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Search Results for: Legend

Luisito Ayala and his Puerto Rican Power ¡Somos el Poder!

Luis César Ayala, known as Luisito Ayala is a native of Humacao, Puerto Rico.

His beginnings in music date back to his fifteenth year, performing as a trumpet player and director of the student group “Combo Estudiantil”.

At the age of sixteen, he began as a professional trumpet player in the Orquesta Panamericana, Willie Rosario, and Willie Rodriguez.

In the early 70’s the bassist and first director Jesús “Chuy” Castro founded the Puerto Rican Power Orchestra. Chuy was studying medicine and decided to dissolve the orchestra.

Luis César Ayala, known as Luisito Ayala, is a native of Humacoa, Puerto Rico.
Luisito Ayala and his Puerto Rican Power ¡Somos el Poder!

In 1978 Luisito Ayala acquired the rights of the orchestra and became its new director and trumpet leader.

This new stage and for six consecutive years the Puerto Rican Power Orchestra accompanied all the Fania Records artists that visited the enchanted island of Puerto Rico, among these famous stars were: Celia Cruz, Cheo Feliciano, Pete “El Conde” Rodríguez, Vitìn Avilés, Santitos Colon, Ismael Miranda, Héctor Lavoe, Paquito Guzmán and others.

By 1983 Luisito incorporated to his orchestra the quoted singer Tito Rojas “El Gallo salsero” as lead vocalist, from that moment the history changed. Puerto Rican Power became one of the most powerful orchestras in the salsa scene.

At the end of the 80’s, it became the stellar orchestra when it joined the cast of the record label Musical Productions (MP).

It was so successful that later the company decided to launch Tito Rojas as a soloist.

His time with Musical Productions and the Puerto Rican Power Orchestra spanned 9 years where he recorded great and important productions such as: Puerto Rican Power, Con más Poder, Con todo el Poder, El Da más Poder, and Poderoso pero Diferente.

Tracks such as “Noche de Bodas”, “Quiéreme tal como Soy”, “Juguete de Nadie”, “A Donde Irás”, “Emergencia de Amor”, and “Quiero Volver Contigo” have taken him around the world with his music.

The release of the album Con todo el Poder, in 1992, had a monumental impact on the public, the song “A dónde Iras?” led them to obtain local and international awards such as La Campana de Oro, El Combo de Oro, El Buho de Oro, Diplo’s, Paolis, Tu Música and nominated to the prestigious Billboard Awards.

In 1999 he became part of the record label J&N Records.

Luisito Ayala and his Puerto Rican Power ¡Somos el Poder!
In 1978 Luisito Ayala acquired the rights to the orchestra and became its new director and trumpet leader.

He continues with his overwhelming success with the productions: Men in Salsa, Wild Wild Salsa, Salsa Another Day and Éxitos Más, spreading with intensity the songs “Tu Cariñito”, “Me Tiene Loco”, “Doctor”, “Si Pero Na”, “Pena de Amor”, “Cuando me faltas Tú”, “Mi Mujer es un Policía” among others.

Another important production for the Puerto Rican Power Orchestra was “Salsa of the Caribbean”. a conglomerate of rhythm and flavor that got everyone dancing.

In 2009, Luisito Ayala takes another successful step in his musical career by presenting the recording “Luisito Ayala y La Puerto Rican Power…¡30 años de Power! A compilation of his most acclaimed live hits available in DVD and CD formats, this tour of famous songs includes 13 tracks including: “Quiéreme Tal Como Soy”, “Noche de Bodas”, “¿A dónde Iras?”, “Tu Cariñito” and Juguete de Nadie”.

In 2009, Luisito Ayala took another successful step in his musical career by presenting the recording "Luisito Ayala y La Puerto Rican Power...¡30 años de Power!
“Luisito Ayala y La Puerto Rican Power…30 years of Power!

His next musical work under the Latin Word Records label entitled A Otro Nivel! with the musical direction of maestro Julio “Gunda” Merced with his hit “Tengo Miedo” in the voice of the legendary Jose Feliciano.

The production shined with the participation of the outstanding voices of Fania’s Niño Bonito Ismael Miranda, Javi Marrero, Kittin Santiago, and Luisito Ayala Jr.

For 2014 and Luisito Ayala y la Puerto Rican Power returns with a masterpiece of modern Puerto Rican salsa entitled “Somos el Poder” is a mix of romantic and danceable material that sets a standard in the tropical genre.

That said the album highlights the common threads of salsa with a lot of swing and a Big Band sound, the first single titled “Dímelo Tu” in the youthful voice of Joshua Marcell, has become an anthem in Puerto Rico.

Marcell and the other singers Norberto “Gazu” Millón and Luisito Ayala Jr. come in with a new outfit and a new style for the group.

Another highlight of this album is the stellar posthumous tribute to Luisito’s son Braulio Ayala with Tony Vega, Tito Rojas, Ismael Miranda, Pedro Brull, Tito Nieves, and other salsa stars.

Once again Ayala presents us with a production of great variety and commercial appeal… ¡Somos el Poder!

For 2019 Ayala and the Puerto Rican Power bring us their most recent production titled 40 años de Poder.

Para el año 2019 Ayala y la Puerto Rican Power nos traen su producción titulada 40 años de Poder.
Para el año 2019 Ayala y la Puerto Rican Power nos traen su producción titulada 40 años de Poder.

Contact:

Mambiche Records

Luisito Ayala Tel: 787-649-4440

Email: [email protected] / Wed: www.puertoricanpower.com

Article of Interest: Celso Clemente Torres is considered one of the best-sounding bongos in the world.

Spanish Harlem Salsa Gallery and its role towards salsa

Spanish Harlem Salsa Gallery and Latin music

The Spanish Harlem Salsa Gallery is one of those places where every salsa lover in New York should visit since there is plenty to see here. This museum has all kinds of items donated by many renowned artists or relatives of some who had passed away. This collection of valuable possessions has resulted in a set of priceless objects that will bow anyone visiting the facilities of such a special institution out of water. 

The Spanish Harlem Salsa Gallery, also known as Spaha Salsa Gallery, can be defined as an institution of a cultural nature whose main purpose is to serve as a reminder of how great our culture is, especially our music. Both residents and visitors of East Harlem, New York, can learn about the salsa genre and its roots as long as they desire. All thanks to a lot of tools, information and many initiatives with which those interested will know all kinds of interesting facts about salsa first hand. 

Another of the great objectives pursued by this place is the quest for knowledge about Latin music and the artists involved to offer it to anyone who decides to visit its facilities. That is why both its president Johnny Cruz and the team that helps him have been responsible for creating an inclusive and diverse gallery in which you can appreciate how far Hispanic talent has come by the hand of its top stars. 

Johnny and Boris
Johnny Cruz and Rubio Boris presenting their show

Role of the Spaha Salsa Gallery in the dissemination of Latin culture 

The role played by the Spaha Salsa Gallery in the dissemination of Latin culture is very important, since these institutions are the ones that manage to arouse the interest of the inhabitants of Harlem and other nearby sectors towards one of the most representative musical genres of Latinity. This has made many other cultural institutions to use this gallery in order to awaken a higher interest in its own activities, which shows extensive cooperation between those who seek to promote anything Latin-related at all costs. 

Fortunately, our work is not that complicated to carry out because too many tourists visit New York every day and many of them know that this city was the birthplace of the biggest salsa movement in history, so they are always looking for cultural sports in which you can find information about this set of rhythms and how it emerges in the public arena.   

Instruments donated by La Sonora Ponceña
Some instruments donated by La Sonora Ponceña

Who Johnny Cruz is 

Johnny Cruz is the founder of the Spaha Salsa Gallery, but there are many other facets by which this talented Puerto Rican is known in the entertainment industry. Cruz is a famous musician and record producer who has worked and make friends with a wide number of artists from all genres, by providing him with the platform to create a true sanctuary for Latin music lovers. 

One interesting fact about the museum is that it is located on the plot where a hardware business owned by Johnny’s father used to function, which was made into something completely different thanks to the genius of his son long after. Today, that place contains several of the most invaluable objects in the history of salsa and whose relationship with some of the greatest figures of the genre is legendary.   

Link to the official website of the Spaha Salsa gallery: spahasalsagallery.com

By: Johnny Cruz correspondent of International Salsa Magazine in New York City, New York

Noticias Con Sabor with Luis Medina

Noticias Con Sabor in the month of January

We leave this year with the loss of giants in the Latin Music who have joined the ancestors that include the recent loss of the legendary Mexican star Vicente Fernandez, Panamanian powerhouse sonero Meñique and Paquito Guzman who was known for both his boleros and Salsa tunes.  This year we have also lost legends and great musicians such as Johnny Pacheco, Roberto Roena, Chick Corea, Larry Harlow, Adalberto Alvarez, Johnny Ventura, Ralph Irrizary, Tommy Villariny and at the end of 2020, Tito Rojas.  We are lucky that these artists have left us with their legacies of music that will continue to entertain people for years to come.  Rest in Power!

Spanish Harlem Orchestra conquered Monterey with two explosive sets at a special show this past Saturday, Dec. 11th at the Monterey Conference Center. SHO played a few new tunes from their upcoming 2022 release, their repertoire of hits and Christmas salsa music much to the crowd’s delight. I had the pleasure of emceeing the show as well as playing music as the event’s DJ. SHO who were on fire all night and the dance floor was packed all night long. The crowd roared their approval with a standing ovation at the end of the night.  SHO responded with an infectious danceable Christmas song with a crowd sing-a-long which ended the festive evening. Thanks to producer Luis Mendoza and Montuno Productions for inviting me to be a part of this event. Thanks to the great crowd in Monterey who are salseros all the way!

Oscar Hernández playing the piano
Oscar Hernández from Spanish Harlem Orchestra performing at The Monterrey Conference Center

During the COVID19 pandemic, it seemed that all live music stopped being played in public.  However, there were a few places, mostly outdoor cafes, farmer’s markets and restaurants with outdoor dining that offered live Latin Jazz during these dark times.  One of the unsung heroes who continued to play when the pandemic was at its height is veteran pianist-bandleader Gary Flores who formed Salsa Caliente in SF in 1976.  The group has had a lot of prominent musicians including vocalists Paquito Acosta and Angelo Pagan who continued to see their careers thrive in Puerto Rico and Los Angeles.  He disbanded Salsa Caliente in the late 90’s to concentrate on a smaller Latin Jazz group.  Flores along with ex Franco Brothers bassist/vocalist Carlitos Franco and a revolving lineup of all-star percussionists including Santana timbalero Karl Perazo and former Avance bongocero Oscar Soltero kept the live music going during the pandemic at different venues.  Flores was able to continue to play Latin Jazz and Salsa in stripped down format as a trio due to rearranging Salsa tunes as all the members sang coros and vocalized horn lines behind Franco,   Now that live music has made a comeback of sorts and some venues are now booking bigger bands, Flores is revitalizing a bigger version of Salsa Caliente featuring Franco and Perazo.  Flores has been writing new music and plans to record new music with the group.  His last recording “Descarga Caliente: A New Beginning” came out in 2005.  Gary Flores is a veteran and a survivor of the San Francisco Salsa Scene who deserves a big shout out for keeping Latin music alive in the age of COVID!  Pa’lante Gary!!

Reopening will be later

Some scenes are not reopening for 2022 until February or later.  One of those venues affected is Space 550 at 550 Barneveld St. in San Francisco who will reopen in February due to concerns regarding the current surge in COVID cases and the situation with the new variant of the disease.  I also spoke with Adrian Goddard of Jaffe Events who told me that he will continue to book events but later in the first quarter of 2022,  For some event producers, January isn’t a good month to book Latin Music.

People at Space 550
Some people dancing at Space 550

However that’s not stopping Grammy Award winners Pacific Mambo Orchestra who will play their annual January dates at Yoshi’s, Jack London Square on Friday, January 7 and Saturday, January 8th.  Get ready to enjoy and dance to swinging Mambo, Salsa and Latin Jazz from this awesome all-star 20 piece band led by pianist Christian Tumalan and trumpeter Steffen Kuehn. This SF based band is scheduled to play at Europe’s prestigious Tempo Latino Festival in late July. Tickets are now available for these upcoming January dates at Yoshi’s. For more information,  visit www.yoshis.com.

The Cigar Bar, 850 Montgomery St. in SF is starting 2022 with a calendar of great acts coming to this fine venue where you can dine, dance and smoke a fine cigar if you choose to do so. The schedule includes Orquesta La Original w/Alexis Jan 7, Josh Jones Latin Jazz Ensemble Jan 8, The Latin Rhythm Boys Jan 14, Edgardo y Candela Jan 15, N’Rumba Jan 21, La Clave Del Blanco Jan 22, Julio Bravo Y Salsabor Jan 28 and Manteca Jan 29

The Seahorse in Sausalito continues to feature explosive music from the following acts in January on Saturday and Sunday including La Clave Del Blanco Jan 2, Gary Flores and Salsa Caliente featuring Karl Perazo of Santana Jan 8, Edgardo Cambon y Candela Jan 9, Carlos Xavier Salsa Band Jan. 15, Louie Romero and Mazacote Jan 16, Braulio Barrera and Somos El Son, Jan 22,  Orquesta Bembe featuring Christian Pepin on Jan. 23 and Rumbache on Jan. 29.  DJ Jose Ruiz from KPOO/KPFA Radio will also be behind the decks for your dancing pleasure. Check out their fine Italian cuisine and selection of beer and wine.

Seahorse at night
Beautiful decoration of Seahorse at night

The Ramp, 855 Terry Francois in SF continues to offer Salsa under their all-weather tent during the month of January.  Their line up includes N’Rumba Jan 8, Louie Romero & Mazacote Jan. 15, Manny Martinez y La Rebeldia, Jan 22 and Orquesta Borinquen on January 29th. DJ Mendy is providing the music in-between sets and from 9 to 11 pm.  The music starts at 5 pm on Saturdays.

Cascal, 400 Castro in Mountain View will be featuring the explosive sounds of Edgardo Cambon and LaTiDo on Fridays, January 7th and 21st starting at 7:30 pm. There is no cover. Cascal continues to offer their tasty menu of Spanish cuisine, Tapas and fine drinks.

The following recordings kept me going during the second year of COVID19: Ruben Blades “Salswing”, El Gran Combo “En Cuarentena” and their Xmas cd “De Trulla Con El Combo”, Gilberto Santa Rosa’s all-star studded “Colegas”, Sonora Ponceña “Hegemonia Musical”, Mel Martinez “Asi Escribe Un Sonero”, Los Generales De La Salsa featuring Van Lester, a 1996 all-star session finally seeing the light of day, Tromboranga “Salsa Terapia”, Los Van Van “Mi Songo”, Various Artists “El Son De Caballero-Homenaje A Adalberto Alvarez and “Son Para Un Sonero”, Sounds Of Cuba “Los Titanes De La Timba”, Alexander Abreu/Havana d’Primera, Various Artists “En Barranquilla Me Quedo-Homenaje a Joe Arroyo, Dorance Lorza’s Sexteto Cafe “20 Aniversario”,  Luis Perico Ortiz “Sigo Entre Amigos”, Charlie Donato’s Son Ideal “De Vuelta Al Barrio, Eduardo Zayas Y Su EZ La Banda “Huerto De Soneros” and his latest “Sabor Y Sandunga”, Alain Perez, Issac Delgado & Orquesta Aragon “Cha Cha Cha: Homenaje A Lo Tradicional”  and Orquesta Failde “Joyas Ineditas”.  There are a flood of singles that did the job as well from Julito Alvarado’s maxi single “Lo Que No Se Escucha (Descarga De Soneros), Don Pergiñon Y La Puertorriqueña, Marc Anthony, Wilito Otero, Josean Rivera, Monsi Y Su Salsa , Mariana Y Su Makynaria, Julito Albino y Secreto De Voces and VibraSON.  These recordings are some of my picks for the Best of 2021.

And…if that wasn’t enough, my program Con Sabor, Saturday nights 9 to 11 PM PST on KPFA 94.1 FM will be celebrating its 25th Anniversary year on January 1, 2022!  Time flies when you’re having fun!!  I’m also on “Sabiduria Con Tumbao” every Wednesday night 5 to 7 PM PST on WorldSalsaRadio.com.

That’s it for this time.  Ciao 4 now!!

The tent at The Ramp!
Inside the tent at The Ramp

This is the report last month: Noticias con Sabor by Luis Medina

BY LUIS MEDINA, PRODUCER AND HOST OF CON SABOR ON KPFA 94.1 FM AND SABIDURIA CON TUMBAO ON WORLD SALSA RADIO.COM

How Birdland began operating and its role in Latin music

What is Birdland?

Birdland has been the place in which many of the most important New York’s stars of the show were born and has represented the beginning of many artistic careers that have achieved worldwide fame, so this spectacular venue deserves all the recognition and fame that it has accumulated over the years. 

This is a jazz club that began operations in December 1949 in Manhattan and was closed for a few years until its reopening in 1986. What happened was that a second location of the same name was opened in Manhattan and was not too far from the land on which the original club operated. Today, Birdland operates at the same facility as the headquarters of the famous local newspaper The New York Observer in the past. 

Stage at Birdland
Stage of the jazz club Birdland

Story about how the idea to create Birdland was born  

During the 1920s, there were a lot of musicians who had to move to New York City because it was there that the biggest jazz movement of the moment was being produced. It could be said that the birthplace of the most famous jazz styles of the last decades was the Big Apple and its surroundings. 

It was there where and when the musical career of Charlie Parker, affectionately known as Bird by most of his fans, emerged. Some time later, it would be this brilliant artist and talented saxophonist who would get one of the most popular jazz clubs in the city and the country in general named after him. This would be one of the many tributes received by Parker before and after his death in 1955. 

Once Birdland was opened in the late 1940s, the saxophonist began performing there on a regular basis along with many other music legends of the moment such as Dizzy Gillespie, Lester Young, Lennie Tristano, Maxie Kaminsky and many more. Although Birdland was named to honour Charlie, that did not keep the artist from having some friction with Oscar Goodstein, one of the founders of the venue, who said that Parker was constantly asking for too much money. As the story goes, this was the reason why the musician did not perform as many times as expected. 

On the facade of the club, a neon sign could read Birdland, Jazz Corner of the World, making it clear what its customers would find once they entered the facility. Once inside, there was space for approximately 500 visitors and a full orchestra to lighten the mood that night. Birdland included a very long bar, spacious tables, stands with a wide variety of products, folding chairs, among other things. At that time, customers only had to pay a $1.50 fee to enjoy everything that the nightclub had to offer.   

It went on to have so much prestige that it had among its visitors Marilyn Monroe, Frank Sinatra, Gary Cooper, among other personalities from the entertainment world. It has taken so much popularity in those years that composer George Shearing dedicated one of his greatest creations entitled Lullaby of Birdland to it, which was also inspired by Charlie Parker as well as the name of the place.  

Tommy Potter, Charlie Parker, Dizzy Gillespie and John Coltrane at Birdland
Tommy Potter, Charlie Parker, Dizzy Gillespie and John Coltrane performing at Birdland in 1951

The role of Birdland in Latin music 

Just as Birdland contributed to the emergence of important careers in the jazz music scene, it also did the same with a good number of Latin music singers who saw this corner of New York as an opportunity to make their art known to other audiences. One of them was world-famous bandleader, composer and musician Tito Puente, who performed at the venue on several occasions and improvised many sets with Dizzy Gillespie and Lionel Hampton. 

There is also the case of Tito Rodríguez, who made use of his great talent to record a spectacular live album entirely dedicated to Birdland and whose name was Live at Birdland. In addition, he featured incredible collaborations with great musicians such as Clark Terry, Al Conh, Zoot Sims, among others. 

Another of the great Latin music artists who came to perform at this venue was Cuban bandleader, arranger and trumpet player Chico O’Farrill. The artist played and recorded at the club on a wekly basis about the time he already had his own orchestra called Afrocuban Jazz Orchestra. Arturo O’Farrill, worthy son of his father, also performs regularly at Birdland with his orchestra The Afro Latin Jazz Ensemble. 

Announcement about Tito Puente's concert
Announcement of Tito Puente’s show at Birdland in 1999

International Area – December 2021

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.