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Search Results for: Salsa Orchestra

Michel “El Buenon” is a singer, composer and considered the most sought-after salsa singer in the Dominican Republic

On September 7th in the province of Baharona in Batey 7, Dominican Republic, Michel Batista or better known as Michel “El Buenon” was born, he is a singer and composer.

Considered the most sought after salsa singer, he is a man with a big heart and a story worth admiring, because despite all the vicissitudes he went through during his childhood and youth, he became great, as his grandmother Dona Crisiana instilled in him.

From a very young age he attended Sunday school at the Baptist church with his mother Crisiana Abraham, with whom he attended the evangelical church shepherded by herself, where he also sang in the church choir on Sundays.

In elementary school she participated in a music festival where she won first place at only 8 years of age.

Later she competed in a regional festival in the town of Barahona in the radio station Radio Barahona, winning first place at the age of 12.

He then migrated from the south to the city of Santo Domingo, where he began singing in bars, nightclubs and hotels like the Sheratton, Napolitano, El Embajador.

In addition to the resorts Talanquera, Casa de Campo Sosua, Puerto Plata, among others.

At the beginning he was part of the Tabú Combo, a group from Puerto Príncipe based in New York City, recording hits such as “Inflaciones General”, “La Llave”, “Relimen” and composing the song “Apipi”, known in French and in Spanish as “El Jardinero”, which he recorded with his friend Wilfrido Vargas.

He would later be part of Johnny Ventura’s orchestra for 5 years, from 1982 to 1987.

He recorded the song “Tuyo Más Que Tuyo” by Bienvenido Fabián, then he joined again the Tabú Combo Superstar orchestra with Adolfo Chanci, its director.

In 1995 he went solo and recorded his first salsa CD titled “Amigo De Qué”, which was played all over Latin America, occupying for 12 weeks the first place of the radio station La Mega in the city of New York.

Later he released his second album “Brujería”, and seven others: “De Ahí Nadie Como Él” (2001), “100% Sabroso” (2002), “Llego Michel El Buenon” (2005), “Víveme” (2005) and “Extrañándote” (2005), which contained ballads interpreted in the rhythm of salsa in the style of “El Buenon”, this production has unpublished songs of Michel himself such as “Que Te Vaya Bonito” and “Yo Que Me Lo Creo”.

Throughout his career he has been winner of the Casandra Awards 2005-2006-2007 and nominated in 2008 and 2011.

Among his languages interpreting songs are English, Portuguese, Italian, Papiamiento, Creole, Spanish and French as he did in the song “Se Finit” by Charles Asnabul and the song Wonderful World in tribute to Mr. Luis Armstrong.

In his repertoire of the most outstanding songs in 2008 are “La Primavera”, “Cuando Los Sapos Bailan Flamenco”, “La Playa”, “Víveme”, “Tú Ni Te Lo Imaginas”, “Hoy Daría Yo La Vida”, “Me Has Echado Al Olvido”, “A La Primer Persona” and “Wonderful World”, all with hits and diffusion in all the radios and discotheques of his country.

Among his most outstanding albums in the last ten years are “Extrañándote”, “Todo Terreno”, “Estilo Y Conciencia”, “Arriba Siempre De Pura Sangre”, “Reserva Especial Impecable”, “El Insuperable De La Salsa” and “Claro, Fino, Nítido, Control Total”.

Throughout his career he has traveled to all of Europe, the United States, the Lesser Antilles, Switzerland, England, Colombia, Panama, Costa Rica, Venezuela, Mexico, Curacao, La Reunion, Tahiti, Africa, Japan, Dubai and Colombia, the latter was where he recorded the video clip of his song “Maldito El Tiempo” written by Alexander Pires.

Michel “El Buenon”

You can read: Génesis de la Salsa, su esencia, características, ritmo, historia y expansión

International Salsa Magazine presents Alexander Abreu and his Habana de Primera

International Salsa Magazine presents a Cuban musician today considered by critics as one of the best trumpet players of the moment in Cuba and probably in the whole world.

He is Alexander Abreu Manresa, born on September 6, 1976 in Cienfuegos.

Owner of innate conditions and a unique talent to play the trumpet in a wonderful way.

Alexander Abreu, in spite of his youth, equals greats of the instrument such as El Guajiro Mirabal, Arturo Sandoval or Dizzy Gillespie, without ignoring that as a singer he has a melodious voice and, as if that were not enough, he also works as a composer and musical director.

He began playing trumpet at the age of ten, he studied music at the conservatory of music in his hometown Cienfuegos and at the National School of Art where he graduated in 1994 and in that same institution has served as a teacher, the impeccable way of playing his instrument allowed him to reach the top in Cuban music with only twenty years of age; he was part of the Cuban jazz group Irakere, worked with exponents of Cuban Timba Paulo FG and Issac Delgado and his Orchestra.

On the other hand, he has made recordings in other genres with musicians, composers and singers such as:

Armando Anthony Corea, known as Chick Corea, is an American jazz pianist, keyboardist and composer.

Arnaldo Rodríguez, young talented arranger, composer, singer and director of the Cuban Musical Group Arnaldo y su talismán, born in Ciego de Avila, Cuba.

Baby Lores, musician, singer and arranger from the city of Cienfuegos, the Pearl of the South.

Hugh Ramopolo Masekela, trumpeter, flugelhornist, cornetist, composer and South African jazz singer from South Africa.

James Morrison Catchpole, English soul and pop rock singer, songwriter and guitarist.

Luís Represas, Portuguese singer and composer.

Ron Sexsmith, Canadian singer-songwriter.

Alexander Abreu created, in 2007, his own group, which he called Havana D’ Primera, with several of the most talented Cuban musicians, the first presentation of the band took place on October 4, 2008 at the Cabaret Turquino of the Habana Libre Hotel in Havana.

With Havana D’ Primera, he has made three albums, they are: Haciendo Historia in 2011, Pasaporte in 2013 and La Vuelta al Mundo in 2015.

He has also released the singles: Rosa la Peligrosa, Me Dicen Cuba and Prohibido. Alexander Abreu Manresa is trumpet and lead vocalist of Havana D’ Primera, as well as composer, arranger and musical director of the group.

This work aims to highlight the enormous and excellent musical career of one of the best musicians of the island of Cuba in the new generation, with just thirty-eight years of age, the music of Alexander Abreu has transcended borders, his recordings exceed one hundred albums in different countries and in multiple musical genres.

From our website, we want to highlight the magnificent musical career of Alexander Abreu Manresa.

Despite his youth, Alexander Abreu’s musical gifts and excellence have allowed him to play and record with a great number of musicians and groups, not only in his native Cuba, but also in other countries of the world, to mention a few, we have then, as far as our music is concerned: Adalberto Álvarez, Amaury Pérez, Andy Montañez, Irakere, Juan Manuel Ceruto, Klimax, Mayito Rivera, Orquesta Sinfónica Nacional, Pablo Milanés, Pachito Alonso, Team Cuba, Teresa García Cataurla, Van Van and Yurumí y sus Hermanos.

Havana D’Primera nominated to the Latin Grammy Awards 2022

“We are nominated once again for the Latin Grammy Awards, this time with the album Será que se Acabó. But it’s not just me. Cuban music is nominated, which is reflected in this album with all the energy. I think it’s the most powerful album I’m going to make in the history of my life.” This is how Alexander Abreu announced the magnificent news.

Será que se Acabó, Havana D’Primera’s latest album, was nominated for the 2022 Latin Grammy Awards in the category of Best Salsa Album.

“At The Latin Recording Academy, we continually strive to support and encourage Latin music creators, and these nominees epitomize musical excellence and represent the great moment our music is going through,” said Manuel Abud, CEO of The Latin Recording Academy.

Alexander Abreu & Habana de Primera

You can read: Yissy García Calzadilla, former member of the Anacaona Orchestra, plays drums, timbal and bongo

Directory of Salsa Clubs in North America

Los Angeles
1.- The Mayan 

Salsa en el Mayan
FRI SEP 10 2021 AT 09:00 PM TO SAT SEP 11 2021 AT 02:00 AM
Los Angeles, California | Los Angeles

Tickets
USD 45

2.- VLounge Bar And Night Club

Details

Tony Vega
Vlounge Bar and Night Club, Los Angeles (LA), CA, US

Venue
Vlounge Bar and Night Club
6101 Reseda Boulevard
91335
Los Angeles (LA), CA, US

Additional details
Price: US $100.00
Doors open: 21:00

3.- La Clave Salsa Club

Salsa Bachata Group Classes Discounts
Group Classes at La Clave every Thursday, 11502 Ventura Blvd Studio City

Monthly Pass Discounted $50.00 per 8 classes, Includes the Dancing after. Classes: Salsa 8pm / Bachata or Chachacha 8:50pm

Available at The Club on Thursdays!

San Diego
4.- Sevilla Nightclub of San Diego

Bachata Tuesdays | Sevilla Nightclub San Diego

BACHATA NIGHTS

DJ HUSH IN THE MIX

DOORS OPEN 8 PM

BACHATA CLASS

PART ONE 8.15PM

PART TWO 9.15

NIGHT ENDS 2 AM

353 5TH AVE | GASLAMP QUARTER

INFO AND RESERVATIONS 619.245.1138

TAUGHT BY INDIGO ENTERPRISE

COVER CHARGE $15

GUEST LIST BEFORE 10 PM ENTRANCE DISCOUNTED $10

www.sdbachata.com // www.sevillanightclub.com

San Francisco

5.- The Cigar Bar & Grill

Bachata Sundays – at CIGAR BARMonthly Bachata Sunday at Cigar Bar – every 1st Sunday!
About this Event
Inessence presents Bachata Sundays: Bachata & salsa class, social dancing, food & drinks. This party will be once a month (1st Sunday), with the next one happening on September 4th.NEW LOCATION: the San Francisco famous Cigar Bar. It will be a night filled with bachata, salsa, y más. Come end your weekend dancing the night away! Smoke-free on Sundays.Indoor dancing & outdoor patio dancing.PLEASE SUPPORT THE BAR & KITCHEN so we can keep this beautiful venueTime:
*Doors open at 6:45pm* Salsa Class (beginner friendly): 7pm – 8pm

*Bachata Class (beginner friendly): 8pm – 9pm

*Social dancing: 9pm – 12:45am

Full bar / 2 Dance Floors / 21+

Tickets:
We highly encourage purchasing your tickets in advance!

$15 online presale (ends Sunday at 4:30pm 9/4)

$25 at the door

(NO refunds)

Location:
Cigar Bar & Grill, 850 Montgomery St. San Francisco, California

For more info:
www.inessencedance.com

@inessencedanceco

6.- El Valenciano

Latin ednesdays at El Valenciano

Latin Wednesdays at El Valenciano SF! Every Wednesday evening in the heart of SF’s Mission District we offer Bachata and Salsa Lessons at 8 PM followed by dancing at 9 PM! Full Kitchen and Bar serves delicious meals and cocktails… Pre-Sale Tickets only $12 via Venmo and $15 at the door.
Spring/Summer Special: $10 after 10 PM
Venmo ID: Gabriel-Romero-18
Code: 9190

Long Beach

7.-  PCH Club

Dance classes every Thursday

8PM BACHATA
8:45PM SALSA
9:30PM DANCING TILL CLOSE!

Oakland

8.-  Yoshi’s

JUAN ESCOVEDO ALL STARS

SEPTEMBER 8, 2022
DOORS: 7:30 PM / SHOW: 8:00 PM

BUY TICKETS
$26-$64

SEPTEMBER 8, 2022
DOORS: 9:45 PM / SHOW: 10:00 PM

BUY TICKETS
$26

Juan Escovedo has released his first solo CD, THE J, on November 8, 2021, at his official record release party with two sold-out shows in Oakland. This CD elevates your soul with a masterfully crafted sound and rhythm meticulously created with an orchestra of seasoned sound that promises to take your breath away. Angel, the first single, features singer-songwriter El DeBarge with Martin Kember from Color Me Badd. Raphael Saadiq plays bass on two songs, Eddie M plays saxophone on two songs, and Andy Fargas of Santana sings on another piece. The video Angel was released on December 1!

Juan has toured, performed, and recorded with many artists, including Prince, Tony Toni Tone, Miguel, El Chicano, Con Funk Shun, Patti LaBelle, Amerie, Chingy, Jody Watley, Lou Bega, MC Hammer, Lionel Richie, En Vogue, El DeBarge, Freddie Hubbard, Barry White, Herbie Hancock, Cyndi Lauper, Teri Lynn Carrington, Bobby McFerrin, Tito Puente, Cheryl Lynn, Raphael Saadiq, Bobby Womack, his sister Sheila E., and, still, his father, Pete Escovedo. Juan tours, writes, and records as a solo artist with his father’s Latin Jazz Orchestra and The E Family: his father, his brother, Peter Michael Escovedo, and his sister Sheila E. Produced and arranged by Peter Michael Escovedo, The E Family’s latest CD, Rhythm of the Night, is a collection of nine “Old School” Soul & R&B hits, re-arranged and transformed into an explosion of Latin Jazz articulated through a fourteen-piece Latin Jazz Orchestra. The album features guest vocalists Peter Michael, Simon Russel, Sy Smith, Sheila E., Peter Michael, and Debi, as well as Escovedo’s great grandchildren.

Costa Mesa
9.- Sevilla Nightclub of Costa Mesa

Bachata Sundays @Sevilla In Oc
Learn & Dance Bachata With The Best Dancers & Teachers In Orange County!

About this Event

We Invite You To Our New Venue For Bachata & A Sprinkle Of Salsa At Sevilla Night Club In OC.

Don’t Know How To Dance Bachata, Thats OK! We Offer An Amazing Paid Bachata Intro Class With Professional Dance Instructors.

Doors Open At 430pm With A Intro-2-Bachata Class. Then We Have A Fun Open Level Bachata Class At 5:30pm. No Partner Or Experience Needed! $10 For One Class or $15 For Both. (Pay At The Event)

Music Starts at 530pm Till 9pm With DJ Aragon & DJ Zonik

Free Cover For Dancing (Class Not Included)

Food & Bar All Day | Free Safe Parking. Dancing Till 9pm | 21 & Over Night

Sevilla | 1870 Harbor Blvd, Costa Mesa Ca 92627

Find Us On Instagram!

https://instagram.com/cielodanceevents?utm_medium=copy_link

Alhambra

10.- The Granada LA

FRIDAY SEPTEMBER 2ND
Salsa Room with DJ MORENO & DJ PICOSO
Bachata Room with DJ KENNY
Reggaeton/Hiphop on patio with DJ MIRO & DJ SMALZ
Group Dance Classes:
8:30pm Salsa 1 with Kayla & Rosanna
8:30pm Salsa 2 with Hector & Jade
9:30pm Bachata with Hector
(Prepaid $12 per class or $15 at door)

Mountain View

11.- Alberto’s Night Club

Hot Salsa Fridays With Pantea – Alberto’S Night Club

HOT SALSA FRIDAYS EVERY FRIDAY with Pantea Salsa Lessons All Levels Doors open 8:00 pm 8:30 pm Beginner 9:30 pm Intermediate 10:15 pm Social Dancing No Partner Necessary DJ SayNoMore 21 and Up. A cool bar lounge located in Mountain View with a great instructor and chill atmosphere. Plenty of seating, a full bar, and live bands of Friday nights. Music is a mix of salsa and bachata, with a sprinkling of cha cha and merrengue. Established in 1992, Alberto’s quickly became one of the best nightspots in the bay area. Lore has an unknown musician at the time, Marc Anthony, once played at the club. Alberto’s continues to be the goto place for Salsa, Bachata, dancing and Latin music. It caters to a diverse audience who come to hear and learn musical styles from salsa to tango.

INFO:
When:September 2 @ 7:15pm – 9pm
Where:Alberto’s Night Club, 736 W Dana St., Mountain View,
Price:$10

Richmond
12.- Allegro

Salsa Bachata Social every Sunday

Latin Saturdays at Allegro. See flyer for details.

DETAILS
Date: September 3
Time: 8:00 pm – 1:00 am
VENUE
Allegro Ballroom 12012 San Pablo Avenue Richmond, CA 94805 United States Montclair.

13.-  The Canyon

**SATURDAY @ THE CANYON**
9:30-2AM SALSA CUMBIA BACHATA Y MAS with SUPER DJ RUMBERO! Great Food & Full Bar! Air Conditioning! Huge Dance Floor! Great Sound & Lighting! Plenty of Seating and Lots of Free Parking! $10 B410PM & $15 After, cash only! 5060 E N Montclair Plaza, upper level next to Macy’s (enter from Moreno St) 21+
**************************
**SABADO @ THE CANYON**
9:30-2AM CUMBIA SALSA BACHATA Y MAS con SUPER DJ RUMBERO! $10 antes de las 10PM y $15 despues, solo efectivo! 5060 E N Montclair Plaza, 2do piso lado de Macy’s (entrada por Moreno St) 21+

Commerce

14.-  Steven’s Steak House

Live Salsa Friday at Stevens Steak House

Live Music with Sangria every Friday at Stevens Steak House.

DETAILS
Date: September 2
Time: 8:00 pm – 2:00 am
VENUE
Stevens Steak and Seafood House Restaurant, 5332 Stevens Pl Commerce, CA 90040 United States

Los Gatos

15.-  Charley’s LG

SALSA NIGHT with Salsa Lesson, Live Salsa Band & Salsa DJ

Charley’s Bar LG is excited to bring you SALSA/LATIN NIGHTS (Salsa, Bachata, Reggaeton) every Thursday! Super fun night of dancing at the beautiful Charley’s in downtown Los Gatos!

DJ Luis Medina (of KPFA Radio) will be spinning the top Latin songs to keep the dance floor packed! The live salsa band CARLOS XAVIER (Does Mark Anthony & Originals) will take the stage at 9pm!

Lessons – all levels welcome from 8-9pm
No partner needed (we rotate)
Full Bar
Newly remodeled
Large, Gorgeous, Smooth, Hardwood Dance Floor
High Quality Sound Equipment
Air Conditioning
On-Site, Free, Lighted Front & Back Parking
Elevator Access
Outdoor Patio with Heaters
Fun & Friendly Atmosphere
Live Latin/Salsa Band & DJ
Playing a mix of salsa and bachata, with a sprinkling of Reggaeton & Cha Cha.
Doors open at 6pm
Happy Hour 6-8pm
Dance Lessons 8-9pm
Social Dancing 9pm-1am
$20 Cover charge
https://salsagoogle.com/tickets/
21+

Puerto Rican salsa singer Jai Ramos spoke to us of his life and projects

First years and military life

We are talking with Puerto Rican salsa singer Jai Ramos. How are you feeling? Glad to have you here.

I’m feeling fine. Thank you very much for the invitation. I feel blessed to be able to release my songs, but more important is the opportunity I have to be here talking to you and your audience.

person with clave in your hand
During his youth, Jai Ramos listened to ballads and popular music

Why did you choose salsa as your main genre? Was it to do with your environment or your roots?

It had much to do with my roots. When I started to lean towards music, I listened to ballads and various popular music singers that we had in Puerto Rico such as Chuco Avellanet, Lucecita, Lissette, among others. I also listened to other international artists such as Nino Bravo.

However, what made the switch was to go to the movies to see Our Latin Thing with the Fania stars. That’s when I made the change to salsa.

It’s very interesting because most of the artists you mentioned are boleristas or balladers, in other words, it was a huge change.

That’s correct.

You belonged to the United States Army, how did you combine your military career with your musical activities?

Interesting and very valid question. Even though I became interested in music, the places where I wanted to take music lessons would not accept me. After I finished school and became an adult, I joined the military and started to get exposure to different local music groups after arriving in the United States. That’s how I began to develop in my spare time. Admittedly, it was difficult, but where there’s a will, there’s a way.

I’ve talked to several Puerto Rican artists who were also in the U.S. Army at various ranks.

Did you get to coexist with other artists and salseros there? If so, do you think that helped you pursue your career in music?

Absolutely. Ar first, I met a lot of people who had a lot of musical experience in their spare time even though they were serving in the armed forces and they were the ones who provided me with the knowledge needed to improve this balance. With the passage of time, I also got to know people with musical experience who are very famous today such as Angel Santos. He and I served in the armed forces at the same time and retired at about the same time, so he chose composition, while I chose music performance.

I made a career in the army for 22 years of service. During all that time, I met many people and today I have communication with many of them even though we’re now civilians.

Jai Ramos
Jai Ramos shared with many other salsa artists during his time in the army

What Ramos learned from other artists

You got to share and sing along with artists such as Ray Barreto, Celia Cruz, Grupo Niche, Oscar D’ León, Nino Segarra, among many others. What did you learn from each of them?

Good question. They all taught me that they were still human beings and have a duty to the people in spite of being so famous. They were all very humble and that gave me to understand that they are flesh and blood people like us, but that they achieved success because of their talent.

When I was on a military base in Atlanta, I had an enormous exposure to many of them and it was Mr. Enrique Mercado who invited me to be part of his orchestra, which opened up for many great artists such as Celia Cruz, Ray Barreto, Grupo Niche, Eddie Palmieri, Conjunto Libre and the King of timbales Tito Puente. When I met them, I realized that they are devoted to people, prompted me to move forward in this career.

In musical and technical matters, what did these artists teach you?

Discipline and professionalism. Many people think that music is just entertainment, but those working on it see it as their profession. I also perceived the pride of providing entertainment for people, but always with quality. I understood that idea and started to apply this in my life.

Jai Ramos and family
Jai Ramos with all his family

What did you learn not to do?

Some of the musicians who accompanied orchestras had certain habits that I was able to observe and I became convinced that I did not wanted to copy them. Sooner or later, I knew that such habits would eventually affect anyone.

I want to clarify that I did not see these things in any of the artists. That is why they are so professional, since they always behave well, both on and off stage. At the same time, they are humble enough to speak directly to a person like me who approached them to ask questions and get some advice.

What led you to have a solo career after having belonged to several orchestras?

I’ve always loved to be a lead singer, but I wasn’t the only one in the orchestra. However, something I noticed while being part of an orchestra is that I was always subjected to the music projects of our musical director, which stopped me from implementing my own ideas and my own music. That’s why I ventured to pursue a solo career and implement what God has put in my heart and mind.

You had already told me about your most recent release “Seguimos Como El León”, a tribute to Angel Santos Junior. Why did it take you to embark on this project? Why pay tribute to Angel Santos Junior?

Thank you for that question. I want to keep giving credit where credit is due. Angel and I were very close friends and I’m using the past tense because unfortunately he passed away on 15 April 15 this year. When I came here to San Antonio, he was one of the first musicians I met and I shared with him in many performances. As I mentioned before, he and I were in the army at the same time.

One of the things Angel has achieved was to create many successful compositions. When I decide to launch my own project, one of the people that I had in mind to get an original song was Angel. When I called him and asked if he had something available, he told me that he only has one song, which was “Seguimos Como El León”. By that time, I knew he was having health problems, but I had no knowledge that he had already been evicted.

cover jai ramos
Cover of the song “Seguimos Como El León”

When I listened to the lyrics, I didn’t realize that he was giving a message about himself for when he left. Almost all of his compositions had a joking or small-town tone, but this one is a message of overcoming.

By the time we finished the song, maestro Nino Segarra and yours truly agreed to record the project, master it and record it. Then, I shared it with Angel so that he could listen to it and I told him that we gave him credit. Nino Segarra and I thought it was important that everyone who listened to the song always knew that it was one of his compositions.

When we were getting ready to do the release, we learned that he passed away. So, I proceeded to communicate with his family to ask permission from them to use his image and pay tribute to him with that song. They agreed, so I changed the cover and the title of the song to make it look like a posthumous tribute to Angel and thus to perpetuate his name.

What did you learn from Angel Santos artistically and musically?

He was my mentor in this release. I carried out the project, but he mentored me into most of the steps I followed. The biggest lesson I learned from him in the last years was how to be an independent producer and how to implement the ideas I had in mind.

You have songs with titles such as “Seguimos Como El León” and “Lo Que Dios Me Dio”. We can note that these songs are focused on bringing positive messages and about personal growth. Why are these aspects so important to you? Why reflect them in your music?

I am a servant of the Lord. In my spare time, I am a minister at a church. With all the things happening today, I felt in my heart that I had to be part of the solution and bring a positive message in the midst of what is going on.

My musical proposal is based on messages about personal growth with the idea of getting people closer to the Creator.

 

cover jai ramos lo que dios me dio
Cover of the song “Lo Que Dios Me Dio”

You can read: This is Roger Danilo Páiz Pérez from Danilo Y Su Orquesta Universal

Oscar D’León celebrates 50 years of career in Caracas “International Salsa Magazine says present”

In September, the greatest exponent of Venezuelan salsa in the world will celebrate five decades of brilliant artistic career with an international tour that will have as its main event, an impressive and awaited symphonic gala at the Teresa Carreño Theater. And for september 22 at the Forum in Valencia.

Miami, May 19, 2022. Undisputed legend of Caribbean music, Oscar D’León, the Sonero of the World, celebrates 50 years of successful artistic career with an international tour that will take him to different locations in the Americas and Europe this summer.

This tour, which will begin on June 20 in Mexico City, will continue in July with the “50th Anniversary Europa Tour 2022”, culminating in a spectacular symphonic gala at the iconic Teresa Carreño Theater, which, during two performances on September 16 and 17, will give his audience the opportunity to sing and dance to the music that has made him the most recognized and admired Venezuelan artist in the world over the course of five decades.

Acapulco, Arequipa, Santiago de Chile, Miami, Frankfurt, Munich, Berlin, Paris, Amsterdam, Madrid, Tenerife, London, Istanbul are some of the cities that will live the energizing experience of seeing him on stage, a real party for music lovers.

Deserving of hundreds of awards and recognitions, including five Latin Grammys, D’León has been nominated nine times for the U.S. Grammy, being the first Venezuelan to obtain such a statuette. He did it in 2001 thanks to the song “Cielito Lindo, La Negra Mariachi Medley” Featuring-Oscar D’Leon, included in a collection album: “Masterpiece/Obra Maestra de Tito Puente y Eddie Palmieri”.

In 2013, he received the Award for Musical Excellence, a special recognition granted by vote of the Board of Trustees of the Latin Recording Academy to artists who have made creative contributions of exceptional artistic importance in the field of recording during their careers.

A true prophet in his own land, this global artist who began writing his formidable musical history in 1972, at the age of 28, when he formed the Dimensión Latina Orchestra, promises to celebrate his half-century of career with an unforgettable show at the Teresa Carreño Theater, the most important in Caracas, organized by the Venezuelan companies Imagen Producciones and Oz Show, in alliance with the National Orchestra System of that country.

Important Notes

Venezuelan musician who is among the most outstanding authors and performers of salsa and Caribbean music in general. Oscar D’León’s professional career began late: legend has it that one night, while visiting a nightclub in 1973, he heard that the band playing there had been fired. Oscar seized the opportunity and offered his own band to replace the one that had left.

The owner accepted and hired him to start playing a few days later. There was only one problem: the band at that time consisted only of D’León himself. He quickly got in touch with trombonist César Monge, told him what had happened and both got down to work to put together a line-up.

The band was finally formed by Oscar (vocals and bass, an instrument he had taught himself to play), César Monge (trombone), José Rodríguez (percussion), Enrique Iriarte (piano) and José Antonio Rojas (trombone).

Thus was formed La Dimensión Latina, Oscar D’León’s first orchestra. “Pensando en ti” was the first of the orchestra’s long list of hits. Four years later, Óscar left the band and was replaced by Puerto Rican Andy Montáñez, a vocalist who sang with the Gran Combo de Puerto Rico. Óscar returned with his own orchestra, La Salsa Mayor, with which he recorded his first album, titled after the group’s name: La Salsa Mayor (1977). The work was a great success in his country, and little by little his name began to be heard on an international scale. The following year he recorded the album El Más Grande, which contained the songs “El baile del suavecito” and “Mi bajo y yo”, and shortly afterwards he made his first visit to New York to offer live performances.

Aside from being a great sonero, Oscar D’León is also an extraordinary showman. Almost always accompanied by his bass, with which he plays and dances as if they were a couple, Óscar moves around the stage with great skill. In Venezuela, Óscar D’León is an idol, not only as a singer and musician, but also as a model of a self-made man who, from a very humble position, achieves fame and success on an international scale.

He is considered one of the best interpreters of Afro-Latin music of all times and is undoubtedly among the Venezuelan artists with more projection abroad.

Despite having gone through several stages in the development of Latin music, Oscar D’León’s style, always unmistakable, has maintained some constants that have allowed him to ensure the loyalty of his wide audience. D’León has recorded with the most outstanding salsa stars; among his collaborations, which can be traced in more than fifty albums, stands out his participation in The Mambo King, the hundredth full-length album by the legendary Tito Puente.

Corresponsal: Lida. María Fernanda León

www.Sanjuanproducciones24.blogspot.com

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.