Search Results for: Latin dance world

The project “A Bailar Colombia” that moved the country.

The beginning of the project “A Bailar Colombia”:

South America maintains an important space for Salsa in many of its main capitals, it is easy to speak of Lima as a great salsa and timbera area like Venezuela, but beyond the contributions they make, it cannot be forgotten that if It is not the most important, it is one of the main ones, is Colombia.

Cuba and Puerto Rico do a great job for the dissemination of this beautiful genre to the world, however Colombia accompanies much of this work for the south of this continent. Many of us already know Cali as a salsa city of birth, along with it Cartagena, Barranquilla and Buenaventura combine a good salsa team, an element that at the moment weakens other areas of this beautiful country.

The #ABailarColombia project directed by the Son Rumbero schools in Bogotá and Bucaramanga, Emily’s dance and Baila Latino de Medellín, Timbea and Danz in Barranquilla, as well as 5 other academies that work towards the growth of the academic training of Salsa dance in various modalities, in addition to the main genres of Afro-Latin dance music.

The Son Rumbero dance school with 16 years of experience, opened its headquarters in the capital Bogotá in 2017 and in 2018 it will go to Bucaramanga, the main concept is not only to dance, but to do it academically, quickly and effectively. The object is to teach in ideal spaces, that is why its main headquarters is located at calle 19 # 4-20 in Bogotá, Son Salomé nightclub, where at the end of each class a practice space is released in an environment destined to dance and enjoyment. a real night dance room, in the same way they handle a very effective project in distance education, who would say that you can learn from the comfort of your home, organized at your entire disposal and with supervised classes with dance professionals by video live classes , an incredible way to learn, you can contact them at 3022582306 or social networks like @sonrumbero.

If you are in Medellín, the options vary, the Baila Latino school rules the rhythm in this city since 2011, dedicated to training in various branches of dance, from porro to kizomba, they are located at Calle 44 # 80 – 31, with group classes of excellent level, they serve audiences of all ages with certified professionals, they manage competition groups, formed under professional dance lines, in their closest projects is being part of large festivals such as the Casinea in Bogotá and the Venezuela is Latin, easy to contact by 3104749407 and its social networks @academiabailaltino.

In the same order Emily’s dance opens doors in 2018 in Medellin with a comprehensive training proposal, where we can see classes in various disciplines with personalized attention in the hands of its director Emily Sánchez, a professional in the world of dance with more than 25 years of experience. artistic career, managing to project his work in 3 of the world’s continents, in this great proposal he leans classes of a particular nature that seek a guaranteed learning in a short time, they can take classes by the numbers 3008510304.

Visiting the northern area of Colombia on the coast we can dance to the rhythm of Danz in Barranquilla, a school with headquarters in Cr 46 82-71 vibra fitness studio and Cr 43 87-120 danceworkshop dedicates its program in the Cuban Casino, the bachata, the Feminine style in salsa and they even work on DanzKids, the latter a training profile for boys and girls, a fact that incorporates them into the world of dance from a very young age. With almost three years of foundation, they have managed to advance by having group classes at various levels and developing activities that allow recreation for the whole family, 3003827618 or Instagram @danzacademy.

Meringue Competition — Photo of dancers dancing Merengue

Similarly, Timbea in Barranquilla presented a very entertaining proposal to learn to dance, structured in 2018, this institution develops an important profile in Salsa, Merengue and Bachata, with dynamic classes under a very integrating criterion. Its founder and main instructor registers a trajectory of more than 7 years with awards and a good position in the world of salsa in Venezuela, being part of a prestigious school such as rhythm and essence in the state of Zulia, you can find them at 310 6326106 and on the networks by @ timbea2018.

Currently during the Covid-19 pandemic, many events, projects have been kept on hold until there is no danger of contagion, where many of the academies have chosen to give online classes and some competitions and / or congresses, remain fixed either online or in person, the latter depending on how the quarantine is at that time.

Home

OMAR LEDEZMA JR.

From The Venezuelan Melody To The Caribbean Rhythm

Portentous percussionist and surprising Venezuelan singer. Musician trained at the prestigious Berklee University in Boston (US). Winner of a Grammy Award. His lifestyle is characterized by national and international performances, collaborations, compositions, and tours. Familiar, fearless, personable, and cheerful. This is how Omar Ledezma Jr. presents us his life.

He was born in the mountainous valley of Caracas (Venezuela) west of the city in the La Candelaria parish in the summer of 1972 at the height of the Salsa. From seven years old he briefly began his musical studies on the Piano at the prominent Yamaha school.

At the age of thirteen, he returned to music again, but this time playing percussion instruments in a “war band” at Claret school, one of the most recognized educational institutions in the Venezuelan capital.

At 16 years old he already formed his first Merengue and Salsa group together with his first musical friends.

At this dizzying pace, Omar began to take an interest in the Gaitas (traditional holiday music from this Latin American country) and began his foray into this genre. In 1991 he obtained his first prize, third place in the Pupitres y Gaitas contest on behalf of the Claret school. “When I started to grow up I was interested in drums. I awoke an interest in the Gaitas festivals… In fact, the Venezuelan rhythm has marked my life as a musician”. Omar commented.

At the age of 17, this percussion player began his university studies in Law at the Faculty of Law of the Santa María University in the middle of a troubled city and in search of knowledge about how society worked. Omar Jr. adds: “Already in the first year of Law I knew that in Venezuela we had a great root in Roman Rights and modern laws, but those laws were not applied. And that worried me“.

At the same time, Omar continued his music studies but this time with his related instrument, the percussion. To achieve mastery, he obtained classes with the Venezuelan teachers Rubén García with whom he is currently collaborating on some projects in Uruguay. He also got instruction from the musical director from the popular area of San Agustín in Sarria (Caracas), Jorge Orta “CroCro” who currently resides in the United States and the founder of the Orquesta CroCro y su Tumbaka.

Years later, and with experience acquired in presentations, and groups, Omar Jr. met his first mentor, Aquiles Baez, a famous Venezuelan artist, guitar virtuoso. Together with Aquiles, he made his first international tour of the United States. “With Aquiles, I had the pleasure of playing Venezuelan music. We play with many artists in the United States… Thanks to him I developed percussion (Non-autochthonous element) in Venezuelan music”. Ledezma Jr. commented.

In 1995 and with a law degree, he decided to dedicate himself to music professionally. He works hand in hand with consolidated national artists such as Daniel Somaroo, Carlos Puchi, Gerardo Rosales, just as his popularity begins and therefore his foray into studio album recordings.

Five years later, one of the most important phone calls arrived and the one that would turn his life upside down. Omar receives the call from Andy Vargas, the singer of the famous Mexican guitarist Carlos Santana. Vargas invited him to participate in his first residency at the Bellagio hotel in Las Vegas (Nevada), doing a show every half hour starting at six in the afternoon in the renowned bar of those facilities. This residency gave him many satisfactions and multiple experiences during his four years there.

Between these touches in Las Vegas, his second chance arises on the phone again, this time by the hand of the Venezuelan artist Jackeline Rago. Both worked for a season in a school program with the San Francisco Symphony.

All these experiences led him to be part of one of the most prominent local orchestras on the international rise of the San Francisco City (USA), the Pacific Mambo Orchestra for a decade.

In addition, Omar offers weekly personalized percussion training classes and works with various local organizations such as the San Francisco Ballet and the Community Music Center.

This cheerful and outstanding percussionist will soon surprise us with unpublished material in the dance genre. It will be two singles making his debut in the art world as a singer-songwriter, and you can enjoy it on his YouTube channel that he reactivated in December 2020.

OMAR LEDEZMA JR. & PACIFIC MAMBO ORCHESTRA

Omar Ledezma Jr. dancing with Sheila E. — Omar dancing with Sheila E. at the live concert at Stern Grove (San Francisco) in 2017

In 2011, the Grammy Award winner, Omar Ledezma Jr., is part of the most ambitious project of his life, the Pacific Mambo Orchestra (PMO), after moving to the fourth most populous city in the state of California (USA) and most receptive with Latino musicians, San Francisco.

It has been ten uninterrupted years in which Omar has gone from playing the conga to being the singer of the orchestra and is currently developing as the official timpanist of PMO, once that Karl Perazzo (Carlos Santana´s timpanist) left the big band. “Eventually he told me that is yours… I appreciate that opportunity because the Grammy has already come; many satisfactions and a lot of work have come as well”. Omar explained to us.

As time passed, they achieved a characteristic sound. And with it begin the recording of their self-titled album. Ledezma details us: “The band began to become popular on Monday nights, and we began to charge the entrance fee of 5, 10, 20, 30 dollars. Then we started on Saturdays with a lot of receptivity”.

In 2013 they won their first Grammy for Best Tropical Latin Album and embarked on their first national tour for 30 days accompanying Latin artists Marlon Rosado and Tito Puente Jr. They toured the stages of Indiana, Arizona, and Oregon ending in California. The first international tour was held in Mexico and the second at the Montreux Festival in Switzerland.

After the Grammy and his tour, the second Pacific Mambo Orchestra album was on its way but this time recorded live at Stern Grove (San Francisco) in 2017. Here, Omar had outstanding participation with the queen of percussion, Sheila E. During the song Ran kan kan Omar Jr. & Sheila E. made a kettledrum war. He adds: “It was nice playing with her, watching her perform, and playing her music”.

This international orchestra made up of 20 musicians began rehearsals for the rhythm section on May 1 after a year and a half of not seeing each other. Before the end of 2021, they will make streaming where they will play original music such as PMO Intro, Muévete con Prisa, and Mr. B’s Mambo, among many others.

THE MUSIC RUNS THROUGH YOUR VEINS

Omar Ledezma Jr. Sitting — Omar and Cro Cro worked together in the band of José Alberto “El Canario” in performances in the United States before the pandemic.

His lineage confirms his musical streak. The Big Bands were always his great curiosity, and Glenn Miller’s orchestra his greatest ambition.

His father and his grandfather are musicians. His grandfather Rafael Isidro Ledezma “El Negro” was a renowned Orchestra conductor of the El Tigre city in Venezuela.

As an only child, he followed in the footsteps of his grandfather. He developed himself professionally in music.

In 1995 he belonged for a few months to the Venezuelan super band Guaco in the Salsa project directed by Gustavo Aguado at La Cantina located in Las Mercedes in the Venezuelan capital. “I learned as much as I learned at Berklee”. Omar commented.

Among so many things learned, the main and undoubtedly important were: being a music lover, having discipline, developing creativity, and cultivating friendship.

The last tour in Venezuela that Ledezma carried out with the Gonzalo Grau quintet (with whom he obtained his first Grammy nomination) was 20 years ago at the Teresa Carreño Theater as the opening act for Pablo Milanés.

If I had children I would like them to follow their steps along with mine.” Omar Ledezma Jr.

YOUR WAY TO BERKLEE

Omar Ledezma Jr. playing percussion — Omar first led a music trio and then established a Salsa band in a venue very close to the school.

During a trip to Boston, Ledezma visited Berklee University for the first time in the summer of 1998. Through brochures, he learned that he had the necessary conditions to apply for a scholarship at this important school, and immediately did so without distraction. “Many said you couldn’t and I’m the one who thinks you don’t lose anything by trying”. Omar said.

He got going and sent in a demo to schedule an audition. That presentation was a success and he was accepted right away as one of the graduates of this prestigious institution. It took him a year to move to Boston and began his studies in the fall of 1999. The first years were emotionally hard due to the death of his second mother.

But he knew how to recover and move on. He worked very hard for six years to finish paying for school in 2002.

He obtained a Diploma in Performance. During the five years of study, he learned the four harmonies, arrangements, and composition. Also, in percussion, he developed skills in drums, Latin percussion, and vibraphone.

I still feel like my career is just beginning.” Omar Ledezma Jr.

SalsaGoogle.com is International Salsa Magazine

Home

The place where salsa as we know it today was born

The role that the Cheetah Club played in the beginnings of salsa in New York

Young people's acceptance to salsa in New York — A group of young people dancing salsa in New York

As we all know, New York City has been instrumental in the birth of what is today known as salsa because this has been the place that has seen the birth and bloom of the greatest talents who have given life and added rhythm to this wonderful and fast-paced genre. That is why when we talk about the history of salsa, we cannot leave out the most populous metropolis in the United States.

We all know how important the city that never sleeps is to the development of this musical genre, but where and how does this set of rhythms specifically born? Right, well this was a now-defunct nightclub called Cheetah, which met all the conditions for giving birth to salsa and making it a cultural phenomenon, which is now known worldwide.

The establishment, located in an area full of theaters and nightclubs close to Times Square, witnessed a spectacular and historic evening in which, unexpectedly, brought together several of the biggest stars of Latin music, including Willie Colón, Ray Barreto, Bobby Valentín, among others. None of them could ever imagine that they would draw crowds eager to hear them. From that night on, the Latins finally had voices to make known to the rest of the planet their purest essence.

As soon as the band started playing, those present started to dance no matter what. According to calculations by a pianist for Fania All Stars, they gathered as many as two thousand attendees who were lined up around the block to enjoy the talent of some of the considered greatest exponents of Latin music. It should be noted that the artists from that night had never played together, but when they took the stage, everything went spontaneously and the audience fell madly in love with them. However, nothing was by chance.

A poster for the Cheetah Club at the time

How it all started

After the Second World War, Latin music and dance began to be present in New York City during the 20th century. This was due to the arrival of Cubans, Puerto Ricans and other immigrants from the southern part of Latin America, who brought with them a number of rhythms that started playing in discos and nightclubs from various US cities.

When these sounds arrived in the Big Apple, there was a very interesting mixture of these sounds with jazz and some instruments that were incorporated to have as a result what we know today as salsa. This is how some of the most popular genres began to be played and become famous in places near the Cheetah Club, so, as a logical consequence, the establishment would end up falling under the spell and rhythms of so cheerful melodies.

One of those places was the Palladium Ballroom, where artists such as Machito and Tito Puente performed. Of course, the public that gathered there was Latin in origin, but its privileged location in the heart of Manhattan made it very well known to the locals of any nationality. It got to the point where there were spectators from the five continents and of all religions, which was unthinkable with any other musical style.

This is how the great concert at the Cheetah Club succeeded in bringing Latin music to places nobody thought it could reach and all thanks to American artists with a Latin background that was very awake in their being.

Charlie and Eddi Palmieri at the Palladium Ballroom — Charlie and Eddi Palmieri performing at the Palladium Ballroom in 1964

How was the Cheetah club created and what became of its facilities?

The Cheetah club was created by Olivier Coquelin and Border Stevenson in 1968 when it was formally opened to the public. From the beginning, it had two spaces specially designed for dancing: a dance floor of reduced size located on the top floor and a bigger one which could accommodate about two thousand people at the same time. Likewise, there was a stage on which no less than 20 musicians could perform in the same show.

Although the club enjoyed a certain fame among the locals in the area, what really made it famous was the concert performed by the Fania All Stars on August 26, 1971. That was a day that will undoubtedly remain in many people’s mind forever, both attendees and musicians. This was the moment when the musical phenomenon initiated by Johnny Pacheco and Jerry Masucci would reach well beyond what its creators have never dreamed of.

The idea of performing the show was conceived by Ralph Mercado, who would comment to Masucci on this. Given that the Cheetah Club had a large space and enviable acoustics, it was the place they finally selected for the historic concert.

Anyone seeing the place in which would be the colorful establishment would never imagine what happened there 50 years ago. At present, the formerly nightclub is a residential condominium of more than 20 floors housing large apartments with wide windows.

Although there is nothing left of the place that witnessed one of the greatest musical events in Latin music history, the memory of that special night will remain in the minds of those who witnessed such a waste of talent on that now-defunct platform in the 1970s.

Announcement of the concert performed by the Fania All Stars — A poster announcing the concert performed by the Fania All Stars

For more information, you can read Génesis of Salsa, its essence, characteristics, rhythm, history and expansión and Where the idea of the name of the Fania Record label came from

Home

Katherinne Motta better known as DJ Katha Motta, salsa vinyl collector.

With her good musical taste, her great energy, exuberant beauty and sympathy, she has been infecting the hearts of salseros in Latin America, North America, Europe and Asia with her good taste in music.

On this occasion, the pages of International Salsa Magazine / www.SalsaGoogle.com are graced by our very special guest, the beautiful Katherinne Motta better known as DJ Katha Motta, collector of salsa vinyls, who has been infecting us with her good musical taste, her great energy, exuberant beauty and sympathy to the salsa hearts in Latin America, North America, Europe and Asia.

Born on December 1st in Bogota – Colombia and based in Miami, Florida in the United States, she has been doing an admirable job with her professionalism, talent, original style, versatility, sympathy, connection with the music lovers, dancers and followers; being some of the reasons to be with you today in the only salsa magazine in the world.

Welcome DJ Katha Motta to our edition of the month, for us, it is a satisfaction to talk with you…

Thank you very much Carlos, for your invitation and taking me into account for this interview so I can share and publicize my work as a DJ through International Salsa Magazine and wwwsalsagoogle.com, with all those beautiful and rumbera people, who are your faithful followers and readers around the world.

has been infecting salsa hearts in Latin America, North America, Europe and Asia with her good musical taste, great energy, exuberant beauty and sympathy. — Katherinne Motta better known as DJ Katha Motta

Very well Katha, tell us how were your beginnings in this professional DJ career?

Friend Carlos Colmenárez, well let me tell you that I started on August 26, 2017, in the city of Asheville North Carolina as a professional DJ and I have been participating since then in 5 states of the country, also in Peru in events and concerts of music lovers and collectors, but lately I have been developing my work in Atlanta GA, city that has given me affection to this day.

Excellent, by the way Katha, before continuing with the musical part; tell us if you have any hobbies or do you dedicate yourself to other things?

Yes, Carlos I am passionate about martial arts, photography, the natural environment, sharing with family, obviously dancing and somehow I have learned to value art and life…!

I fell in love with salsa after being locked in the genres of rock, ballads and some heavy metal. — At the age of 18, I only frequented salsa places because it brought me joy.

Your taste for salsa begins since when Katha?

My love for salsa began at the age of 16 when I started to enjoy family parties and I realized that the salsa genre called my attention more than the others. At the age of 18 I only frequented salsa places because it generated joy, feeling and flavor.

Does that give us to understand that you fell in love with salsa?

Yes, yes my friend Carlos, I fell in love with salsa after being locked in the genres of rock, ballads and some heavy metal, although, I still carry these genres in my heart I stayed with salsa because it is a genre that you can enjoy with a glass of wine, dancing, it is too versatile which for me makes the perfect combination. I think I am a proof that it is possible to be a passionate salsa dancer at an adult age.

And weren’t you influenced by your parents or friends to have that taste for salsa?

I remember that since I was a little girl I have been very curious about music, I remember that since I was a child I would take the tape recorder and the cassettes that my parents had recorded from the radio and I would write the names and artists in a notebook.

Very good DJ Katha and as for your taste for vinyls what can you tell us?

Prof. Carlos, when I started working, I started buying CDS and some vinyls, I demanded much more in my work as a DJ because I always want to give the best of me, I also enjoy learning and finding exquisite tunes from collections that are not very well known. Currently I keep buying vinyl for the love of music, the thirst to learn, enjoy the contact of the needle and the vinyl is magical and it is also satisfying to support new artists. I think it is important to have the habit of giving that value to what we are so passionate about and contribute to the genre.

Which of the rhythms or styles of salsa are your favorites?

It is difficult to find favorites in this genre, when you fall in love with many artists who left their mark and continue to do so, but I think my personal taste is more for son montuno, guajiras and when I program for the dance floor I really like guaguancó, timba and salsa dura.

I have had the honor of alternating with: Chamaco Rivera, Bobby Valentín, Roberto Lugo, Roberto Blades, Papo Cocote, Andrecito Carabali — Katherinne Motta better known as DJ Katha Motta

DJ Katha Motta, we want to know in which places have you been working lately?

Well, let me tell you Carlos that I have been working and making all the dancers in the following cities enjoy:

Asheville NC, Charlotte NC, Greensboro NC Atlanta GA, Athen GA, Greenville SC, Pompano Beach FL, Margaret Fl, Los Angeles CA, Dallas TX, Knoxville TN and many, many more, and as for places where I have participated in vinyl collectors meetings, Orlando FL and Lima Peru.

By the way DJ Katha Motta, with which figures of our Afro-Caribbean music, have you shared the stage?

Carlos, I have had the honor of playing with: Chamaco Rivera, Bobby Valentin, Roberto Lugo, Roberto Blades among others, dear friend.

Perfect, Katha, can you tell us, what have been your latest and upcoming DJ sets for events?

Let me tell you Carlos, that on May 8th I was at the ”Mother’s Day weekend edition” (Noche caliente Latin Night) in Dunwoody, GA; last April 10th at the (Salsa al parque Miami number 3) in Hialeah Fl, May 29th at the ”Rumba salsera” event in Pembroke Pines Fl, among others…and I will be ”Celebrating fathers day” on Saturday June 26th in Greenville SC, alternating with Roberto Blades.

Your social networks Katha, so that music lovers and dancers can follow you?

You can find me as :FanPage Facebook: DjKathaMotta.Facebook Personal: KathaMotta.

Instagram:DjKathaMotta.Youtube:DjKathaMotta.https://Youtube.com/channel/UCSmpDKa1HyMcC4KsBVUpMtA. Twitter: Dj KathaMotta @djKathaMotta.

Thank you very much Dj Katha Motta for accepting our invitation to international salsa Magazine, www.Salsagoogle.com, for us it has been a great honor to have you as a guest and we hope you continue with such professionalism and dedication to the salsa genre and enjoy your “temotas” as you rightly present them in your work and transmissions. We send you a big kiss and a virtual hug with many blessings.

Thank you very much, my friend Carlos Colmenárez, you are a sun…! Let me tell you that the honor is mine and you have selected me to be with you in the “only salsa magazine in the world…!” I would also like to thank all your editors and directors for this high privilege. I will always be at your disposal to share experiences, good salsa and sincere friendship. With love and appreciation your friend Dj Katha Motta…!

By: Carlos Colmenárez Correspondent in Venezuela

Home

Argentina and its musical genres of origin and the tropics

Argentine musical genres and development to date with tropical genres

Each country has its essence with respect to what it represents above all in its culture, and in Latin America there is a great variety of musical genres and dances unlike Europe since during the colonization of the new world a mixture occurred not only at the level of races but also of culture, emerging a great variety of musical genres…

In this time we have Argentina, a country full of cultural diversity being the most interesting characteristic of this great South American country. It is a country where music is expressed with great style and elegance, especially at the level of dance, since its presentations are made in various places, including outdoors, especially in Buenos Aires (usually in summer).

Among the musical genres that stand out are:

Argentine Rock: it is the mix of rock and roll, blues, country & western, R&B, doo wop, boogie woogie and swing; It is characterized by having an outstanding and recognized Hispanic lyrics throughout Latin America thanks to the great popularity of the bands and artists that participated and reaped records in album sales and in attendance at recitals in the mid-1950s to date. (sample bands)

Tango: a musical and dance genre very characteristic of the Rio de la Plata region and its area of influence, but mainly of the cities of Buenos Aires (in Argentina) and Montevideo (in Uruguay). Their music and dance is very popular in Argentina and this expressive dance has strong European influences. It is danced as a couple where the dancers merge in a romantic embrace, showing their sensuality, passion and feeling in each step taken, leading it to become one of the most famous dances and musical genres in the world.

Cumbia: despite the fact that this rhythm from the Caribbean countries, particularly Colombia, has spread in several Latin American countries including that country, the cumbia and the different variants are part of the music called “tropical”, and in Argentina Cumbia Villera is a subgenre born in popular areas, born approximately in 1997. It emerged from the fusion with local rhythms such as chamamé and tango, due to its instrumental endowment; Another particular characteristic of Argentine cumbia is the inclusion of flamenco within its musicalization.

In Argentine there are folk rhythms:

Zamba: its name derives from the daughters of black slaves and aborigines, who were sought to seduce through dance, this genre is located in the central part of the country and is generally associated with the Argentine Pampas. It is danced in pairs where the man surrounds the woman’s shoulders with a handkerchief with the intention of seduction.

Carnavalito: this genre is located in the Andean region, north of Argentina, its music and dance make up a part of the Andean pre-Columbian culture, it has a festive and lively tone.

Chacarera: a dance native to the north-central part of the country, has a marked aboriginal influence where the Quichua language is manifested. With vehement and intense tones, it is used in regional Carnival dances and is danced by stamping and courting figures.

During the 50s in the USA (United States) several musical genres were called “Latin Rhythms” to differentiate them from African-Americans, among which are salsa, merengue, samba, bachata and bolero among the most known. You will say that this has to do with the musical genres mentioned above … because there is a great difference and history since each musical genre or dance has its own rules to perform them either on a musical or dance level, but when a mixture arises. from two or more musical genres, a new one more innovative, fun and with a taste to the population, like what happened with the Latin rhythms in that country.

Photo of some dancers — Tango dancers photos

Salsa is a contagious and fun rhythm most of all for the general population at the time of dancing it, since people enjoy a very lively music where they usually shine with the amount of turns to magically show themselves with their spectators and to achieve this you are born with it or you train with professionals in dance; this generally applies to all Latin and / or tropical rhythms.

It does not matter what genre this popular in each country, the important thing is the dedication, expression and that each person has when producing their musical theme or dance to the public, giving the native his personal touch to his music or dance, becoming more unique and not as generic as it is made in other countries.

Home