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Search Results for: Orchestra

Cherry Navarro, ever present despite the time elapsed

Short but successful music career and life trajectory

Alexis Enrique Navarro Velásquez, artistically known as Cherry Navarro, was a singer and musician from Venezuela, whose talent quickly became evident in a variety of rhythms such as pop, ballads, and others. He was born on 9 July 1944 in Caripito, Monagas State, from the union of Manuel Rafael Navarro and María de Jesús Velásquez de Navarro. 

Young Alexis was only 14 years old when his mother decided to move to the country’s capital, specifically to the El Valle parish, where he began his formal education. Around this time, he met another future Venezuelan music legend, José Luis Rodríguez El Puma. The boys not only became good friends, but also they formed their first musical group known as Canaima, which took its first steps at parties and small gatherings.   

José Luis Rodríguez next to Cherry Navarro
José Luis Rodríguez “El Puma” next to Cherry Navarro in their youth

When the artist decided that he wanted to devote his life to the music world, he started training in a variety of instruments such as the trombone and piano. It might not be long before his efforts paid off and he managed to perform on the TV show Club del Twist, representing a great start in the public and musical life of this young promise. 

After having earned considerable fame, he began to be part of the Chelique Sarabia Y Su Conjunto, with which he had intense television activities,  making presentations in the most popular variety shows of that moment. One of them was that of the unforgotten presenter Renny Ottolina. 

Cherry Navarro next to Renny Otto
Cherry Navarro performing on The Renny Show

In the early 60s, he met his first wife and mother of his only son, Belkis Montero, but the relationship would not last for long due to the travel and continued musical commitments of the artist. The success that he was accomplishing caused the end of his marriage, but this, far from discouraging the singer, further boosted his career and provided him with the necessary push to start out as a soloist. 

After seeing one of his performances in the programme hosted by Chelique Sarabia Cada Minuto Una Estrella, businessman Renato Capriles proposed him to join Los Melódicos, with whom he recorded a few singles, but then he quit the orchestra and ventured to experience a solo career. 

Cherry Navarro and Chelique Sarabia
Cherry Navarro next to Renato Capriles

Thanks to the support and contacts provided by his new partner María De Las Casas, Navarro managed to sign an important contract with the record label Polydor, with which he recorded his first solo album. That was how the artist finally established himself as a solo artist with a short, but very successful musical career. Something that characterized the musician is that he ever wanted to stand out from other artists, so he always found a way to give a unique touch to his outfits and musical arrangements. 

After a very intense artistic career and life trajectory, he fell ill as a result of medullary aplasia which took away his life on 28 September 1967 at the age of 23, ending his life, but giving rise to a music legend. 

The burial of Cherry Navarro in 1967
A vast crowd took part in the burial of Cherry Navarro in 1967

The origin of the name Cherry Navarro  

Many could see that Cherry Navarro was the singer’s artistic name and perhaps others are wondering where this invention that would immortalize the artist for generations came from. Well, we have recently spoken with a dear childhood friend of Cherry Navarro, who has some interesting things to mention and we quote his words verbatim:   

«Good morning, good afternoon, good evening. This is Luis Guillermo Rangel. I am a person one of those who grew up in Coche, in the urbanization Delgado Chalbaud, since I was nine or ten. During the 1950-60s, I had the honor of growing up with the respected and beloved Navarro family. Cherry’s mother, Mrs. María Jesús, and his brothers Manuel, René, Carlitos, Cherry, Leslie, and another older sister whose name escapes me at the moment.  

After we met for some time in the urbanization, we even formed a Venezuelan music group and entered a music contest that was on Channel 2, Radio Caracas Televisión. It was a program broadcast at 6:00 p.m. and was called “El Programa de José Bhor”. He was an Argentinian man who came to Venezuela to do television and spaces, including this original tv show.  

Through music, we as restless young people formed a group bwith friends who lived in the same parish between El Valle, Coche, and the urbanization Delgado Chalbaud. Its director and founder was our friend Frank Acevedo, who was a renowed harpist. In the meantime, I was the cuatro player and let’s say I was an alternate member because I was not fixed there. However, I had my group with Cherry Navarro until we integrated to the CONJUNTO  ALMA JUVEIL DE CHELIQUE SARABIA. At the José Bhor’s show, we participated, performed, sang, and won first place in that contest. As I said then, that was on Radio Caracas Televisión.   

But ahead, Cherry, or let’s call him Enrique, moved to Los Chaguaramos and I to La Campiña. If memory serves me, he lived in the Naiguatá building. In front of the Luis Caballero Mejías Industrial Technical School (ETI fpr its initials in Spanish) and the Central University of Venezuela (UCV for its initials in Spanish). Cherry moved to that building and we stayed friends.

He did not yet use the nickname “Cherry Navarro” at that time and it was there in Los Chaguaramos where that name was born. I remember there was a candy store where all the boys at ETI AND UCV used to go.

I started to study at ETI, Cherry was very close to me and we took walks in the area with Chelique Sarabía, who studied oil at ETI back then. And we were out there most of the time.  

Cherry had a things for certain sweets, was highly selective and quite a character. In those days, a new chocolate product came out to the consumer market. It was a new product made from chocolate and cookie that would compete with another brand in the market that was well-known. That brand that he liked so much was called “Cherry” and every time we went to the candy store to buy something, he wanted some sweet and us to provide him with his favorite Cherry. Of so much saying “Cherry”, he stayed with that name. that nickname is vivid in our mind, even until today that we affectionaly refer to him as CHERRY NAVARRO, who will remain engraved in the hearts of all his followers.

So much so that when he came here, we said “here comes Cherry” because he was always eating chocolates and candies. It was one of his preferred candies because he was a sweet tooth. So much so that his nickname, as I said earlier, came from that Cherry cookie and so remained.   

In the family of Cherry in Coche, there were many anecdotes for him. He had a yellow strand of hair on one side and my dad thought he dyed his hair, but he did not. In those days none of that was used. He had a mole there and, of course, we, who had a baseball team there in Coche, made fun of him and someone came up with the name “tongolele”. She was a trendy Mexican actress and when someone called him “tongolele” he got angry because he did not like to be called in this way. Cherry was very friendly and pleasant, but I remember that he was always in fashion, so the nickname “tongolele” went very well. For that reason, “tongolele” stayed in Coche for quite some time.   

We organized many get-togethers with friends that ended in fights because Cherry also liked to throw punches, but he did not like to be called in this way. 

I remember once on Radio Caracas Televisión, when we entered the programme Club Musical with Chelique Sarabia Y Su Conjunto, someone from the audience approached Cherry and called him ‘tongolele. He just looked at him in the studio and said “Look, if you call me ‘tongolele’ again, you don’t know what’s waiting for you”. I do not forget that, either. That is the story of our great Cherry Navarro and may the good Lord rest his soul because he was a great friend and brother. We grew up from the age of 10 or 11 and spent so much time together. He died at 23 on 26 September because he was born on July 1943. I was older than him by three or four years.   

Thanks a lot for the interview and we are to order.

God bless you and thank you». 

Words from the friend and teammate of Cherry Navarro from the Conjunto de Chelique Sarabia, Luis Guillermo Rangel 

Luis Guillermo Rangel and his guitar
Luis Guillermo Rangel holding his guitar

 

Luis Guillermo Rangel’s Facebook page: Luis Guillermo Rangel

 

Home

International Area – July 2021

Bobby Valentin

maleven

mahel

Tony succar

anoushca Jhandor

roberto roena

carlito lopez

calvito reyes

johny rivera

karamba

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Johnny Rivera “Better known as El Noble de la Salsa in New York”

Johnny Rivera Born in Manhattan and raised in the Bronx, NY.

Better known as El Noble de la Salsa, with more than 40 years of artistic career, a descendant of Puerto Rican parents.

He began his artistic career in New York, thanks to the influence of his uncle Adalberto Santiago, he began to demonstrate a strong inclination towards music and a great desire to prosper as a singer and learn all genres of music and especially Salsa, he continued his studies to improve his technique in singing and in a short time as a singer and chorus singer, he joined his uncle Adalberto Santiago and once he had the backing.

JOHNNY showed his talent, recording in the album Noche caliente, Volume 2, the song “Terciopelo y piedra” with Meñique and Tito Allen.

He began his artistic career in New York, thanks to the influence of his uncle Adalberto Santiago, he began to show a strong inclination towards music.
Johnny Rivera Born in Manhattan and raised in the Bronx, N.Y. Better known as El Noble de la Salsa (The Noble of Salsa)

In 1980 JOHNNY RIVERA, was presented with the opportunity to record with several great orchestras that put him in the spotlight of the Music Industry, including a youth orchestra, Grupo Fascinación.

He recorded three additional albums, later he also received the opportunity to join Conjunto Clasico, standing out as a lead singer, he recorded two albums with Conjunto Clasico before leaving for his solo career, he recorded his first album now for real in his debut as a soloist, he stayed between Puerto Rico and New York.

The songs “Necesito Una Amiga”, “Esa Chica Es Mia” and “Como Fui A Enamorarme de ti” were hits from that production and the salsa singer had already recorded his second album entitled Encuentro Casual.

The first single from this album, “Te Regalare”, became a hit upon its release.

Johnny Rivera y Joseu Rosado
Johnny Rivera y Josue Rosado

In 1993, Johnny Rivera recorded his third album, Cuando Parara La Lluvia, which featured three hit singles, “Cuando Parara La Lluvia”, “Por Eso está conmigo” and “Voy a Conquistar Tu Amor”.

Cuando Parara La Lluvia earned platinum accolades shortly after its release and made an impact around the world.

Rivera made a name for himself at New York’s Madison Square Garden, during his tenure with the late Ralph Mercado’s RMM label, Johnny Rivera had the opportunity to join another of the most important music star conglomerates of all time, the RMM Salsa Stars or the also renowned Combination Perfecta, where along with salsa artist Ray Sepulveda he earned multiple Gold and Platinum Records for sales in the United States and Latin America, including the Caribbean for the worldwide hit titled “No vale la Pena”.

In 1994 Johnny received the Paoli Award for Newcomer of the Year and the Diplo Award for Best Album of the Year.

Johnny Rivera has also obtained first places in the Billboard charts and has performed in the most important stages of the world such as Madison Square Garden in New York and is one of the most recognized salsa artists worldwide who has traveled with his music and charisma to cities around the world such as Cali, Bogota, Medellin, Venezuela, Lima, Quito, Guayaquil, Panama City, Guadalajara, San Jose, Paris, Madrid, Barcelona, London, Los Angeles, Miami, New York, among many others, always enjoying great acceptance and popularity in recent years.

Now Johnny Rivera, a salsa legend hopes to surpass the success of his past and present musical endeavors with a resume that boasts the accomplishments that only a man of his caliber and experience can show.

For this year 2021 El Noble de la Salsa launches his latest album titled “Romántico y Algo Mas” 

Romantic and Something More Johnny Rivera
Romantic and Something More Johnny Rivera
.

Already available on all digital platforms…!

Johnny Rivera "Hacia Falta"
Johnny Rivera “Hacia Falta”

Johnny Rivera

Facebook: Johnny Rivera


Booking/contact: 787 878-8983
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Que Siga la Fiesta with Carlitos Lopez “El Gordito Favorito”

Born in the city of Carolina, Puerto Rico in 1969 with music in his veins.

Carlos Enrique Lopez (Carlitos Lopez el gordito favorito), he begins to show interest in music in general, boleros and trios

The bomba, plena, jibara music which he listened to in the countryside when his uncles and aunts visited his family, they liked to play stringed instruments and harmony either the tres or the Puerto Rican cuatro and the symphony.

At the age of 7 he moved to his grandparents’ house to begin studying in elementary school in his native Puerto Rico, while studying in the afternoons he spent his time listening to Fania and its stars. Singers like Hector Lavoe, Cheo Feliciano, Ruben Blades, Ismael Rivera among others.

Courtesy of his cousin who was a loyal fan and collector of Willie Colon’s salsa etcetera, little by little he was learning to vocalize demonstrating the ability to learn to do vocals for the choir at that time he met a young Anthony Cruz for the first time and was impressed with his melodious voice, although they never shared in those days.

Carlos debuted at the age of 14 with an orchestra created by his cousin and some students of the vocational music school where he had the opportunity to accompany Santos Colon former singer Tito Puente, he decided to move back home to his parents where he met Anthony Cruz who lived on the same street where his parents lived, and who already belonged to the orchestra of Mario Ortiz and began to attend rehearsals, recordings and dances.

Born in the city of Carolina, Puerto Rico in 1969 with music in his veins.
Carlitos López El Gordito Favorito

There he met a young Tony Vega, Gilberto Santa Rosa, Elias Lopez, Lalo Rodriguez, Dario Morales who encouraged him to take vocal lessons, but he never did for lack of time.

but he never made it due to lack of support from his parents because there were other hopes and expectations.

The teacher Mario Ortiz noticed his uneasiness and spoke casually with his parents, but the decision had already been made by his parents.

but the decision was already made by them leaving Carlos disenchanted with music and taking the decision to emigrate to the United States where he dedicated himself to the culinary arts for the rest of his life until 2004 when he met again with Anthony Cruz who already had a successful career as a soloist and was touring they spoke for a moment and that was enough to return to her first love, music.

Anthony Cruz introduces him to several of the musicians who accompanied him in that activity and the rest is history. He joins the orchestra as a chorus singer and debuts as a composer where he writes 4 songs for the production of a CD of the orchestra entitled Going solo under the musical direction of Harry Rios.

They gain the popularity and admiration of the salsa people playing in different parts of Central Florida, festivals, clubs, and discotheques.

Carlitos López El Gordito Favorito Born in the city of Carolina, Puerto Rico.
Carlitos López El Gordito Favorito
Born in the city of Carolina, Puerto Rico.

They return and record a single Going Back to Old School on which Carlos dedicates a song to Israel Lopez Cachao titled 80 Year’s of Cachao with arrangement and direction by Luis Jungo Ortiz which had tremendous acceptance from the dancing public and the radio listeners, from there Carlos decides to retire from music again to continue his career in the culinary arts.

Until he receives a call from an old friend asking him to help him with the choirs because he was going to accompany different artists.

Carlos began to accompany different singers with that orchestra called La Predilecta as a chorus singer among which there were names of the height of Anthony Cruz, Lalo Rodriguez, Cano Estremera, Manolo Lezcano, Chamaco Rivera, Frankie Figueroa, Ommy Cardona, Paquito Acosta, Paquito Guzman, Hector Tricoche, Papo Cocote and many more.

Carlos has written several songs including a collaboration between Anthony Cruz and Danny Sanchez titled No Vale la pena Enamorarse with arrangement by Luis Jungo Ortiz.

In addition to a song titled Today again under the tutelage of Harry Rios sung by Danny Sanchez currently Carlos Enrique Lopez known as Carlitos (the favorite fatty) made his debut as a solo singer.

And is promoting the theme of his authorship entitled Me Enamore under the direction, arrangement and production of the master Luis Jungo Ortiz which has enjoyed a good reception on digital platforms, social networks and independent radio stations on the internet.

As Radio Brisa Tropical con the master Taíno Roldán, Radio Calidad de vida del Dr Ted, Top 98 radio with Richie Sanchez and also.

Que Siga la Fiesta

Que Siga la Fiesta
Edwin el Calvito Reyes, Carlitos López “El Gordito Favorito” and Luis Jibarito de Jesús

Carlos has just recorded a song of his authorship entitled Que Siga la Fiesta in collaboration with 2 talented gentlemen from Orlando Central Florida and Miami are Edwin el Calvito Reyes and Luis Jibarito de Jesus under the direction and arrangement of Mike Rivera The Professor in the studio 305 Imma Studio owned by music engineer Immanuel Ramirez which came out on April 20, 2021.

Facebook: Carlos Enrique López

 

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From Aruba and for the World Anoushca Jeandor Noush and Robert Jeandor

It is for me more than a pleasure and great honor to make this release of this song “Me Muero” taken to the rhythm of Merengue. Originally from the 5th Station.

Noush was born in Aruba as Anoushca Jeandor.

Being daughter of the International singer musician Robert Jeandor, she was raised in a musical environment, during her early years she started singing in a choir until beyond her teenage years, after that she was given the opportunity to perform in a local casino as a singer.

She became more popular when she won one of the biggest Carnival Music Contest, which made her the first female overall winner. She has also performed in the Netherlands and Miami.

What started as a hobby, turned into a passion, and is nowadays her living, singing different genres as R&B, Reggae, House and Latin.

From Aruba Anoushca Jeandor Noush
From Aruba Anoushca Jeandor Noush

I thank Jaime Querol, producer/arranger for his excellent musical work. Thanks to you from SalsaGoogle.com (ISM) for this opportunity.

And there will be many more.

I am a singer since my childhood. I come from a musical family. My dad’s name is Robert Jeandor.

My father worked with great musicians, he was invited by Johnny Ventura to go to the Dominican Republic to live, where he worked daily with hundreds of renowned musicians such as Juan Luis Guerra, Wilfrido Vargaz, Alex Bueno, Manuel Tejada, Jaime Querol, Ramon Orlando and many more.

I am a singer by profession, I have several productions of my own in different genres.

Today I launch myself with a musical theme that thanks to Mr. Jaime Querol for his invitation to make an international production withmy father.

Noush was born in Aruba as Anoushca Jeandor
Noush was born in Aruba as Anoushca Jeandor

This beautiful song in merengue version is for you and I hope that this to your liking Thank you very much and God bless you all.

Follow me:

https://linktr.ee/noushmusicaruba

Robert Jeandor and his Solo Banda Show

A live music band from Aruba founded by the famous Aruban musician Robert Jeandor. Known for playing different genres of music, but mostly Latin music.

Without a doubt, maestro Robert Jeand’or is the most Dominican Aruban we have ever known.

Since he settled in the Dominican Republic, where he arrived thanks to the efforts of a giant of merengue, Johnny Ventura, this singer, musician, arranger, composer, music producer and orchestra leader only made contributions to the rhythm commanded by the güira and the tambora and the one that best identifies the idiosyncrasy of the Dominicans.

Without a doubt, maestro Robert Jeand'or is the most Dominican Aruban we have ever known. Since he settled in the Dominican Republic, where he arrived thanks to the efforts of a giant of merengue, Johnny Ventura, this singer, musician, arranger, composer, music producer and orchestra leader only made contributions to the rhythm commanded by the güira and the tambora and the one that best identifies the idiosyncrasy of the Dominicans
Robert Jeandor and his Solo Band Show

Always gentle, humble and with a soul devoid of pettiness, this gentlemanly artist put his talent at the service of merengue and, therefore, of all the gear that drives it.

Robert Hubert JeanD’or Bermudez was born on May 10, 1954, in Aruba, a territory that until 1986 was part of the Netherlands Antilles and today is part of the Kingdom of the Netherlands. He was the son of Francisco Reinier JeanD’or from Curazaleño and Cecilia Bermudez from Aruba, who worked in the Aruban aqueduct and hospital, respectively. Don Francisco died in 1972 and Doña Cecilia in 2005.

Notice that I have written JeanD’or and not Jeand’or, because the first is the correct surname of this family, but for artistic management purposes Robert was given Jeand’or. And lucky he was that they did not remove the apostrophe and left it only as Jeandor!

His inclination for music came from his father, who guided him when Robert took his first steps in musical studies.

“My dad was my first music teacher: he wrote down for me all the chords in a notebook and there, when I was barely six years old, I started learning to play the Venezuelan cuatro and, after some time, the guitar,” he recalled.

But it was not only in Robert’s veins that musical talent ran, but also in his siblings Francisco (Frank), who played guitar and mandolin, Marlene and Percey were equally talented guitarists, Robertina and John sang, Ismael was a trumpet player and Michael was a percussionist. Several of Robert’s siblings are now deceased: Ismael and Sofia (2010), Frank (2013) and John (2014).

In the neighborhood where he was born, called Madiki, he could very often see his brothers playing almost every night, together, as a family, with his dad leading, and so he was caught by the desire to join the family clan as a musician and that led him soon after to play the guitar.

“One night my brother Frank came home and told me that there was an aguinaldo group that needed a cuatrista to reinforce. The group was called Las Blancas Palomitas and was led by Severiano Luidens, with his relatives Evelien and Jossy Luidens also standing out,” recounted Robert Jeand’or, who was only eight years old at the time and, bursting into laughter, added that the only negrito was him.

He told that his relationship with the bass happened in a fortuitous way, because during a presentation of the group the bass player did not show up, due to lack of transportation, and then Robert, being a child of about nine or ten years old, assumed to play the powerful string instrument and solved the problem generated by the absence of the titular instrumentalist.

“I grabbed the bass, without ever having played it before and as the strings are tuned in the same order as the guitar, I said I was going to play it and so I played that night and that’s how I started to play it and to this day it is my greatest pleasure,” he recalled.

The lanky artist said that he entered a music academy to study bass and singing, being instructed in both subjects by the now extinct Aruban professor Rufo Odor and in harmony with the also deceased Argentinean professor Eddy Bennet.

In his youth and as a cuatro player and singer, he briefly played with pianist Albert Dieffenthaler, with whom he performed in several television programs, hotels and bars.

In the early 70’s, he joined Los Juveniles, which was the first orchestra where he participated as bassist, singer, composer and arranger. With this group, with which he became famous in his native land, he won in three consecutive years (from 1976 to 1978) the Tumba award, an annual celebration that is part of the carnivals of Aruba. Incidentally, Jeand’or would later win this award again two years in a row (1990 and 1991).

In 1978 Robert Jeand’or was crowned King of Tumba, after performing the song “Bolombonchi”, authored by Vicente Kelly, Victor Oduber and Jeand’or himself, which was later recorded by popular Colombian artist Joe Arroyo, who died in 2016. That impactful performance was seen by Johnny Ventura, who also performed there with his orchestra and El Caballo Mayor approached the Aruban singer to see if he would be interested in trying his luck abroad.

While that experience unfolded, Jeand’or did not stop his desire to add to his musical knowledge and expand the knowledge he already possessed in harmony and composition.

His inclination for music came from his father, who guided him when Robert took his first steps in musical studies.
Without a doubt, maestro Robert Jeand’or is the most Dominican Aruban we have ever known.

In the first five years of the 70’s, he released his first recording, composed and arranged by the artist himself: “Ta di nos e ta”, a phrase that translated into Spanish means “It’s ours”.

During 1979 he released with his orchestra La Nueva Fuerza the musical production entitled Rey Di Tumba 1976-77-78, recorded in his native island and with the support of Aruba Recording Studio, where he experimented with Latin, folk and country genres, giving us songs such as “Ban bonse”, “Ata mi cos”, “Manera un wiei”, “Slip’e”, “Bolombonchi”, “Pusha bai aden”, “M’y yega”, and “Canta cu mi awor”.

Many people don’t know that Robert Jeand’or was just a few minutes away from joining the Gran Combo de Puerto Rico, after the departure of Andy Montañez. Jeand’or took the stage with La Universidad de la Salsa, during a presentation at the Caiquetio club, and performed “El barbero loco”, “Las hojas blancas”, “Pin pin pin” and other songs that Montañez vocalized. His voice impressed Don Rafael Ithier and the staff of the famous group. After Montañez moved on to La Dimensión Latina, Ventura called maestro Ithier and recommended Jeand’or to fill the position of El Niño de Tras Talleres, to which Ithier replied that yes, he knew him, but he had already recruited Jerry Rivas. It is said that there was also a delay with the American visa.

It was not long before Jeand’or became part of La Dimensión Latina, because both when Oscar de León left this orchestra and when Andy Montañez also left, the name of the Arubeño was mentioned to join this Venezuelan group. In fact, they went to look for him where he worked, but he was already in Santo Domingo with Los Hijos del Rey.

Likewise, during a visit of Larry Harlow to the island of Aruba, El Judío Maravilloso saw Jeand’or singing and told Vicente Kelly, recently deceased this year (2020) and compadre of the popular singer, bassist and arranger, that he would take the Aruban singer to New York, because he needed someone to fill the void left in his orchestra by Junior González (who died on May 10, 2012) and Kelly responded positively, but that promise was never fulfilled.

In the midst of all that, the Aruban artist opted to join the Los Hijos del Rey orchestra in 1979 and settle in Santo Domingo.

Robert Hubert JeanD'or Bermudez was born on May 10, 1954.
Robert Hubert JeanD’or Bermudez was born on May 10, 1954.

“It was Johnny Ventura who talked to me so that I could travel to the Dominican Republic as a musician, and getting there was a great experience. Once in the Dominican capital, the first recording I made was for a commercial and the person who called me for that job was a very respected musician, his name is Jorge Taveras,” he said.

With Los Hijos del Rey, an orchestra then led by maestro Dioni Fernández, he recorded merengues such as the emblematic “Yo me dominicanizo”, by the prolific Puerto Rican composer Catalino Curet Alonso, affectionately known as Tite, “La pilandera” and “La vacuna”, by Porfirio Ruiz, among others, as well as the salsas “El viento”, by Joe Nicolás, and the successful “Puchula”, by Ramoncito Díaz.

While he was performing in Puerto Rico with Los Hijos del Rey, an orchestra that was in conflict with another faction for the use of the name, Jeand’or, who in the middle of that was in a kind of limbo, received a call from composer Curet Alonso (died in 2003), who mediated for him to sing with Roberto Roena & Apollo Sound, and the artist told him that he would think about it because he had to talk first with Ventura, who has always been his advisor.

Another situation that put Jeand’or on the verge of joining a salsa orchestra: in the middle of a tour in Puerto Rico, trumpeter Nelson García, of Los Hijos del Rey, talked to maestro Bobby Valentín to include the arubeño in his orchestra and the Puerto Rican star liked the singer’s voice very much, but then he had Cano Estremera as his star sonero and everything came to nothing.

Source:

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Diario Digital Dominicano

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.