Search Results for: Música Latina

Trombone player Lindsey McMurray from the women’s orchestra Las Chikas

Lindsey McMurray, bandleader of the group Las Chikas, has graciously accepted our invitation to talk about the women’s orchestra she is leading, which makes us very happy and pleased, so we invite our readers to enjoy this interview from beginning to end and learn about the musical journey of this young artist.

Lindsay from Las Chikas singing — Lindsey McMurray singing during a concert with Las Chikas

How Lindsey got started in music

Lindsey’s journey to become an artist began very soon at school, when she was just 10 years old and started learning to play the trombone. Prior to this, she had already studied other instruments such as the keyboard and the recorder, but she ended up trying the trombone.

Soon after, at the age of 11, she joined the school jazz band, but it was not until college that she began experimenting with salsa in orchestras that played this genre. Until then, Lindsey had had virtually no contact with Latin music, as she had only listened to typical U.S. rhythms. However, once she discovered Latin American music, she could not escape her love for it and continues to play it to this very day.

It should be noted that the musician does not have any family member who is too. So she would be the first one to make music her profession and, of course, one of the most important areas of her life.

Professional experiences prior to Las Chikas

Before even getting to know of the existence of Las Chikas, Lindsey was on a TV show called ‘’Noches Con Platanito’’ in the musical side, but she did not really lead anything until the bandleaders of the groups who were there left. Her big break came in 2017, when she finally managed to become a bandleader herself and, in turn, started two groups at the same time.

This is because Lindsey did not want to depend on anyone be called whenever she was required, but, on the contrary, she wanted to go on developing her autonomy to the point of being the one to create jobs for others instead of looking for them somewhere else.

Las Chikas

It is important to clarify that Lindsey is not the founder of Las Chikas, but that the group already existed before she joined during the pandemic. The idea of Las Chikas was born during “Noches Con Platanito” as part of the show, but Lindsey and the other members wanted to have activities outside of the show and what the production asked them to do. At that time, the leader and founder of the group was Eliana Rose who during the pandemic wanted to settle in Southern California, so she asked the artist to take her place, which she accepted.

This posed a significant challenge for her, as she had never led a Latin music orchestra in her life. However, the novelty did not make him get cold feet, but on the contrary, it was an experience she wanted to live in order to learn from it.

The current members joined the group thanks to recommendations from friends and other people in the industry. Already at this point, it can be said that they all are her friends, to the extent that they have shared all kinds of special occasions such as birthdays, trips, and much more.

Why only women in the orchestra

What catches the attention about Las Chikas is that, as its name suggests, it is only composed of women. One of the reasons is that the industry, despite of the recent social changes, continues to be dominated by men, so these young female talents find support between themselves.

What the original founder wanted was to promote the idea that a group of girls could play Latin music without it being perceived as strange. Lindsey shares this vision with hundred percent and hopes new generations of women never think for a moment that their gender is a limitation to achieve what they want in music.

Las Chikas with its certificate — Marina Panzetta, Shirly Ace, Lindsey Murray, Whitney Hernadez, Gabby Tamez, Maria Vega, Mayelin Vazquez, Alisha Ard Vazquez, Dolores Duran-Cefalu, and Anitta Garay from Las Chikas posing for the camera with its certificate from the City of Los Angeles. Photo taken by Craig Cochrane

While acknowledging that there have been positive changes in recent decades, she thinks there are areas that do not have enough female representation such as percussion, bass, production, arranging, among others. It is very common for women to be vocalists in a band, but it is still unusual to see them in other areas of the project.

Las Chikas as a mix of cultures and ethnicities

On the band’s website, it can be read that the group is a mix of diverse cultures and ethnicities. In this regard, Lindsey pointed out that, while it is true that she is not a Latina, she has always sought to create something as authentic as possible that is rooted in Latin culture, of course with great respect. “Latin music is so joyful, intelligent, and capable of being beautiful to the eyes of any human being who hears it. I also want in a certain way to make non-Latinos enjoy this beautiful music as much as I do,” Lindsey added on the subject.

She also said that diversity plays a very important role, as non-Latino audiences tend to feel that they have permission to be part of the joy emanating from this music. In addition to that, the fact that the members have diverse backgrounds helps the band have different perspectives on what they want to do.

Today, Las Chikas is composed of Cuban singer Mayelin Vázquez, Cuban singer Whitney Hernández, American pianist Dolores Duran-Cefalu, bassist María Vega, Mexican timbalera Anita Garay, Mexican conga player Diana Teixeira, American trumpet player Anne King, Mexican saxophonist Marina Panzetta, and Lindsay herself on trombone.

Albert Torres The Ambassador Of Salsa

North America / USA / New York

Albert Torres, a sympathetic boy with blushing cheeks who born in Brooklyn – New York – never suspected what his destiny had prepared him, to be the father of the Congresses of Salsa worldwide. His name would resound from North to South and from East to West, by the continents: American, European and Asian; in the different important scenes of the Latin music movement and would be the inspiration for many dancers of this branch.

His legacy would belong to the astonishment and shelter of the artists and the public that would applaud his talent, vigor and semblance to the rhythm of the phrase “Una Bulla”. This cheerful infant, without a doubt, was going to be a legend of Afro-Caribbean music. I’m talking about Albert Torres, The Ambassador of Salsa!

Albert began to listen to the salsa genre from the age of 5, staring in astonishment at the whole scene, sitting, of his first dance lessons … At the famous Palladium in New York, where his mother danced and liked the music of Mongo Santamaría and Tito Puente.

This child, future congressman of Salsa, grew up when the history of Latin popular music (salsa) was being written in the South Bronx, where Puerto Rican communities were having a great explosion of creativity and musical activity.

At the age of 12 years old his family decides to move to Puerto Rico, “By that time I did not want to speak Spanish, I did not want to be Puerto Rican. I did not want to be part of that environment”, said Torres. He only danced disco and Hustle. However, at the age of 15 his life took a dizzying turn when he heard:

“Oye que lio que lio se va a formar

cuando mi gatito sepa

y es tan simple la razón

El que a su gata le cuenta que el que a

su gata le cuenta

no es nada más que un ratón

un ratón…

…Échale semilla a la maraca pa que

suenen

chacucha cuchu cucha cucha

échale semilla a las maracas pa que

suenen

échale semilla a esas maracas oye

chacucha cucha cucha cucha

y hace rato está sonando sonando

chacucha cucha cucha cucha…”

Albert Torres simply fell in love with the Salsa thanks to this theme: “El Ratón” of Cheo Feliciano together to Fania All Stars. “The legends of salsa changed my life. When I heard these legends, that August 26th of 1971, in the Cheetah, something happened inside me. The music entered by the feet and came to my heart”. Thus, declared his beginnings in the Salsa, Albert Torres.

In 1991 his passion for Salsa took him to impress the girls of the neighborhood by his incredible steps to a Hollywood celebrity when he, first time, participated in the movie Mambo Kings in which he was chosen as one of the main dancers.

Hollywood - Albert Torres — Hollywood – Albert Torres

There he not only helped Antonio Banderas with the dance steps, but also with the English by that time for Banderas was very hard. In addition, during the filming of the movie Albert had the opportunity to share with big of Salsa like Celia Cruz, José Alberto “El Canario” and his great idol Tito Puente.

That film was the hit that catapulted Torres to world fame being chosen by Debbie Allen as one of the 4 dancers (of more than 400 couples) to participate in the Academy Awards (1993) and to dance “My beautiful Maria” whose Singer was Plácido Domingo and where he stood out as the first Puerto Rican to dance in the history of the ceremony.

Then, he returns to the cinema being the choreographer and dancer of Salsa scenes in the romantic film “Dance with Me” with Vanessa Williams and Chayanne during 5 months.

Later he worked on the movie “Out to See” (1998) with Jack Lemmon and Walter Matteau and in the same year he also made a guest starring appearance on the Keenan Wayan’s Show where he performed with Jennifer Lopez. Everywhere there was Salsa, Torres seemed to be there. At the time and with all this like trajectory Albert Torres in 1991 also began his stage as a producer.

He started promoting Salsa clubs in Los Angeles, “I lost a lot of money. Nobody wanted to know about Salsa”, said Albert. Nonetheless, he began to handle Johnny Polanco y Su Conjunto Amistad, which were the best-known salsa group in the Western United States.

In 1992 he founded his own company, Albert Torres Productions Inc. (ATP) and began to organize salsa parties in several places in Los Angeles. The most important were the Boathouse in Santa Monica, St. Marks in Venice and Sportsmen’s Lodge in Studio City.

At that moment the genre of salsa was losing popularity. However, Albert Torres with his wit, insight and a lot of intelligence pulled him forward on his own. He revived it in such a way that he became the most influential salsa promoter in the United States. He was who brought to Los Angeles some of the most important names in the Latin music such as: Fania All-Stars, El Gran Combo, Oscar D ‘León, José Alberto “El Canario” and the Spanish Harlem Orchestra, among many others.

In the late 1990s, after the I administration of President Clinton relaxed the laws restricting presentations by Cuban artists in the USA, Albert Torres was the first promoter, who brought to the famous and the notorious Van Van group to Los Angeles in January, 1997.

The show, which took place in a night club in downtown LA, was a success. Since then, Los Van Van has received major media awareness with prestigious publications such as Los Angeles Times, New York Times, among others and including the most coveted music honor, a Grammy and Latin Grammy nomination. Torres’s passion and promotional skills have played a key role in the U.S.A Latin Entertainment explosion. Ricardo Lemvo, musician and singer living in Los Angeles, founder and leader of the salsa band Makina Loka said:

“Personally, I have a great deal of gratitude to Albert. In 1996 when I released my first album, Tata Masamba, he was the one who presented my music to the Latin audience in Los Angeles. He also placed my band at Sportsmen’s Lodge, Grand Park and many other venues. Albert was also who recommended me to film director Randa Haines and as a result, my band, Makina Loca came out in the movie “Dance with Me” with Chayanne and Vanessa Williams. I will be eternally grateful to Albert Torres for giving me a hand at the beginning of my career”.

1997 was crucial for Albert and the world of Salsa in Los Angeles because began the dream of Mr. Eli Irizarri of Puerto Rico, the concept of the Salsa Congresses in San Juan. “I was not the first year, but I heard a lot of nice things even though it was a financial failure. I attended the event in 1998 and was the master of ceremonies. Then, I started the same concept in Los Angeles beginning in 1999 and in the next 8 years following the Los Angeles Congress stood out as the largest in the world. There attend more than 6000 people daily arriving from more than 42 countries”, said Albert for an Argentine media.

In 1998, at the head of ATP, organized the first edition of Los Angeles Salsa Congress and in May 1999 was carried out, with the presentation of Tito Puente in the opening. In this first congress Albert transformed the event into an exciting music and dance venue that attracted 20,000 Latin Music enthusiasts from all over the world and USA and with such great success that he immediately became co-producer Salsa Congresses in over 32 countries.

“My most important desire to be a promoter of the Congresses would be that this can be used for dancers, can realize their dream of dancing on a stage and also find a way to respect the dancers as they deserve it. This is extremely important”. Albert Torres.

In LA Salsa Congress the stars are born, many of the world renowned dancers have their start at this event. The mission of LA Salsa Fest is to pass on to the next generation through educational seminars, dance workshops and being able to perform on stage.

Since then, Albert Torres Productions has created and produced the World’s Largest Salsa Music event. In addition to this, ATP is the co-producer of the World Salsa, broadcast from Las Vegas every year by the ESPN TV network being watched by more than 20 million homes worldwide, where more than 1000 competing dancers will be known on the planet. “On ESPN told me that if I wanted to see it on TV I had to do competitions.

I do not like it, but for the dancers to get to know each other worldwide, I decided to make the World Salsa Championship, the biggest and most important salsa tournament in the world. Now, since April (2012) I decided to do it alone, without partners, and now it’s called World Latin Dance Cup. I added other categories like cumbia, bachata, casino, children and people over 45 years. We have about 20 categories”. Torres Said in an interview with a Peruvian media.

In the World Latin Dance Cup No requirements. You have to take stock and follow the world rules. These are of time, originality of the dressing rooms, of musicality. If you drop the wig, the earring (while dancing), points are removed; if you do not wear stockings, too. A wig will not give points, but if it falls it will take the points. In this championship there is not a world champion, so there is a champion in each category.

According to his friends, Albert was a “workaholic”. He was always on the road promoting salsa music through all the congresses he organized around the world. Always in transit, he spent one night in Istanbul, the next in Paris and the following week in Tokyo. For example, at the beginning of 2007 he had 48 weeks of travel and in one year he could travel to 48 exotic countries such as Dubai, United Arab Emirates, Japan, Hong Kong, Brazil, Bulgaria, Romania, China, Colombia, Venezuela, Spain, Mexico, Peru, Holland, Hamburg, Italy, Switzerland, Sweden, France, Ecuador, New Zealand, Australia and Puerto Rico.

Therefore, it is not surprising to see on your Facebook wall, the immense and felt messages of thanks from dancers from all corners of the earth. His latest project called “The Legacy Project” is an initiative to combine our music culture with the latest technology tendencies in order to reach and unite more people so future generations can appreciate, preserve and be part of the history of Latin dance and music around the world.

In 2011 Albert Torres was honored to be accepted as a Member of the Council for Dance of UNESCO (United Nations Educational Scientific and Cultural Organization) and Elected Grand Marshall at the National New York Puerto Rican Day Parade in front of 2 million spectators lined up on 5th Ave that past June 12 of the same year. This past May, 25th the world of Salsa and entertainment received a huge impact, the news of the death of Albert Torres, victim of a Stroke.

Family, friends, national and international press as well as web portals lamented and reviewed this regrettable fact. Rudy Mangual, creator of the famous magazine Latin Beat Magazine commented to an international media that before this terrible fatal outcome, Albert was very delicate of health in the last months; he had diabetes and had an infection in the pancreas. He also said that he regretted his gone because he and his wife Yvette Mangual had a very special affection to Albert.

Albert Torres’s family wishes to thank all of our Salsa Family for your thoughts, prayers and well wishes during this difficult time. Albert passed away today May 25th, 2017, peacefully, surrounded by family and loved ones. We all find comfort knowing that he is now promoting and dancing alongside his Idols, Celia Cruz, Tito Puente, Cheo Feliciano, Tito Rodriguez and Ray Barreto. As well as his close friends Johnny Polanco, Rudy Regalado, Alicia Gomez and many others. We would love nothing more than for you to help us continue keeping his legacy and DREAM OF UNITY alive by supporting the great event that he started 19 years ago:

The LA SALSA FEST.

Thank you again and may you all be blessed. UNA BULLAAAA!

Rest In Peace ALBERT TORRES

6/14/1956 – 5/25/2017

On the other hand, different personalities of the artistic world expressed their deep pain:

“Salsa and I lost a good friend. Like everyone else in the music world, I was in shock: Albert was an exuberant, vibrant person. It seems unfair that he left the planet in the prime of his life at only 60 years old.

I remember in one of our many conversations, he expressed his great desire to bring the famous African salsa group Africando to the United States. Africando had a song, “Yay Boy,” that was all the rage not only in New York but also in Latin America, but not many people had seen the group live. It was a huge undertaking to organize a concert with Africando since the lead vocalists lived in Senegal, Togo, and other parts of Africa. When Albert finally managed to bring Africando to Los Angeles in 2004, he was over the moon. That was one of his greatest triumphs.

Albert, your passing is a huge blow to all of us in the salsa world. We will miss you terribly. Thank you for everything you’ve done to promote our music. Salsa. We will never forget you.

Rest in peace, brother.” Ricardo Lemvo

“Creating Unity through Salsa”, words from my brother Albert Torres. That’s exactly what we are trying to do, will keep this in my heart forever… Your legacy lives. Thank you Albert! Thank you Edwin and the #LASalsaFest team for this”. Tony Succa

Famed Salsa legend, dancer and Hollywood choreographer turned mega event planner Albert Torres is already part of our history. His continuous efforts to globalize Salsa have made a major impact on the preservation and accessibility of both Salsa Music and Salsa Dance around the world. To achieve this, he was constantly traveling around the world, encouraging conferences and festivals, discovering talents for dancing.

No doubt, Albert Torres brought the music it in the blood. He had his own vibration and constantly he was being a role model. He played that key role in the confluence of people and places that created an environment for the growth of Latin music in America and the world.

For that reason, on the Facebook wall of Albert thousands of emotions multiply. And the messages coincide in the gratefulness and the claim of “una bulla”, una bulla salsera para Albert. Today on some side of the Salsa´s Big, sure, you’re dancing and singing!

Albert Torres in solidarity with charitable causes

“Before I was an event producer, I handled 50 beds in a hospital helping people with drug, alcohol, and mental problems… I have been sober since December 14, 1985. For that, I can live and help others to live their Dreams”. Albert Torres

Great dancer and Champion fell ill last year after the WLDC. With the support of dancers worldwide he was able to beat leukimia and will be back this year. What an inspiration and great story. Let’s all appreciate each day that we are blessed with. Welcome back Jeremy.

ATP continues with the Albert’s legacy and offering top-notch quality events with world-class performers. His bands are legendary and his events feature some of the finest musicians and dancers the world has ever known.

“Para mí la salsa no es latina sino mundial. No tiene barreras de colores ni de país. Es increíble ver niños chiquitos bailar como los de los 80 que bailan… Para mí la salsa es como si fuera una paella, una comida increíble: tiene tantos condimentos y tantas cositas.

La salsa es así: con un poquito de rumba, jazz, tango, y si le pones swing, ballet y se mezclan todos con una bella canción de Óscar de León, algo sucede que nos afecta desde los tobillos hasta el corazón… Los problemas siempre van a estar esperándonos en casa, pero qué cosa bonita llegar a un lugar donde todo el mundo se lleva. Cuando empieza esa música todos tenemos algo en común. Ojalá el mundo aprendiera de eso”. Albert Torres (June 14, 1956 – May 25, 2017)

To learn more about Albert Torres and his events, please visit: www.worldlatindancecup.com, www.mysalsacongress.com and www.alberttorresproductions.com

To read more about Albert Torres’ work with Baile de Los Niños, providing cultural outreach programs to at-risk youth and low-income families, visit: www.alberttorresevents.com/bailedelo sninos/mission.asp

New York International Salsa Congress 2017

North America / USA / New York

The New York International Salsa Congress is New York City’s largest and longest-running Latin dance and music event where the world comes to dance every Labor Day Weekend. This year is the 17th annual edition and will take place at the prestigious New York Marriott Marquis, in the heart of Times Square, footsteps from Broadway theaters, museums and other NYC attractions.

New York International Salsa Congress 2017

Taking place August 31 – September 4, 2017

Featuring live band concerts, performance showcases, instructional workshops, and non-stop social dancing all in the center of the world’s greatest city, come see why the NYISC brings thousands of attendees from New York and over 40 countries worldwide for an annual celebration of Latin dance, music and culture.

This year, the 2017 NYISC promises to build on this foundation and take it to the next level. Taking place once again in the HEART of Times Square at the extraordinary Marriott Marquis, you will feel that you are dancing in the center of the world. We’ve upgraded to the larger Broadway Ballroom for an even more extraordinary dance experience.

Schedule for the 2017 New York International Salsa Congress

Enjoy workshops and performances from today’s most talented dancers, live music from world-famous bands, and social dancing all night long. All this in the mecca of culture and entertainment, home to countless attractions, parks, museums and shows – join us again for another memorable edition of New York City’s premier latin dance and music event!

Tickets

Vip Upgrade – $100: (For Full and Evening Pass holders) Upgrade to VIP status! VIP amenities include preferential VIP seating for evening performances, no waiting in line, plus a special VIP commemorative gift, and discounted access to official Congress pre-events.

Vip Upgrade (1 Night) – $35: (For Full and Evening Pass holders) Upgrade to VIP status for 1 night only! Includes preferential VIP seating for evening performances and no waiting in line.

Vip Full Passes – $399 + $22.94 Fee: provides access to all Congress workshops, performance showcases, live bands and social dancing for the entire event. (Does not include bootcamp).

Location

The New York Marriott Marquis is the host hotel for the 2017 New York International Salsa Congress, located in the heart of Times Square, at 1535 Broadway, New York, NY (45th Street).

Surround yourself with the sights and sounds of the city at the New York Marriott Marquis. Get relaxed and energized simultaneously as you step into some of the largest guest rooms in NYC, amid the hustle and bustle of famed Broadway. Nestled in the heart of Times Square, this Broadway hotel gives you easy access to exciting shows, Fifth Avenue shopping, Radio City Music Hall, Rockefeller Center, Central Park, Lincoln Center and Madison Square Garden.

New York Marriott Marquis Stage of the 2017 New York International Salsa Congress

The New York Marriott Marquis puts you in the midst of popular NYC attractions or near several subway lines to access any part of NYC.

Dance Instructors

Today’s most talented, creative, and popular dance instructors to bring their skills and technique to the next level. They are offering a number of workshops over the course of the weekend for beginners to gain confidence and for advanced dancers to enhance their repertoire.

Antonio Doza (Doza Dance Company, New York):

He is dancer, Actor, Model, Health & Fitness Advisor, Founder and Owner of Doza Dance Company from New York City. Known for his great performance presence, Antonio brings so much heat to the stage that he guarantees all eyes are on him.

As an instructor, he brings his intriguing style with his amazing Spinning, Isolation, Body Movement, Styling, Lead and Following, and Technique to his workshops and classes. He is featured in the salsa documentary La Epoca Pt.2 and is featured in various music videos by many top name commercial artists.

Antonio has traveled throughout the world teaching and showing off his talents. Antonio began dancing at the age of three. After many years of studying hip-hop and modern he took an interest in dancing Salsa. In 2008, he trained with the world renown, Clavekazi Dance Company, directed by Shaka Brown. He is currently touring, advising for Visalus, directing his dance company & acting.

Anya Katsevman (New York):

Born in Kiev, Ukraine, Anya Katsevman has been living in the United States since 1993. She began her dance training at the age of ten. After watching her brother become National Champion, Anya developed her own competitive drive that hasn’t stopped since.

She has won over 20 prestigious world titles in the international Latin dance arena, including Eastern United States Championships, Ohio Star Ball, La Classique Du Quebec, American Star Ball and the United States Open Championships. She has also starred in touring shows Burn the Floor and Dancing with The Stars. Anya also took part in numerous television productions including Sabado Gigante, Good morning America and multiple programming on Univision.

Anya has also danced for many latin artists such as El Gran Combo and Gilberto Santa Rosa. Often referred to as the future of salsa, Anya’s combined background of training, dynamic stage presence, elegance, graceful style, feminine approach, and strong technical action Anya quickly became one of the most sought after Latin dancers in the world. Currently, specialize in teaching all levels, coaching competitors and current champions and adjudicating competitions worldwide.

Delille “Mambo D” Thomas (New York):

Delille Thomas, also known as “Mambo D”, is one of the world’s most creative and dynamic Latin dance performers and instructors, internationally recognized for his pure style and virtuosity.

His dance background includes extensive training in Jazz, Modern, Hustle and Latin (Afro, Mambo, Cha-Cha, Tango) and various Caribbean and street dances. Since October 1992, Mr. Thomas has been teaching Mambo classes and conducting special workshops in New York City and various parts of United States and the world.

Ernesto And Denisse (Florida/New York):

Ernesto ‘El Watusi’ Bulnes was born in Honduras and raised in Miami, Florida, the city where he discovered his passion for dance. His initiation into Salsa began with training under the Mayan International Champion, Danny Bravo, an instructor who inspired Ernesto’s distinct dancing style.

Through training across various dance disciplines, he has developed his own style, a fusion of various arts and techniques that make him a distinct member to any dance floor.

After years of training, in 2011 Ernesto founded his own school, Potencia Latina Dance. Born in Miami with an Argentinean heritage, Denisse Cambria has accomplished many of her life goals starting with becoming one of the most well-known and recognized “Salsa” dancers in Florida, USA.

She has taught and performed with many top dance companies including Shaka Brown, Jayson Molina, Al “Liquidsilver”, Casa Salsa Dance Studio, Salsa Lovers Dance Studio, Project Generation, Energy One, Salsa Heatwave and Salsa Mia. She also competed at the ESPN World Salsa Championships with her partner Alfredo DiNatale.

After a total of 10 years of dancing salsa, she continues to enrich her craft with her partner Ernesto Bulnes and the New York Movement Competition team who are the new Professional Large Team WSS World Salsa Champions of 2016.

Lorenz Latin Dancers (New York):

The Lorenz Latin Dance Studios, With Four Locations In Nyc, Is A Complete Dance Academy Dedicated To Providing You With Professional Dance Instruction. We Offer Classes At All Levels, For Children, Teens And Adults, As Well As Choreography, Private Lessons, And Entertainment. Whether You Are An Experienced Dancer, Or Have Never Stepped Out On A Dance Floor,

We Have A Class That Suits Your Needs. Learn To Dance Salsa, Bachata, Cha Cha, Merengue, Hustle, Tango Or Ballroom, With Our Experienced And Dedicated Instructors. They Have Locations In Glendale Queens, Corona Queens, The Bronx And Manhattan. Their Website Is Lorenzdancestudio.com

Among much other artists…

DJ’s

Their passion is bringing you the music that fills your soul and keeps you dancing the night away. They spin at the most popular socials, clubs and events where the serious dancers come together. Meet the best Salsa DJ’s in the world – They are 11 and you will be with them in the New York International Salsa Congress.

Dj Frankie Flores (Cleveland):

DJ Efrain “Frankie” Flores is The Main Resident DJ for the Renowned Baila Duro socials and festivals in Cleveland, OH and is working actively at keeping Classic Hard and Rare Salsa alive. He ignited his passion for music when he first started spinning house music in the basements of warehouses in Cleveland during the early 90s.

Dj Gonzo (Texas):

The musician, producer and DJ was born and raised in El Callao, Peru. At the age of 17, he moved to New York City. He studied music at Queens College music school and learned Latin percussion at Boys Harbor Conservatory for the Performing Arts located in El Barrio, NYC.

His musical studies helped him develop an eclectic taste, and led him to the authentic salsa vieja sound for which he is known. DJ Gonzo’s unique style and soundly rich music selection has made him one of the most influential and top salsa DJs in the U.S. In September 2014, DJ Gonzo launched DJ Gonzo Productions, and signed salsa legend piano virtuoso, Mr. Alfredito Linares.

DJ Gonzo productions’ first album was released the first week of November 2014. The album “DJ Gonzo presents Alfredito Linares – Salsa Pa Todo El Mundo” includes 10 dance floor killer tracks and is now a favorite by salsa DJs world-wide.

Dj Mike Calderon (Miami):

Mike Calderon is a native born and raised in the Magic City of Miami with descendents from Quito, Ecuador. At 21, he started taking Casino salsa lessons and that is where his journey to become a very popular local DJ began. Mastering Casino, he took his dancing to the next level with LA Style and On2 on his own with no classes, just by being in the socials and with other dancers.

DJ Mike Calderon has been doing weekly and monthly events since 23 years old in the salsa scene in Miami. DJ mike calderon (Miami) and much more Djs in New York salsa congress 2017… to get more information and detail about this amazing event, visit http://www.newyorksalsacongress.com

5th Annual Tricities Salsa Congress 2017

North America / USA / Washington

Come and enjoy the 5th Annual Tricities Salsa Congress at the Kennewick Red Lion, this September 22 – 24. This is one of the largest Latin events in eastern Washington with instructors from D.C., L.A. and Portland. Discounted passes are on sale now. Prices will be higher at the door. Friday and Saturday Nights Social passes will be sold at the door.

Dancing in 5th Annual Tricities Salsa Congress 2017- Photo 2

Don’t miss out on this spectacular event!!!!

2 full days of workshops on Saturday and Sunday.
2 workshop tracks to choose from each hour.
Social dancing Friday and Saturday night. 3 separate party rooms: a Salsa/Bachata ballroom, a Kizomba ballroom, and the Cumbia Party Room

Tickets: Full Pass $99.00 + $3.47 FEE (Including access to all workshop, performances and socials)

Hotel The Red Lion Hotel at Columbia Center is located within walking distance of Columbia Center Mall and numerous restaurants in Kennewick, WA Venue 1101 North Columbia Center Boulevard, Kennewick,WA 99336.

Instructors

Eddy vents (Portland, or):

Eddy Vents was born in Guinea – Bissau and raised in Portugal. Growing up part of the Palop Community, Eddy always felt electrified by Kizomba. In 1998, he began his career as a promoter in Lisbon which he continued after moving to London in October 2009.

Eddy Vents - 5° Congreso Anual de Salsa Tricities 2017 Flyer 2 — Eddy Vents – 5° Congreso Anual de Salsa Tricities 2017 Flyer 2

Eddy’s immense love, passion, and knowledge of Kizomba were recognized by respected Kizomba teacher Norma Facey and Eddy humbly credits her for starting his teaching career around March 2010.

Eddy is known for a teaching style submerged in history and musicality which he believes are fundamental in producing top quality dancers and he is condent the success of his method is demonstrated each time his students take the dance floor

Erica Saucillo (Los Angeles, CA):

Erika Saucillo was born and raised in Los Angeles, California. She started dancing at the young age of four. Throughout the years, she trained in various dances such as folkloric, jazz, and hip-hop.

Erica Saucillo (Los Ángeles, CA): - 5° Congreso Anual de Salsa Tricities 2017 Flyer 1 — Erica Saucillo (Los Ángeles, CA): – 5° Congreso Anual de Salsa Tricities 2017 Flyer 1

Erika began her Latin dance journey at the age of 21 when she first trained with “Alma Latina Los Angeles” directed by the world renown Sergio Jasso and Gaby Equiz. Erika quickly became the director of one of the largest Salsa/Bachata team in Los Angeles, “Quest Salchata Crew”. She is currently one of today’s top rising instructor & performer. Erika is a champion and top finalists at some of the world’s most important Latin dance competitions. She won the 3rd place in the World Latin Dance Cup Cha Cha Cha division, 2nd in the Top Female Bachata Social Dancer, and won first place at the 2016 LA top Female Salsa Social Dancer.

Oscar B.A. (Washington DC):

Oscar B.A is one of the pioneer ambassadors of Kizomba in the US. Currently based in the Washington, DC area, he has taught Kizomba workshops in some of the biggest Latin Dance festivals including The DC Bachata Festival, Flirt Seattle, and Reno Winter Bachata Festival. A sought after nonpareil dance instructor, he has been invited to run Kizomba boot camps by dance companies in Los Angeles, CA, Seattle, WA, Reno, NV and more.

Oscar currently teaches the longest running Kizomba dance classes in the DC, MD and VA Metropolitan area. Oscar’s career spans over 16 years of dancing, choreographing and instructing several dance disciplines. With roots in African dance, hip-hop, and Latin movement, Oscar founded the premier dance company Ollover!

Mario Vargas (Seattle, WA):

Mario was born in Nicaragua and raised in Miami. After moving to Seattle in 2012, Mario began dancing salsa and bachata and performed in various dance teams. After immersing himself in dance, Mario started teaching in 2013 and is currently teaching salsa and kizomba at the Salsa N Seattle studio. He has taught at numerous dance events including Vancouver (Canada), D.F. (Mexico), LA, and Washington DC. In addition to teaching, he hosts a weekly kizomba social on Wednesdays at the SNS studio. Mario will be teaching Kizomba at the 2016 Tri-Cities Salsa Congress with Shannon Urza.

And much more will be there…

DJS 5 Djs in scenes featuring during the weekend…

Mary Lyons (DJ Farenj) – Seattle, WA

Originally from the Boston area, Mary was exposed to “Kizomba” music by her Cape Verdean brother-in-law before it was popular in the United States dance community. Attending family gatherings in the 1990’s first introduced her to the music and culture of the Cape Verdean islands.

Not until 2011, did she discover the Angolan dances, kizomba, and Semba, which accompanied some of the beautiful music, she was already in love with. Further investigation and immersion into this music genre, extended her love and interest to the roots and culture of Angolan Kizomba and Semba. Mary regularly DJ’s at Century Ballroom in Seattle, as well as festivals including The White House Kizomba/Zouk Summit, Only Dance Seattle Festival, Seattle Salsa Congress, Seattle Bachata Kizomba Festival, and Tri-Cities Salsa Congress.

Dancing in 5th Annual Tricities Salsa Congress 2017- Photo 3

Sonido Marakero Tri-Cities, Wa

Sergio Luna Rocha aka Sonido Marakero is from Mexico City and lives currently in Pasco, WA with his family. Sonido Marakero loves to dance to cumbia, bachata and salsa music. He has enjoyed playing music since he was a young kid and has perfected his talent. He plays music around the area of Tri-Cities, Seattle, Yakima and Walla Walla. Sonido Marakero is a happy individual who loves to make other people dance on the dance floor. Come out and have a wonderful night and dance to the music played by Sonido Marakero. Look forward to seeing everyone having a wonderful time.

5th Annual Tricities Salsa Congress 2017 Flyer 3

To get more information about 5TH ANNUAL TRI-CITIES SALSA CONGRESS 2017 in Kennewick – Washington, visit: http://www.tricitiessalsacongress.com

Tribute to Alberto Naranjo and his musicians

Latin America / Venezuela / Caracas

40 years of El Trabuco Venezolano A Deserved Tribute to Alberto Naranjo and his musicians

Teresa Carreno Theater. Caracas, Venezuela August 21 to 25, 2017

Collaboration and Photographs by Lysbeth Weffe

From August 21 to 25, at the Teresa Carreño Theater (TTC), in Caracas, the Tribute to maestro Alberto Naranjo was held for his 57 years of artistic life, and to the group of his creation El Trabuco Venezolano for its 40 years of founding . With a long time of preparation and a lot of love involved, as it said in the hand program and was perceived in the environment, the event had the general production of Franklin Rojas, the Grupo Madera Foundation and the Teresa Carreño Theater Foundation.

More than an orchestra, El Trabuco Venezolano has been an authentic Venezuelan salsa movement born from the initiative of Alberto Naranjo, a veteran drummer and arranger who has walked the trade through the most diverse tendencies and schools of popular music in the Caribbean, always counting with the direct support of the musical producer, Orlando Montiel(I).

It was at a recital conference given by César Miguel Rondón and Domingo “El Flaco” Álvarez at the Museum of Contemporary Art in Caracas, in August 1977, that El TrabucoVenezolano(2) made its public debut.It immediately became the most finished and interesting musical project known to the city of Caracas up to that time. Alberto Naranjo organized it under the concept of a big band with the idea of developing a particular proposal that would differ from its similar ones in the rest of the Caribbean, with a sound that bridges salsa, jazz, funk and Venezuelan.

With seven albums released, two of them live with the group Irakere from Cuba, and having passed more than a hundred performers through its ranks, El Trabuco, more than a group in conventional terms, has been a download and meeting space for local musicians, as well as the best of schools for many of them.

He also counts among his achievements, having motivated the Caracas salsa environment of the moment, imposing a high standard that influenced the formation of the best salsa orchestras, apart from creating, in short, his own Caracas sound brand(3).

The activities of this large tribute began on Monday 21 with the talks in the Protocol Plate of the TTC: “History in Venezuelan salsa” with Franklin Rojas and “Hera & Pablo, the Venezuelan salsa dance”; on Tuesday 22, Cheo Guevara’s discussion on “Alberto Naranjo, and his historical mark” and the forum “The production of salsa content in alternative radio” moderated by Zulay Millán. They continued like this throughout the week.

Several workshops were held, among them, “Percussion Tuning” dictated by Nicolás Monterola and “Latin Percussion” by Professor Frank Márquez. Also in the lobby on the ground floor of the TTC, the following concerts were presented: Caracas Legends Ensemble, with its tribute to Eddie Palmieri, the Salsarría Orchestra, Grupo Madera, Mundito and his Orchestra La Celestial, The Big Band of San Agustín and the Orquesta Carlin.

The highlight of this week of well-deserved recognition was the Trabuco Venezolano concerts at the Ríos Reyna venue on August 24 and 25, presented by Zulay Millán and José Gregorio Acero.

Although with a room not completely full and recalling other times of splendor of a TTC that received the stars of the show from all over the world, we enjoyed two nights of memorable, tasty, lively and educational concerts, with a stage full of great musicians. and a full Alberto Naranjo, going through it and playing around more than directing the members of the big band. With the best of the best-known musicians and singers of Venezuela in the genre, with some of the original members of this group and new talents, we were able to delight ourselves in an exquisite waste of salsa, jazz and funk, lasting three hours each day.

“The teacher was narrating the stories of the different themes that they interpreted…”

Alberto Naranjo at the Teresa Careño with his orchestra "Trabuco Venezolano" — Alberto Naranjo at the Teresa Careño with his orchestra “Trabuco Venezolano”

The member musicians of El Trabuco Venezolano 2017, present at the concerts on August 24 and 25, were: Alberto Lazo (piano), José “Mortadelo” Soto (bass), William Vásquez (three), William Mora (tumbadoras), Frank Márquez (timbale), Franklin Rojas (bongo), Hugo Olivero (sax), Eduardo “Mondy” Dávila (sax), Manuel Barrios (sax), Irvin Blanco (sax), Edwin Ruiz (sax), Adrián Suárez (trombone), Eliel Rivero (trombone), Pedro Carrero (trombone), Franklin Moreno (trombone), Oscar Mendoza (trombone), Vicente Freijeiro (trumpet), Rafael Rey (trumpet), Gustavo Aranguren (trumpet), José “Cheo” Rodríguez (trumpet) , Noel Mijares (trumpet), Edgar “Dolor” Quijada (voice), Troy Purroy (voice), José Luis Peña (voice), Yeci Ramos (voice), Arturo Guaramato (voice).

The teacher was narrating the stories of the different songs they performed, referring to the fact that his musicians were chosen by meritocracy, sharing with the audience and ordering someone to shut up on more than one occasion, in a humorous tone, yes. He reminded us that they are not only dedicated to salsa and in some pieces where they did not sing, he emphasized that they were instrumental and that they could help us soar our imagination and dream.

Yeci Ramos, Juan Jose Conde, Edgar "Dolor" Quijada, Jose Luis Peña, Troy Purroy — Yeci Ramos, Juan Jose Conde, Edgar “Dolor” Quijada, Jose Luis Peña, Troy Purroy

The great experience of this meeting of musicians that has been El Trabuco Venezolano was reflected in a repertoire of 13 songs, including originals, emblematic and premieres, which they gave us.

They began with the songs “Yo Soy La Rumba” (Marcelino Guerra) with the solo voice of Troy Purroy and a timpani solo by Frank Márquez, “Bravo Rumbero” (José “Cheo” Navarro) sung by Edgar “Dolor” Quijada, “ La Negra Tomasa” (Guillermo Rodríguez Fiffe) in the voice of Arturo Guaramato, “Tres Días”, an original theme by Chucho Valdés and ceded to El Trabuco, sung by José Luís Peña, with the participation of the dancers Hera and Pablo. At this point, the entire audience had warmed up, and there was even a couple from the public who danced in the hall from the beginning of the concert until the end, both days.

The night continued with the emblematic “Almendra” (Alberto Barroso). This theme arranged by Naranjo for Arturo Sandoval 46 years ago, featured the masterful participation of Noel Mijares -Venezuela Big Band Jazz, Desorden Público- on trumpet, interacting with great complicity with the maestro. It followed with a premiere, “Alna’s Mambo” an instrumental composition, subliminal as Naranjo described it.

Yeci Ramos, Juan Jose Conde, Edgar "Dolor" Quijada, Jose Luis Peña, Troy Purroy - Photo — Yeci Ramos, Juan Jose Conde, Edgar “Dolor” Quijada, Jose Luis Peña, Troy Purroy – Photo

The concert continued with “Gongo Blues” (Eduardo Cabrera), a theme in which the extraordinary solos of Eliel Rivero on the trombone, Gustavo Aranguren on the trumpet, Manuel Barrios on the saxophone and Alberto Naranjo pleased us playing the kettledrum. . He followed up with the instrumental “El Ojo del Huracán,” a Latin jazz combo, which was written in the early ’70s and still sounds weird, Maestro Naranjo said.

Then with the song “Oye como va” (Tito Puente) the rumba was lit up, the lights in the room were turned on and hardly anyone could keep up without stopping and dancing. In the song “El Hijo del Sonero” (Ricardo Quintero) Yeci Ramos sang, in “El Cumaco de San Juan” (Francisco Delfin Pacheco), Arturo Guaramato and in “Compañeros” (Ricardo Quintero), Juan José Conde, these three songs they were accompanied by the drums of Grupo Madera.

“Imágenes Latinas” (Bernardo Palombo – Andy González), was the theme chosen as the finale, a piece that has become a cult object among music lovers, the salsa audience and lovers of Latin jazz, according to the words of connoisseur José Orellán .

It featured the extraordinary participation of Adrián Suárez in the trombone and bodyguard solo, and the interpretation of the son player Edgar “Dolor” Quijada.

At the concert on Friday 25, El Trabuco Venezolano and its creator were declared CULTURAL HERITAGE OF THE NATION by the Institute of Cultural Heritage (IPC) and the Ministry of People’s Power of Culture of Venezuela.

With the hope that this experience can be repeated in other theaters in the country and the world, we congratulate the organizers, Alberto Naranjo and the musicians of El Trabuco Venezolano for having received such well-deserved recognition as Cultural Heritage of the Nation.

Notes: (1) and (2) The salsa book. Chronicle of urban Caribbean music. Cesar Miguel Rondon. Ediciones B Venezuela SA., 2007. (3) Taken from the Caracas Exhibition. Ciudad del Son, montage and texts by Alejandro Calzadilla, at the La Estancia Cultural Center, belonging to the company Petróleos de Venezuela (PDVSA La Estancia), September 2017.