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Search Results for: Latin dance world

Role of the Triangle Trade in the birth of Cuban rumba

What Cuban rumba is

As we all know, Latin music is a very diverse mix of a series of rhythms and musical styles from all over the world. What we know today as Latin music was the result of a whole concoction of historical facts that must come first in any story that seeks to explain the origins of any Latin rhythm that wants to be studied.

A good example of this that we have just said is the Cuban rumba, which is part of a set of cultural concepts that can be found in many parts of the world. There are certain musical rhythms that have allowed us to see that some seemingly alien places have made us discover each and every one of the common points they have, both historically and culturally.

How Cuban rumba starts

Cuban rumba and the Triangle Trade
Some people dancing rumba and and playing drums

One of the most important historical events that marked the birth of the Cuban rumba was the triangular trade carried out between Africa, America and Europe. This fact was the emergence of a large number of musical genres that were resulting from the mixture of rhythms and styles from all the aforementioned continents.

After the Discovery of America, Europe saw in the New World a useful territory for many of the economic activities that were not possible in their respective countries. In the case of labor, many African chiefdoms offered for sale to part of their inhabitants, something that was seen with very good eyes by the powerful Europeans of the time. This is how what historically would be known as triangular trade began.

This activity consisted of sending low-quality materials to be exchanged by African slaves to work with African and American resources in terrible living conditions. Once in America, some African ethnic groups were in charge of introducing the rumba in the Antilles, although the origins of the groups that brought these rhythms continue to be controversial among many scholars of the subject.

Although the slaves worked very hard during the day, they continued to practice their traditional rituals and rites at night. These practices were entirely based on their traditional music and religious customs to stay united with their Mother Earth despite the remoteness and the circumstances. Over time, these rites and percussion instruments were banned, so the new inhabitants of America had to adapt to the instruments allowed by the Spanish Crown. This made these sounds unknown to the Africans together with their forbidden dances in this land were merging until resulting in what we know today as rumba.

Rumba today

Cuban rumba and the role of the slaves
People dressed in white to enjoy Cuban Rumba on the streets

The characteristics of the rumba vary enormously from one place to another, since there are many variations and changes from one continent to another. In Africa, many see this genre as similar to zouk or benga, while Europeans refer to it as flamenco or Catalan rumba. There have been many artists who have taken on the task of making this genre their own and making it evolve to unsuspected levels to make it what it is today.

Today, we can appreciate a good number of subgenres that have their origin in the same parrones rhythms from which rumba derives in its different versions.

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Camilo and El Alfa release “Bebé”, a bachata song

Listen to BEBÉ the new song from Camilo and El Alfa

The Colombian singer Camilo, winner of a Latin Grammy in this year’s ceremony, joined forces with the Dominican El Alfa to surprise everybody with a bachata full of feelings.

El Alfa is a Dominican rapper that, with lots of professionalism, joined him in this adventure. Camilo has triumphed in the musical industry, and has left more than one surprised with this song in the bachata genre, after all it’s his first experience with it.

My approach to music is always from the illusion, from what my heart asked me, and in this moment it wants to dance pegaito (close)”, expressed Camilo. “It’s a tribute to Dominican Republic, a country that I love with all my heart”, he added.

Camilo and El Alfa
Colombia and Dominican Republic reunite with this song.

Within hours of its release, the song has more than four million views on YouTube, and keeps rising. Camilo looked very pleased with the final result and commented on YouTube:

ALL THE TRIBE DANCING PEGAITO (CLOSE)!!!! Thanks Alfa, you are an incredible human being, very unique! Colombia and Dominican Republic dancing together!!!”; he expressed.

Beside, he announced the release through his Instagram profile:

BEBÉ is released with @elalfaeljefe. This is going to be the soundtrack of my end of the year holidays!!! LET’S DANCE!!! Cheers. THE TRIBEEEE”, he said. The post was ended with emojis of the Colombian and Dominican flags.

Emanuel Herrera Batista, better known as El Alfa also took advantage of his social media profiles to share BEBÉ.

I thought that my first bachata would be with “THE KING” Romero Santos!! But it was my turn to work with the most worldwide mentioned artist, thanks @camilo for this chance! I have so much respect and affection for him”, El Alfa commented with two pictures together with the Colombian singer.

The music video was filmed in Samaná, a seaside city from Dominican Republic, and it was directed by Eva Luna, Camilo’s wife. It shows images from different parts of the island, and it’s focused on a couple’s love, and reflects couples dancing to the song rhythm. The production is under Sony Music Label.

Camilo is very excited about this song and working with El Alfa

It’s the first time that both artists share melodies, and they have been very pleased with the experience, and the final result. In fact, on a recent interview Camilo has given some words about the collaboration:

We met at an award show. I’ve always shown a curiosity for his identity. I think that he is a unique human being and I celebrate that identity, and the honesty above all. I celebrate his honesty in what he does, without asking anybody, without asking permission. He follows his hearts and wrote the songs that it dictates, for me that is something worthy to learn from him. It’s a tribute to the Dominican sound which is a second home for me, because it’s my parents’ home where they live, and each time I visit it, I fall in love more with a country that touches the heart from the first day that you land. I feel that I’m going to have the opportunity to enter the houses of many families with this song”, he commented to Diario Libre.

Could be the beginning of a new chapter for the Colombian singer’s career? Let’s wait and see!

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Rueda de Salsa Casino – Vzla

Venezuela land of the “Rueda de Salsa Casino”

Venezuela could be known as the country with the largest number of Cuban-style Salsa Schools (the so-called Salsa Casino) in the world.
In its territorial division, more than 18 states of the country register a hundred schools dedicated to the teaching of the “Rueda de Salsa Casino” as an elementary basis for the diffusion of dance. Fashion came to us in the 90s and to date it has been maintained, having a huge boom in children, youth and adults, some by training, others by distraction, registering to date more than 160 formal academies established throughout the world. national territory, for this element, could be counted more than three thousand people dedicated to this discipline.

The development of the Casino has reached a very professional level, to its credit Venezuela has high-level dancers, some who have managed to bring to this area of the Caribbean prizes from other latitudes, not in a round but in pairs and soloists, the first obtained in 2007 by Ana de la Torre and Leonel Villarreal at the Miami Rueda Congress in 2007 as a couple, in 2009 by Nathaly Navarro and José Manuel Pérez from 1st place as a couple and 1st in the GandPrix of the winners in Primavera Salsa Open in Wroclaw – Poland where Sandra Batista and José Castro also obtained the 2nd place, that is to say Creole sweep, closing in 2014 with the 2nd place obtained by Raimond Madrid in the Columbia competition and the 4th place of María Alejandra and Arturo Reyes in They are Cuban, both from the Guaguancó Festival in Barcelona.

Competencia de Casino - Venezuela
Practicing Salsa Casino

On May 15, 2016, a national Casino Rueda proposal was carried out, in which 16 states were able to participate, including the Capital District, Miranda, Aragua, Anzoátegui, Nueva Esparta, Lara, among others. We can highlight the best participation in the Carabobo state, achieving a national record of 1480 dancers with only 23 academies or schools in the state, among which stand out, Saoco Latino, Ashe roots and culture, Kimbara, Es Latino, passion and rhythm among others, unofficial record for record, but boy, how intimidating.

In the same order, there are already formal institutions that join forces to make improvements in the cooperative work of schools in Venezuela, there have already been about 6 associations or unions formed in some states of the country, this is the case of the newly born Federation Venezolana de Salsa Casino FEVESALCA, an entity that among its projects seeks to project the work of the Venezuelan Casino Wheel to the whole world, an example of them is one of the many articles that we will be reading about this great project.

Venezuelans are going for more and for 2017 they have prepared something very big, in November they were for the Guinness Record attempt for the longest Casino Wheel in the world, they have relied on their record of the largest and longest cable car to back this attempt, soon the state of Mérida could register a second Guinness, we will be closely monitoring this event, for the date the organizing academy could not be contacted, you are invited to be part of this attempt, do not stop writing to josemanuelperezchavez @ gmail .com and we will keep you informed.

Rueda Casino Elegant Competition Academies
Rueda de Casino

Due to the above, Venezuela seems to be the country with the greatest diffusion of this genre, everyone is invited to join this trend, a Casino Rueda in Venezuela is tempting, we all go together to dance to the sound of Venezuela.

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The Legends: Tribute to Billo’s

North America / United States

Tribute to Billo’s. How was made?

Legends was conceived between April and September and it is already a reality! The album that is making people of all ages dance.

The record label JN Music Group is recognized for enhancing the work of Latinos in the United States. The company has 37 years of experience in the market and is chaired by Juan Hidalgo and Nelson Estévez, producers of Latin music in its different genres. Both have set themselves the goal of promoting other genres because “not everything is reggaeton”.

Adrián Frometa, grandson of the remembered Luis María Frometa “Billo’s”, is the new Director of the orchestra and was in charge of the negotiations around the album.

Great tropical artists participated in the tribute to Billo’s
Artists like Milly Quezada, Karina and Oscar D’León participated in the Billo’s album

“Los Legendarios” was conceived as a nice reminder of the musical career of maestro Luis Frometa. The proposal was born in these months of quarantine and the invited artists did not hesitate to participate. Different exponents of tropical music came together to enhance the work of the Dominican artist.

“For us as a record label it is an honor to make this tribute album that maestro Billos deserved it for a long time, the artists we have contacted are excited to participate in what we are sure will be the end of the year album”, commented Nelson Estévez owner by JN Music Group.

The project aroused great interest from fans around the world; and from now on it is considered the “album of the year”. A few days after its premiere, the views on YouTube have exceeded ten thousand visits. “Sigan bailando”, performed by Milly Quezada, reached forty thousand views.

Established artists such as Tito Rojas, Oscar D ’León, Wilfrido Vargas, Carlos Vives, Milly Quezada, Eddy Herrera, Karina, Alex Bueno, Charile Aponte, Sergio Vargas and Don Fulano; they were in charge of giving life to the remembered songs.

A closing of the year that arrives in style, under the musical production of Remil Cobi Renna and Victor Pabon.

“Tres Perlas”, performed by Carlos Vives, “De qué me sirve el cielo” by Karina, “El Brujo” by Don Fulano, “Por encima de todo” by Óscar D ‘León, “Sigan bailando” by Milly Quezada and “ Caminito De Guarenas” by Alex Bueno, are some of the video clips that are already on the different digital platforms. The cover is accompanied by an illustration by Luis Frometa and the interpreters.

The initiative took place during the long days of the global pandemic, where many artists and producers took the opportunity to exploit their creativity, generating new materials; and pleasantly surprising the fans. The album was recorded between Miami, New York, Colombia, the Dominican Republic and Puerto Rico.

“Tres Perlas” was very famous in 1971. In this case, Carlos Vives was in charge of bringing it to life. It is the beginning of a job well thought out and done with the heart. It has an animated audiovisual work where Vives and the remembered Frometa are observed. There are also three ladies, symbolizing “Santa Marta, Barranquilla and Cartagena”, present in the song.

Remembering the golden age

The singer is remembered for his great successes, as well as his great love for Colombia and Venezuela.

Luis María Frometa was the founder of Billo’s Caracas Boys and, for years, he remained at the helm. Starting in the 1960s, they became more famous in Colombia. He took part in family gatherings and renowned events.

Even Pablo Escobar himself, a remembered drug trafficker from that country, wanted to have him in some of his celebrations. In fact, he came up to thank her himself after he sang for his mother’s birthday. However, his children claim that he was not aware of who the hiring was for and if he had known, he would not have wanted to make an appearance.

The Billo’s also had the opportunity to appear at the Bogotá Modelo Prison, after Carlos Orjuela, Frometa’s friend, was confined in one of his cells. The singer did not hesitate to visit his friend. However, he did not allow it. He looked for excuses to prevent me from visiting that place. This was not an impediment for Frometa who ended up showing up at the facilities. For him, they too had the right to enjoy his music. Those who accompanied him affirmed that the energy was incredible and everyone enjoyed the presentation.

The group had great talents such as: Memo Morales, Cheo García, Felipe Pirela, Manolo Monterrey, José Luis Rodríguez, Rafa Galindo, Víctor Pérez and Nelson Henríquez.

Luis María Frometa Pereira, was born in the capital of the Dominican Republic, on November 15, 1915. He got his nickname for a phrase he used very frequently, he called any route that came his way Billo. He started in music from a very young age. Represented the Santo Domingo Symphony and the Firefighters Orchestra Band. So he walked through some small bands, until he reached his first big break. Venezuela was one of the first countries to receive him with open arms and where he was presented for the first time under the name “Billo’s’ happy boys ”´; ignoring the demand of Rafael Leonidas Trujillo, dictator who led his country.

Even when the band disintegrated, Frometa remained in Venezuela. Going through difficulties, economic downturns and a disease that took him away from the stage. However, he returned in style and was consolidated in the memory of those who enjoyed his songs. The contracts did not stop arriving and thus were the beginnings of a band that celebrates 80 years of musical trajectory.

A tribute to history

This is why this 2020 will be a celebration for the issues that moved masses and passed from generation to generation. “Legends” consists of twelve songs and ten originals by the group.

The idea is that Billo’s remains in the hearts of his fans. After 80 years since its creation and some 100 productions are still valid. His repertoire has always been the most varied; It ranges from boleros, guarachas, porros and Dominican merengue. Also, of Caribbean music.

Milly Quezada, a Dominican merenguera with a Colombian heart, was one of the special guests. In charge of interpreting “Sigan Bailando” and was very enthusiastic.

“What I consider to be one of the most contagious and joyful tropical songs that best defines the happy and fun spirit of Latin Americans and especially of us, the Caribbean, who carry the rhythm in our blood. Definitely, the greatest and most important contribution of the Billo’s Caracas Boys was the presentation, diffusion and positioning of the Dominican merengue, which he transmitted with such musical and literary quality, as well as other Caribbean genres that belong to all of us, ” said Quezada.

Carlos Vives also premiered his album song: “Tres Perlas”. He confessed himself a fan of the teacher Fometa and, for this, he is very excited.

“If there is a legendary orchestra, it is Billo’s. I want them to enjoy it, to mourn it, because I know that many will do it, and that the youth discover a great figure in music that is not only from Dominicans, Venezuelans and Colombians, but from all of America ”, said the artist through from your Twitter account. “Participating in this album is as if I had won a prize, I don’t know what, but I feel like a prize,” said Vives.

Legendarios is now available on different digital platforms under The Orchard Music label (on behalf of J&N Records, LLC). Do not miss it!

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Tips for dancing salsa with style and elegance

Dance tips for salsa

Elegance and good taste are very personal aspects for each of us, since we all perceive the world in a very different way. We can have some rather general ideas of what to be regarded as elegant and what not, but we are never going to agree on everything. This can be applied very well any aspect of life, but today we are going to focus on music. 

For several years, salsa was seen as a low-level and often vulgar musical rhythm, dancing it in certain circles of society was not well received by a number of people. Fortunately, all that has changed radically in the last decades. What is even more, this Latin genre has earned so much prestige that it is now present in those same social circles that rejected it before. However, dancing salsa with a lot of class is not as easy as it is believed. 

If it is true that this type of music is no longer perceived as vulgar, there are certain aspects to take into account when dancing it with great style and subtlety. 

Tips for dancing salsa with style and elegance 

One of the most important details to be in mind is good coordination between the members of the couple and the memory of an elephant that allow those involved to learn all the steps in the best way possible. Additional to that, one has to adapt to certain rules so that everything turns out as planned during the dance. 

Learn the most basic you need to dance salsa 

Dancing salsa with elegance and style
Two young people dancing salsa

First thing that should be taken into account is the learning the most basic things and their execution in the best way possible. One of the best-known characteristics of salsa is that it consists of three basic steps of a short sequence that are danced in a 4/4 beat. After having mastered this structure, dancers are trained to add more complexity to their movements. 

Hear and understand the rhythm and the time 

If you want to dance salsa with style, you have to understand music and rhythms as much as possible. The rhythms, the times and speed are the aspects that help dancers to coordinate their movements in the right way. If there is some ne interested in learning to dance salsa that feels that he is completely lost, he can start listening to salsa a lot more often. This will help him immensely to better understand this music and the rhythms that make it up. 

What you have to do during learning ballroom dances 

Dance tips for salsa
Young couple dancing salsa

If there is something that should never be missing in salsa is the partner dance, which makes this musical genre a much more pleasant experience for the two members of the dance couple. If they both want to dance as well as possible, they must understand each other’s movements to perfection. In the same way, both the man and his partner must perfectly understand each other’s speed and movements in order to anticipate them. In this sense, the members of the dance will be able to achieve a good harmony, which is an essential detail to achieve success in this sensual dance. 

After future dancers have followed these tips, they will be trained to demonstrate their dancing skills on the dance floor. 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.