never been seen before.   

The taste for food at Arepas reached such a point that the restaurant provides lunch to more than 300 employees in several technology companies such as Netflix, Snapchat and Tinder. It is worth noting that workers who are benefited greatly appreciate being able to enjoy a rich and varied menu every day.   

The biggest challenges Joanna faces as a businesswoman  

One of the biggest challenges Joanna has faced is to find employees who know the Venezuelan and Colombian cuisine (there are also several Colombian dishes on the menu) as it should be. ”Finding cooks with great experience has been complicated, but with the arrival of Venezuelan and Colombian migrants in California, we have been able to find staff with knowledge in the culinary arena” said the businesswoman on this topic. 

For her, it is vitally important to employ people who are very clear about how to cook the main Colombian and Venezuelan dishes, so she takes this into account when recruiting her talents.   

In addition to that, Joanna also sells Venezuelan products and has a hard time finding them in San Jose, so she has to bring them directly from Florida in order to sell them in California.  

Joanna’s restaurant inside
That is what Arepas Latin Cuisine looks like on the inside

Advice for Latino migrants 

When Joanna was asked to give advice to future Latino migrants who wish to move to the United States, the first thing that she pointed out was that they must work very hard in that country to get ahead. In her particular case, she claims to have had three jobs at the same time, since she was alone in the United States and lived only from what she earned. 

She also added that ”you have to make sacrifices to succeed in life and always do things well according to the laws of the country that welcomes you. I think that there are many Venezuelans who confuse ‘native cunning’ (taking advantage or others and the economic, political and judicial system failures to do whatever you want without consequences) with intelligence, which makes them believe that they are above others and make serious mistakes. You have to do things well and eventually the much-desired success will come,” said Joanna on such an important issue. 

Read also: Young Puerto Rican singer Jeremy Bosch supports the Spanish Harlem Salsa Museum 

ISM / April 2024

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Salsarria Orchestra. Back to our Roots

Latinoamerica / Venezuela / Caracas

The Salsarria Orchestra was founded in Caracas on July 20, 2018 by its director, pianist, arranger Wilfredo Agustín Castro Sarmiento.

2do Festival de Dj`s Pto Cabello
2do Festival de Dj`s Pto Cabello

Salsarria Orchestra, in its beginnings, the orchestra performed at events in the capital city where it was widely accepted by the Caracas public.

Very important musicians of national and international stature have marched through the orchestra such as: Orlando Poleo (France), Orlando Watussi (Italy), Federico Betancourt, Luis Esteban Spain (El diablo del Son) among others.

The Salsarria orchestra has participated in important Latin music festivals such as the “Bicentennial Festival Suena Caracas” with a stage presentation.

Orquesta Salsarria - Pal Bailador
Orquesta Salsarria – Pal Bailador

In 2014 they recorded their first album entitled ¨De Vuelta aNuestras Raíces¨ having acceptance in the national and international salsa audience.

Its director and founder Wilfredo Castro is the composer and arranger of all the songs, I love you Caracas, Simply (international success), Las Leyendas, Carnival Comparsa for Caracas, Different Swing, That day you decide to return and in my neighborhood, and preparing his second record production.

Orquesta Salsarria
Orquesta Salsarria

Antonio Laya a traditional artist

Latinoamerica / Mexico / Cancun

Antonio Laya  “He tells us a little about his new single Abre que voy”

Today we are pleased to learn a little about the life of Antonio Jose Laya Gonzalez (Antonio Laya), a Venezuelan who with his voice and his particular way of dancing has managed to climb and carve his way to success, this Taurean with a great career as a singer of good salsa and especially son, he presents us his new single, abre que voy, a success that has gradually positioned itself on the best musical platforms from his current hometown, the beautiful city of Mexico.

Antonio Laya
Antonio Laya

Good afternoon friend Antonio, thank you in advance for the time you give us to learn a little about your life and give our great readers a little about your son, but in letters, we know from your artistic review that you come from a cultural world. the dance? Why the singing?

I come from a family of musicians, teachers and athletes, in 1995/96 I started in the popular culture workshops of the “Fundación Bigott” (cultural house of great social impact in Venezuela) in the Afro-Venezuelan percussion workshops with Professor Jesús Raúl Paiva, where he gave me the opportunity to enter this world of culture…

Years later this would bear fruit, when I joined the Vasallos del Sol group, a representative entity of Venezuelan folklore, on one of their tours in Europe “Germany” to be exact, one of its dancers stayed, leaving an open vacancy, it was then that I received the invitation to audition, at a festival of San Juan of the foundation, where I was able to win a spot. From then on I became a vassal of the sun.

All this experience in the middle of the show made me lean towards dance, where I got to venture as direct from my own dance school destined to spread the Cuban casino. With Vasallos del Sol I had the opportunity to travel the world, Colombia, Cuba, Ecuador, Spain, Mexico, Korea, Japan, the United States,

How many years has it been since the idea of ​​entering the cultural world of your country?

22 years since I formally started at the Bigott Foundation.

How did the idea of ​​giving life to singing come about?

On the tour of the United States, I began to sing with the vassals accompanied by the guitar of Luis Gonzalez, assuring me later that it was there that he heard me and knew that I could sing, quickly and a few months later he called me and invited me to participate in a project that neither It didn’t even have a name, which would quickly begin to take shape and to date is known as the seventh bohemian.

I began to sing very badly, I lost my voice because I didn’t know how to use the phonator, I began to take classes with several teachers, the first of them Ronald Gonzalez, fundamental pillar to start singing, placing and improving my vocal technique, successively Fabby Olano, Gladys Salazar, Maigualida Ocaña, Dayan Montiel, Marcial, Gustavo Gerardo. We recorded 3 albums on national tours, the second of which is entitled “She takes me” a song that I believe made the Seventh Bohemia popular. Singing was not in the plans but it ended up being one of my great passions.

Antonio Laya
Antonio Laya

A song that marks you?

She sings: The earrings that the moon lacks, I have them saved to make you a necklace I found them this morning in the mist when I was walking next to the immense sea. Since I was a child I woke up very early listening to music by La Sonora Matancera, Felipe Pírela, Damiron and Danzón de Acerina, it fascinated me.

Let’s talk about the seventh bohemia. How do you join this septet?

I am a founder, just in the second rehearsal when only Luis Freites, Cesar “Chagu” Bolívar and Luis Gonzalez were there I was summoned along with Krlos Gonzalez to be part of the group, from then on I started singing “Bilongo” to be exact, hahaha I’m so in love with the black tomasa……….., El Jamaiquino, Me que, among others.

What is the greatest thing you have experienced so far with music? -You could perhaps refer to a concert or moment to share with an artist-

I think the greatest thing I have experienced in music is having shared the stage with great figures both Venezuelan and foreign, Francisco Pacheco, Canelita Medina, Trina Medina, among, Jose Alberto “el canario”, Cheo Feliciano, Alexander Abreu and his Habana de First, Manolito Simonet and his Trabuco, Tiburón Morales, El Septeto Santiaguero, among others. On the other hand, being at the 2014 and 2015 Pepsi Music Awards, the biggest thing, achieving 4 nominations for the 2015 Latin Grammys, a great privilege.

What has given you and what has taken away the artistic life you lead?

It has given me the satisfaction of feeling and receiving the applause of an audience, feeling the magic of a stage, dancing on the most important stages of Venezuela and the countries I visit, I don’t know if there is another artist who performed in the same weekend in two different facets and groups in the most important venue in Venezuela

The Teresa Carreño Theater where on Saturday I danced in my last Vasallos de Venezuela concert in the concert “Guiados por la Luz” occasion to baptize the latest production, with guests from the cultural movement and the next day singing with La Séptima Bohemia alternating with Francisco Pacheco, El Septeto Santiaguero, Jose Alberto “El Canario” Canelita Medina and El Tiburón Morales and as special guests all the best dance academies in Caracas.

Antonio Laya
Antonio Laya

Antonio let’s laugh a little. Tell us about the funniest thing that has happened to you at a concert and the most painful.

WUUAOOO, too many, Well, a concert with Los Vasallos where I went out to dance and my pants began to drop, at a concert at the Yerba Buena Garden Festival 2008 in San Francisco we got the foot burn of the century since the stage was al pure sun and linoleum floor and at the baptism of the album “She takes me” in the main hall of the Central University of Venezuela after the great presentation of the renowned Ramón Castro We went on stage and I couldn’t see anything through my glasses hahaha and I I put in the place of my partner Miguel Guanchez colliding spectacularly ahaha to start singing. What a laugh.

We know of the great success that you have had in Venezuela with the successes that you have sung and have marked the public, they have gone from a sound to a necessity for the dancer. What do you consider this great impact?

Definitely because I come from the world of dance, I’m a dancer and a dancer and I understood perfectly that I needed the same audience that the casineros came from, those of us who at some point went to the Goiticoa school or the Monagas house. By the way, as a curious fact, I was the one who organized one of the first casino parties in a place called Beisboland, a party where I dare say it was the second presentation of one of the most important dance groups in the Venezuelan casino Son Rumbero, where they danced “Cuentas Verdes y Amarillas de Adalberto Álvarez.

How has your foray into Latin music in Mexico been?

Since my arrival in Mexico I have participated in several musical projects, Los Panas.com, La Formula Perfecta, Swing Latino to mention a few, it has not been easy since musically Cancun has a particularity and that is that the music that is danced is still that of the 80s when they talk about salsa, of course with its exceptions, but it has cost me to adapt but in the end it is what is consumed here. Here the forte is the hotel industry, so the Latin genres that marked an era are what is worked on, that’s why as a salsero it has been difficult for me to adapt, although I have worked anyway.

Antonio Laya and his Orchestra
Antonio Laya and his Orchestra

The Salsa or the Son? Which one do you lean towards?

Definitely La Salsa, I grew up in the middle of the Salsa de La Sonora Ponceña, Willie Rosario and the great Ray Barretto to name a few. Son also became my passion but I have to be realistic! came into my life thanks to the Seventh.

Open, I’m coming. Tell us a little about this great topic?

When I got on the plane to leave my country, in addition to nostalgia, I only had one thought, to make my album as a soloist first, I knocked on many doors, I looked for a lot of help, until I finally reached what today is called “Abre que I’m going” in that search the day came when I remembered that I had a buddy who was Omo Aña (Drummer) Maurice Melo and that after conversations, long conversations we would take a first step, start aggravating a theme, my first promotional single.

What surprise do we have to see from Antonio Laya during this 2019?

With God’s favor, to continue recording my album, including my first music video, if money allows me, hahaha For this 2019 I’m going to release my second single, it’s called… (Thinks) Not yet, let’s leave it as a surprise , do a launch concert and seek my respective nomination for the 2019 Pepsi Music Awards and the 2019 Latin Grammys.

Antonio Laya February 2019
Antonio Laya February 2019

Where can our followers find you?

My social networks Facebook and Instagram through @ToñitoLaya, on twitter as @Negrolaya and through my YouTube channel, Toñito Laya

 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.