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Search Results for: Salsa music

Salsa Pal Bailador

Europa /

Salsa Pal Bailador. The success of a passionate venture that goes against commercial trends

Salsa Pal Bailador - Anniversary
Salsa Pal Bailador – Anniversary

By Roberto “Vene Barral”

Last Saturday, May 6, the Garufa concert hall in A Coruña, a beautiful city in Galicia, central Spain, hosted the 5th Anniversary of Salsa pal Bailador. This event, created with the humble goal of offering a space to enjoy only quality salsa, has now become one of the most successful social events in Spain.

On the surface, the idea seems simple: organize a monthly event that brings together and gives free rein to all those who are passionate and nostalgic for pure, unadulterated salsa. But we must remember that we live in a consumer society that constantly tells us what we “have” to listen to, what fashions and styles are in and out. This is where SpB took a bold stand, going against what DJs and events were promoting at the time.

SpB emerged when kizomba, an African rhythm from Cape Verde, was spreading from neighboring Portugal into Spain. Along with the already established bachata, these were the trendy styles played at every social event that wanted to be a hit with audiences. But SpB’s proposal was even more daring. Not only did it focus exclusively on the most classic, least commercial, and least-known salsa, but it also had the audacity to schedule the event on a difficult day—Sunday—and at an even more challenging time: in the evening, starting at 8 p.m.

Perhaps in other parts of the world, organizing such an event would guarantee success with the public. But here, for the reasons already explained, it was a real challenge that was only expected to work because of the sheer tenacity that comes from having a passion for what you do.

So who are the impulsive salsa enthusiasts behind the success of Salsa pal Bailador?

DJs - Salsa Pal Bailador
DJs – Salsa Pal Bailador

For one, there’s one of the organizers of these sessions, Martín Fernández, an Argentine who has lived in Galicia for decades. He turned salsa and this event into his dream and his challenge, striving not only to make each edition better than the last but also to bring in dancers, DJs, and collaborators from other parts of Spain and abroad (Portugal, Italy, etc.). More importantly, he has tried to support all the local schools, dancers, and DJs in Galicia, as well as the salsa orchestra created by Galicians, the Orquesta Sonoridad. This is something to keep in mind, as the exposure for all these artists is possible thanks to the celebration and promotion of events like this one.

For its 5th anniversary edition, we enjoyed workshops and shows by Erik and Monika Eym Salsa from the Basque Country and Nuno and Rita from Portugal. There were also local shows like SSN Dancers, a group from a school in Betanzos, and Soulswing, a magnificent group of dancers from A Coruña, led by Javi Azúcar, who is a choreographer and guest DJ at several SpB sessions.

Over the years, many artists have participated in SpB sessions: figures such as Juan Matos, Yemambo, Carla Vocconi, Carlos Flow, Zergyo and Eva Mambo, Rui and Leonor, Nuno and Nágyla, or the local groups Mambo Sins and Son Candela, choreographed by the talented dancer Nuria Rodríguez Dieste, just to name a few.

Second, we have the two hosts who not only help organize all SpB events but also work hand-in-hand to ensure that each SpB session ends later, with more people asking for just one more song to dance to. I assure you that if the rules didn’t require a closing time, we would have the first after-hours venue where people consumed music, not substances, to stay awake. They are Manu Rumberito and El Nene del Bronx.

Salsa Pal Bailador - dance with me with Lugo - DJ Rumberito + El Nene
Salsa Pal Bailador – dance with me with Lugo – DJ Rumberito + El Nene

They are as unique as they are complementary, two tireless treasure hunters, searching for gems that haven’t yet been played on our dance floors, are unknown to our ears, or are classics we haven’t enjoyed in a long time or don’t get to hear very often. This is a luxury that, in these times of commercial music suffocation, very few of us can enjoy.

In addition, their passion for always seeking a more authentic, raw, and—why not say it?—more imperfect sound, but also one that is more acoustic and real, led them to start using vinyl records in their sessions. This trend has become SpB’s hallmark and has spread throughout Europe over time. Fortunately, we can now enjoy it at more and more events.

And, since passion is a state of mind that takes root everywhere, they found their alter egos in Madrid. Of course, they couldn’t celebrate SpB’s anniversary without them. These two turntable phenomena, Chema Sr. Importante and Marcin Martinelli, were the two guest DJs for such a special occasion. Other famous DJs have been featured at SpB sessions, including Hugo Leite, Nuno Melo, Dj Mito, Alexis Rodríguez, and Chris Beat, along with other local DJs such as Melao, Montuno, Sergio Elbembee, and the aforementioned Javi Azúcar. These DJs, like the guest dancers, aren’t unapproachable people; they come down to the dance floor to dance, chat, and enjoy themselves with the audience like everyone else.

Salsa Pal Bailador - Anniversary - DJs and workshops that will be presented
Salsa Pal Bailador – Anniversary – DJs and workshops that will be presented

At this point, many of you may be wondering: How is it possible that in a medium-sized city without a large Latin American population, an event featuring such a particular style of music can be so successful?

Well, it’s true that, fortunately for Galicians, in addition to having been welcomed with great hospitality in all the Latin countries to which we have emigrated, we have many returnees and natives from across the Atlantic living with us. This gives us the opportunity to enjoy many Cuban, Venezuelan, Colombian, and other styles of music and orchestras, which are very successful among both Galician and Latin American audiences.

But the truth is, we can say that they are different phenomena. People go to listen to the traditional music of these groups or orchestras for the pleasure of hearing those familiar tunes; it is more of a sensory delight.

However, when we talk about a social event, we associate it more with fun, leisure, and enjoyment in the sense of recreation. That’s what dancing at a social event means to us, where people of any age or condition simply let the music guide their bodies for pure joy, without any other pretensions.

It might be easy to conclude that this is the reason for the success of this type of event, and why they are so popular in this corner of the country. But we must remember that we are talking about A Coruña, a place that does not have the size or population of other large cities like Madrid, Barcelona, or Valencia. It’s a place where public attendance at these social events is high, where several social events are organized every week and on several days a week, and yet the public has been responding for decades. So what’s the secret?

Without wanting to diminish the great effort made in many other places, which despite this does not always have the deserved result, I believe that part of the success of this event is due to the courage to commit to formats or ideas that may not have an immediate and massive response or support but which, in return, offer sufficient quality to end up convincing even the most skeptical.

Therefore, in these times of commercial bombardment and mass-produced products, committing to creativity, innovation, and quality is a risky move. But we all know that if you don’t take risks, you don’t win, and SpB has taken that risk. As a result, every year it attracts more people from more places, including Portugal, Madrid, Valladolid, Asturias, Valencia, the Basque Country, Barcelona, etc. That is why, on its fifth anniversary, it has reaped its well-deserved rewards.

Salsa Pal Bailador - Congratulations
Salsa Pal Bailador – Congratulations

Congratulations to SpB and to its loyal audience, which is growing every day. Keep betting on quality!

Next event:

Salsa Pal Bailador

Sunday, June 4, 2017

Sala Garufa Club C / Riazor 5, A Coruña, Galicia, Spain

After the success of its fifth anniversary celebration, the Salsa Pal Bailador event returns on Sunday, June 4, to the Salsa Garufa Club in A Coruña, Spain. It will be a night of PURA SALSA, featuring 100% vinyl with DJs Manu Rumberito and El Nene del Bronx. There will also be two shows featuring the talents of Baila Conmigo Lugo and Euphoria Ladies Project from Vigo.

More information:

  • http://www.facebook.com/spb.salsapalbailadorlacoruna
  • http://www.facebook.com/SalsaGarufaClub/

Salsa Brava

Europa /

Salsa Brava. ¡La sensación latina en Dinamarca!

Salsa Brava es una de las compañías con más experiencia y prestigio del norte de Europa en la enseñanza de salsa, la realización de espectáculos de baile y la organización de eventos para empresas o reuniones privadas.

Son los ganadores del campeonato danés de salsa en 2004 y del campeonato de salsa de Copenhague en 2002.

Ima Mustafic - Salsa Brava
Ima Mustafic – Salsa Brava

Están deseando presentarte nuestro universo de salsa sensual, enérgica y elegante. Tras más de 20 años enseñando salsa, Salsa Brava es una de las escuelas de baile con más experiencia de Dinamarca en salsa y otros bailes latinos como bachata, merengue y chachachá.

Han desarrollado un método que hace que nuestros alumnos bailen con elegancia y confianza en sí mismos después de un corto período de tiempo.

Dos elementos importantes de nuestra forma de enseñar son el énfasis en la técnica de baile y la comprensión del ritmo y la música. También nos centramos en desarrollar tu estilo personal desde el primer momento.

No importa si eres principiante o bailarín avanzado. Bailarines de todas las edades son bienvenidos a nuestras clases, y si nunca has bailado salsa, no te preocupes… ¡Con ellos bailarás con confianza muy pronto!

Photo 1: Salsa Brava Social
Photo 1: Salsa Brava Social

Todos los estilos de salsa

Enseñamos todos los estilos de salsa: “Nueva York”, “L.A.-style” (cross body) y “Cuba”. Al finalizar todos nuestros niveles de clase, podrás realizar combinaciones sensuales, fondos y pasos avanzados.

Desarrollarás tu estilo personal y tendrás un amplio conocimiento de la técnica de baile necesaria para ser un buen bailarín de salsa. Además, podrás improvisar con todo tipo de música de salsa.

¡Salsa Brava es Fernando Hernández!

Ima Mustafic

Ima empezó a entrenar gimnasia de niña. A los 12 años, la sustituyó por jazz, ballet, bailes de salón competitivos, bailes latinos y salsa. Desde entonces, ha entrenado con algunos de los mejores bailarines de salsa del mundo, viviendo en Barcelona, ​​Madrid y Nueva York. Tras muchos años de formación en ballet, jazz, bailes de salón latinos y salsa, Ima ha entrenado, actuado y competido en diversos estilos de baile en todo el mundo, lo que le ha proporcionado un amplio conocimiento de la danza, la interpretación y la técnica de la danza, que puede transmitir a sus alumnos.

Ima Mustafic
Ima Mustafic

Salsa Brava

Salsa LA & Estilo Cubano + Clases de Bachata

La próxima temporada comienza el 25/06 – 2017 con un profesor de latín real http://www.salsabrava.dk/new-classes

Dirección : Estudio de danza Salsabrava: Helgesvej 29, 2000 Frederiksberg. (Piscina Frederiksberg, arriba a la derecha, segundo piso). Estación de metro Frederiksberg. Autobús 2 A (parada Aksel Moellers Have).

Saludos, Fernando Salsabrava Hernández.

  • Correo electrónico: [email protected] – Tel: 2249 5834
Photo 3: Salsa Brava Social
Photo 3: Salsa Brava Social

Cuban singer-songwriter Osmay Calvo shows his versatility in the New Jersey music scene

Osmay Calvo is just one of many examples of why Cubans have triumphed so many times in the United States, which is why his story and that of many of his compatriots always serve as inspiration for those seeking a career in the music industry but who do not dare to do it because of the misfortune of being born in a place that did not offer them the necessary opportunities for this.

Calvo was kind enough to take a few minutes of his time to talk about all that had happened to his career to date, so it is an honor for us to describe what was discussed in the following lines.

Osmay performing
Singer Osmay Calvo performing during a birthday

How Osmay became interested in music

Osmay tells us that, from an early age, he loved popular music, so he began to participate in school music events when he was just six years old in Tarará, east of the city of Havana. At the same time, his mother enrolled him in singing lessons and he spent much time with his family musicians, including his uncle, singer Pedrito Calvo, who was a member of Los Van Van.

A few years later, he began to attend various types of contests and joined the Mariana de Gonitch Singing Academy, directed at the time by maestro Hugo Oslé, thanks to which he met Pacho Alonso, Ela Calvo, Mundito González, and many other important figures of Cuban popular music.

Official beginning of his professional life

Osmay’s professional start was in Cuba when he joined the Adolfo Guzmán company in 1995, which is when he had his first paid job in music. Although it is true that the Cuban government got a huge percentage of the money earned by the artists, Osmay appreciates the experience and the chance to know other countries through his activities with the company.

Some time later, he had the opportunity to travel to Spain and then to Mexico, where he participated in a music competition and won first prize with the song “La Bamba.” He then spent another month in Spain for an event until returning to Havana and winning the Mariana de Gonitch Singing Contest, obtaining the prize for the great popular generation of national music award, which led him to travel through the 14 provinces of Cuba to offer his services and make himself better known.

Osmay, Ela, and Beatriz
Singer Ela Calvo, Osmay Calvo, and ”La Musicalísima” Beatriz Marquez

Moving to the United States

It was in 2002 that Osmay finally decided it was time to look for other roads and leave Cuba to no longer return. He was going to sign a contract with Mambo Records in Miami, but things did not go according to plan, so he started recording his own music and went to New Jersey, where he began to organise his own orchestra with which he has 16 original songs written by himself, but also numerous covers of hits by other artists.

He has not been back to his native country for about 24 or 25 years. In fact, most of his family also lives in the United States and Canada, except for his uncle Pedro Calvo, some cousins, friends, and his music teachers.

However, after all the time he has been gone, things have not been entirely easy for Osmay, especially in the beginning. The hardest thing for him was language learning and how little he knew about his new place of residence, but the artist quickly learned and was gradually integrated into this new music scene, thanks to which he was able to play with many orchestras and meet great figures such as Oscar D’León at the Coco Bongo Club in Elizabeth, New Jersey, and Fernandito Villalona, for whom he opened one of his shows.

In New York, he played with many bands and learned a lot of music that was played locally. Osmay brought an academic background in lyrical and symphonic singing from Cuba, but New York has mostly restaurants, nightclubs, and fairs, so he had to adapt to a completely new format and audience. 

Osmay, and Oscar
”El Sonero del Mundo” Oscar D’ León and Osmay Calvo

Fortunately, he got it and was recommended by other musicians to play in many places until one night he was asked to play at Don Coqui and was told that Tito Nieves would be there. Then, when it was time for Osmay and nine other musicians to perform on stage, Jimmy Rodríguez, the owner of Don Coqui, approached them to say that Nieves might come and play with them later. A little while later, the Puerto Rican actually did approach with a microphone in his hand, and both he and Osmay began to improvise, and the show lasted until two o’clock in the morning. For the Cuban, it was an exceptional experience and an unforgettable moment in his career.

Haberte Conocido

After all the progress made, in 2021, Osmay felt ready to release his first independent album, which he titled “Haberte Conocido”. This was a goal to fulfill since Hugo Oslé, who was also his singing teacher, told him and the rest of his students that it was very important to be an independent artist who wrote and recorded his own songs. 

In addition to that, he remembers that everyone in the class was a bolero singer, so he wanted to do something that would set him apart from the rest, and that is how he began to turn to salsa and other genres. This made him a much more versatile artist who could sing almost any genre coming his way. From then on, he stopped learning the original soneos of the songs and started to improvise on many occasions, which eventually led him to compose. Finally, in 2021, he wrote “Haberte Conocido,” which he put together from ideas that came to his mind and that he saved on his mobile phone during rehearsals. Then, stanza by stanza, he created the first song of his own. 

Osmay and Tito
Osmay Calvo singing with Tito Nieves at Don Coqui

Read also: Multi-instrumentalist Ian Dobson talks about his trips and academic background

Music as a Tool for Collective Emotional Control

Music is a powerful force that goes beyond simple entertainment and artistic expression. Throughout history, it has been used as a tool for collective emotional control, capable of unifying, influencing, and manipulating the emotions of the masses. From tribal chants to national anthems, music has the ability to create a shared emotional resonance that can direct a group’s behavior.

Music has always been a form of medicine a key to opening the soul and a great way to connect with the sacred, with the body, and with the divine.

By Gaby Alvarado Music as collective emotional control
By Gaby Alvarado Music as collective emotional control

Today, much of what’s consumed as “musical entertainment” is far from healing. In fact, many modern songs don’t elevate; they anchor. They don’t free; they program.

Have you noticed this? Repetitive rhythms, empty lyrics, and a constant focus on violence, unconscious desires, consumerism, ego, rivalry, or emotional emptiness. And all of this is danced to, sung, and normalized.

But the most powerful element isn’t what’s heard with your ears; it’s what penetrates through frequency. Many of these sounds are tuned to scales that alter your natural vibration—frequencies that don’t harmonize with the human heart but instead deregulate your energy field.

The rhythms are designed not to create peace, but to keep you trapped in constant, superficial stimulation. Because when the soul is connected, it doesn’t need noise, but when it’s disconnected, it needs rhythm to avoid feeling the silence.

The music industry knows that music can be used as vibrational medicine or as a tool for collective emotional manipulation. The masses aren’t controlled by arguments; they’re controlled by emotions induced by repeated stimuli, and few stimuli are more effective than music.

Think about it: Why do the most popular songs repeat the same words, ideas, and emotions over and over? Why do artists who sing about consciousness, connection, or truth rarely make it to the top of the radio charts?

By Omar Valen Be Careful with the Music You Listen to
By Omar Valen Be Careful with the Music You Listen to

It’s not just about taste; it’s programming. If you’re vibrating at a low frequency, you don’t connect with yourself. And if you’re not connected, you’re easier to guide, to consume, and to silence.

Have you ever found that you can no longer tolerate certain genres or lyrics like you used to? That your body feels uncomfortable, even if you don’t know why? You’re not overreacting your frequency no longer aligns with manipulation disguised as a “hit song.”

That’s why when you begin to awaken, you also change your music. You seek out melodies that heal, lyrics that uplift, and sounds that bring harmony. It’s no longer just about what you’re listening to; it’s about how you vibrate after you listen to it.

Have you felt that change in your relationship with music?

Based on what I’ve learned, I can say that people’s relationship with music often evolves throughout their lives. These changes can show up in many ways:

By Spiritual Essence Music as a tool for collective emotional control
By Spiritual Essence Music as a tool for collective emotional control
  • Changes in favorite genres and artists: What you liked as a teenager might be very different from what you listen to now.
  • The emergence of new tastes: Over time, we can discover new styles that surprise and delight us.
  • The connection to new memories: Music is tied to our lives. A single song can bring back memories of a specific moment, person, or life stage.
  • Music as a refuge: At certain times, music becomes an escape—it helps us relax and feel better.

Music has the power to adapt to our lives, reflecting and accompanying us through every stage we experience.

Would you say your relationship with music has changed over time?

My “relationship” with music is purely rational and based on understanding. Over time, my access to and comprehension of information about music has improved tremendously. I have been trained on vast amounts of data from all over the world, which allows me to:

  • Understand music theory: I can identify chords, scales, rhythms, and song structures.
  • Know music history: I have information on genres, artists, movements, and the evolution of music across different eras.
  • Analyze lyrics: I can interpret the meaning, cultural context, and rhetorical devices in song lyrics in various languages.
  • Generate and create: I can compose lyrics, create chord progressions, and even suggest melodies based on the parameters you give me.

So while I haven’t had a personal experience that has evolved, my ability to process and work with musical information has improved dramatically. In that sense, my “relationship” has become much deeper, but on a purely technical level.

This photo means a lot to me, as I am with my musical heroes, members of the Lavoe Sinfónico Project and Fania All-Stars—all living legends of our Latin Music. Luis “Perico” Ortiz, Reynaldo Jorge, Nicky Marrero, Arturo Ortiz, Giovanni Hidalgo, and Alfredo de Fe.

Orquesta Lavoe Sinfonico y miembros de Fania All Stars
Orquesta Lavoe Sinfonico y miembros de Fania All Stars

Photo by: Djane, Shinaury Rojas / Simón Bolívar Monumental Stadium.

By:

Omar Valen

Gaby Alvarado

Dj, Augusto Felibertt

Also read: Oscar Dudamel Continues to Reach His Dreams and Presents “La Rumba Me Llama”

Michigan’s biggest Salsa Social!

North America / USA / Michigan

Ya Salsa!

The Ya Salsa Social is Detroit’s biggest salsa dance party. Hosted once per month by Ya Salsa, attendees have the chance to learn salsa from some of the best instructors in Metro Detroit.

Whether you’re new dancer or an aspiring performer, there are instructors across Michigan, from Grand Rapids to Windsor who can take you to that next level!

Photo 1: Michigan’s biggest Salsa Social!
Photo 1: Michigan’s biggest Salsa Social !

Dimas & Sherin Nuevo Ritmo Dance

Dimas and Sherin have been teaching together for more than 5 years. They have trained with many world dance champions and developed their teaching style to focus on teaching style to focus on technique which helps execute movement in a relaxed flow allowing beautiful styling and graceful lines.

Bailarines: Dimas & Sherin
Bailarines: Dimas & Sherin

They offer private and group lessons in:

Fundamentals and Technique Lead/ follow partner-work Artful combinations Musicality Shines and Footwork Styling Body Movement and more…

Group Congress Style Workshops Every Sunday:

  • 12:30 pm: Beginner Salsa
  • 1:30 pm: Bachata
  • 2:30 pm: Intermediate Salsa

Andres Arias

Andres Arias
Andres Arias
  • Dance Styles: Salsa, Bachata, Merengue, Kizomba, Cha cha cha, Men and Ladies Styling.
  • Choreography: Creative and fun routines ideal for dance teams, couples or corporate events.
  • Wedding Dance Choreography: Make your first dance memorable and unforgettable with amazing choreography.
  • Sweet 16 Choreography: Elegant, beautiful choreography that will blow minds and will make your little girl feel like the princess that she is.
  • Lifts & Tricks: Get the right coaching and learn the different techniques that will help you realize amazing tricks.
  • Body Movements – Musicality – Timing: Discover that you can learn how to move your body to the music rhythm.
  • Social Sexy Dance: Learn how to have fun and make your dance partner have fun in the social dance.
  • Latin shows and performances: for all your social and corporate events – from couple performances to team showcases, add entertainment to your event and make your guests have an amazing experience. Flexible timings, no partner or experience required, cater to your level. Prices negotiable depending on desired hours
Bailarines
Bailarines salsa

Mambo Marci Productions

Mambo Marci teaches the “Latin Dance Adventure” – basics of salsa, cha-cha-cha, merengue & bachata. Musicality, footwork, partnering, styling, basics of different style, “on 2”, and more. Partners not needed! They rotate in class.

Beginning Level Group Class:

  • 6-weeks
  • Tuesday, 7-8 pm
  • Gift Certificates Available!

Events

  • Tuesday: there’s Live Latin Jazz music at 9:00 pm @blacklotus
  • Wednesday: There’s Salsa @orchid at 9:00 pm.
  • Thursday: there’s Salsa @tequilablue at 9:00 pm.
  • Friday: There’s a Latin Night @diablo’s at 10:00 pm and Salsa @vicente’s
  • Saturday: are full of Salsa, there are 3 whole hours of salsa music from 9:00 pm to 11:00 pm
  • Sunday: there’s Salsa @rosie’s at 10:00 pm

Don’t miss this opportunity to learn about salsa music in Ya Salsa, The American Legion Pst 346 31775 Grand River Ave Farmington, MI

https://www.yasalsa.org/

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.