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Search Results for: Latin dance world

Bella Martinez, the irreverent Salsa writer

Life is fun. Dare to live it

Bella Martínez was born in Puerto Rico. She is a graduate of Natural Sciences from the University of Puerto Rico, Río Piedras Campus. She lived in the state of North Dakota as a member of the United States Air Force. She completed her master’s in Health Services Administration and Quantitative Methods at Central Michigan University, Mount Pleasant, Michigan.

In 2016 she published Schizophrenic: Imaginary Episodes from a Different Life. In 2020 she wrote Insurrecta: Schizophrenic Chronicles of an Indomitable Life from Ediciones Scriba NYC. She maintains contact with her followers through the blog Life is beautiful, dare to live it. Her mission is to inspire Spanish-speaking people around the world to live life to the fullest.

Her writings have been published in several international literary anthologies, including: Divina, la mujer en twenty voices by Ediciones Scriba NYC -awarded at the International Latino Book Awards 2019, in Los Angeles, California- and in various editions of the poetry book Siglema 575, of minimalist poetry, Ediciones Scriba NYC. If you want to know more about Bella, you can do so by visiting Bellamartinezescribe.com or through her pages on Instagram, Facebook, Twitter, YouTube and Pinterest.

Bella Martinez led a pretty fun life
Bella Martinez, the irreverent Salsa writer

Bella Martinez I lead a pretty funny, sometimes complicated life; although I try every day to simplify it. I’ve even thought that one day I could be a minimalist…. Sure, in my own way; like everything else. I almost forgot to mention that I’m a vegan and a salsa dancer who dances until she collapses.

I should add that I love music that allows me to dance and express what is otherwise impossible to write or draw. In short; I dance salsa, I cook, I write and I dare to face whatever life brings me.

My mission is to inspire Spanish-speaking people around the world to dare to live a unique life because as I titled my blog: “La vida es bella…. Dare to live it”; I believe that life is to be lived the way you want it to be lived, doing good without looking out for others. I invite you to take a look at my blog .

I post about dance, music, beauty, fashion, vegan cooking, literature and everything else I can think of. Well, at least that’s the intention.

As for my narrative; and according to my great friend of always, Dr. Lopez Feliciano: “Through humor, and the narrative of the transgenerational transmission of the tribe, core values such as freedom, truth, integrity and fidelity are exposed.

The schizophrenic chronicles unveil an imaginary world in which cats, heifers, lice, mice are personified; and shoes, brooms, cars, keys and paper dolls are animated. The approach to reality is fantastic spun with ideas of references that are only experienced by an untamed life.”

And I say, “I expose in my memoirs through wacky stories and mocking the harsh daily reality of an ordinary routine; visiting stamps of my memories and nostalgically longing for the peasant activities of my ancestors whom I remember daily. You can’t help but fall in love with my picturesque narrative…”

The memories of Jimmie Morales comes to us from the pen of Puerto Rican writer Bella Martínez. In this new proposal by Martinez, she herself reported that: “it details the memoirs of the conga player who made his way into the world of salsa to become one of the most influential percussionists in the genre he has dedicated his life.”

From the pen of Puerto Rican writer Bella Martínez comes: A Conguero for History, The Memoirs of Jimmie Morales.
Bella Martinez, the irreverent Salsa writer
Life is fun. Dare to live it

The official launch of this daring text in which the author stresses the importance of our music and the influence that Puerto Rican performers have had throughout the history of salsa beyond our shores was on Thursday 19 November 19 2020.

This launch coincided with Puerto Rican’s Day. The list of contributors Bella counted on during drafting included the maestro Willie Rosario, who wrote the prologue, and the most prolific soloist of commercial salsa: Gilberto Santa Rosa, who wrote the introduction and the back-cover text. The virtual presentation of Un conguero para la historia was sponsored and streamed through the Instituto de Cultura Puertorriqueña.

The text is available in paper form through the following links:

Amazon.com – Global:

Un conguero para la historia: Las memorias de Jimmie Morales (Paperback).

Walmart.com:

Un conguero para la historia, Las memorias de Jimmie Morales (Hardcover).

The book is also available at:  – Fundación Nacional para la Cultura Popular, Old San Juan – Puerto Rico.

– El Candil Library, Ponce – Puerto Rico

– Laberinto Library, Old San Juan – Puerto Rico

– Pure Sound, Bayamón – Puerto Rico

– RZayas Music, Juana Días – Puerto Rico

– The Bookmark, San Patricio Plaza – Puerto Rico

In the following text, fro-Antillean music researcher and Colombian journalist Robert Téllez Moreno, who is a biographer of Ray Barretto and Willie Rosario, summarizes what the reader will find in the memoirs that the conga player Jimmie Morales shares with his followers through the voice of Bella Martínez:

Percussionist Jimmie Morales was born in Bridgeport, Connecticut. The son of Puerto Rican parents and owner of a natural talent, he developed an interest in music when as a child he listened to groups such as The Beatles and The Rolling Stones.

As from 1967, Jimmie and his family settled in Puerto Rico, from where his connection with Afro-Caribbean music emerged, after having listened to various Cuban, Puerto Rican and New York conga players such as Ray Barretto, Patato Valdez, Candido Camero, Mongo Santamaria, Johnny ‘Dandy’ Rodriguez, Milton Cardona and Eddie Montalvo, among others.

His first approach to the instrument occurred when his neighbor, Rubén Beltrán allowed him to play congas at his home. Later, he joined the youth group ‘La Justicia’ , with which he began to work permanently, while having his own instrument given away by his father.

After three years of work with ‘La Justicia’, Jimmie Morales joined Beto Tirado’s ‘La Predilecta’, in which he remained until he joined Tito Allen’s orchestra to work as a conga player until 1978, when he received an invitation from the maestro Willie Rosario, ‘Míster Afinque’, to join his orchestra in place of Papo Pepín.

According to Jimmie Morales, during those eight consecutive years, he lived his most formative stage, and what he considers his “formal training in the music industry”. This happened when he was a member of Willie Rosario’s orchestra, which was one of the greatest institutions of the salsa movement.

With Willie Rosario’s orchestra Jimmie Morales participated in the productions: ‘El Rey del ritmo’, ‘El de a 20 de Willie’, ‘The Portrait of a Salsa Man’, ‘Atízame el fogón’, ‘The Salsa Machine’, ‘Nuevos Horizontes’, ‘Afincando’ and ‘Nueva Cosecha’.

In 1986, Jimmie Morales joined Gilberto Santa Rosa’s nascent orchestra ‘El Caballero de la Salsa’, participating in multiple recordings and traveling the world.

At the same time, Morales began an impressive career as a top-level studio musician. He received credit for hundreds of recordings of such artists as: Lalo Rodríguez, Oscar León, Paquito Guzmán, Eddie Santiago, David Pabón, Héctor Tricoche, Edgard Joel, Marvin Santiago, Tito Rojas, Rey Ruiz, Ismael Miranda and Frankie Ruiz, the latter, with this latter he participated in all his solo albums.

As an accompanying musician, Jimmie Morales has appeared as an accompanying musician on hundred of recordings of great figures such as: Willie Colón, Ismael Miranda, Juan Luis Guerra, Tito Nieves and Jerry Rivera, among many others.

In 2010, as a leader of his own proyect, Jimmie Morales released ‘El Tumbao’ with the songs “Píntate Los Labios María” popularized by Cuban guitarist of the Buena Vista Social Club Elíades Ochoa and arranged Louis Cruz, who was Ray Barretto’s pianist in the 70s. The recording also includs “The Continental”, a jazz standard, arranged by seasoned José Madera, who was percussionist and arranger for Tito Puente’s orchestra for more than 30 years.

Recently, Jimmie Morales has contributed with his talent to the recordings: ’40… y contando en vivo desde Puerto Rico’ by Gilberto Santa Rosa, an album that captures one of the most emotional nights of the recent tour of the ‘Caballero de la Salsa’ and ‘Opus’, the eighth album by singer Marc Anthony, and recorded at Art House Society and Criteria Studios in Miami under the direction of multi-Grammy Award winning pianist and producer Sergio George.

Jimmie Morales, continues his commitment to music, from the area of pedagogy, sharing his experience and knowledge through workshops and clinics provided to young people from different countries, who have a genuine interest in music.

Bella Martínez: Amazon

Bella Martinez, the irreverent Salsa writer

 

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Son Divas with new energy

The orchestra formed by Puerto Rican women will back to work and will release its first album in the coming months.

 

Son Divas is here to stay. This was stated by Aníbal de Gracia, manager, producer, and creative director of the girl group. After a short recess caused by the pandemic, Son Divas has just released the single ‘Mujer de acero’, which will be part of the first album they are working on and is scheduled to be released between March and summer.

“During this time in which many projects had been delayed as a result of the pandemic, many people told me that Son Divas should record an album. After thinking and appraising how much the group had made progress since its beginnings, I thought that it was the right time for that first recording.

We have already recorded some songs and others are in the process and we hope to release it between March and summer, but observing what happens with the matter of the pandemic,” said de Gracia, manager and producer of Son Divas.

They are Divas from Puerto Rico and they come with a lot of energy.
Son Divas of Puerto Rico

The musician/orchestra director also noted that more than 100 female musicians, among other guests, will participate in the record production.

“We decided that we were supposed to invite the largest possible number of women, not only of Puerto Rico, but of the entire world. We want to finish recording the album, be able to release it into the marketplace and, and look forward to the moment when we can play it live,” he said.

Son Divas is recording a song in conjunction with the Cuban orchestra Anacaona, the first women’s orchestra in the world. The Cuban group was founded by the Castro sisters in the 1930s. According to de Gracia, Dominican musician Wilfrido Vargas had contact with the Anacaona orchestra during the 70s, and in this way, developed the concept of Las Chicas del Can.

Ya hemos grabaWe have already recorded some songs and others are in process and we hope to release it between the month of March and the summer, of course, observing what happens with the pandemic issue," said de Gracia, manager and producer of Son Divas.
Son Divas records a song in conjunction with the Anacaona Orchestra from Cuba

“Although the album will have a romantic theme, it will be varied. Songs to dance salsa, merengue, and even a Latin jazz track can be found here. It will have a combination of new songs with some covers. ‘Eclipse total del amor’, a salsa version of a song popularized by Lissette Alvarez;

‘Mala novia’, ‘Una loca como yo’ and ‘Mujer de acero’, a song we already released in promotion. These are some of the tracks of the album”.

De Gracia began training the girls from Son Divas in 2017 after participating in a music festival in St. Kitts where he shared the stage with the Anacaona orchestra the previous year. After being impressed by these Cuban girls he decided to start a similar project in Puerto Rico.

“After recruiting girls, getting a whole lot of rehearsal, and overcoming the drawbacks of Hurricane Maria, we recorded the first single ‘Mala novia’, a song by Mel Martinez and arrangement by Ramon Sanchez. We managed to be played on the radio and it opened a lot of doors.

After that, we had to deal with the pandemic issue and the musical activity had stopped.
Son Divas, Nico Camilo, Gilberto Santa Rosa, Anibal De Gracia, Luz Mary Parra, Victor Manuelle and Lilly Aponte

We made several performances in Puerto Rico and went to St. Kitts. We recorded a second single titled ‘Una loca como yo’ in collaboration with Gilberto Santa Rosa and Victor Manuelle on backing vocals.

After that, we had to deal with the pandemic and musical activity had been stopped. Now, we are back to work again. We are working on the album that is sure people will like very much because it is being done with passion, love, and very good musical quality”, de Gracia said.

Son Divas is led by Nicole Yomara Santiago (musical director and trumpeter); it features singers Nico Camilo, Luz Mary Parra and Lilly Aponte. Zuleyka Martínez (saxophone), Nicole Vargas (trumpet), Ileana González (trumpet), Irem Díaz (bass), veteran virtuous Amuni Nacer (piano), Dali Marie (conga and bongo) and Daizalee M. Félix (timbal). The latter two appeared on the album.

The orchestra made up of Puerto Rican women
Son Divas with new energy

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We may enjoy the Minga Cup championship this year.

Known..

“The Future is our” Minga Cup 2021

 

America is one of the five (5) continents that have been affected by COVID-19 at the cultural level, as the majority of its events, festivals, concerts, congresses, among others were canceled because of people’s safety. This year, many things want to return to normal, and others have gone somewhat different ways such as jobs and online events that have been of much use to avoid a total paralysis of the whole world paralyzed not only socially and economically speaking and create a new lifestyle to which to date we are doing everything we can to adapt.

Members of the Minga Cup
Dancing at the Minga Cup Competition

The return of the festivals and mass events in two thousand and twenty one “2021” will be conditioned upon what happens in Europe and the United States in the coming months because they are the ones with the highest infection rates. In Latin America, several events have been scheduled with tentative dates which will be met (only if it is live “face – to – face”) if there are not a lot of contagions or the country and organizers allow it in compliance with all bio-security standards to protect us and prevent the spread of COVID-19.

In Chile, a wide variety of musical and dance events have been held for many years and, currently, some of them have been held online and, on this occasion, we have one of the best known South American championships in Latin America; we have a competition called Minga Cup, which is a tournament that aims to boost the healthy competition between national and international dancers in Chile to generate new forums for the style and category exposed.

The cost of the access passes are as follows:

  • 40% discount on Access Passes, which includes workshops, competitions, and parties (Offer Price $42.000 / Actual Price $70.000).
  • 30% discount on Masterclass with Antonio Berardi which includes 4 closed and exclusive classes by Antonio Berardi (Offer Price $50.000 / 2020 Price $70.000).
  • 30% discount on Competitor Registrations.

In this opportunity, the jury has already been elected and chosen in 2020, which includes:

  • From Italy, The brothers Antonio and Jasmina Berardi, Professional Dancers World Champions of Caribbean Dance.
    • Facebook: @AntonioyJasminaBerardi
  • From Canada and Cuba, dancers Harold and Regan.
    • Facebook: @haroldandregan
  • From Peru, Deklan, and Natalia the nine-time salsa and bachata champions.
    • Facebook: @FCOPIURADYN
  • From Argentina, Yonel Blanco, dancer, and director of SOMOS!, which is a Cuban Folk Dance Company.
    • Facebook: @yonel.blanco
  • From Argentina, Gustavo Pinat, dancer and teacher of Estudio BamBoleo Salsa.
    • Facebook: @GustavoPinat
  • From Chile and Australia, Karen Connolly, director of the Karen Connolly Professional Institute of Performing Arts.
    • Facebook: @ipaekc
  • From Chile, dancer Roberta Cifuentes.
    • Instagram: @robycifuentes and Facebook: @ Roby2310
Dance back
Dancers dance pose

For this year two thousand and twenty one “2021” it will be held from April 8 to 11, 2021, if you want to have more information in general, ticket sales or other questions write to their email info @ copaminga.cl, or they can also contact them through their page from Facebook @copaminga or his website www.copaminga.cl and enjoy a moment full of fun, learning and much joy with everyone else.

 

Note: “If you want to get out of this quarantine, take care”

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José Madera Niño “Salsa became part of my growth”.

Latinoamerica / Venezuela / Caraca

The also visual artist has the technology to complete his project in the middle of the COVID-19 pandemic.

The Venezuelan José Madera Niño & 3er.Mundo Orchestra launched its new song “Me gusta, pero…” in the voice of guest singer Memo Arroyave, accompanied by a video clip showing the other facet of Madera Niño: painting. This single is the fifth one to be included in his second album Matices.

The musician, composer, and orchestra leader said: “This song of my own was already in post-production when the pandemic was announced. It would not have been possible to complete this project from our homes without technology, the dedication and commitment of Irving Manuel and Jorge Estevez to mixing and mastering, the working hours of Alfredo Montilla for the editing of the video between Venezuela and Colombia“.

Voice of guest singer Memo Arroyave
The Venezuelan orchestra José Madera Niño ; 3er.Mundo launched their new song “Me gusta, pero…”,

José “Flaco” Bermúdez was at the forefront of the musical direction and arrangements. Yomar Méndez “Caballo” (timbal), Arnaldo Guacarán “Patatín” (bongó and bell), Wilman Sánchez Jr. (trumpets), Hugo Olivero (saxophone), José Antonio Padilla (trombone), David González (bass) and Irving Manuel (piano); Rodrigo Mendoza and Eloy Ríos on backing vocals, with José Madera Niño (congas and minor percussion) as executive producer.

Matices combines the voice color diversity of each of the guest soloists thus far such as Pedrito Flores, Irving Manuel, and Charlie Guzman. This salsa album will be composed of ten pieces and shall have the participation of several performers: “We want to present the world with good music, food for the soul and for the spirit in this difficult time we are living“.

MULTIFACETED

La orquesta venezolana José Madera Niño & 3er.Mundo lanzó su nueva canción "Me gusta, pero..."
José Madera Niño “Salsa became part of my growth”.

It should be emphad that José Madera Niño is extremely multifaceted because in addition to be a visual artist as a profession, he is also a musician by conviction: “I have been drawing as far back as I can remember. When I was 14, I entered the School of Plastic Arts Cristóbal Rojas. I alternated my artistic activities with my high school studies and weekends were for the music”.

From there, he became a self-taught percussionist from a very young age thanks to the salsa boom in Venezuela in the mid-70s. This synergy between his two passions led him to form his orchestra: José Madera Niño & 3er Mundo, which flirts with Latin Jazz.

It seeks to extrapolate his plastic compositions to music and then create true works of art for the demanding music lover’s ear and the elegant dancer at the same time.

His first recording De amor, desamor y rumba took four years to come to light, due to the pauses imposed by self-management: “It is not easy to make an album without sound financial support. This first album is a sort of day-in and day-out chronicle of any ordinary individual. Inspired by all the music I listened to in my teens in simple and clear language”.

"It's not easy to make a record without a solid financial backing. This first album is a kind of chronicle of the everyday life of any ordinary person. Inspired by all the music I listened to in my adolescence, with a simple and diaphanous language".
The Venezuelan orchestra José Madera Niño ; 3er.Mundo

Journalist María Fernanda León recently interviewed him about his second CD Matices, consisting of ten musical tracks. He has released four of them on digital platforms from last year to 2020.

Madera Niño 3re Mundo
Madera Niño 3re Mundo

-Why the name 3er Mundo?

-The name thing was an irreverent way of saying that in spite of our disadvantages, we are capable of great things from passion, talent, and study. We are much more than a qualification.

-Why salsa and not another genre?

-I listen to all kinds of music. In fact, when deciding to live from it, we get to handle different genres and I enjoy that, but I have a special taste for salsa because it became part of my growth. It was always present in the atmosphere while I was playing in the street in my neighborhood, in high school, and on the bus when I was going to art school.

– Most of the songs are written in your handwriting, what inspires you?

-I was always interested in writing, I had a lot of unfinished ideas. When I began pre-production I dusted off all that material and turned it into songs.

-Why Matices?

– This production is a kind of canvas; music is the pigment, the stuff. The musicians and singers are their nuances. I think it is a different production from the first one, but the same essence.

-You changed your concept of an album with only one performer. Now you invited several of them…

-For me, it was very important to build a sonority for the public to recognize us when listening to one of our songs. Gustavo Gerardo was for a long time the voice that identified us, but it is not easy to hold someone if you cannot guarantee economic stability. Besides, he was already planning to start a career as a soloist, which by the way is already beginning to bear its first fruits at an international level.

-Who is participating?

-In this second production I have Pedrito Flores, who is an excellent singer and inherited this responsibility of being at the forefront of the band in live performances. Besides, I am privileged to have several guest vocalists such as Rodrigo Mendoza, Irving Manuel, Charlie Guzmán, and Memo Arroyave, among others that I will soon announce. All this with the intention of reaching a wider audience. I think such alliances are beneficial for the genre.

-When will all the songs come out of the oven?

-I have been presenting the songs as singles. Every month or every 45 days I make a release until completing the ten songs. Later last year, I have been released four songs. However, the pandemic that affects the entire world delays the production a little bit further, but we continue to work.

– You are an artist. How do you shuttle between your two passions?

-It’s not easy but I think it would be more difficult not to. I’m not very organized so I live in a constant effort to divide my time. I have participated in more than sixty group exhibitions and three solo exhibitions. My work is present in several art galleries and private collections.

Madera Niño 3re Mundo
Madera Niño 3re Mundo

-Your son also ventured into salsa last year. What do you think of the support offered to talent today?

-I think the boys are increasingly better prepared to meet the challenges.

The industry has changed and maybe those of us who have years of experience years in the business spend more time assimilating it. Young people know that besides recording on their own, they have to handle the many forms of promotion, know about graphic design, marketing, etc. That is very good because there are no record labels that invest in emerging artists. There are lots of young talent.

-How do you see salsa in Venezuela? Is there sufficient promotion and support?

-There is not sufficient support so I think we cannot wait any longer, we have to conduct ourselves. Work hard toward our dreams, we must learn to use the tools that technology offers us.

-Do you consider your albums a work of art?

– Yes, they consist of the same elements: color, balance, space, and atmospheres.

-What does José Madera Niño want to show every time he is on stage?

-A good show, a well-assembled band, a costume according to the situation, in short, the respect the public deserves.

Editor/ Lic. María Fernanda León

President of San Juan Producciones

Photos/ Courtesy: José Madera Niño

 

 

Por Maria Fernanda Leon, ISM Corresponsal – Caracas – Venezuela

 

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PIETRO MINGARELLI

To The Beat Of The Latin Rhythm

He made Latin music his lifestyle. He fused the art of contemporary dance with the Caribbean rhythm. He made the national and international stages his home and the Salsa artists his true friends. He is a professional dancer, composer, and director of online programs. In each dance, he reflects his style… He is elegant, passionate, classic, and unstoppable. This is how Pietro Mingarelli shows himself.

More than 40 years of experience summarize a series of national and international triumphs. At 5 years old Pietro was already seen as one of the best dancers in Italy. His beginnings were in ballet, Jazz, tap (Tip-Tap), and contemporary dance, achieving third place in his first competition with only 5 years old, among a group of 500 couples with competitors up to 12 years old, which allowed him to stand out from his first presentation.

For the next 10 years, he continued his dance studies and participation in couples’ championships with his sister, partner, and dance partner, Daria Mingarelli, with whom he won 10 national championships.

Pietro Mingarelli y Daria Mingarelli

In the mid-80s, without forgetting the rigor and discipline learned in his dance studies in Europe, he finds himself for the first time on a journey of no return to what would be his true passion, the Salsa. During a trip to Puerto Rico, he was able to establish the click with the Latin culture and one of the main and most representative rhythmic movements of it.

Gilberto Santa Rosa, Pietro Mingarelli, and Daria Mingarelli in the Video’s recording “No Digas Nada y Baila”

Between participation in a lot of festivals including the Bacardi International Dance Festival, which years later its format would become Congress, Pietro had the opportunity to establish professional alliances with the Arthur Murray Dance Center Academy (Puerto Rico) where he began to teach by Mambo. During that time, the Mingarelli brothers attended local patron saint festivals that would introduce them to the Caribbean idiosyncrasy, to the cadence of the salsa rhythm that is not found in the academies, that it is not possible to have it without feeling the music from the heart and connecting the feelings, which has no other name than what we know as the “El Sabor de la Calle”.

By the beginning of the ‘90s, Pietro had a consolidated career on the island of enchantment, dancing together with Daria for different local Salsa orchestras. From 1994 to 1998 the brothers were the official dancers of Gilberto Santa Rosa “El Caballero de la Salsa”, who see them dance and immediately add them to his work team. They were the protagonists of his Video “No digas Nada y Baila”, recorded in Old San Juan on the Calle del Cristo in 1997, and participated in the “Show de las 12” one of the most popular programs in the country in the presentations of the Salsa singer.

 

Instructor of Instructors

From the age of 15, Pietro born in Alessandria was emerging as the instructor of the instructors of Caribbean dance in Italy. As early as 1995 he was the co-founder of one of the most renowned schools in Turin, Salsa Manía, with franchises in Germany and other European countries.

Since 2000 he has been one of the annual organizers of world championships with live orchestras, such as the Italian Amateur Federcaribe Championship and the World Championship in San Marino.

Online Program “Dance Revolution”

As a visionary, he created the online program “Dance Revolution” that combines the training technique of a professional dancer with the “Son” (rhythm) of the street. Each class is live and personalized. This course of various levels teaches you the basic characteristics of Puerto Rican Salsa, teaching culture, and the differentiating way from other courses is the use of instruments played live to adapt the assistant’s ear for a safe and perfect entry into the dance.

The “Mingarelli Style” dance school with the slogan “From the Neighborhood to the Academy” took hold of Italy and the teaching system based on the combination of mastery of technique, a rhythmic execution of Puerto Rican Salsa, and an instructional mechanism that isn’t only based on the counter but the rhythmic sound of Salsa, it’s the current teaching method chosen by most of the best teachers from different salsa academies in the country.

For years, Pietro has been doing altruistic work with his sister, collaborating with associations of children with Down syndrome, deaf, dumb, and blind children to give free lessons, achieving an excellent level of performance among children with these special conditions.

 

Latin Beat

The Salsa dance professional, Pietro, masters several musical instruments: the Piano, the Conga, and the Percussion, the latter two he learned and mastered during his trips to Puerto Rico.

Pietro Mingarelli and his wife Yusely

This knowledge laid the basis for the creation of his orchestra Pietro Mingarelli and his Generation 73 at the end of 2015. The name of the orchestra was given by the year of birth of each member of the orchestra, coinciding in the year 1973. This orchestra varies from 9 to 11 musicians on stage depending on the space. They have performed to 3000 people in discos and dance halls in the cradle of Italy, Turin.

At the same time, Pietro Mingarelli has composed more than 20 songs, including 9 of them in his digital record production ” Hecho en Cuba”, where the Romantic Salsa single “Volveré otra vez” stands out, “Caldero” (more danceable) dedicated to the renowned Cuban Timbalero Juan Carlos Calderin, and “Mi cubana salsera” lyrics inspired by his wife Yusely from Guantánamo – Cuba, among many others.

Currently, “Alma en Pena” is his most recent single released in 2019 that you can enjoy on digital platforms and will be part of the new CD that Pietro will bring us with famous international Salsa artists … Maybe, Gilberto Santa Rosa could be one of his vocalists… We will wait to see what this excellent pioneer of Salsa in Italy brings us very soon.

 

A Ritmo de Salsa…

A Ritmo de Salsa is his most ambitious program created in 2020. Its original name was “Aventuras en Ritmo de Salsa” and it would be broadcast from a cruise ship for one of the main television stations in Italy. However, it cannot be carried out due to the arrival of the Covid 19 Pandemic.

Pietro has an invaluable historical-musical knowledge that makes him very popular in the Salsa world

However, this program did not remain in the drawer, it was launched online through its platform “Dance Revolution” and its first episode arrived in March 2020, surprising its audience with interviews with friends and great personalities from the Salsa world, among which stand out: Gilberto Santa Rosa, Charlie Aponte, Willie Rosario, and Bobby Valentin.

This successful program is 1 hour long; however, everything can change depending on the interviewee. One of the cases was the interview with César “Pupy” Pedroso (The Van Van´s Pianist, arranger, and composer) that lasted 3 hours, while 1 hour and 30 minutes was the duration of the program of the guest Alfredo de la Fe, Cuban violinist -American, who has shared the stage with Celia Cruz, Tito Puente and other great personalities of the Salsa´s first line.

Each interview is loaded with history, anecdotes, mini-concerts, and learning tips that have helped these famous artists to successfully manage their instruments and their careers.

You can see new episodes of A Ritmo de Salsa on Sundays in premiere at 8:30 PM… And for this month Pietro brings us to the “Sonera del Mundo”, Aymée Nuviola. You don´t miss out on all the fun!

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.