Search Results for: Salsa Orchestra

Luis Perdomo one of the most avid pianists of the Jazz in New York

Luis is one of the most active jazz pianists in New York.

Originally from Venezuela, he began playing piano at the age of 10, and by the age of 12 was playing professionally on radio and television, as well as in concerts and clubs. Luis later moved to the United States.

To attend the Manhattan School of Music on scholarship, he graduated in 1997 and went on to earn a master’s degree at Queens College, where he was a student of the great pianist Sir Roland Hanna.

Shortly after moving to New York, he quickly established himself as an in-demand pianist amassing an impressive resume.

Some of the artists Luis has recorded and/or performed include Ravi Coltrane, David Sanchez, Tom Harrell, John Patitucci, Ray Barretto, Brian Lynch, Miguel Zenon, Dave Douglas, David Weiss and The Cookers, David Gilmore, Ralph Irizarry and Timbalaye, Henry Threadgill and Steve Turre, among others; a list that is as remarkable for its high level as it is for its diversity.

To attend the Manhattan School of Music on scholarship, he graduated in 1997 and went on to earn a master's degree at Queens College. — Luis Perdomo One of the most avid pianists of the Jazz in New York

Luis is also recognized as a member of several bands, especially the groups led by Ravi Coltrane, with whom he spent 10 years and Miguel Zenon, with whom he has had a collaboration that is currently in its 18th year.

Luis has also made a mark as a performer. Composer and arranger on recordings by Ray Barretto, Ignacio Berroa, John Benitez and Ralph Irizarry. He has also been commissioned as a composer by the Jazz Gallery, The Afro Bop Alliance and Arturo O’Farrill’s Afro Latin Jazz Orchestra.

He can be heard most recently on Ravi Coltrane’s Grammy nominated “Spirit Fiction” and Miguel Zenón’s “Típico”. In 2002 he won the 2nd Grand Prize at the “3rd Martial Solal Jazz Piano Competition” in Paris, among a group of 66 international pianists.

He can be heard more recently in Ravi Coltrane’s Grammy nominated “Spirit Fiction” and Miguel Zenón’s “Tipico”. In 2002 he won the 2nd Grand Prize at the “3rd Martial Solal Jazz Piano Competition” in Paris, among a group of 66 international pianists.

As a sideman, Luis has performed at most of the major music festivals and venues in over 50 countries, and as a leader, he has toured Europe, Japan, South America and the United States.

Luis has also been very active around the world in recent years as a teacher, soloist and as leader of his own trio: The Controlling Ear Unit and various other projects, and has released nine highly praised recordings as a leader: “…Focus Point “.

Luis has performed at most major music festivals and venues in more than 50 countries. — Luis Perdomo has also participated in more than 200 recordings as a sideman.

Focus Point “. (2005),” Awareness ” (2006), and the highly acclaimed ” Universal Mind ” with Drew Gress and Jack Dejohnette (2012) for Ravi Coltrane’s RKM Music label. ” Pathways ” in 2008, the ” Childhood ” project in 2012 and ” Links ” in 2013 were recorded for Criss Cross Jazz.

His ” Twenty – Two ” project, with ” Controlling Ear Unit “, was released in 2015 on the Hot Tone Music label.

This high octane CD unites Luis with bassist / vocalist Mimi Jones and drummer Rudy Royston. The two most recent CD’s:” Montage “; Luis’ first piano outing and” Spirits and Warriors “; a quintet release for the Criss Cross Jazz label featuring drumming legend Billy Hart, was released in May 2016.

Luis Perdomo has also participated in over 200 recordings as a sideman.

As an educator, Luis has taught master classes at conservatories in Amsterdam and Paris, Princeton University, Hochschule Fur Musik und Theatre (Munich, Germany), Berklee (Valencia, Spain), IUDEM (Caracas, Venezuela), Esmuva (Madrid, Spain) ; and the School of Jazz in Berkeley, California, among others.

He has taught summer jazz camps, including “Jazz in July” at the University of Massachusetts, Langnau Jazz Nights in Switzerland; The Banff International Workshop and the University of Manitoba in Canada, Badajoz Jazz Worshop in Spain; Universidad EAFIT in Medellin; Tonica Jazz Festival in Guadalajara, Mexico and Guimaraes Jazz Workshops in Portugal, among others.

In 2016, Mr. Perdomo served as artistic director of the Langnau Jazz Workshops in Switzerland. Luis has also taught at the New School for Social Research, and currently serves as an adjunct professor of piano at Queens College in New York City.

For more information, visit www.luisperdomojazz.com

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Eddie Palmieri Memorable Career

Eddie Palmieri

There are not many musicians who try to step outside the industry’s pre-established mold and experiment, but those talented artists who dare to do so are often remembered. Some define him as a genius, others as a revolutionary, the truth is that it is evident that Eddie Palmieri’s style has always been ahead of his time. He is among those artists who preferred to do something different rather than simply adapt to the commercial trends that existed in the music industry in the 1960s, which is why he has always been considered an experimental and brilliant artist.

Born in New York, although with Puerto Rican parents, Eddie showed interest in music since he was just a kid. At the young age of 14, his talent did already lead him to create his first orchestra. Tropical music and jazz were special genres for Palmieri, so Palmieri showed a special interest in both. Despite starting out as a percussionist, he eventually showed more interest in the piano, and his natural talent was evident, so he decided to become a pianist. That was the beginning of a career that would be full of success.

His career began when he participated in the orchestras of Vicentico Valdés and Tito Rodríguez, where he gained experience that would later lead him to create his own band, one that would mark a crucial change in Palmieri’s personal and professional life, the name of the legendary band was “La perfecta” (The perfect one).

In 1962, la perfecta made their debut, adding trombones and trumpets to the sound of the flute and violins of the era, thus creating a fresh, and peculiar sound that people were starting to love. It is normal that his love for jazz led him to continually experiment with different sounds, but what Eddie did not know at the time, was that those “experiments” would eventually make him a person worthy of being considered one of the greatest exponents of Latin jazz and salsa.

Awards

It is true that the quality of a great artist is not only defined by the awards he owns, but it is a prove of how relevant his music has been in different eras; in Eddie Palmieri’s case, his showcase is quite full of awards, here are a few of the most important ones: In 1976 the American achieved a memorable feat at the Grammy Awards by winning the coveted statuette, all thanks to The Sun of Latin Music, a production recorded by him. This would be the first Latin American production to win this award.

On the other hand, Eddie also won the award for Musical Excellence, an award given by the Academia Latina de la Grabación (Latin Recording Academy); Another important achievement was being recognized by the NEA Jazz Masters Award thanks to his passage through jazz.

His musical career is very extensive, as is his discography, so his biggest hits have been compiled in the following compilations: The History of Eddie Palmieri (1975), Gold: 1973-1976 (1976), The Music Man (1977), Salsa Caliente de Nu York! (2001), Sugar Daddy (2007), El Virtuoso (2010) y Salsa Brothers (2011).

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Let us remember the Puerto Rican Catalino Curet Alonso.

Biography

By: Héctor Valor Fernández correspondent from Caracas, Venezuela

Catalino “Tite” Curet Alonso was born in the town of Guayama, Puerto Rico on February 12, 1926, the son of an orchestra musician and a seamstress. He was just two years old when his parents separated; his mother and sister moved to Barrio Obrero, Santurce, with his grandmother, who was responsible for his upbringing. He also received his primary and secondary education.

Photo of the Puerto Rican composer Catalino Curet Alonso

Life in the neighborhood and his experiences there influenced his music. He studied music theory and solfeggio with professor Jorge Rubián, at the same time as growing up with other Latin music great legends such as Rafael Cortijo, Ismael Rivera, and Daniel Santos.

After graduating from high school, he began studying journalism and sociology at the University of Puerto Rico. For more than 20 he worked for the U.S. Postal Service and, at the same time, he was composing songs. In 1960 he moved to New York City, where he worked for the newspaper “La Prensa” as a sports journalist.

In 1965, Alonso met percussionist and salsa singer Joe Quijano, who committed one of his compositions entitled “Efectivamente” to record for the first time. In 1968 and 1969 he composed songs expressly for La Lupe such as “Carcajada final”, “Puro teatro”, and “La Tirana”.

In the early 1970s, “Tite” got into the salsa movement led by the label of Fania Records in which he became the composer of the greatest classics of the genre.

Alonso composed more than two thousand songs, such as “Anacaona”, “Periódico de ayer”, “Lamento de Concepción”, “Las Caras lindas”, “Juan Albañil”, “Mi triste problema”, “Tiemblas”, “Plantación Adentro”, “De todas maneras rosas”, “Marejada feliz”, among many others.

Alonso’s compositions were interpreted by the greatest singers and groups in the Latin American music industry: Joe Quijano, Cheo Feliciano, Celia Cruz, La Lupe, Willie Colón, Tito Rodríguez, Héctor Lavoe, Ray Barretto, Tito Puente, Ismael Miranda, Roberto Roena, Bobby Valentin, Marvin Santiago, Justo Betancourt, Willie Rosario, Pete “Conde” Rodríguez, Andy Montañez, Rafael Cortijo, Tommy Olivencia, Frankie Ruiz, Rubén Blades, among others. Tite” Curet Alonso is considered the most important composer of salsa music in his country and Latin America of the 20th century.

Catalino Curet Alonso left a son, Eduardo, and a daughter, Ilda, as well as several grandchildren. He maintained a fruitful loving relationship with Norma Salazar, an excellent Puerto Rican exponent dedicated to working with children, literary work, craftsmanship, and dance with traditional Puerto Rican rhythms.

She knew quite a lot about Tite’s efforts because she knew full well that beneath that face, that unbreakable smile, and that ever-present hat, there was a man permeated by great emotions, a loving discourse with a political edge, and she kept vigil with a man responsible for his work.

Catalino Curet Alonso died in Baltimore, Maryland, U.S., on August 5, 2003, at the age of 77, as a consequence of respiratory involvement which caused him a heart attack.

His remains rest in the Santa María Magdalena cementery of La Perla in Viejo San Juan. “La Perla, where patriots are buried”. His tomb is close to those of Rafael Hernández, Pedro Flores, and Daniel Santos.

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Ayumi “Azucar” Suzuki, she plays Latin percussion, Classic percussion, Marimba & Vibraphone

Ayumi was born in Japan She graduated from the Faculty of Percussion, Tokyo College of Music.

Ayumi was born in Japan. She plays Latin percussion, Classic percussion, Marimba & Vibraphone.

At the college; she began to study percussion in earnest mainly with classic music and gained experience of ensemble in orchestras, brass bands, musicals, operas, etc.

Ayumi “Azucar” Suzuki She plays Latin percussion.

At the same time, she started to organize concerts and participate as percussionist, keyboard percussionist or drummer.

She has been also teaching eurythmics at a nursery school.

In 2015, she started her own band, “Ayumania” that features mostly her original compositions and arrangements, where she fuses Japanese atmosphere into Latin rhythm.

Inviting both Japanese and foreign guests, she has been organizing live concerts in various places in Tokyo.

In July 2017, she released her first album “Oukagekka” in Japan. It has been promoted in overseas radio programs in Colombia, Puerto Rico and New York.

He plays Latin percussion At the same time, he began to organize concerts and to participate as a percussionist, keyboard percussionist or drummer. — She graduated from the Faculty of Percussion, Tokyo College of Music

The Japanese vibraphonist, timbalera, composer and arranger Ayumi Suzuki launches her Ayumania debut, a musical production recorded between Tokyo and Los Angeles that includes 7 original numbers – composed and arranged by Suzuki herself – and two covers: Maria Cervantes de Noro Morales and Mi Amore by Naoya Matzuoka. In this album, Ayumi’s speech establishes a bridge between classical and contemporary Cuban music, with different rhythmic touches and influences that have marked his background as an instrumentalist.

Sakura, a beautiful instrumental melody composed by Suzuki herself, highlights Chiho “Isabel” Saito on the violin, as well as Hiromishi “Yan” Tsugaki on the keyboards, and of course, Suzuki on the marimba and the vibraphone.

Ring Loop is a cadenciosa are montuno with outstanding participation of Takashi Nakazato in the congas; La Lluvia, vocalized by the Cuban Julian “El Pillo” Tapia, presents the solos of Mitsuru Tanaka and Ayumi on the trumpet and vibraphone, respectively.

Knock Knock Knock is a festive cut that builds bridges with Caribbean music, particularly calypso, and salsa and in which Ayumi herself punches the timpani and a mind-blowing one in the marimba.

Saredo Danzon, as the name implies, is a danzon that opens with a solo by Hiromichi Tsugaki on the piano while Umihotaru, with vocals by Julian “El Pillo” Tapia, is an afro rhythm in 6/8 with the intervention of Hiromichi Tsugaki (fender rhodes) and Ludwig Esteban Nuñez (drums).

Suzuki offers a tribute to Noro Morales in his legendary composition of Maria Cervantes. In this piece we hear the participation of Jimmy Branly in the drums and an overwhelming solo of Ayumi in his vibraphone, with that way of playing that only she has.

Branly himself performs the drums in the last two pieces;Suzuki achieves a premium opera that honors her at the rumberos school.

With sophisticaded arrangements. with the elegance and the street necessary to position it is as one of the most

outstanding salseras of the international level. It wil surely be one of the best productions of this 2017.

Ayumania

Sakura emerges with a flow of wind sounds with minor percussions that set the mood for an eclectic and harmonious journey. — Ayumania A material consisting of 7 original songs, two covers and all under the baton of Ayumi.

A modern and contemporary material, original and unusual, is the one that establishes this Japanese multi-instrumentalist Ayumi Suzuki, establishing different arrangements and touches to each theme, this Japanese vibraphonist, timbalera player, composer and arranger establishes a thin line between Cuban music and modern, going through bold and effective rhythmic domains.

A material that consists of 7 original songs, two covers and all under the baton of Ayumi.

Sakura emerges with a flow of wind sounds with minor percussions that make the environment conducive to an eclectic and harmonious journey, one of the fundamental pieces to understand the musical transculturation of this talented woman, the violin solo by Chiho “Isabel” Saito and the keyboards by Hiromishi “Yan” Tsugaki and the marimba and vibraphone by the emblematic Ayumi stand out.

A son montuno can not be missing in this material, Anillo De Lazo where a congas solo by Takashi Nakazato stands out, La Lluvia, a song that already rolls through the wide world of the networks in which the voice of Julián Tapia can be appreciated, the trumpet of Mitsuru Tanaka and the vibraphone of the great Ayumi, undoubtedly a 5 star material, a musical base and instrumentalist of first line that give the incomparable recognition to the musical talent of this great artist and in conjunction with the band.

Gerardo Rosales meets Orlando Poleo, who invites him to study Afro-Caribbean percussion in Caracas

Gerardo Rosales was born on July 6, 1964, in Caracas, Venezuela. He has been living in the Netherlands since 1993.

At the age of 8 he started studying piano and at the same time he became interested in playing congas and bongo.

In 1977, at the age of 13, he met Orlando Poleo, who invited him to study Afro-Caribbean percussion at the “Taller de Arte” in the Sarría neighborhood in his hometown Caracas.

From 1977 to 1980, he studied congas and bongo with Orlando Poleo, and timbales with Alberto Borregales.

In 1985, he studies Afro-Venezuelan percussion with Alexander Livinali at the “Fundación Bigott”.

In 1987 Gerardo starts his career with very important figures such as: Soledad Bravo, Cecilia Todd, Canelita Medina, Alberto Naranjo y el Trabuco Venezolano, Maria Rivas, Joe Ruiz, Ilan Chester, Orquesta Café, Trina Medina y Yarake, Victor Cuica among others.

At the same time, Gerardo began his own orchestra called “Salsa 70” and with it he toured the neighborhoods, theaters and night spots of the capital.

In 1992, he receives an invitation to participate in the Expo Sevilla in Spain, with the group ‘Caracas Son 7’.

From that moment on he decided to settle in Europe. In 1993, he releases his first CD “Gerardo Rosales y su Salsa Pa’lante”, in Spain, which was recorded in Venezuela.

At the same time, Gerardo started his own orchestra called "Salsa 70" and with it he toured the neighborhoods, theaters and nightclubs of the capital. — In 1992, he received an invitation to participate in the Expo Sevilla in Spain, with the group “Caracas Son 7”.

From this moment on he is invited to work in France with Alfredo Rodriguez and Orlando Poleo; in Germany with Conexión Latina and Nicky Marrero and in Holland with Saskia Laroo, Jose Avila y su Quimbombo and Cedric Dandaree. In 1995, Paquito D’Rivera invited him to participate in the recording of the CD “Bebo rides again” together with the legendary Cuban pianist Bebo Valdés.

From 1996 until now, Gerardo Rosales has been touring Europe with his own salsa and Latin jazz projects. Gerardo has earned the respect and admiration of the public through his concerts and recordings, managing to spread and project rhythms from Venezuela, Cuba, Puerto Rico, Colombia, Peru, Curaçao, Suriname and the Caribbean.

In 2002, he produced the music for the film “Madamme Jeanette” directed by Paula van der Oest which was nominated for an Oscar as a Dutch film.

These are the titles of his CDs: “Salsa pa lante” (1992), “Venezuela Sonora” (1996), “Señor Tambó” (1998), “El Venezolano” (1999), “Rítmico & Pianístico” (2001), “La Salsa es mi Vida” (2001), Tribute to Fania all stars (2003), Charanga La Crisis “Salsa Antigua” (2005), Mongomania “Tribute to Mongo Santamaria.

Gerardo Rosales has accompanied on tours, recordings and performances in Europe artists such as:

Dee Dee Bridgewater, Benny Bailey, Paquito D Rivera, Bebo Valdés, Toots Thielemans, Jimmy Bosch, Juan Pablo Torres, Herman Olivera, Oscar D’León, José Alberto “El Canario”, Andy Montañéz, Meñique, Edy Martínez, Carlos “Patato” Valdés, Conexión Latina, Orlando Valle “Maraca”, Alfredo Rodríguez, Armando Peraza, Luisito Quintero, Robert Quintero, Ramón Valle, Larry Harlow, Adalberto Santiago, Frankie Vázquez, Oscar Hernandez, Africando, Chamaco Rivera, Luisito Carrion, Jorge Herrera, Edgar Dolor, Dorance Lorza, Ajo Porro, Luisito Rosario, David Cada and Tito Allen.

Discography by Gerardo Rosales:

Gerardo Rosales has accompanied artists on tours, recordings and performances in Europe — Discography by Gerardo Rosales:

2019 Gerardo Rosales “Cachandera and Singapore Vibes” (Single)

2016 Gerardo Rosales “Salsa Vintage” (Download – CD )

2014 Gerardo Rosales “Son Del Sofa” (Single) ITunes

2013 Gerardo Rosales “Síguelo” (CD)

2011 Gerardo Rosales “Chano Pozo’s Music” (CD)

2011 Gerardo Rosales “30 Aniversario” (CD)

2010 Cachao Sounds “La Descarga Continúa” (CD)

2010 Gerardo Rosales “Buscando Chamba” (CD)

2009 Venezuelan Masters Orchestra “Toros y Salsa” (CD)

2008 Gerardo Rosales “Salsa Mundial” (CD)

2007 Our Latin Groove “Bringin’ it All On Back” (CD)

2005 Gerardo Rosales “Mongomanía” (CD)

2005 Charanga La Crisis “Salsa Antigua” (CD)

2004 Gerardo Rosales “Tribute to Fania” (CD)

2001 Gerardo Rosales “La Salsa es mi Vida” (CD)

2001 Gerardo Rosales & Edy Martínez “Rítmico y Pianístico” (CD)

1999 Gerardo Rosales “El Venezolano” (CD)

1998 Gerardo Rosales “Señor Tambó” (CD)

1996 Gerardo Rosales “Venezuela Sonora” (CD)

1992 Gerardo Rosales “Salsa Pa’lante de Venezuela” (CD)

1991 Gerardo Rosales “Salsa Pa’Lante de Venezuela” (33 RPM Vinyl)

Discography of Gerardo Rosales with other artists:

Orquesta Cafe “Criollisima” 1987 (Fama) Venezuela ( Salsa )
Joe Ruiz – Javier Plaza – Jose Torres – Gerardo Rosales

Bebo Valdes “Rides Again” 1994 ( Messidor) Germany ( Latin Jazz )
Bebo Valdes – Paquito D Rivera – Patato Valdes – Amadito Valdes – Gerardo Rosales

Conexion Latina – “La Conexion” 1996 (Enja) Germany ( Salsa )
Rudi Fuesers – Leslie Lopez- Anthony Martinez – Nicky Marrero – Gerardo Rosales

David Rohschild “Looking Up” 1997 (Via) The Netherlands ( Salsa )
David Rothschild – Adalberto Santiago – Banjamin Herman – Gerardo Rosales

Leslie Lopez “Bomba Moderna” 1999 (Buitenkunst) The Netherlands (Latin Jazz)
Leslie Lopez – Ramon Valle – Joe Rivera – Nils Fischer – Gerardo Rosales

The Rosemberg Trio “Suenos Gitanos” 2001 (Polydor) The Netherlands ( Latin )
Rosemberg Trio – Toots Thielemans – Leonardo Amuedo – Gerardo Rosales

Ronal Snijders “Bijlmerjazz 2004 (Independent) The Netherlands (Jazz)
Ronal Snijders – Randal Corsen – Jesse van Ruller – Gerardo Rosales

Cubop City Big Band “Arsenio 2004 (Tam Tam) 2004 The Netherlands (Cuban)
Lucas van Merwijjk – Edy Martinez – Nelson Gonzalez – Gerardo Rosales

Drums United “World of Rhythm” 2006 (Tam Tam) 2004 The Netherlands (World Music)
Lucas van Merwijk – Nils Fischer – Aly N ‘ Diaye Rose – Gerardo Rosales

Samba Salad – Metropol Orkest “Live Vredenburg” 2006 The Netherlands (World Music)
Herman Link – Dick Bakker – Maurice Luttikhuis – Rita Iny – Gerardo Rosales

Aquilez Baez “ La Patilla” 2007 (Cacao) Venezuela (Latin Jazz)
Aquilez Baez – Anat Cochen – Huascar Barradas – Diego Alvarez – Gerardo Rosales

Maria Catharina “Obsecion” 2010 (Independent) The Netherlands (Jazz)
Maria Catharina – Adinda Meertins – Thomas Bottcher – Marc Bischoff – Gerardo Rosales

Masalsa “Resurreccion” 2012 (Independent) The Netherlands (Salsa)
Soeshiel Sharma – Ray de La Paz – Marcos Bermudez – Cachito Vaz – Gerardo Rosales

Izaline Calister “Kandela” 2012 (Coast to Coast) The Netherlands (Latin)
Izaline Calister – Yumarya – Vernon Chatlein – Larc Alban Lotz – Gerardo Rosales

Africando “Viva Africando” 2013 (Sterms Music) France (Salsa)
Boncana Maiga – Oscar Hernandez – Doug Beavers – Luisito Quintero – Gerardo Rosales

Mezcolanza “Headbanger” 2015 (O.A.P Records) The Netherlands (Jazz)
Peter Wenk – Chistof May – David Barker – Mick Paauwe – Gerardo Rosales

Tango Extremo “ Havana” 2015 (JWA) The Netherlands (Latin)
Ben van den Dungen – Rob van Kreeveld – Tanya Schaap – Gerardo Rosales

Orquesta La Potente “ Potente “ 2018 (Independent) Colombia (Salsa)

Coco Ramirez – Guarnizo – Gerardo Rosales

Barry Hay & JB Meijers (Universal Music Group) 2019 The Netherlands ( Pop)

Barry Hay – JB Meijers – Gerardo Rosales.

Gerardo Rosales

( Salsa – Latin – Jazz – Cuban )

Bands – Percussion Workshops – DJ – Percussionist – Shows

+31627862001

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