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Tribute to Johnny “Dandy” Rodríguez Jr. His first recording was professionally with Tito Puente in 1964 and was titled “Exciting Rhythm of Tito Puente”

Johnny “Dandy” Rodriguez, (September 11, 1945, United States August 17, 2024) son of Johnny Rodriguez Sr. who was nicknamed “La Vaca”, remembered percussionist who was part of the orchestras of Tito Puente and Tito Rodriguez, among others; as we can deduce, music for Johnny Rodriguez is something clearly hereditary given that as a child he attended his father’s rehearsals and his mother was a dancer.

Johnny Dandy Rodriguez Foto By Miguel Martillo

To get an idea of the musical family, let’s say that Johnny Rodriguez Sr. also took part in performances and recordings with musicians and singers of the stature of: Alfredito Levy, Joe Quijano, Jose Curbelo, Lou Perez Louie Ramirez, Machito, Miguelito Valdes, Noro Morales, Orlando Marin, Pete Terrace, Pupi Campo and Xavier Cugat.

The father’s enormous musical background was emulated in a great way with ample merits by the son.

Dandy Rodriguez grew up in Spanish Harlem in Manhattan, his home was very musical and when he was in high school he learned the details of percussion represented by the bongos, congas, timbales and drums. Influenced by his father he became interested in music and so in 1962 he joined the band of maestro Tito Puente.

His first professional recording was with Tito Puente and was titled Excitante Ritmo De Tito Puente; after this first album with Puente, “Dandy” Rodriguez began to deepen his musical studies listening and learning from leading musicians such as: José Mangual Senior bongosero from Machito, Rogelio “Yeyito” Iglesias bongosero from Cachao and Vitin Palacio bongosero from Johnny Segui.

He worked with the King of Timbales for more than three decades, initially in the sixties, more specifically from 1962 to 1972, then he rejoined Tito Puente’s band at the end of the seventies and was part of it practically until the death of the famous King of Timbales.

In the extensive career of our Johnny Rodriguez in music we must mention his internship with Joe Cuba’s orchestra, with whom “Dandy” Rodriguez himself says he participated in seven or eight albums since the mid-sixties; the first of them titled Joe Cuba Sextette – Comin’ At Yous; without forgetting to mention that in those albums the name of Johnny Rodriguez Jr. does not appear in the credits due to issues related to contracts with record companies.

His stay with Puente was not a limitation for him to be part of other musical groups, so he also worked for several years with another great of Latin music, the remembered Tito Rodríguez. He was also part of the band of the famous conguero Ray Barreto, replacing Tony Fuentes, and was one of the founders of the famous Típica 73 in 1972 and even took part in a couple of albums with Machito.

In the seventies, during the Salsa Boom, “Dandy” Rodriguez left his mark on recordings with: Jose “Cheo” Feliciano, Charlie Palmieri, Roberto Torres, Willie Rosario, Ismael Quintana, Celia Cruz & Johnny Pacheco, Louie Ramirez, Richie Ray & Bobby Cruz, Fania All Stars, Alfredo De La Fe, Conjunto Clásico, Henry Fiol and Tito Allen.

As we mentioned before, John Rodriguez returned to the band of maestro Tito Puente in 1978 and was part of the band until Ernesto Antonio Puente’s death in 2000 at the age of 77; he participated in this cycle in at least twenty musical works apart from a large number of concerts and performances on tours in different countries around the world.

During those two decades with Tito Puente he also worked with other musicians, singers and groups such as: Miguel Quintana, Roberto Torres, Charlie Rodriguez, Tito Allen, Alfredo De La Fe, Azuquita Y Su Melao, Charlie Palmieri, Celia Cruz & Johnny Pacheco, Paquito D’ Rivera, Raulin, The Bronx Horns and Angelo Vaillant.

Luisito Quintero, Johnny Rodriguez y George Delgado

During the first two decades of the new century, the musical work of maestro Johnny Rodriguez continued and his musical mark has remained in other publications with The Latin-Jazz Coalition, Frankie Morales, Eddie Palmieri, Gilberto Santa Rosa, George Delgado, Victor Manuelle, Rick Arroyo, Orestes Vilato, Mitch Frohman, Cita Rodriguez, Doug Beaver, Adalberto Santiago and Jeremy Bosch.

Also, special mention must be made of the participation of maestro Johnny Rodriguez with a group called The Latin Giants Of Jazz, in the best style of the classic Big Bands made up of great teachers, including some of the former members of maestro Tito Puente’s band; with this group they have published four albums; this project gave rise to another band called The Mambo Legends, who recorded the album entitled: Watch Out! Be careful!

John Rodriguez is without a doubt one of the most prolific percussionists in the world of Latin music called Salsa. The nickname “Dandy” dates back to his childhood when the car he was driven in was bought at a store or shop called “Dandy” and people said look how cute “Dandy” is and from there he stuck with that nickname. In music he is better known as Johnny instead of John.

In (the year 2022) the experienced Johnny Rodriguez had three or four groups with which he is playing, including Dandy Rodriguez and his Dream Team, while teaching percussion classes online.

He is one of the true legends of Latin music, not to mention that his talent has also been reflected in recordings for other musical genres such as: Electronic, Folk Rock, Folk, World & Country, Funk / Soul, Heavy Metal, Jazz, Stage & Screen, Jazz-Funk, Merengue and Pop.

In his very extensive artistic career, maestro Johnny Rodríguez was part of historic and iconic recordings of our musical culture, some of these albums have been worthy of awards such as the Grammy Award, among which are:

Tribute to Beny Moré – Year 1978

On Broadway – Year 1983

El Rey: Tito Puente & His Latin Ensemble – Year 1984

Mambo Diablo – Year 1985

Goza Mi Timbal – Year 1990

Mambo Birdland – Year 1999

Masterpiece / Obra Maestra Tito Puente & Eddie Palmieri – Year 2000.

“In 2008, Johny entrusted LP’s Research and Development Department with the design of the John “Dandy” Rodriguez Jr. Legends Series bongos. John is proud that these drums, which bear his name, feature such outstanding sound and visual characteristics.”

Also Read: Jerry Ferrao says in salsa key: “My life is a drum”

Collaboration: Marino de Jesus (1588) from Salsa History from the Dominican Republic

Yova Rodríguez

Latin America / Puerto Rico

Yova Rodríguez. The jibarito of Mayagüez.

Giovanni Yova Rodríguez Ruiz, was born in Mayagüez, being the youngest of six siblings, raised alone by his mother Doña Delia Ruiz Crespo. At the age of 7 he started in music singing Christmas bonuses and influenced by his maternal uncle José Ruiz Crespo ¨Pipo El Indio¨ and his great-uncle Antonio ¨Toño Ruiz who played Puerto Rican cuatro.

At the age of fifteen, he began his studies at the Ernesto Ramos Antonini Free School of Music in Mayagüez, Puerto Rico.

It is here that he began his singing career and minor percussion and at the age of 16 he became the singer of the school band. In 2004 the project ¨Yova Rodríguez & his group Sakao – Akà, Homage to Polo Montañez¨ began.

Since the release of her musical work, Yova Rodríguez, the ensemble Sakao – Akà, has become one of the most sought-after ensembles in Puerto Rico, Colombia, Venezuela and New York, since 2010 she has resided in The Big Apple, La Babel de Hierro N.Y. working on the musical composition for singers of the stature, Danny Rivera, Herman Olivera, Marcial Isturiz, Orquesta Boricua Legends, and the great Andy Montañez among others and to mention a few and traveling through several Latin American countries along with most of the artists already mentioned.

Yova Rodríguez - Photo — Yova Rodríguez – Photo

In 2016 he starts with his promotional song ¨Me Quedaré¨ with arrangements by trumpeter Nelson Jaime Gazu, a song dedicated to the thousands of Boricuas who have left their beloved Puerto Rico.

In 2017 he composes the song ¨Mi Barrio¨ dedicated to his native neighborhood and was presented in Mayagüez, at the same time Mayor José Guillermo Rodríguez gives him the keys to the city and a recognition, in the same year he composes the song ¨ Borinquén se Rivanta¨ where great luminaries of La Salsa participated in New York such as:

El Pulpo Colon, Jhon Benítez, Luis Mangual, José Dávila among others and by the hand of the Cuban trumpeter and arranger Agustín Someillan Garcia, in January 2018 it is presented in Medellín-Colombia in the prominent venue Son-Habana, returns to New York and composes the theme Medellín, it is presented on June 23 with a resounding total success in the event one day of Salsa for Medellín.

Yova Rodríguez himself informs me that he is already preparing his fourth record production by the hand of the pianist, arranger Arturo Ortiz. And at the same time he belongs to the board of directors of the Galería de La Salsa in Spanish Harlem in New York.

Yova Rodríguez - flyer — Yova Rodríguez – flyer

Luis J. Cruz H. – Puerto Rican Trombonist

North America / USA / New York

Luis J. Cruz H. They recognize the Puerto Rican Trombonist

The Puerto Rican Trombonist Luis J. Cruz H.

The sound of the trombone sings a seductive melody that fuses the Antillean archipelago into a single town united by strong historical-cultural ties.

The sons and daughters of the Caribbean have left their mark on universal culture, but the libertarian struggles established an umbilical cord that established the dream of an Antillean confederation that has resisted the divisionism that conquering partisans have sown for more than a century.

Luis J. Cruz H, an academic musician from Catañes based in New York with more than thirty-seven years of artistic life, recognized as the Steel Lips Trombone by legendary musicians such as Ángel ¨Papo¨Vazquez (Founder of the Manny Oquendo Free Group of New York, the Baracumbele Experimental Group of Puerto Rico).

Cruz got her start in music at the age of fourteen, when she took an optional music course in middle school. He discovered that he had talent, loved music and wanted to be a musician. The teachers advised him to enroll in the Escuela Libre de Música de Hato Rey in Puerto Rico.

¨I was privileged. I had excellent teachers at the Ramón B. López, Rafael Cordero and Onofre Carballeira schools. They encouraged me to study and listen to the call of my heart. My parents, Luis A. Cruz Vega and Carmen M. Huertas Santiago, were fundamental. My mother has been my greatest source of support and two educators, teacher Edgardo Correa and teacher Antonio Salcedo, are the people who have most influenced my professional development¨ recalls Cruz Huertas.

The love between the trombone and Cruz was one at first sight. ¨I heard the trombone and I fell in love with its sound. Then I petted him. I reach my soul. It’s been more than thirty seven years since I married my trombone and we became one.

Puerto Rico - Luis J. Cruz H. — Puerto Rico – Luis J. Cruz H.

He has participated in several orchestras such as José Alberto el Canario, Celia Cruz, Frankie Ruiz, Willie González, Eddie Santiago and is currently the first trombone of the legendary group Boricua Legends of Pedro Pocholo Segundo in New York.

In the coming days of the month of August, he will visit us in Caracas-Venezuela, to participate in a master class on techniques, use and execution of the slide trombone at the facilities of the National Center for Social Action for Music.

Thank you Rafael for all you have done for Salsa. Without you many of us would not be salseros

On August 29, 1926, Rafael Ithier was born in Rio Piedras, Puerto Rico. Brilliant and talented pianist, composer, arranger, producer and founding director of the University of Salsa “El Gran Combo de Puerto Rico”.

Former member of Cortijo y su Combo. Don Rafael Ithier is by his own merit an authentic living legend of salsa worldwide.

The Korean War was imminent. The young Puerto Rican soldier Rafael Ithier, in the service of the U.S. Army, feared being sent to the battlefield. Music was his thing.

He had been a pianist in several ensembles in his native San Juan before his military service.

His mission at that time (1950) was to organize an orchestra to liven up the parties at the military base.

But the group did not progress because the soldier with the soul of a musician did not hurry the coupling of the incipient band.

He wanted to buy time. “Sorry, sergeant, the band is not ready to perform,” Ithier would say every time he was called upon. In the end, his cunning saved him from war. Several of those musicians would later form the Borinqueña Mambo Boys band. From then on, Ithier would earn his living at the piano.

With that same astuteness, and after six glorious years and a painful separation from Combo de Cortijo, one of the most successful groups in West Indian music, this self-taught musician founded El Gran Combo de Puerto Rico.

He called several of the best musicians of the defunct Combo and two very young singers: Andy Montañez and Pellín Rodríguez.

May 26, 1962 marks the birth date of the orchestra, which today has become a living legend of the genre, with 48 years in the salsa music scene and 57 recordings.

Since its first presentation at the Rock and Roll saloon in Bayamón (Puerto Rico), the Gran Combo revolutionized West Indian music with an innovative clave rhythm for that time, which was aimed at the dancer’s ear.

The jocular lyrics of their songs with Andy Montañez’s and Pellín Rodríguez’s strong voices made an immediate impact.

In addition, the band’s fresh image and colorful choreography soon gave the band its own identity, at a time when orchestras were proliferating.

For its founder, “fidelity to an original style, but at the same time adaptation to musical evolution and group discipline have allowed us to get to where we are today,” says the 84-year-old bandleader. With this formula they survived the difficult times of the industry, the genre and the passing of the years and fashions.

Thank you Rafael for all you have done for Salsa. Without you many of us would not be salseros

One of the difficult moments that Ithier remembers was when the two flagship voices of the group left in the seventies. According to the musician, “many decreed the death of the Gran Combo”.But once again, the director’s wisdom came to the fore when he found two voices that matched the band’s style.

The arrival of the new singers (Jerry Rivas and Charlie Aponte) reflected Ithier’s knowledge and leadership in managing his orchestra. When Rivas, white and blond, was introduced to replace the stellar Andy Montañez, the other musicians, most of them dark-haired, looked at him with suspicion. Ithier, with his traditional good humor, responded: “You can rest assured, he’s a black man painted white”.

On the cusp of success today few remember the vicissitudes to consolidate, after the disintegration of Cortijo y su Combo (due to indiscipline of the musicians, among them Ismael Rivera), from where the base of musicians of the Gran Combo came from. Ithier recalls how they were branded as “traitors” by the public and the musical milieu.

“Several times we were hired in clubs and when we arrived to play and they saw us, they closed the doors. Those were difficult times, we didn’t even have a place to rehearse”. The orchestra was on the verge of disappearing, says its director, who, disillusioned, locked himself in his house, determined to give up music.

Rafael Ithier received Honorary Doctorate Degree

“The musicians came looking for me and after begging me to conduct for a while, I returned. The truth is that with so many problems I thought the group would last one or two years at most and look where we are now,” confesses Ithier.

But the constancy, the iron but friendly discipline and the virtuosity of the 14 members of the group paid off. In 2005 alone, they performed in 137 shows around the world.

Los Mulatos del Sabor, La Bandera Musical de Puerto Rico or La Universidad de la Salsa, nicknames by which the legendary group is known, are now in their 48th year.

The successful musical life of El Gran Combo de Puerto Rico is linked in every musical note to the style andpersonality of its director and founder Rafael Ithier. This pianist describes himself as a self-taught musician who never attended a conservatory.

His musical school was the street and his discipline to learn from the musicians of his time. Ithier, born in Rio Piedras, Puerto Rico, in 1926, has proven throughout his 63-year career to be a visionary of Latin music. In the 1960s, when he founded the group, he cemented his own style based on the rhythms that dominated the music scene of the time, such as bogaloo, jala-jala, bomba and plena. As for him, he was always a classical pianist.

In the seventies he understood the new direction that West Indian music was taking, already known as salsa, and he adapted to the changes.

He introduced the trombone to the brass section to give it a modern sound. Thirty years later, when the romantic salsa trend emerged, the Gran Combo knew how to stay current and worked in this line, without losing its style, but even so, the critics came.

“Music evolves like everything else and we adapt to the changes. Many orthodox of the genre do not accept it and criticized us, but for this reason many orchestras disappeared”. However, Ithier is one of the defenders of classic salsa and a critic of the so-called salsa monga (romantic), today in decline due to the resurgence of salsa dura.

“Those little guys missed the formula. They didn’t know what the clave was and they took away all the flavor of our music, they all did the same thing and that scared the dancer away. They even said that the clave was a delay in the music”.

In Latin music industry and genre circles, his influence is more than recognized.

It was Ithier who Gilberto Santa Rosa sought out for advice and support to become a soloist after having played with orchestras such as Willie Rosario’s. At present, Rafael Ithier continues in the direction of the Gran Combo and has no plans to retire, although he has not sat at the piano for three years due to hearing loss, according to himself, “due to an illness poorly cared for by not stopping traveling with the orchestra.”

Source: Alejandro-Gonzalez Teodoro (Dr Ted Alejandro Jr)

Also Read: The Royalty of our Latin Music Pete “El Conde” Rodríguez first singer signed by Fania Records label

Edwin “El Calvito” Reyes. From combat to Beats

North America / USA

After participating in the largest military coalition in the history of the United States, Edwin “El Calvito” Reyes has shown that the phrase “If you dream that you can achieve it” is totally true. Dreams are achievable with perseverance, dedication and talent, qualities that this dreamy Sonero has, who will launch his record label soon for all Salseros lovers who support the new blood of the Salsa.

Edwin was born in Trujillo Alto (Puerto Rico) in 1974 and when he was 19 years old, he began his artistic career, playing and doing concerts of Plena (Folkloric Puerto Rican Music) in his hometown. Five years later “El Calvito” Reyes enlisted in the US Army in order to give a better future to his family, after a terrible work accident in his previous job (He was an Electrician).

Edwin “El Calvito” Reyes - Photo — Edwin “El Calvito” Reyes – Photo

During this year of change (1997) Edwin had his first opportunity in front of the American public as vocalist leader in a consolidated orchestra in these lands, “Papo salsa and his Tumbao” in Fort Stewart Army Post, GA, thanks to the expert eyes of Víctor Paris and Mr. Godreau, “Papo Salsa”.

From March 2003 to 2007, Edwin “El Calvito” Reyes went to combat four times in Iraq and once fought in Afghanistan, but he always felt the need to help relieve the stress of all the soldiers who were in those circumstances like him. In this way he created Saturdays of Salsa in combat for which he received help in the first instance from an U.S. civilian specialist in communications, Mr. Pérez, who contributed a large part of the necessary sound equipment to carry out this incredible idea at the beginning.

Later, Edwin with his percussionist and DJ skills in 2005 returns to Iraq but this time better prepared to carry out the Saturdays of Salsa parties during the fight. During this year he had his first performance in front of a crowd of soldiers and civilians accompanied by an orchestra of 14 musicians live, among which were: the Puerto Rican and master pianist José Pomales, Willie Báez, Julio De La Rosa, and Javier Solivan, among others …

Everyone playing outdoors in the main dining room at Camp Liberty where the stage was. From this success, the band continued its touches until 2007 in this warlike country with an orchestra of more than 15 pieces: Piano, Bass, Trumpets, Trombones, Tenor Sax, Conga, Timbale, Bongo / Bell, Drums, Vocalists and a sound master, with which this wonderful orchestra made a total of 25 presentations. “We were flown like true artist, in helicopters from one base to another, to just perform and then return back to our original base… Playing at Saddam’s Palace (a true palace made of concrete and marble) was the highlight. Also, at Camp Slayer where the biggest dancing crew gathered was an adrenaline rush for us… All with the help of great people who really felt like I felt; boost our own moral in combat!” told us Edwin.

In parallel to his military career, “El Calvito” Reyes participated in the Latin Music Orchestra in the city of Savannah, GA, “Ron con Anís” by the dead musician David Mercado and of which in 2006 he would be its owner under the new name “Orquesta con Clase” reaching objectives such as: leading the Latin American Services Organization (LASO) Festival in Savannah with more than 6,000 attendees; They were the “Guests of Honor” for the Fiesta Atlanta Festival at the Olympic Centennial Park in Atlanta, Georgia, performing in front of 10,000 people. Also, they served as the backup band for: Salsa Legend, Larry Harlow, the 2011 Hotalanta Salsa Congress, and many more.

In 2011 he is part of a selection of elite musicians of the U.S. Army to form a Latin music band called “One & Only” idea of creation by The Army Marketing & Research Group (AMRG) and carried out by the musicians Carlos Negrón and Albert Sánchez. This band, similar to U.S. Army Jazz Ambassadors sang Salsa, Merengue, Bachata and other Latin rhythms for the entertainment of their audience. During his tenure in this band he performed at the annual conventions of the League of United Latin American Citizens (LULAC), which is the largest nonprofit organization in America. He helped many Latinos obtain millionaire scholarships, he was master of ceremonies on three occasions contributing with his knowledge on “The importance to stay positive and reach that goal” and “How the army life will impact your life”.

From 2012 to 2016, he was the Official in charge of the Ensemble. He achieved the inclusion of more musicians to the group including female talent. He had the privilege of meeting political figures such as Michelle Obama, Hillary Clinton and Ricky Rosello (current Puerto Rico’s Governor), as well as acting in front of world-renowned stars such as: his idol Gilberto Santa Rosa, Olga Tañón, Tito Nieves, Jennifer Lopez, and many luminaries of the country’s Hispanic television.

Edwin “El Calvito” Reyes, leader, visionary and humble was also the host of a radio show called “My Salsa Show” in WHCJ 90.3fm at Savannah State University. From there derives his nickname “El Calvito”, thanks to one of his fellow broadcasters of the station and since then he is known as Edwin “El Calvito” Reyes by all his fans.

“ … I play Timbales, Conga, Bongo, Bata, Campana and all minor percussion… I ask not to be considered a master percussionist, as I’m learning the craft of all, but so far I have mastered the playing and singing simultaneously.”

This Sonero, percussionist has composed several songs and has made numerous covers. “You are My Wife” (2016) with arrangements by Castor Ugarte was his first composition with lyrics inspired by his wife.

His most recent single “Mi Tierra Querida”, al Son de Bolero, (2018) showed that doing what he loves has been one of his best keys to his resounding ascent in this career. This composition of the “Virtuoso de la Salsa” Rey Torcat with arrangements of the same Edwin with Eric Maldonado (Owner and Master Engineer at Paris Recording Studios, Tampa, FL) and on the piano, Adam Perez, has been a symbol of hope for all Puerto Rican emigrants based in the U.S. “Mi Tierra Querida” was awarded by the Akademia Music Award for Best Song back in April 2018.

“Mi Ritmo se llama Zalsa” is a theme that he launched this year and invites the dancers to perform their best steps on the track with its fast paced. Lyric by Rey Torcat, produced by Eric Maldonado, and with the participation of: Archie Pereira (piano), Kevin Pagan (Bass), Luis Chafalote (trumpets), José León (trombones) and Ricardo Rodríguez (saxophone Bari). This song currently ranks # 1 in Salsa Tune in Barcelona, Spain, based on the Record Pool of “Gussi DJ” on Tune in Radio.

“Soneros de Sangre Nueva” is another song of his authorship and the third that works in conjunction with Rey Torcat. In this single they share together the interpreters: Josean Rivera “El Nuevo Amolador”, Edwin Lebron “Xtraordinario”, Nandy “El Sinsonte” (Conquistador Del Elemento) and Gumbay Navedo (Carmen Sol). Also, the musicians of great trajectory, such as: Banny Maldonado, Grammy Winner, (Timbales), Edwin “Pirulo” Reyes (Congas) and Kokoand Take (Bongo / Bell) and in the choirs the Lead vocalist of the legendary CORPORACION LATINA, Edgardo “Bambino” Otero participated in this hit. Similar to his two previous unreleased tracks “Mi Tierra Querida” and “Mi Ritmo se llama Zalsa”, “Soneros de Sangre Nueva” has had a great acceptance and support from the public knowledgeable appreciative about the new Salsa representation worldwide.

The covers “Ya te Olvide” (2017) original song by the successful Mexican singer Marco Antonio Solis, recorded in the state of Kansas with arrangements by Carlos Ugarte and “RAN KAN KAN. Just for the King”(2009), tribute to Tito Puente under the production of one of the best percussionists, David Lugo with different choirs, Xilofono or Marimba, Trombones, and solos by Conga and Timbal, have screened” El Calvito “Reyes at the top of the most outstanding relief Soneros Salseros today.

Edwin “El Calvito” Reyes performing at the concert

With 25 years of musical experience and more than 10,000 presentations around the world, Edwin has stepped on the best stages including the World Peace Festival at the Olympic Stadium in Seoul (South Korea) in front of 82,000 people. He also had appearances in more than 20 Salsa Social events in many clubs throughout the peninsula, participated in the Salsa Beach Festival in Pusan and in two Asia Salsa Congreses with the master trombonist’s band, Greg Peña.

“Salsa is my therapy,

Edwin, who currently resides in Palm Coast, Florida, and after 22 years of service in the U.S. Navy and retired as Chief Warrant Officer, is preparing his debut album to be released in 2019 and doesn’t discard in the future to continue working on behalf of Hispanic communities around the world as a motivational coach, always bringing optimism and hope for a better future for the Latins.

Edwin “El Calvito” Reyes - A New Design - Made with PosterMyWall — Edwin “El Calvito” Reyes – A New Design – Made with PosterMyWall

All his music can be downloaded NOW on all digital platforms.

For more information, please visit www.ElCalvitoReyes.com or follow him in all his social networks as Edwin El Calvito Reyes.

Video: https://youtu.be/XMRTsFvpT0A